{"films":[{"id":5,"edition":{"id":1},"career_fr":"Beirut Art Film Festival BAFF, Liban (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Villa Flora, its Collectors, its Artists","title_original":"Villa Flora, its Collectors, its Artists","title_fr":"","title_en":"","year":2014,"length":4560,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Au d\u00e9but du XXe si\u00e8cle, la Villa Flora et son jardin \u00e0 Winterthur en Suisse ont \u00e9t\u00e9 transform\u00e9s par l\u2019architecte Robert Rittmeyer pour accueillir la collection de Nabis et de Fauves\u00a0du couple Hedy et Arthur Hahnloser :\u00a0Bonnard, Vallotton, Vuillard, Matisse, Rouault, Maillol, mais \u00e9galement Van Gogh, C\u00e9zanne et Redon.\u00a0La Villa Flora a d\u00fb fermer ses portes en 2014, faute de moyens. En voix off, Hans Robert Hahnloser, leur fils, \u00e9voque l'histoire de ce couple, leur passion pour un art encore peu reconnu \u00e0 l\u2019\u00e9poque et leur contribution \u00e0 la sc\u00e8ne culturelle de Winterthur.","synopsis_en":"At the beginning of the 20th century, the Villa Flora and its gardens in Winterthur, Switzerland were transformed by architect Robert Rittmeyer to house the Nabis and Fauvist collection of Hedy and Arthur Hahnloser:\u00a0Bonnard, Vallotton, Vuillard, Matisse, Rouault, Maillol, but also Van Gogh, C\u00e9zanne and Redon. Owing to a lack of funds, the Villa Flora closed in 2014. In a voice-over, their son Hans Robert Hahnloser relates the story of this couple, their passion for an art that was little-known at the time, and their contributions to the cultural landscape of Winterthur.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":10,"first_name":"Nathalie","last_name":"David","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/5\/photo\/nd2013.jpg","order":0}],"generic":[{"id":8,"first_name":"Nathalie","last_name":"David","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":15,"first_name":"Nathalie","last_name":"David","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":10,"first_name":"Vladyslav","last_name":"Sendecki","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":11,"first_name":"Stefan","last_name":"Kurt","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":4195,"first_name":"Bettina","last_name":"Hahnloser","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4196,"first_name":"Bernhard","last_name":"Hahnloser","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4197,"first_name":"R\u00fcdolf","last_name":"Jaggli","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4198,"first_name":"Lisbeth","last_name":"Lasserre-J\u00e4ggli","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4199,"first_name":"Verena","last_name":"Steiner-J\u00e4ggli","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":4200,"first_name":"Robert","last_name":"Steiner-J\u00e4ggli","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":4202,"first_name":"Beatrix","last_name":"Martz-Steiner","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":4203,"first_name":"Uriel","last_name":"Martz-Steiner","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":4204,"first_name":"Silia","last_name":"Martz-Steiner","post_fr":"Participation","post_en":"Participation","order":17,"post_order":39},{"id":4205,"first_name":"Theres","last_name":"Schwarz-Steiner","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":4206,"first_name":"Ava","last_name":"Baumhoff","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":4207,"first_name":"Emelie","last_name":"Christensen","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":4208,"first_name":"Angelika","last_name":"Affentranger-Kirchrath","post_fr":"Participation","post_en":"Participation","order":21,"post_order":39},{"id":4209,"first_name":"Karin","last_name":"Salm","post_fr":"Participation","post_en":"Participation","order":22,"post_order":39},{"id":4210,"first_name":"Dieter","last_name":"Thalmann","post_fr":"Participation","post_en":"Participation","order":23,"post_order":39},{"id":14,"first_name":"Nathalie","last_name":"David","post_fr":"Production","post_en":"Production","order":27,"post_order":4},{"id":3898,"first_name":"Nathalie","last_name":"David","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":12,"first_name":"Hilli","last_name":"Heimgruber","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":13,"first_name":"Jens","last_name":"Woernle","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":4193,"first_name":"Hedy","last_name":"Hahnloser","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":4194,"first_name":"Arthur","last_name":"Hahnloser","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":4211,"first_name":"Angelika","last_name":"Affentranger-Kirchrath","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":27969,"first_name":"Nathalie","last_name":"David","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/5\/photo\/Villa_flora_118tif.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":17,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Giovanni Segantini – Magie de la lumi\u00e8re","title_original":"Giovanni Segantini – Magie de la lumi\u00e8re","title_fr":"","title_en":"","year":2015,"length":4800,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix de la meilleure biographie, FIFA 2016<\/b>

Peintre, anarchiste, marginal et apatride, Giovanni Segantini (1858-1899) cr\u00e9a, la plupart du temps en plein air, des \u0153uvres monumentales repr\u00e9sentant la nature id\u00e9alis\u00e9e des paysages de haute montagne. Il n\u2019a cess\u00e9 de grimper toujours plus haut \u00e0 la recherche de la lumi\u00e8re et est mort \u00e0 41 ans dans un refuge alpin de l\u2019Engadine. Le film donne un aper\u00e7u de son enfance et de sa jeunesse difficiles, de ses crises d\u2019inspiration et de sa lutte d\u00e9sesp\u00e9r\u00e9e contre la mort.","synopsis_en":"Award for Best Biography, FIFA 2016<\/b>

A painter, anarchist and stateless outsider, Giovanni Segantini (1858-1899)\u00a0created monumental works, the majority of them in open-air, depicting idealized alpine landscapes. In his search for light he climbed higher and higher, and died at age 41 in a mountain hut in Engadin. The film looks back at his difficult childhood, his crises of inspiration and desperate fight against death.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":52,"first_name":"Christian","last_name":"Labhart","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/17\/photo\/Foto_Labhart_klein.jpg","order":0}],"generic":[{"id":2587,"first_name":"Pio","last_name":"Corradi","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2588,"first_name":"Annette","last_name":"Br\u00fctsch","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":2589,"first_name":"","last_name":"Carmina Quartett","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":2590,"first_name":"Jean-Luc","last_name":"Bideau","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":2591,"first_name":"Marthe","last_name":"Keller","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":2791,"first_name":"Christian","last_name":"Labhart","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":3182,"first_name":"Giovanni","last_name":"Segantini","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":27671,"first_name":"Christian","last_name":"Labhart","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/17\/photo\/Vergehen_1899.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":18,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Toujours artiste","title_original":"Toujours artiste","title_fr":"Artist for Life!","title_en":"","year":2015,"length":2760,"website":[{"id":12,"website":"http:\/\/toujours-artiste.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":13,"website":"http:\/\/bit.ly\/ToujoursArtiste","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":14,"website":"https:\/\/vimeo.com\/134445148","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"bande annonce courte","embed":""},{"id":15,"website":"http:\/\/www.bigdealproductions.com","type_id":7,"type_1":"Autre","type_2":"Other","description":"","embed":""},{"id":16,"website":"https:\/\/www.facebook.com\/NathalieDUCHARMEpage","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":354,"website":"http:\/\/toujours-artiste.com\/dossier-de-presse\/","type_id":5,"type_1":"Dossier de presse","type_2":"Press kit","description":"","embed":""},{"id":355,"website":"https:\/\/vimeo.com\/133839255","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"bande annonce longue","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Incursion dans la vie de quatre vedettes qu\u00e9b\u00e9coises des ann\u00e9es 1960, 1970 et 1980\u00a0: Kim Yaroshevskaya, inoubliable Fanfreluche du petit \u00e9cran, Muriel Millard (d\u00e9c\u00e9d\u00e9e en 2014) surnomm\u00e9e \u00ab Miss Music-hall \u00bb, Claude Steben, chanteur et animateur, et Ren\u00e9 Caron, le Todore Bouchonneau des Belles Histoires<\/i>. Bien qu\u2019ils ne soient plus sous les feux de la rampe, ces artistes t\u00e9moignent de leur passion pour leur m\u00e9tier.\u00a0","synopsis_en":"A look at the lives of four Quebec stars from the 1960s, 1970s and 1980s: Kim Yaroshevskaya, memorable as Fanfreluche from children's television, Muriel Millard (who died in 2014), nicknamed \"Miss Music Hall,\" Claude Steben, singer and television host, and Ren\u00e9 Caron, Todore Bouchonneau from Les<\/i>\u00a0Belles Histoires<\/i>. Although they are no longer in the spotlight, they speak about their passion for their craft.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":55,"first_name":"Nathalie","last_name":"Ducharme","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/18\/photo\/realisatrice-NatDucharme.jpg","order":0}],"generic":[{"id":58,"first_name":"Antoine","last_name":"Desjardins","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":66,"first_name":"Mireille","last_name":"Lacasse","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":67,"first_name":"Brigitte","last_name":"Poupart","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":63,"first_name":"Jocelyne","last_name":"Paul","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":62,"first_name":"Roger","last_name":"Sylvain","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":2765,"first_name":"Muriel","last_name":"Millard","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":2767,"first_name":"Kim","last_name":"Yaroshevskaya","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":2769,"first_name":"Claude","last_name":"Steben","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":2771,"first_name":"Ren\u00e9","last_name":"Caron","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":2782,"first_name":"Nathalie","last_name":"Ducharme","post_fr":"Production","post_en":"Production","order":17,"post_order":4},{"id":2783,"first_name":"Isabelle","last_name":"Fortier","post_fr":"Production","post_en":"Production","order":18,"post_order":4},{"id":68,"first_name":"Nathalie","last_name":"Ducharme","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":69,"first_name":"\u00c9ric","last_name":"Roy","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":70,"first_name":"Pascal","last_name":"Van Strydonck","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":2764,"first_name":"Muriel","last_name":"Millard","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":2766,"first_name":"Kim","last_name":"Yaroshevskaya","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":2768,"first_name":"Claude","last_name":"Steben","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":2770,"first_name":"Ren\u00e9","last_name":"Caron","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":27968,"first_name":"Nathalie","last_name":"Ducharme","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/18\/photo\/TOUJOURS_ARTISTE_-_Muriel_Millard3.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/18\/photo\/toujours_artiste_-_affiche.jpg","credit":"","desc":""}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":29,"edition":{"id":1},"career_fr":"IFAB Berlin, Allemagne (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016\r\n","career_en":"","embed":"","title_selected":"Soundhunters, A musical expedition","title_original":"Soundhunters, A musical expedition","title_fr":"Soundhunters, Une exp\u00e9dition musicale","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"Luxembourg","en":"Luxembourg"},{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix de la cr\u00e9ation, FIFA 2016<\/b>

Qui sont les artistes sonores d\u2019aujourd\u2019hui et o\u00f9 trouvent-il\u00b7elle\u00b7s leur inspiration avant-gardiste ?\u00a0De Londres \u00e0 Baltimore, en passant par Paris et Malm\u00f6, le duo fran\u00e7ais KIZ rencontre des c\u00e9l\u00e8bres \u00ab\u00a0chasseur\u00b7euse\u00b7s de sons\u00a0\u00bb comme le \u00ab master of samples \u00bb britannique Matthew Herbert, le groupe am\u00e9ricain \u00e0 g\u00e9om\u00e9trie variable Matmos, le compositeur fran\u00e7ais Chassol, l'homme-orchestre londonien Cosmo Sheldrake, Jean-Michel Jarre et enfin, Blixa Bargeld, membre fondateur des Einst\u00fcrzenden Neubauten, groupe b\u00e2tisseur de la musique industrielle.","synopsis_en":"Award for Best Creation, FIFA 2016<\/b>

Who are today's\u00a0avant-garde sound artists and where do they find their inspiration? From London to Baltimore, from Paris and Malm\u00f6, the French duo KIZ films encounters with famous \"soundhunters\" such as the British \"master of samples\" Matthew Herbert, the American group Matmos and its variable geometry, French composer Chassol, one-man-band Cosmo Sheldrake in London, Jean-Michel Jarre and Blixa Bargeld, a founding member of the Einst\u00fcrzenden Neubauten, pioneers of industrial music.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":91,"first_name":"B\u00e9ryl","last_name":"Koltz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3041,"first_name":"Jean-Louis","last_name":"Schuller","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3040,"first_name":"Aur\u00e9lien","last_name":"Guegan","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3052,"first_name":"","last_name":"Kiz","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":3054,"first_name":"Cosmo","last_name":"Sheldrake","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":3056,"first_name":"Matthew","last_name":"Herbert","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3058,"first_name":"","last_name":"Chassol","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3060,"first_name":"Blixa","last_name":"Bargeld","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3062,"first_name":"Magnus","last_name":"B\u00f6rjeson","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3064,"first_name":"Drew","last_name":"Daniel","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3066,"first_name":"Martin","last_name":"Schmidt","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3068,"first_name":"Joseph","last_name":"Bertolozzi","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3050,"first_name":"Jean-Michel","last_name":"Jarre","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3043,"first_name":"Nicolas","last_name":"Blies","post_fr":"Production","post_en":"Production","order":24,"post_order":4},{"id":3044,"first_name":"Fran\u00e7ois","last_name":"Le Gall","post_fr":"Production","post_en":"Production","order":25,"post_order":4},{"id":3045,"first_name":"Marion","last_name":"Guth","post_fr":"Production","post_en":"Production","order":26,"post_order":4},{"id":3046,"first_name":"St\u00e9phane","last_name":"Hueber-Blies","post_fr":"Production","post_en":"Production","order":27,"post_order":4},{"id":3042,"first_name":"Marc","last_name":"Thill","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":3049,"first_name":"Jean-Michel","last_name":"Jarre","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":3051,"first_name":"","last_name":"Kiz","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3053,"first_name":"Cosmo","last_name":"Sheldrake","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":3055,"first_name":"Matthew","last_name":"Herbert","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3057,"first_name":"","last_name":"Chassol","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3059,"first_name":"Blixa","last_name":"Bargeld","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3061,"first_name":"Magnus","last_name":"B\u00f6rjeson","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3063,"first_name":"Drew","last_name":"Daniel","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3065,"first_name":"Martin","last_name":"Schmidt","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3067,"first_name":"Joseph","last_name":"Bertolozzi","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":27716,"first_name":"B\u00e9ryl","last_name":"Koltz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/29\/photo\/shfilm_2_of_9.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/29\/photo\/soundhunters_affiche.jpg","credit":"","desc":""},{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/29\/photo\/C_shfilm_19_of_10.jpg","credit":"","desc":""}],"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":30,"edition":{"id":1},"career_fr":"","career_en":"Big Sky Documentary Film Festival, United States (2015)\r\nBiografilm Festival, Italy (2014)\r\nGenova Film Festival, Italy (2014)\r\nParma Music Film Festival, Italy (2014)\r\nMitreo Film Festival, Italy (2014)\r\n\r\nLast update in March 2016","embed":"","title_selected":"The Orchestra. Claudio Abbado and the musicians of the Mozart Orchestra","title_original":"The Orchestra. Claudio Abbado and the musicians of the Mozart Orchestra","title_fr":"","title_en":"","year":2014,"length":3540,"website":[{"id":388,"website":"https:\/\/vimeo.com\/67738565","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"password: abbado","embed":""}],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"Anglais","en":"English"},{"fr":"Allemand","en":"German"},{"fr":"","en":""}],"synopsis_fr":"L'Orchestra Mozart, fond\u00e9 \u00e0 Bologne en 2004, constitue la derni\u00e8re aventure musicale du chef Claudio Abbado (1933-2014). Il rassemble les plus grand\u00b7e\u00b7s musicien\u00b7ne\u00b7s classiques du monde, m\u00ealant jeunes artistes prometteur\u00b7euse\u00b7s \u00e0 des solistes r\u00e9put\u00e9\u00b7e\u00b7s. Le film, \u00e9tay\u00e9 d'une entrevue in\u00e9dite avec Abbado et d'extraits de concert, suit les musicien\u00b7ne\u00b7s en tourn\u00e9e europ\u00e9enne en 2013 et donne un aper\u00e7u in\u00e9dit de la vie des membres d\u2019un orchestre et du travail m\u00e9ticuleux d\u2019un grand maestro.\u00a0","synopsis_en":"The Mozart Orchestra, founded in Bologna in 2004, was the last musical project of conductor\u00a0Claudio Abbado (1933-2014). It\u00a0brings together the best classical music performers in the world, with promising young artists playing alongside established soloists. 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Lost in Translation","title_original":"Il \u00e9tait une fois... Lost in Translation","title_fr":"","title_en":"","year":2015,"length":3060,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"Japonais","en":"Japanese"},{"fr":"","en":""}],"synopsis_fr":"La gen\u00e8se, l\u2019histoire et le succ\u00e8s inopin\u00e9 du deuxi\u00e8me film de Sofia Coppola, sorti en 2003. Ce film d\u2019auteur, \u00e0 petit budget, sur la br\u00e8ve rencontre romantique \u00e0 Tokyo entre deux Am\u00e9ricains,\u00a0remportera l\u2019Oscar du meilleur sc\u00e9nario, le C\u00e9sar du meilleur film \u00e9tranger et le Golden Globe du meilleur acteur pour Bill Murray. 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longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":50,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Les visiteurs du Louvre","title_original":"Les visiteurs du Louvre","title_fr":"","title_en":"","year":2014,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"Allemagne","en":"Germany"},{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""}],"languages":[{"fr":"Russe","en":"Russian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Film\u00e9 au moment du tournage de\u00a0Francofonia, le Louvre sous l\u2019Occupation \u2013\u2013\u00a0<\/i>un r\u00e9cit-fiction qui explore les relations entre l'art et la guerre \u2013\u2013, ce document d\u00e9voile la relation unique d'Alexandre Sokourov avec l\u2019art et le cin\u00e9ma. La cam\u00e9ra capte des moments inoubliables avec le r\u00e9alisateur, travaillant avec ses acteur\u00b7ice\u00b7s parmi les tr\u00e9sors du c\u00e9l\u00e8bre mus\u00e9e. Sokourov a d\u00e9j\u00e0 consacr\u00e9 des films \u00e0 l\u2019Histoire, \u00e0 la peinture et aux mus\u00e9es, notamment\u00a0L\u2019Arche russe.<\/i>\u00a0","synopsis_en":"Filmed during the shooting of Francofonia, The Louvre under German Occupation \u2013\u2013\u00a0<\/i>a docudrama \u00a0that explores the relationship between art and war\u2014this film reveals Alexandre Sokourov's unique rapport with art and cinema. The camera captures unforgettable moments as the filmmaker works with his actors among the treasures at the celebrated museum. Sokourov has already made films about history, painting and museums, such as Russian Ark.<\/i>\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":169,"first_name":"G\u00e9rald","last_name":"Caillat","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/50\/photo\/photo_G_Caillat.jpg","order":0}],"generic":[{"id":204,"first_name":"G\u00e9rald","last_name":"Caillat","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":214,"first_name":"Etienne","last_name":"Carton De Grammont","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":205,"first_name":"G\u00e9rald","last_name":"Caillat","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":2716,"first_name":"Alexandre","last_name":"Sokourov","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":2839,"first_name":"Pierre-Olivier","last_name":"Bardet","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":2842,"first_name":"Els","last_name":"Vandevorst","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":2843,"first_name":"Thomas","last_name":"Kufus","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":203,"first_name":"G\u00e9rald","last_name":"Caillat","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":213,"first_name":"Andr\u00e9","last_name":"Rigaut","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":212,"first_name":"Fran\u00e7ois","last_name":"Walesdish","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":2717,"first_name":"Alexandre","last_name":"Sokourov","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":27685,"first_name":"G\u00e9rald","last_name":"Caillat","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/50\/photo\/alexandre_et_la_Meduse_Bruno_Delbonnel.jpg","credit":"\u00a9Bruno Delbonnel","desc":"Alexander Sokurov et le Radeau de la M\u00e9duse"},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":51,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Horea Pastina - The State of Thingsr","title_original":"Horea Pastina - The State of Thingsr","title_fr":"Horea Pastina - Starea Lucrurilo","title_en":"","year":2015,"length":2520,"website":[],"countries":[{"fr":"Roumanie","en":"Romania"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Roumain","en":"Romanian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Incursion dans l\u2019atelier du peintre roumain r\u00e9put\u00e9 Horea Pastina (n\u00e9 en 1946). 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His canvases depict the vegetation of an ideal garden, perhaps even the Garden of Eden: his flowers are not only beautiful, radiant and colourful, but induce a kind of meditation.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":173,"first_name":"Laurentiu","last_name":"Damian","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/51\/photo\/Foto_L_Damian.jpg","order":0}],"generic":[{"id":3644,"first_name":"Florian","last_name":"Varna","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3645,"first_name":"Florian","last_name":"V\u00eelsan","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3646,"first_name":"Zoran","last_name":"Simulov","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":3643,"first_name":"Danut","last_name":"Padure","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3641,"first_name":"Cosmi","last_name":"Lupan","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":3640,"first_name":"Laurentiu","last_name":"Damian","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":3642,"first_name":"Corneliu","last_name":"Ulici","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":3647,"first_name":"Marilena","last_name":"Iliesiu","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3639,"first_name":"Laurentiu","last_name":"Damian","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4562,"first_name":"Horea","last_name":"Pastina","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":27673,"first_name":"Laurentiu","last_name":"Damian","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/51\/photo\/C_Pastina_29.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":57,"edition":{"id":1},"career_fr":"The American Dance Film Festival, Durham, Etats-Unis (2015) \r\nThe Detroit Dance City Festival, D\u00e9troit, Etats-Unis (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"The American Dance Film Festival, Durham, USA (2015) \r\nThe Detroit Dance City Festival, Detroit, USA (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"Place in Motion","title_original":"Place in Motion","title_fr":"","title_en":"","year":2015,"length":600,"website":[],"countries":[{"fr":"Hong Kong","en":"Hong Kong"},{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 1<\/b>

Un diptyque chor\u00e9graphique in situ en r\u00e9ponse aux enjeux artistiques, sociaux et culturels entourant la mise en valeur de l'espace public. Le film s\u2019appuie sur une recherche exhaustive analysant les liens entre mouvement, nature et comportements humains dans l\u2019espace public. \u00a0La r\u00e9alisatrice a s\u00e9journ\u00e9 dans 55 villes et a film\u00e9 des improvisation de danse inspir\u00e9es de ces villes dans 16 pays depuis 2011.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

A site-specific choreographic project addressing the artistic, social and cultural issues involved in reclaiming a public space. The film is based on research examining the connections between movement, nature and human behaviour in public sites. Since 2011, the director visited 55 cities in 16 countries, recording dance improvisations inspired by these urban settings.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":199,"first_name":"Judy","last_name":"Yiu","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/57\/photo\/MG_0790.JPG","order":0}],"generic":[{"id":253,"first_name":"Judy","last_name":"Yiu","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":257,"first_name":"Judy","last_name":"Yiu","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":1,"post_order":49},{"id":254,"first_name":"Judy","last_name":"Yiu","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":256,"first_name":"Judy","last_name":"Yiu","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":4940,"first_name":"Judy","last_name":"Yiu","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":28044,"first_name":"Judy","last_name":"Yiu","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/57\/photo\/IMG_6979.JPG","credit":"Photo by Frankie Leung on December 27, 2014","desc":"Improvisation in Quarry bay, Hong Kong"},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":59,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"The Bishop, the Architect and the Baldachin. Gaudi in the Mallorca Cathedral","title_original":"The Bishop, the Architect and the Baldachin. Gaudi in the Mallorca Cathedral","title_fr":"","title_en":"","year":2015,"length":3300,"website":[{"id":348,"website":"https:\/\/vimeo.com\/112376896","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Espagne","en":"Spain"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Catalan","en":"Catalan"},{"fr":"Anglais","en":"English"},{"fr":"Espagnol","en":"Spanish"},{"fr":"","en":""}],"synopsis_fr":"La silhouette de la cath\u00e9drale de Majorque domine la M\u00e9diterran\u00e9e. Cette \u00e9glise, commenc\u00e9e au XIVe si\u00e8cle, porte l'empreinte des g\u00e9n\u00e9rations d'artistes et d'artisan\u00b7e\u00b7s qui s'y sont succ\u00e9d\u00e9.\u00a0Antoni Gaud\u00ed, \u00ab l'architecte de Dieu \u00bb, cr\u00e9ateur de la Sagrada Fam\u00edlia \u00e0 Barcelone, l'un des b\u00e2timents les plus embl\u00e9matiques du monde, y travailla\u00a0de 1904 \u00e0 1914 et y\u00a0insuffla son g\u00e9nie cr\u00e9atif, \u00e0 la demande de l'\u00e9v\u00eaque d'alors, Pere Joan Campins. Pour lui, ce chef-d'\u0153uvre gothique \u00e9tait un \u00ab po\u00e8me \u00e9crit dans la pierre \u00bb.\u00a0","synopsis_en":"The silhouette of the Majorca Cathedral dominates the Mediterranean skyline. Construction of this church began in the fourteenth century and bears the mark of successive generations of artists and craftsmen. Antoni Gaud\u00ed, nicknamed \"God's architect\" and creator of the Sagrada Fam\u00edlia (Barcelona), one of the world's most iconic buildings, worked on the Cathedral from 1904 to 1914, contributing his creative genius to the project at the behest of\u00a0then-bishop Pere Joan Campins.\u00a0\u00a0Gaud\u00ed considered this Gothic building to be \"a poem written in stone.\"\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":206,"first_name":"Cesc","last_name":"Muleet","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/59\/photo\/mulet_foto_CV_BN.jpg","order":0}],"generic":[{"id":258,"first_name":"Jaume","last_name":"Caldentey","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":262,"first_name":"Angel","last_name":"Garc\u00eda","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":261,"first_name":"Jaume","last_name":"Tugores","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":269,"first_name":"Roberto","last_name":"Gourlay","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":3246,"first_name":"Jordi","last_name":"Bonet","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3248,"first_name":"Daniel","last_name":"Giralt-Miracle","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3250,"first_name":"Rafael","last_name":"Moneo","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3252,"first_name":"Catalina","last_name":"Mas","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3254,"first_name":"Miquel","last_name":"Barcel\u00f3","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3256,"first_name":"Merc\u00e8","last_name":"Gamb\u00fas","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3258,"first_name":"Teodor","last_name":"Suau","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3260,"first_name":"Gabriel Janer","last_name":"Manila","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3255,"first_name":"Pere","last_name":"Fullana","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3243,"first_name":"N\u00faria","last_name":"Cano","post_fr":"Production","post_en":"Production","order":24,"post_order":4},{"id":3244,"first_name":"Barbara","last_name":"Ferrer","post_fr":"Production","post_en":"Production","order":25,"post_order":4},{"id":266,"first_name":"Cesc","last_name":"Mulet","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":268,"first_name":"Elena","last_name":"Ortega","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3245,"first_name":"Jordi","last_name":"Bonet","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":3247,"first_name":"Daniel","last_name":"Giralt-Miracle","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3249,"first_name":"Rafael","last_name":"Moneo","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3251,"first_name":"Catalina","last_name":"Mas","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3253,"first_name":"Miquel","last_name":"Barcel\u00f3","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3257,"first_name":"Merc\u00e8","last_name":"Gamb\u00fas","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3259,"first_name":"Gabriel Janer","last_name":"Manila","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3262,"first_name":"Antoni","last_name":"Gaud\u00ed","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":27961,"first_name":"Cesc","last_name":"Mulet","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/59\/photo\/Gaudi_3.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":63,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Sharing Through the Generations","title_original":"Sharing Through the Generations","title_fr":"Le chemin partag\u00e9","title_en":"","year":2015,"length":1320,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Mohawk","en":"Mohawk"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 2014, les chefs du Conseil de bande et les autorit\u00e9s gouvernementales\u00a0d\u2019Akwesasne et du Qu\u00e9bec initient un projet unique.\u00a0Natasha Smoke Santiago, une artiste Mohawk habitant \u00e0 Akwesasne, et John Ryan, un artiste\u00a0de la Vall\u00e9e-du-Haut-Saint-Laurent, doivent produire des toiles, chacun\u00b7e d\u2019eux repr\u00e9sentant les traditions de l\u2019autre communaut\u00e9.\u00a0Le documentaire examine le travail de ces artistes et leur trajectoire, leur amiti\u00e9, leur amour de l\u2019art et de la culture, et comment leur exp\u00e9rience peut-\u00eatre partag\u00e9e \u00e0 travers les g\u00e9n\u00e9rations.","synopsis_en":"In 2014, Akwesasne\u00a0band council chiefs and Quebec government officials launched a unique project. Natasha Smoke Santiago, a Mohawk artist living in Akwesasne, and John Ryan, an artist from Quebec's\u00a0Vall\u00e9e-du-Haut-Saint-Laurent, would work to produce\u00a0paintings depicting each other's traditions.\u00a0This is the story of the artists' journey, about friendships, about love for art and culture, and how knowledge\u00a0can be shared across generations.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":220,"first_name":"Alain","last_name":"Boisvert","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/63\/photo\/NB_C_Alain-1.jpg","order":0}],"generic":[{"id":284,"first_name":"Alain","last_name":"Boisvert","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":286,"first_name":"Alain","last_name":"Boisvert","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":282,"first_name":"Daibhid","last_name":"Fraser","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":280,"first_name":"Genticorum","last_name":"Le Cascou","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":283,"first_name":"Kevin","last_name":"MacLeod","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":281,"first_name":"Les Chauffeurs \u00c0 Pied","last_name":"Reel En Sol","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":3359,"first_name":"John","last_name":"Ryan","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3361,"first_name":"Natasha","last_name":"Smoke Santiago","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3358,"first_name":"John","last_name":"Ryan","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":3360,"first_name":"Natasha","last_name":"Smoke Santiago","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27956,"first_name":"Alain","last_name":"Boisvert","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/63\/photo\/Sharing_03-1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":67,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Roger D'Astous","title_original":"Roger D'Astous","title_fr":"","title_en":"","year":2016,"length":6240,"website":[{"id":34,"website":"http:\/\/etiennedesrosiers.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Les r\u00e9alisations exceptionnelles de Roger D\u2019Astous (1926-1998), \u00e0 travers ses client\u00b7e\u00b7s et collaborateur\u00b7ice\u00b7s et gr\u00e2ce \u00e0 des archives in\u00e9dites. L\u2019un des plus importants architectes canadiens du XXe si\u00e8cle, \u00e9l\u00e8ve de Frank Lloyd Wright, D\u2019Astous travailla toute sa vie \u00e0 fonder une architecture nordique. Il a con\u00e7u deux symboles montr\u00e9alais, le Ch\u00e2teau Champlain et le Village olympique. D\u2019Astous tomba en disgr\u00e2ce avant de rena\u00eetre dans les ann\u00e9es 1980.","synopsis_en":"The remarkable achievements of Roger D\u2019Astous (1926-1998), as seen through the eyes of his clients and colleagues, based on unpublished archives. One of Canada's leading architects in the 20th century and a student of Frank Lloyd Wright, D\u2019Astous devoted his life to defining a nordic architecture. He designed two Montreal symbols: the Ch\u00e2teau Champlain hotel and the Olympic Village. D\u2019Astous fell from grace but experienced a rennaissance in the 1980s.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":236,"first_name":"\u00c9tienne","last_name":"Desrosiers","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/67\/photo\/8906_photo_real.jpg","order":0}],"generic":[{"id":298,"first_name":"St\u00e9phane","last_name":"Ivanov","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":296,"first_name":"Etienne","last_name":"Desrosiers","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3793,"first_name":"Emmanuel","last_name":"Schwarz","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":304,"first_name":"Henri","last_name":"Brillon","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3186,"first_name":"Roger","last_name":"D'Astous","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":303,"first_name":"Yves","last_name":"Deschamps","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":301,"first_name":"Guy R.","last_name":"Legault","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":300,"first_name":"Serge","last_name":"Savard","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":302,"first_name":"France","last_name":"Vanlaethem","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3786,"first_name":"Michel","last_name":"Catrice","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3791,"first_name":"Francine","last_name":"Grimaldi","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3792,"first_name":"Luc","last_name":"Durand","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":2785,"first_name":"\u00c9tienne","last_name":"Desrosiers","post_fr":"Production","post_en":"Production","order":21,"post_order":4},{"id":294,"first_name":"\u00c9tienne","last_name":"Desrosiers","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":305,"first_name":"Louis","last_name":"Desparois","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3187,"first_name":"Roger","last_name":"D'Astous","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3188,"first_name":"Yves","last_name":"Deschamp","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":3189,"first_name":"France","last_name":"Vanlaethem","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3785,"first_name":"Henri","last_name":"Brillon","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3787,"first_name":"Luc","last_name":"Durand","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3789,"first_name":"Guy R.","last_name":"Legault","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":27715,"first_name":"\u00c9tienne","last_name":"Desrosiers","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/67\/photo\/DAstous-5.JPG","credit":"p7v inc.","desc":"Village olympique, D'Astous-Durand Architectes, Montr\u00e9al, 1974"},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":69,"edition":{"id":1},"career_fr":"FID Marseille, France (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"La collection qui n'existait pas | The Collection That Did Not Exist","title_original":"La collection qui n'existait pas | The Collection That Did Not Exist","title_fr":"","title_en":"","year":2014,"length":5580,"website":[{"id":37,"website":"http:\/\/www.vimeo.com\/127263962","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Grand Prix, FIFA 2016 <\/b>

En juin 2011, Herman Daled d\u00e9cide de se s\u00e9parer de sa\u00a0collection d\u2019art conceptuel.\u00a0Sa collection acquise par le MoMA de New York comprend des pi\u00e8ces ma\u00eetresses de l'art conceptuel,\u00a0la plus importante collection d\u2019\u0153uvres de Marcel Broodthaers et des \u0153uvres historiques de Daniel Buren, Niele Toroni, On Kawara, Dan Graham, Sol LeWitt et d\u2019autres.\u00a0Explorant ce mouvement\u00a0qui a marqu\u00e9 la seconde moiti\u00e9 du XXe si\u00e8cle, le film\u00a0choisit de tendre un miroir entre un homme et une philosophie.","synopsis_en":"Grand Prize, FIFA 2016 <\/b>

In June 2011, Herman Daled decided to sell off his collection of conceptual art. Acquired by MoMA in New York, it included masterworks by Marcel Broodthaers and historical pieces by Daniel Buren, Niele Toroni, On Kawara, Dan Graham, Sol LeWitt and others. Exploring this aesthetic and philosophic movement that marked the second half of the 20th century, this film holds up a mirror to a man and a philosophy.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":244,"first_name":"Joachim","last_name":"Olender","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/69\/photo\/photo_J_Olender.jpg","order":0}],"generic":[{"id":313,"first_name":"Vincent","last_name":"Pinckaers","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":314,"first_name":"Yannick","last_name":"Leroy","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3286,"first_name":"Herman","last_name":"Daled","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":3289,"first_name":"Daniel","last_name":"Buren","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":3290,"first_name":"Jacques","last_name":"Charlier","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3292,"first_name":"Christophe","last_name":"Cherix","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3295,"first_name":"Nicole","last_name":"Daled-Verstraeten","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3297,"first_name":"Chris","last_name":"Dercon","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3299,"first_name":"Dick","last_name":"Snauwaert","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":2868,"first_name":"Marion","last_name":"H\u00e4nsel","post_fr":"Production","post_en":"Production","order":23,"post_order":4},{"id":3287,"first_name":"Herman","last_name":"Daled","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":3288,"first_name":"Daniel","last_name":"Buren","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":3291,"first_name":"Jacques","last_name":"Charlier","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":3293,"first_name":"Christophe","last_name":"Cherix","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":3294,"first_name":"Nicole","last_name":"Deld-Verstraeten","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3296,"first_name":"Chris","last_name":"Dercon","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":3298,"first_name":"Dick","last_name":"Snauwaert","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3303,"first_name":"Marcel","last_name":"Broodthaers","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3304,"first_name":"Niele","last_name":"Toroni","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3305,"first_name":"On","last_name":"Kawara","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3306,"first_name":"Dan","last_name":"Graham","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3307,"first_name":"Sol","last_name":"LeWitt","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":27678,"first_name":"Joachim","last_name":"Olender","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/69\/photo\/FICHE01.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":73,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Nous autres, les autres","title_original":"Nous autres, les autres","title_fr":"","title_en":"","year":2016,"length":4980,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix de la meilleure \u0153uvre canadienne, ex-aequo, FIFA 2016<\/b>

Ce film choral suit le parcours de cinq cr\u00e9ateur\u00b7ice\u00b7s \u00e0 travers leurs activit\u00e9s th\u00e9\u00e2trales dans diff\u00e9rents quartiers de Montr\u00e9al de l\u2019automne 2014 \u00e0 l\u2019\u00e9t\u00e9 2015. En d\u00e9couvrant les coulisses de Polyglotte <\/i>d\u2019Olivier Choini\u00e8re, de Moi, dans les ruines rouges du si\u00e8cle<\/i> d\u2019Olivier Kemeid et de Un, deux, trois,<\/i> la trilogie identitaire de Mani Soleymanlou, le film brosse le portrait d\u2019une nouvelle g\u00e9n\u00e9ration d\u2019auteur\u00b7ice\u00b7s, auxquel\u00b7le\u00b7s s'ajoutent Emmanuel Schwartz et le com\u00e9dien Sasha Samar, soucieux de traduire les complexit\u00e9s du monde contemporain.","synopsis_en":"Award for Best Canadian Film, ex-aequo, FIFA 2016<\/b>

This film follows five theatre artists through their activities in various Montreal neighbourhoods, from the fall of 2014 to the summer of 2015. Going behind the scenes of Olivier Choini\u00e8re's\u00a0Polyglotte,\u00a0<\/i>Olivier Kemeid's\u00a0Moi, dans les ruines rouges du si\u00e8cle<\/i>\u00a0 and\u00a0Un, deux, trois,<\/i>\u00a0Mani Soleymanlou's\u00a0trilogy about identity, the film presents a portrait of a new generation of playwrights, long with Emmanuel Schwartz and actor Sasha Samar, who are striving to interpret the complexities of the modern world.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":258,"first_name":"Jean-Claude","last_name":"Coulbois","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/73\/photo\/NB_Jean-Claude_Coulbois.jpg","order":0}],"generic":[{"id":324,"first_name":"Annie","last_name":"Jean","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":328,"first_name":"Larsen","last_name":"Lupin","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":2909,"first_name":"Olivier","last_name":"Choini\u00e8re","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2911,"first_name":"Olivier","last_name":"Kemeid","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2913,"first_name":"Sasha","last_name":"Samar","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":2915,"first_name":"Mani","last_name":"Soleymanlou","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":2917,"first_name":"Emmanuel","last_name":"Schwartz","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":2918,"first_name":"Nicole","last_name":"Hubert","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":2919,"first_name":"Bernadette","last_name":"Payeur","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":327,"first_name":"Dominique","last_name":"Chartrand","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":2908,"first_name":"Olivier","last_name":"Choini\u00e8re","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":2910,"first_name":"Olivier","last_name":"Kemeid","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":2912,"first_name":"Sasha","last_name":"Samar","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":2914,"first_name":"Mani","last_name":"Soleymanlou","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":2916,"first_name":"Emmanuel","last_name":"Schwartz","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":27686,"first_name":"Jean-Claude","last_name":"Coulbois","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/73\/photo\/P6151511_-_copie.JPG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":76,"edition":{"id":1},"career_fr":"25 FPS Festival, Zagreb, Croatie (2015)\r\nPoitiers Film Festival, Poitiers, France (2015)\r\nMedFilm Festival, Rome, Italie (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"25 FPS Festival, Zagreb, Croatia (2015)\r\nPoitiers Film Festival, Poitiers, France (2015)\r\nMedFilm Festival, Rome, Italy (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"The Park","title_original":"Le parc","title_fr":"","title_en":"The Park","year":2015,"length":840,"website":[{"id":41,"website":"https:\/\/www.facebook.com\/LE-PARK-Randa-Maroufi-1060871190607799\/timeline\/","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"Maroc","en":"Morocco"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Arabe","en":"Arabic"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Une lente d\u00e9ambulation dans un parc d\u2019attractions abandonn\u00e9 au c\u0153ur de Casablanca. Le film brosse d\u2019une part un portrait des jeunes qui fr\u00e9quentent ce lieu, et met en sc\u00e8ne, d\u2019autre part, ces dur\u00e9es de vie, minutieusement recompos\u00e9es et souvent inspir\u00e9es d\u2019une d\u2019image trouv\u00e9e sur les r\u00e9seaux sociaux.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

A slow meander through an abandoned amusement park in the heart of Casablanca. On one hand, the film presents a portrait of the youths who frequent this place. On the other, it exposes snapshots of their lives, meticulously reframed and often inspired by images found on social networks.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":269,"first_name":"Randa","last_name":"Maroufi","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/76\/photo\/Randa_Maroufi3.jpg","order":0}],"generic":[{"id":346,"first_name":"Luca","last_name":"Coassin","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":345,"first_name":"Randa","last_name":"Maroufi","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":343,"first_name":"Eric","last_name":"Prigent","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":341,"first_name":"Randa","last_name":"Maroufi","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4720,"first_name":"","last_name":"Le Fresnoy - Studio National Des Arts Contemporains","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":28024,"first_name":"Randa","last_name":"Maroufi","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/76\/photo\/LE_PARK_2.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/76\/photo\/LE_PARK_AFFICHE.jpg","credit":"","desc":""}],"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":79,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Golden Shot","title_original":"Golden Shot","title_fr":"Altin Vurus","title_en":"","year":2015,"length":520,"website":[],"countries":[{"fr":"Turquie","en":"Turkey"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Des machines rouill\u00e9es vivent dans de petites maisons et pensent que le soleil va venir les chercher pour les emmener dans le ciel. Une petite lumi\u00e8re les maintient en vie et les fait r\u00eaver. Mais l\u2019une d\u2019entre elles veut voir le soleil par ses propres moyens et a un plan.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

Rusty machines living in their small houses imagine that the sun will one day come and take them to the sky. A small light keeps them alive and dreaming. But one of the machines wants to see the sun on its own, and has a plan.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":279,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/79\/photo\/Director_Photo_-_Gokalp_Gonen.jpg","order":0}],"generic":[{"id":4649,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Animation","post_en":"Animation","order":1,"post_order":70},{"id":4651,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4650,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4917,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4648,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4918,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28010,"first_name":"G\u00f6kalp","last_name":"G\u00f6nen","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/79\/photo\/Copy_of_film_sc3.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/79\/photo\/sonEl-_0-00-00-00.jpg","credit":"","desc":""}],"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":81,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Yearning for the Presence | Ringen um die Gegenwart","title_original":"Yearning for the Presence | Ringen um die Gegenwart","title_fr":"","title_en":"","year":2015,"length":3540,"website":[{"id":424,"website":"http:\/\/www.inpetto-filmproduktion.de\/en_EN\/film\/ringen-um-die-gegenwart.61283","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 2008, l'Op\u00e9ra national de Stuttgart commandait \u00e0 Mark Andre\u00a0un op\u00e9ra mis en sc\u00e8ne par Jossi Wieler et Sergio Morabito, dont le sujet s'inspire d\u2019une histoire ayant fascin\u00e9 le compositeur depuis son enfance\u00a0: la disparition de J\u00e9sus de Nazareth. Le personnage principal de l'op\u00e9ra auquel Mark Andre a travaill\u00e9 pendant sept ans est le philosophe et th\u00e9ologien allemand Johannes Reuchlin (1455-1522), sp\u00e9cialiste de la Kabbale juive au XVe si\u00e8cle. Le film suit le processus de cr\u00e9ation de Wunderzaichen<\/i>, sous la direction musicale de Sylvain Cambreling, qui a connu un grand succ\u00e8s critique et public.","synopsis_en":"In 2008, the Staatsoper Stuttgart commissioned Mark Andre to write an opera directed by Jossi Wieler and Sergio Morabito. The subject derived from a tale that had fascinated the composer since childhood: the disappearance of Jesus from Nazareth. The main character of this opera, which was seven years in the making, was German theologian Johannes Reuchlin (1455-1522), a specialist in the Kabbalah of the 15th century. The film follows the creation of Wunderzaichen<\/i>, under the musical direction of Sylvain Cambreling, which was acclaimed by critics and public alike.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":285,"first_name":"Uli","last_name":"Aum\u00fcller","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/81\/photo\/Der_Regisseur_48_Lindow.JPG","order":0}],"generic":[{"id":4892,"first_name":"Jean-Christophe","last_name":"Blavier","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4893,"first_name":"Uli","last_name":"Aum\u00fcller","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4894,"first_name":"Sophie","last_name":"Schricker","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":4895,"first_name":"J\u00f6rg","last_name":"Lohner","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":4904,"first_name":"Matthias","last_name":"Klink","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":3,"post_order":49},{"id":4906,"first_name":"Andr\u00e9","last_name":"Jung","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":4,"post_order":49},{"id":4908,"first_name":"Claudia","last_name":"Barainsky","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":5,"post_order":49},{"id":4910,"first_name":"Kora","last_name":"Pavelic","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":6,"post_order":49},{"id":4912,"first_name":"Maria Theresa","last_name":"Ullrich","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":7,"post_order":49},{"id":4896,"first_name":"Uli","last_name":"Aum\u00fcller","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4901,"first_name":"Mark","last_name":"Andre","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4914,"first_name":"Sergio","last_name":"Morabito","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":4916,"first_name":"Jossi","last_name":"Wieler","post_fr":"Participation","post_en":"Participation","order":3,"post_order":39},{"id":4899,"first_name":"Hanne","last_name":"Kaisik","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4900,"first_name":"Mark","last_name":"Andre","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4902,"first_name":"Johannes","last_name":"Reuchlin","post_fr":"Artiste","post_en":"Artist","order":2,"post_order":50},{"id":4903,"first_name":"Matthias","last_name":"Klink","post_fr":"Artiste","post_en":"Artist","order":3,"post_order":50},{"id":4905,"first_name":"Andr\u00e9","last_name":"Jung","post_fr":"Artiste","post_en":"Artist","order":4,"post_order":50},{"id":4907,"first_name":"Claudia","last_name":"Barainsky","post_fr":"Artiste","post_en":"Artist","order":5,"post_order":50},{"id":4909,"first_name":"Kora","last_name":"Pavelic","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":4911,"first_name":"Maria Theresa","last_name":"Ullrich","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":4913,"first_name":"Sergio","last_name":"Morabito","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":4915,"first_name":"Jossi","last_name":"Wieler","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":4897,"first_name":"","last_name":"Inpetto Filmproduktion","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":4898,"first_name":"","last_name":"Moving Angel Film Production","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":27973,"first_name":"Uli","last_name":"Aum\u00fcller","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/81\/photo\/Situation_01_02_002_001.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":87,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Caravage","title_original":"Caravage","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le Caravage (1571-1610) a connu une vie br\u00e8ve et violente. Dix ann\u00e9es de succ\u00e8s \u00e0 Rome, des commanditaires riches et puissant\u00b7e\u00b7s, un caract\u00e8re vif et irascible, une attirance pour les bas-fonds et les querelles, plusieurs fois emprisonn\u00e9, condamn\u00e9 \u00e0 mort pour meurtre, contraint de fuir Rome, traqu\u00e9, en cavale, il meurt \u00e0 39 ans.\u00a0L\u2019\u0153uvre telle qu\u2019on la conna\u00eet aujourd\u2019hui est une renaissance, le fruit du travail d'historien\u00b7ne\u00b7s. Sur plus de 500 toiles qu\u2019on lui attribuait, trois si\u00e8cles apr\u00e8s sa mort, moins de 50 \u00e9taient r\u00e9ellement autographes. Le film part en qu\u00eate de\u00a022 \u0153uvres majeures, \u00e0 Rome, Malte, Paris, Rouen et Montpellier.","synopsis_en":"The life of Caravaggio (1571-1610) was brief and violent. After ten years of triumphs in Rome, lucrative commissions from powerful sources, a dangerous attraction to the lowest depths of society, endless quarrels, several imprisonments, a death sentence for murder and a forced exile on the run, this quick-tempered and irascible man died at the age of 39.\u00a0His oeuvre as we know it today stems from the tireless work of historians. Of the more than 500 canvases attributed to him three centuries after his death, less than fifty were actually his. This film investigates 22 major works in Rome, Malta, Paris, Rouen and Montpellier.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2400,"first_name":"Jean-Michel","last_name":"Meurice","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/87\/photo\/034-MEURICE-Jean-Michel_11200x650_bw.jpg","order":0}],"generic":[{"id":4793,"first_name":"Valentin","last_name":"Caron","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4791,"first_name":"G\u00e9rard","last_name":"Cohen-Tannugi","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":4794,"first_name":"Philippe","last_name":"Faure","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":4795,"first_name":"Anna","last_name":"Flori-Lamour","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":4781,"first_name":"Sybille","last_name":"Ebert-Schifferer","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":4783,"first_name":"Michel","last_name":"Laclotte","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":4786,"first_name":"Michel","last_name":"Hilaire","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4790,"first_name":"Fabienne","last_name":"Servan Schreiber","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":4792,"first_name":"Laurence","last_name":"Miller","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":4796,"first_name":"Em\u00e9lie","last_name":"De Jong","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":4788,"first_name":"","last_name":"Le Caravage","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":4780,"first_name":"Sybille","last_name":"Ebert-Schifferer","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":4782,"first_name":"Michel","last_name":"Laclotte","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":4785,"first_name":"Michel","last_name":"Hilaire","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":27771,"first_name":"Jean-Michel","last_name":"Meurice","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/87\/photo\/Le_joueur_de_Luth.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":95,"edition":{"id":1},"career_fr":"","career_en":"Palm Springs International Film Festival, United States (2015)\r\nNewport Beach Film Festival, United States (2015)\r\nSan Diego Film Festival, United States (2015)\r\nResene Architecture & Design Film Festival, New Zealand (2015)\r\nWinnipeg Architecture & Design Film Festival, Canada (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"The Nature of Modernism: E. Stewart Williams, Architect","title_original":"The Nature of Modernism: E. Stewart Williams, Architect","title_fr":"","title_en":"","year":2014,"length":4740,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Lorsque Frank Sinatra entre dans le cabinet de l'architecte E. Stewart Williams (1909-2005) \u00e0 Palm Springs en mai 1947, il souhaite une maison de style g\u00e9orgien dans le d\u00e9sert. Avec tact, Williams le convainc du bien-fond\u00e9 de la modernit\u00e9. Sinatra acquiesce. La r\u00e9sidence de Sinatra a inaugur\u00e9 une vague de b\u00e2timents\u00a0r\u00e9sidentiels, civiques, acad\u00e9miques et institutionnels con\u00e7us au milieu du XXe si\u00e8cle qui d\u00e9finissent encore aujourd'hui le paysage de la vall\u00e9e de Coachella.","synopsis_en":"When Frank Sinatra walked in to the offices of architect E. Stewart Williams (1909-2005) in Palm Springs in May 1947,\u00a0he wanted a Georgian-style house in\u00a0the desert. Williams tactfully convinced him of the benefits of modernism. Sinatra went for it. The house\u00a0was the first in a string of residential, civic, academic and institutional icons designed in the mid-twentieth century that define the look and feel of the Coachella Valley even today.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":335,"first_name":"Jake","last_name":"Gorst","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/95\/photo\/Photo-of-Jake_Gorst.jpg","order":0}],"generic":[{"id":405,"first_name":"Jake","last_name":"Gorst","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":409,"first_name":"Jake","last_name":"Gorst","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":410,"first_name":"Hayes","last_name":"Greenfield","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":2888,"first_name":"H. 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La relation incandescente entre l'art et le sexe tarif\u00e9. Cocottes, courtisanes, demi-mondaines, filles de joie...\u00a0Au tournant du XXe si\u00e8cle \u00e0 Paris, les prostitu\u00e9es,\u00a0muses d\u2019un genre particulier, inspirent de nouveaux d\u00e9fis \u00e0 la modernit\u00e9 picturale\u00a0et \u00e0 la litt\u00e9rature \u2013 on pense \u00e0 la Nana <\/i>de Zola.\u00a0De Manet \u00e0 Picasso en passant par Degas, Van Gogh et Toulouse-Lautrec, les peintres qui les repr\u00e9sentent s\u2019affranchissent des r\u00e8gles acad\u00e9miques et trouvent de nouvelles voies.","synopsis_en":"Award for Best Television Film, FIFA 2016<\/b>

The incandescent relationship between art and prostitution. Courtesans, trollops, demimondaines...\u00a0At the turn of the 20th century in Paris, these muses of a particular genre presented new challenges to modern painting and literature\u2014Zola\u2019s Nana<\/i> comes to mind. 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Will this neighbourhood\u2014named after the street of the same name, the oldest commercial artery in North America\u2014become Quebec City\u2019s first eco-neighbourhood?","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":396,"first_name":"Isabelle","last_name":"De Blois","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/113\/photo\/isabelledeBlois-festival.jpg","order":0}],"generic":[{"id":472,"first_name":"Isabelle","last_name":"De Blois","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":473,"first_name":"Josiane","last_name":"Lapointe","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":475,"first_name":"L\u00e9vy","last_name":"Bourbonnais","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":477,"first_name":"Isabelle","last_name":"De Blois","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":2735,"first_name":"G\u00e9rard","last_name":"Paris","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2734,"first_name":"Jacques","last_name":"De Blois","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":471,"first_name":"Pauline","last_name":"Voisard","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":470,"first_name":"Isabelle","last_name":"De Blois","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2733,"first_name":"Jacques","last_name":"De Blois","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27893,"first_name":"Isabelle","last_name":"De Blois","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/113\/photo\/PC-large_boulevard_drone.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":114,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"\u00c0 tout hasard : Pierre Bourgault et Lalie Douglas","title_original":"\u00c0 tout hasard : Pierre Bourgault et Lalie Douglas","title_fr":"","title_en":"","year":2015,"length":1380,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Une aventure \u00e0 travers le\u00a0gigantesque parc de cr\u00e9ations que constitue\u00a0l\u2019art public au Qu\u00e9bec, une proposition d\u2019une perspective nouvelle et actuelle sur les arts visuels, les m\u00e9tiers d\u2019art et les nouveaux m\u00e9dias. Nous d\u00e9couvrons deux artistes de g\u00e9n\u00e9rations diff\u00e9rentes,\u00a0Pierre Bourgault et Lalie Douglas, uni\u00b7e\u00b7s par des questionnements similaires.","synopsis_en":"This exploration of the vast collection of creations that constitute Quebec\u2019s public art provides fresh perspectives on the visual arts, arts and crafts and new media. We discover two artists from different generations, Pierre Bourgault and Lalie Douglas, who are united by similar approaches","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":400,"first_name":"Suzanne","last_name":"Guy","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/114\/photo\/ATH_Photo_Suzanne_Guy.jpg","order":0}],"generic":[{"id":611,"first_name":"Philippe","last_name":"Lavalette","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":613,"first_name":"Jean-Guy","last_name":"Dup\u00e9r\u00e9","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":614,"first_name":"Jean-Fran\u00e7ois","last_name":"Carrier","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2631,"first_name":"Lalie","last_name":"Douglas","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2629,"first_name":"Pierre","last_name":"Bourgault","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3309,"first_name":"Che","last_name":"Bourgault","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3310,"first_name":"Marie-\u00c8ve","last_name":"Brisson","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3311,"first_name":"Kolya","last_name":"Vesac","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":2808,"first_name":"Vic","last_name":"Pelletier","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":2809,"first_name":"Vincent","last_name":"Leroux","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":2810,"first_name":"Robert","last_name":"Tremblay","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":2811,"first_name":"Fran\u00e7ois","last_name":"Trudel","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":610,"first_name":"Suzanne","last_name":"Guy","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":612,"first_name":"Olivier","last_name":"L\u00e9ger","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":2630,"first_name":"Lalie","last_name":"Douglas","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":2628,"first_name":"Pierre","last_name":"Bourgault","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":4995,"first_name":"David","last_name":"Thomas","post_fr":"Composition","post_en":"Music","order":1,"post_order":66},{"id":27762,"first_name":"Suzanne","last_name":"Guy","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/114\/photo\/Pierre_Bourgault_Latitude_longitude_jpg_-_copie.jpg","credit":"","desc":"Longitude Latitude"},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":119,"edition":{"id":1},"career_fr":"Philadelphia Screendance Festival, USA (2016)\r\nColortape International Film Festival, Australie (2016)\r\nMykonos Biennale, Gr\u00e8ce (2015)\r\nFilm Society of Lincoln Center Dance on Camera Festival, USA (2015)\r\nKatra Film Festival, USA (2015)\r\nSoutheastern Film Festival, USA (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"Philadelphia Screendance Festival, USA (2016)\r\nColortape International Film Festival, Australia (2016)\r\nMykonos Biennale, Greece (2015)\r\nFilm Society of Lincoln Center Dance on Camera Festival, USA (2015)\r\nKatra Film Festival, USA (2015)\r\nSoutheastern Film Festival, USA (2015)\r\n\r\nLast update in March 2016\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","embed":"","title_selected":"Hamadryad","title_original":"Hamadryad","title_fr":"","title_en":"","year":2014,"length":507,"website":[{"id":428,"website":"http:\/\/www.jeanerdmandance.com\/film","type_id":0,"type_1":null,"type_2":null,"description":"Click on \"Bios\" on the menu bar - pour obtenir les bios des r\u00e9als","embed":""}],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 1<\/b>

Une danseuse, ou peut-\u00eatre une nymphe de bois, r\u00e9p\u00e8te seule dans un studio de New York, en osmose avec la for\u00eat qui a inspir\u00e9 sa danse, sur Syrinx<\/i>, une \u0153uvre pour fl\u00fbte de Claude Debussy.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

A dancer, or perhaps a wood nymph, rehearses alone in a New York studio, enchanting\u00a0 herself back into the forest that inspired her dance. Set to Syrinx<\/i>, a piece for solo flute by Claude Debussy.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":419,"first_name":"Nancy","last_name":"Allison","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/119\/photo\/Nancyportraitjacket300res.jpg","order":0},{"id":420,"first_name":"Paul","last_name":"Allman","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/119\/photo\/PaulsPic.jpg","order":0}],"generic":[{"id":4859,"first_name":"Glen","last_name":"Mordeci","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4856,"first_name":"Miki","last_name":"Orihara","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":1,"post_order":49},{"id":4860,"first_name":"Paul","last_name":"Allman","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4855,"first_name":"Claude","last_name":"Debussy","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4857,"first_name":"Paul","last_name":"Allman","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4858,"first_name":"Nancy","last_name":"Allison","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":4861,"first_name":"","last_name":"Almanic","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":4854,"first_name":"Jean","last_name":"Erdman","post_fr":"Chor\u00e9graphie","post_en":"Choreography","order":1,"post_order":48},{"id":28011,"first_name":"Nancy","last_name":"Allison","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":28012,"first_name":"Paul","last_name":"Allman","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/119\/photo\/Hama_still_16RES.jpg","credit":"Glen Mordechi","desc":"Miki Orihara in Hamadryad"},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":131,"edition":{"id":1},"career_fr":"","career_en":"Overview of some festivals: \r\n\r\nFestival de Cine y Vino \"Ciudad de la Solana\" (Spain)\r\nFincortex - Festival Internacional De Cortometrajes Experimentale Tunja (Colombia)\r\nCertamen Internaciolan de Cortos Ciudad de Soria (Spain)\r\nPremio del Publico y Premio Jurado Major (Spain)\r\nFestival Iberoamericano de Cortometrajes ABC.ES (Spain)\r\nTrani Film Festival (Italie)\r\n\r\nLast update in March 2016","embed":"","title_selected":"Foley Artist","title_original":"Foley Artist","title_fr":"","title_en":"","year":2013,"length":1080,"website":[],"countries":[{"fr":"Espagne","en":"Spain"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un bruiteur qui se sp\u00e9cialise dans les effets Foley (recr\u00e9ation des effets sonores pour un film o\u00f9 le son n'a pas \u00e9t\u00e9 directement enregistr\u00e9 pendant les prises de vue) a un accident qui\u00a0le cloue \u00e0 la maison pendant quelques jours. Pendant ce temps, sa jolie voisine d'en face, qui vient d'arriver dans le quartier, devient sa nouvelle muse.\u00a0Et s'il cr\u00e9ait la bande son de sa vie quotidienne ?","synopsis_en":"A sound technician who specializes in Foley effects (recreating sounds for a film not directly recorded during shooting) has an accident that\u00a0leaves him housebound for a few days. During that time, an attractive woman across the street, who has just moved into the neighbourhood, becomes his new muse. What if he created the soundtrack for his daily life?","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":461,"first_name":"Toni","last_name":"Bestard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/131\/photo\/director.jpg","order":0}],"generic":[{"id":4011,"first_name":"Edu","last_name":"Biurrun","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4014,"first_name":"Diego","last_name":"Ingold","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":5,"post_order":49},{"id":4015,"first_name":"Neus","last_name":"Cort\u00e9s","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":6,"post_order":49},{"id":4016,"first_name":"Joan Miquel","last_name":"Artigues","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":7,"post_order":49},{"id":4013,"first_name":"Toni","last_name":"Bestard","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4010,"first_name":"Toni","last_name":"Bestard","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4012,"first_name":"Rub\u00e9n","last_name":"P\u00e9rez","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":27623,"first_name":"Toni","last_name":"Bestard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/131\/photo\/01.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/131\/photo\/cartel.jpg","credit":"","desc":""}],"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":154,"edition":{"id":1},"career_fr":"Arquiteturas Film Festival Lisbon, Portugal (2015)\r\nArchitecture Film Festival Rotterdam, Pays-Bas (2015)\r\nMilano Design Film Festival, Italie (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Misleading Innocence (tracing what a bridge can do)","title_original":"Misleading Innocence (tracing what a bridge can do)","title_fr":"","title_en":"","year":2014,"length":3000,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019histoire controvers\u00e9e de la planification urbaine et des politiques \u00e0 l\u2019\u0153uvre dans la r\u00e9alisation d\u2019un ensemble de ponts enjambant les promenades des parcs de Long Island, New York, command\u00e9s dans les ann\u00e9es 1920 et 1930. L\u2019histoire sugg\u00e8re que les ponts furent con\u00e7us dans le but d\u2019emp\u00eacher le passage des autobus, ne permettant ainsi qu'aux classes moyennes et sup\u00e9rieures poss\u00e9dant une voiture\u00a0d'acc\u00e9der\u00a0aux espaces de loisirs de Long Island.\u00a0Le film explore les questions que soul\u00e8ve ce cas c\u00e9l\u00e8bre avec quatre sp\u00e9cialistes qui en\u00a0ont d\u00e9battu dans les ann\u00e9es 1980 et 1990.","synopsis_en":"The controversial story of the urban planning and politics at work in the building of a series of overpasses that span the parkways of Long Island, New York, commissioned\u00a0in the 1920s and 1930s. The story suggests the bridges were designed to prevent the passage of buses, thereby allowing only people who could afford a car to access Long Island\u2019s recreational\u00a0areas. The film explores the\u00a0interpretations of the design\u00a0by four scholars who debated the matter in the 1980s and 1990s.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":544,"first_name":"Francesco","last_name":"Garutti","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/154\/photo\/Photo_Francesco_Garutti.jpg","order":0},{"id":2317,"first_name":"Shahab","last_name":"Mihandoust","artist_name":"","company":"","function":"","biography_fr":"Auteur, réalisateur et monteur, Shahab Mihandoust est un cinéaste originaire de Téhéran et basé à Montréal, détenteur d’un baccalauréat des beaux-arts en production cinématographique, ainsi que d’une maîtrise en informatique.","biography_en":"Author, director and editor Shahab Mihandoust is a Tehran-born filmmaker based in Montreal. He holds a bachelor of fine arts in film production and a master's in computer science. \u00a0
\u00a0","filmography_fr":"Platform<\/i> (2013) ; Too Far Too Close <\/i>(2013); A Few Years Old<\/i> (2014) ;\u00a0Violette <\/i>(2016).","filmography_en":"","image":null,"order":0}],"generic":[{"id":661,"first_name":"Mehrdad","last_name":"Azmin","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":662,"first_name":"Erin","last_name":"Weisgerber","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":672,"first_name":"Francesco","last_name":"Garutti","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":673,"first_name":"Shahab","last_name":"Mihandoust","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":3994,"first_name":"Bruno","last_name":"Latour","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3997,"first_name":"Steve","last_name":"Woolgar","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3999,"first_name":"Lee E.","last_name":"Koppelman","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4001,"first_name":"Langdon","last_name":"Winner","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":667,"first_name":"Bernward","last_name":"Joerges","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":670,"first_name":"Ron","last_name":"Kudla","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":671,"first_name":"Frank","last_name":"Bandiero","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":4994,"first_name":"Andrew","last_name":"Goodhouse","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":657,"first_name":"Francesco","last_name":"Garutti","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4004,"first_name":"Shahab","last_name":"Mihandoust","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3995,"first_name":"Bruno","last_name":"Latour","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":666,"first_name":"Steve","last_name":"Woolgar","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3998,"first_name":"Lee E.","last_name":"Koppelman","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":4000,"first_name":"Langdon","last_name":"Winner","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":4002,"first_name":"Bernward","last_name":"Joerges","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":27900,"first_name":"Francesco","last_name":"Garutti","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/154\/photo\/Misleading_Innocence_image_5.jpg","credit":"\u00a9 Francesco Garutti","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":155,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"L'art fait du bien 2 – cirque et th\u00e9\u00e2tre","title_original":"L'art fait du bien 2 – cirque et th\u00e9\u00e2tre","title_fr":"","title_en":"","year":2016,"length":4500,"website":[{"id":224,"website":"https:\/\/vimeo.com\/130115523","type_id":11,"type_1":"Vimeo","type_2":"Vimeo","description":"extrait","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le film suit des gens pour qui les planches de th\u00e9\u00e2tre ont \u00e9t\u00e9 une planche de salut. Jessica, qui souffre de probl\u00e8mes de sant\u00e9 mentale ; Jacinte, affect\u00e9e par un grave accident vasculaire c\u00e9r\u00e9bral ; la famille Nadeau de Thetford Mines, qui pratique le th\u00e9\u00e2tre amateur ; Maude, adulte \u00e0 mobilit\u00e9 r\u00e9duite ; Alejandro, bourlingueur et marginal d\u00e9barqu\u00e9 d\u2019Argentine ; et enfin, Shantey, une jeune Atikamekw. Des artistes t\u00e9moignent \u00e9galement de la place qu\u2019occupe l\u2019art dans leur vie et dans la soci\u00e9t\u00e9.","synopsis_en":"The stage has been a veritable life raft for some people: Jessica, who suffers from mental health problems; Jacinte, who had a severe stroke; the Nadeau family from Thetford Mines, who practise amateur theatre; Maude, an adult with reduced mobility; Alejandro, a globetrotter and marginal from Argentina; and finally Shantey, a young Atikamekw native. Artists also discuss the role that art plays in their lives and in society as a whole.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":547,"first_name":"Jean-S\u00e9bastien","last_name":"Ouellet","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/155\/photo\/JSO_credit_Maude_Chauvin.JPG","order":0}],"generic":[{"id":678,"first_name":"Vanessa","last_name":"Abadhir","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":677,"first_name":"J\u00e9rome","last_name":"Laflamme","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":676,"first_name":"Louis-Martin","last_name":"Paradis","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":4979,"first_name":"Jean-S\u00e9bastien","last_name":"Ouellet","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":675,"first_name":"Jean-S\u00e9bastien","last_name":"Ouellet","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":4214,"first_name":"Alejandro","last_name":"Barrios","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4215,"first_name":"Jacinte","last_name":"Giroux","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4216,"first_name":"Maude","last_name":"Massicotte","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4217,"first_name":"Germain","last_name":"Nadeau","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4219,"first_name":"Louis-\u00c9tienne","last_name":"Nadeau","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4220,"first_name":"Shantey","last_name":"Petiquay Bellemare","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":4221,"first_name":"Jessica","last_name":"Sarraf","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":4222,"first_name":"Dominic","last_name":"Champagne","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":4225,"first_name":"Daniele","last_name":"Finzi Pasca","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":4227,"first_name":"Michel","last_name":"Tremblay","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":4228,"first_name":"Lorraine","last_name":"Pintal","post_fr":"Participation","post_en":"Participation","order":17,"post_order":39},{"id":4231,"first_name":"Sylvie","last_name":"Moreau","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":4233,"first_name":"Benoit","last_name":"McGinnis","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":4218,"first_name":"Emmanuelle","last_name":"Nadeau","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":674,"first_name":"Jean-S\u00e9bastien","last_name":"Ouellet","post_fr":"Production","post_en":"Production","order":26,"post_order":4},{"id":681,"first_name":"Emanuele","last_name":"Setticasi","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":680,"first_name":"Rebecca","last_name":"Bleau-Cyr","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":4223,"first_name":"Dominic","last_name":"Champagne","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":4224,"first_name":"Daniele","last_name":"Finzi Pasca","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":4226,"first_name":"Michel","last_name":"Tremblay","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":4229,"first_name":"Lorraine","last_name":"Pintal","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":4230,"first_name":"Sylvie","last_name":"Moreau","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":4232,"first_name":"Benoit","last_name":"McGinnis","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":27887,"first_name":"Jean-S\u00e9bastien","last_name":"Ouellet","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/155\/photo\/L_Art_fait_du_bien_2_Illustration_LINO_3.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":163,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Andrew Milne Dreams of Machines","title_original":"Andrew Milne Dreams of Machines","title_fr":"","title_en":"","year":2015,"length":1800,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Portrait rythm\u00e9 d'Andrew John Milne, un artiste de Winnipeg qui travaille avec les nouveaux m\u00e9dias, le cin\u00e9ma, la photographie et la performance. Milne construit des machines cin\u00e9tiques en utilisant des moyens num\u00e9riques. Le film explore la philosophie de cet artiste \u00e0 l\u2019imagination d\u00e9bordante, passionn\u00e9 par la machine, qui repousse les limites de l\u2019art m\u00e9canique avec ses zoetropes et sa camera obscura g\u00e9ante. Milne est le fondateur du Museum of New Ideas, une exposition itin\u00e9rante et un studio mobile.","synopsis_en":"A visually striking and fast-paced portrait of Winnipeg artist and designer Andrew Milne. Working in the fields of new media, film, photography and performance, Milne digitally constructs kinetic machines. The film explores the philosophy of this boundlessly imaginative artist who is obsessed with machines, who pushes the limits of mechanical art with his zoetropes and giant camera obscura. He is the founder of the Museum of New Ideas, a mobile media art exhibition and studio space.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":577,"first_name":"Patrick","last_name":"Lowe","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":713,"first_name":"Patrick","last_name":"Lowe","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":710,"first_name":"Patrick","last_name":"Lowe","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":711,"first_name":"Greg","last_name":"Lowe","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":712,"first_name":"Andrew John","last_name":"Milne","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4057,"first_name":"Cam","last_name":"Bennett","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4058,"first_name":"Andrew John","last_name":"Milne","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":27765,"first_name":"Patrick","last_name":"Lowe","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/163\/photo\/Andrew_Milne_03.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":164,"edition":{"id":1},"career_fr":"Festival Internacional Filmes Sobre Art, Lisbonne Portugal (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"Festival Internacional Filmes Sobre Art, Lisbon Portugal (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"Jamian Juliano-Villani's Painting Compulsion","title_original":"Jamian Juliano-Villani's Painting Compulsion","title_fr":"","title_en":"","year":2015,"length":361,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Les livres qui hantent son atelier de Brooklyn, qu'il s'agisse de mode des ann\u00e9es 1970, d'illustration commerciale, de photographie scientifique am\u00e9ricaine ou d'obscures bandes dessin\u00e9es europ\u00e9ennes, sont autant de sources d'inspiration, \u00e9l\u00e9ments d\u00e9clencheurs indissociables du processus de cr\u00e9ation de l'artiste Jamian Juliano-Villani.\u00a0Longtemps attir\u00e9e par les dessins anim\u00e9s, elle peint des toiles acrylique grand format et\u00a0utilise l'illustration comme moyen de s'exprimer dans un langage plus direct.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

What makes a painter paint? The Brooklyn studio of artist Jamian Juliano-Villani is crowded with a wildly varied collection of books, ranging from \u201970s-era fashion to commercial illustration, from Scientific American<\/i>-style photography to obscure European comic art. This vast image bank is the foundation for her mash-up creative process. Long attracted to cartoons, the artist borrows from illustration as a way to deflate painting\u2019s historical pretensions and to speak in a more direct language.
\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":581,"first_name":"Rafael","last_name":"Salazar","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0},{"id":582,"first_name":"Ava","last_name":"Wiland","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4947,"first_name":"Rafael","last_name":"Salazar","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4948,"first_name":"Ava","last_name":"Wiland","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4945,"first_name":"Rafael","last_name":"Salazar","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4946,"first_name":"Ava","last_name":"Wiland","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":4944,"first_name":"Jamian","last_name":"Juliano-Villani","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":717,"first_name":"Wesley","last_name":"Miller","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":716,"first_name":"Nick","last_name":"Ravich","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":714,"first_name":"Rafael","last_name":"Salazar","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":715,"first_name":"Ava","last_name":"Wiland","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4943,"first_name":"Jamian","last_name":"Juliano-Villani","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4942,"first_name":"","last_name":"ART21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28016,"first_name":"Rafael","last_name":"Salazar","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":28017,"first_name":"Ava","last_name":"Wiland","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/164\/photo\/JVVPortraitBest.jpg","credit":"ART21\/New Close Up. \u00a92015.","desc":"Jamian Juliano-Villani in her Bedford-Stuyvesant, Brooklyn studio."},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":170,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Welding on rust","title_original":"Welding on rust","title_fr":"Soudure sur la rouille","title_en":"","year":2015,"length":600,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

L\u2019ancienne usine de la Canada Malting surplombe le quartier de Saint-Henri \u00e0 Montr\u00e9al. Pourtant, si imposante soit-elle, elle n\u2019est qu\u2019un vestige d'un pass\u00e9 industriel glorieux le long du canal Lachine. D\u00e9saffect\u00e9e depuis 25 ans, elle est aujourd\u2019hui un terrain de jeux pour les poseurs de graffitis et explorateurs urbains. Mais un homme veille : le soudeur qui bouche les entr\u00e9es, dans un jeu du chat et de la souris avec les visiteurs de la ruine interdite.\u00a0","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

The former\u00a0Canada Malting factory towers over the\u00a0Montreal\u00a0neighbourhood\u00a0of Saint-Henri. Although\u00a0imposing, it is a\u00a0mere vestige of\u00a0a\u00a0glorious\u00a0industrial past on the\u00a0Lachine Canal. Abandoned for\u00a025 years, it has become a playground for\u00a0graffiti artists\u00a0and urban\u00a0explorers. But someone is keeping watch: the welder who seals off the entrances in a game of cat and mouse with visitors to\u00a0the condemned ruins.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":603,"first_name":"Nathana\u00ebl","last_name":"Corre","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":741,"first_name":"Nathana\u00ebl","last_name":"Corre","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":742,"first_name":"Maxim","last_name":"Rheault","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":746,"first_name":"Danielle","last_name":"Plamondon","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":745,"first_name":"Nathana\u00ebl","last_name":"Corre","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":4749,"first_name":"Danielle","last_name":"Plamondon","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":747,"first_name":"Nancy-Lyne","last_name":"Beaudry","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":743,"first_name":"Francis","last_name":"Brassard-Lecours","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":744,"first_name":"Maxim","last_name":"Rheault","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":4779,"first_name":"","last_name":"INIS","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28051,"first_name":"Nathana\u00ebl","last_name":"Corre","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/170\/photo\/NCO_7310.jpg","credit":"N. Corre","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":175,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Getting Frank Gehry","title_original":"Getting Frank Gehry","title_fr":"","title_en":"","year":2015,"length":3540,"website":[],"countries":[{"fr":"Australie","en":"Australia"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix Liliane Stewart pour les arts du design, FIFA 2016<\/b>

\u00c0 84 ans, avec un grand nombre de b\u00e2timents l\u00e9gendaires \u00e0 sa feuille de route, Frank Gehry (n\u00e9 en 1929) n'a plus rien \u00e0 prouver. R\u00e9put\u00e9 pour ses structures m\u00e9talliques libres et chatoyantes qui d\u00e9fient la logique et paraissent anim\u00e9es, Gehry a radicalement r\u00e9invent\u00e9 l'architecture. Le film suit son nouveau projet audacieux, l'Universit\u00e9 de Technologie \u00e0 Sydney, en Australie, et explore les quatre grandes p\u00e9riodes cr\u00e9atives de la\u00a0carri\u00e8re controvers\u00e9e\u00a0de cet architecte iconoclaste, illustr\u00e9es par quatre chefs-d'\u0153uvre : la Maison Gehry, le Mus\u00e9e Vitra, le Guggenheim \u00e0 Bilbao et le MIT Stata Center.","synopsis_en":"Stewart Award for Design Arts, FIFA 2016<\/b>

At age 84, with a slew of world famous designs to his name, Frank Gehry (b. 1929) has nothing left to prove. Known for his supple, shimmering metal designs that defy logic and appear alive, he has fundamentally reinvented what architecture can be. This film follows the building of his latest project, the University of Technology in Sydney, Australia. In the process, it\u00a0 examines his four key phases of creativity, epitomized by four great buildings: Gehry House, Vitra Museum, Guggenheim Bilbao and MIT\u2019s Stata Center.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":621,"first_name":"Sally","last_name":"Aitken","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/175\/photo\/Sally_Aitken_headshot.jpg","order":0}],"generic":[{"id":764,"first_name":"Justin","last_name":"Hanrahan","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":765,"first_name":"John","last_name":"Pleffer","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":766,"first_name":"Caitlin","last_name":"Yeo","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":763,"first_name":"Kris","last_name":"McQuade","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":3773,"first_name":"Frank","last_name":"Gehry","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":2865,"first_name":"Alan","last_name":"Erson","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":3774,"first_name":"Chris","last_name":"Hilton","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":3783,"first_name":"Tanya","last_name":"Hudson","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":3784,"first_name":"Mandy","last_name":"Chang","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":4496,"first_name":"Sally","last_name":"Aitken","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":4559,"first_name":"Helen","last_name":"Vatsikopoulos","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":3779,"first_name":"Sally","last_name":"AItken","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4558,"first_name":"Helen","last_name":"Vatsikopoulos","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3780,"first_name":"Richard","last_name":"Boxhall","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3781,"first_name":"James","last_name":"Nowiczewski","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3782,"first_name":"Ryan","last_name":"Agostino","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":3772,"first_name":"Frank","last_name":"Gehry","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27670,"first_name":"Sally","last_name":"Aitken","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/175\/photo\/6_18UTS81114.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":183,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Philosophy of “Tsumugi”: The World of Fukumi Shimura","title_original":"Philosophy of “Tsumugi”: The World of Fukumi Shimura","title_fr":"","title_en":"","year":2014,"length":1140,"website":[{"id":420,"website":"http:\/\/www.momak.go.jp\/English\/","type_id":0,"type_1":null,"type_2":null,"description":"site de l'exposition actuellement en cours","embed":""}],"countries":[{"fr":"Japon","en":"Japan"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Depuis 60 ans, Fukumi Shimura (n\u00e9e en 1924) tisse des kimonos avec des fils de soie qu'elle teint avec toutes sortes de v\u00e9g\u00e9taux.\u00a0Elle a \u00e9lev\u00e9 le\u00a0tsumugi,<\/i>\u00a0le tissage, au rang d'art.\u00a0Gr\u00e2ce \u00e0 sa sensibilit\u00e9, son imagination, sa fascination pour la nature et l'infinie vari\u00e9t\u00e9 de ses couleurs, elle a \u00e9t\u00e9 d\u00e9sign\u00e9e \u00ab Tr\u00e9sor national vivant \u00bb au Japon.\u00a0Pour elle, tisser n'est pas une simple activit\u00e9 artistique, c'est avant tout la qu\u00eate d'une coexistence harmonieuse avec la nature. Ce film m\u00e9ditatif et po\u00e9tique d\u00e9peint sa vision du monde.","synopsis_en":"For 60 years, Fukumi Shimura (born in 1924) has been weaving kimonos with silk yarn she has dyed using plant materials of all kinds. She has elevated\u00a0tsumugi,<\/i>\u00a0or weaving, to a high art. Sensitive, imaginative and fascinated by nature and its infinite variety of colours, she was named a \"Living National Treasure\" in Japan. For Shimura, weaving is not just an artistic activity, but a quest for harmonious coexistence with nature. This poetic, meditative film presents her vision of the world. \u00a0
","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":649,"first_name":"Yasushi","last_name":"Kishimoto","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/183\/photo\/Yasushi_Kishimoto.jpg","order":0}],"generic":[{"id":813,"first_name":"Yasushi","last_name":"Kishimoto","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":815,"first_name":"Yosuke","last_name":"Nakagawa","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":814,"first_name":"Fukumi","last_name":"Shimura","post_fr":"Participation","post_en":"Participation","order":3,"post_order":39},{"id":4061,"first_name":"Yuki","last_name":"Wakamori","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":4059,"first_name":"Fukumi","last_name":"Shimura","post_fr":"Artiste","post_en":"Artist","order":4,"post_order":50},{"id":27629,"first_name":"Yasushi","last_name":"Kishimoto","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/183\/photo\/Fukumi_Shimura_Still008.jpg","credit":"\u00a92014 Inamori Foundation","desc":"Fukumi Shimura"},"images_poster":null,"images":null,"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":187,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"L'esprit vagabond","title_original":"L'esprit vagabond","title_fr":"","title_en":"","year":2014,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le parcours peu commun des Vagabonds, ce groupe de breakdancers fran\u00e7ais\u00b7e\u00b7s, dirig\u00e9 par le chor\u00e9graphe autodidacte Mohamed Belarbi.\u00a0En novembre 2011, les Vagabonds battent la meilleure \u00e9quipe de breakers am\u00e9ricain\u00b7e\u00b7s et deviennent double champion du monde. En 2012, il\u00b7elle\u00b7s d\u00e9cident de remettre leurs titres en jeu. Nous suivons ces danseur\u00b7euse\u00b7s acrobates sur une ann\u00e9e, partageant avec eux\u00b7elles leurs hauts et leurs bas, leurs moments de labeur acharn\u00e9 et de gloire, dans une discipline qui s\u2019est \u00e9rig\u00e9e au rang d\u2019un art \u00e0 part enti\u00e8re.","synopsis_en":"The unusual story of the Vagabond Crew, a group of French breakdancers led by the self-taught Mohamed Belarbi. \u00a0In November 2011, they beat the top American team and became double world champions. In 2012, they decided to go for it again. The film follows these acrobatic dancers for one year, sharing in their highs and lows; we see their intense hard work and their moments of glory, in a discipline that has emerged as an art form in its own right.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":663,"first_name":"Hafid","last_name":"Ma\u00ef","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":837,"first_name":"Nicolas","last_name":"Bazeille","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":838,"first_name":"Stephane","last_name":"Deboffles","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":836,"first_name":"Eric","last_name":"Ellena","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":835,"first_name":"Hafid","last_name":"Ma\u00ef","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":842,"first_name":"Ancelin","last_name":"Quinton","post_fr":"Montage","post_en":"Editing","order":8,"post_order":43},{"id":843,"first_name":"Cristelle","last_name":"Ledroit","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":3964,"first_name":"Mohammed","last_name":"Belarbi","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":846,"first_name":"Ian","last_name":"Ayres","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":848,"first_name":"Mohamed","last_name":"Belarbi","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":849,"first_name":"Siffedine","last_name":"Belarbi","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":847,"first_name":"Eric","last_name":"Ellena","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":850,"first_name":"Mohammed","last_name":"Zerrouk","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":3841,"first_name":"Hafid","last_name":"Ma\u00ef","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":840,"first_name":"Laurent","last_name":"Doucet","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":841,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Maury","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":3963,"first_name":"Mohammed","last_name":"Belarbi","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":27888,"first_name":"Hafid","last_name":"Ma\u00ef","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/187\/photo\/Capture_ESPRIT_VAGABOND_quatre.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":188,"edition":{"id":1},"career_fr":"Festival international du film scientifique Pariscience, France (2015)\r\nFestival international du film arch\u00e9ologique de Rovereto, Italie (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Les g\u00e9nies de la grotte Chauvet","title_original":"Les g\u00e9nies de la grotte Chauvet","title_fr":"","title_en":"","year":2015,"length":3120,"website":[{"id":362,"website":"https:\/\/vimeo.com\/127021041","type_id":0,"type_1":null,"type_2":null,"description":"Teaser anglais","embed":""},{"id":363,"website":"https:\/\/vimeo.com\/127019457","type_id":0,"type_1":null,"type_2":null,"description":"Teaser fran\u00e7ais","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Les peintures et dessins de la grotte Chauvet en Ard\u00e8che sont \u00e0 ce jour les plus anciens t\u00e9moignages d\u2019expression artistique de l\u2019humanit\u00e9. Leur force et leur modernit\u00e9 bouleversent toutes les id\u00e9es re\u00e7ues sur l\u2019art de la pr\u00e9histoire. La cr\u00e9ation d\u2019un grand mus\u00e9e consacr\u00e9 \u00e0 la reproduction des \u0153uvres offre l\u2019occasion d\u2019aller voir de tr\u00e8s pr\u00e8s les peintures, les dessins et les gravures, dont le\u00a0peintre catalan Miquel Barcel\u00f3 nous donne la mesure artistique.","synopsis_en":"The paintings and drawings of the Chauvet cave in Ard\u00e8che are the oldest examples of human artistic expression to date. Their strength and modernity have radically changed all of our ideas about prehistoric art.\u00a0The creation of an important museum featuring reproductions of the works provides an opportunity to see the paintings, drawings and \u00a0engravings up close, with commentary by the Catalan painter Miquel Barcel\u00f3.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":667,"first_name":"Christian","last_name":"Tran","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":862,"first_name":"Christian","last_name":"Tran","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":852,"first_name":"Ronan","last_name":"Sinquin","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":859,"first_name":"Agathe","last_name":"Max","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":854,"first_name":"Laurence","last_name":"Haziza","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":3221,"first_name":"Miquel","last_name":"Barcel\u00f3","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3222,"first_name":"Dominique","last_name":"Baffier","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3226,"first_name":"Jean-Michel","last_name":"Geneste","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3228,"first_name":"Yoann","last_name":"Bonhoure","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3230,"first_name":"Julie","last_name":"Gaulon","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3231,"first_name":"St\u00e9phane","last_name":"Jaillet","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3233,"first_name":"Jean","last_name":"Clottes","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3235,"first_name":"Jean-Jacques","last_name":"Delannoy","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":3237,"first_name":"Gilles","last_name":"Tosello","post_fr":"Participation","post_en":"Participation","order":17,"post_order":39},{"id":3239,"first_name":"Marie","last_name":"Hamelin","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":3240,"first_name":"Alain","last_name":"Dalis","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":3242,"first_name":"M\u00e9lanie","last_name":"Claude","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":856,"first_name":"Juliette","last_name":"Guigon","post_fr":"Production","post_en":"Production","order":31,"post_order":4},{"id":857,"first_name":"Patrick","last_name":"Winocour","post_fr":"Production","post_en":"Production","order":32,"post_order":4},{"id":861,"first_name":"Christian","last_name":"Tran","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":853,"first_name":"Hugo","last_name":"Catalan","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":860,"first_name":"Christian","last_name":"Tran","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3220,"first_name":"Miquel","last_name":"Barcel\u00f3","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3223,"first_name":"Dominique","last_name":"Baffier","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3225,"first_name":"Jean-Michel","last_name":"Geneste","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":3227,"first_name":"Yoann","last_name":"Bonhoure","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":3229,"first_name":"Julie","last_name":"Gaulon","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":3232,"first_name":"Jean","last_name":"Clottes","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":3234,"first_name":"Jean-Jacques","last_name":"Delannoy","post_fr":"Artiste","post_en":"Artist","order":27,"post_order":50},{"id":3236,"first_name":"Gilles","last_name":"Tosello","post_fr":"Artiste","post_en":"Artist","order":28,"post_order":50},{"id":3238,"first_name":"Marie","last_name":"Hamelin","post_fr":"Artiste","post_en":"Artist","order":29,"post_order":50},{"id":3241,"first_name":"M\u00e9lanie","last_name":"Claude","post_fr":"Artiste","post_en":"Artist","order":30,"post_order":50},{"id":27896,"first_name":"Christian","last_name":"Tran","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/188\/photo\/Chauvet_Un.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":194,"edition":{"id":1},"career_fr":"Vancouver International Film Festival, Canada (2015)\r\nCinemAmbiente\/Environmental Film Festival, Turin, Italie (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Debris","title_original":"Debris","title_fr":"","title_en":"","year":2015,"length":900,"website":[{"id":410,"website":"https:\/\/vimeo.com\/153787607","type_id":0,"type_1":null,"type_2":null,"description":"Trailer","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le film suit Pete Clarkson, un artiste de Tofino, en Colombie-Britannique, alors qu\u2019il r\u00e9alise un monument comm\u00e9moratif en hommage aux victimes du s\u00e9isme de 2011 de la c\u00f4te Pacifique du Tohoku. Quelques ann\u00e9es apr\u00e8s cette catastrophe qui l'a profond\u00e9ment affect\u00e9, alors que du bois d\u00e9chiquet\u00e9 et d\u2019autres \u00e9paves de Fukushima se mettent \u00e0 \u00e9chouer sur la plage, l\u2019inspiration surgit. Le r\u00e9sultat est une sculpture \u00e9vocatrice, un lieu de m\u00e9moire et de recueillement, qui jette un pont \u00e9motionnel avec un peuple de l\u2019autre c\u00f4t\u00e9 de l\u2019oc\u00e9an.","synopsis_en":"The film follows Pete Clarkson, an artist in Tofino, British Columbia, as he crafts a commemorative monument for the victims of the\u00a02011 Japanese earthquake and tsunami. A few years after this disaster, which had a profound effect on the artist, as bits of wood and other debris from Fukushima began washing ashore, he found his inspiration. The result is an evocative sculpture, a place of remembrance and contemplation, which forms an emotional bridge with people on the other side of the ocean.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":692,"first_name":"John","last_name":"Bolton","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/194\/photo\/C_Bolton_John.jpg","order":0}],"generic":[{"id":924,"first_name":"Andrew","last_name":"Coppin","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":925,"first_name":"Jenn","last_name":"Strom","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":928,"first_name":"Scott","last_name":"Morgan","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3900,"first_name":"Pete","last_name":"Clarkson","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3967,"first_name":"Jennifer","last_name":"Scott","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3968,"first_name":"Jesse","last_name":"Clarkson","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3969,"first_name":"Sam","last_name":"Clarkson","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3970,"first_name":"George","last_name":"Patterson","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3971,"first_name":"Jan","last_name":"Janzen","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":927,"first_name":"Shirley","last_name":"Vercruysse","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":926,"first_name":"John","last_name":"Bolton","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":923,"first_name":"Chris","last_name":"McLaren","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3899,"first_name":"Pete","last_name":"Clarkson","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":4592,"first_name":"Jan","last_name":"Jenzen","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":27879,"first_name":"John","last_name":"Bolton","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/194\/photo\/Debris-4.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":198,"edition":{"id":1},"career_fr":"Art Doc Fest, Roma, Italie (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Alias Pellegrino Tibaldi","title_original":"Alias Pellegrino Tibaldi","title_fr":"","title_en":"","year":2015,"length":3120,"website":[{"id":126,"website":"http:\/\/www.alephfilm.ch\/Alias_Pellegrino_Tibaldi.htm","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un voyage sur les traces de Pellegrino de Pellegrini, alias Pellegrino Tibaldi (1527-1596), peintre et architecte,\u00a0figure originale du mani\u00e9risme italien. Tibaldi s\u00e9journe \u00e0 Rome o\u00f9 il subit l'influence de Michel-Ange et o\u00f9 il d\u00e9core l'appartement de Paul III \u00e0 Castel Sant'Angelo. \u00c0 Pavie et \u00e0 Milan, il est architecte au service du cardinal Charles Borrom\u00e9e. En Espagne, il devient peintre principal \u00e0 l'Escorial et travaille au clo\u00eetre et \u00e0 la biblioth\u00e8que sous Philippe II. Enfin on d\u00e9couvre ses fresques \u00e0 Ancone et \u00e0 Bologne, et jusqu'\u00e0 la r\u00e9gion des lacs, sa terre d'origine.","synopsis_en":"Following the footsteps and artworks of Pellegrino de Pellegrini, alias Pellegrino Tibaldi (1527-1596), an innovative Italian Mannerist painter, sculptor and architect. In Rome, under the influence of Michelangelo, Tibaldi decorated Pope Paul III\u2019s apartment at the Castel Sant\u2019Angelo. In Pavia and Milan, he served as an architect for Cardinal Charles Borromeo. He then answered the summons of Philip II of Spain to supervise the decorating of the Escorial Library near Madrid. Finally, we discover his frescoes in Ancona, Bologna and the Lake District near Milan, his homeland.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":709,"first_name":"Adriano","last_name":"Kestenholz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/198\/photo\/Adriano_Kestenholz.jpg","order":0}],"generic":[{"id":4144,"first_name":"Adriano","last_name":"Kestenholz","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":4146,"first_name":"Adriano","last_name":"Kestenholz","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":4147,"first_name":"Andreas","last_name":"Pfl\u00fcger","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":4148,"first_name":"Adriano","last_name":"Kestenholz","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":4150,"first_name":"Silvana","last_name":"Bezzola Rigolini","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":949,"first_name":"Adriano","last_name":"Kestenholz","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4384,"first_name":"Roberto","last_name":"Masiero","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4145,"first_name":"Philippe","last_name":"Kohler","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":4152,"first_name":"Pellegrino","last_name":"Tibaldi","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27764,"first_name":"Adriano","last_name":"Kestenholz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/198\/photo\/Dal_documentario_ALIAS_PELLEGRINO_TIBALDI_8.jpg","credit":"Aleph film","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":203,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Marlon Brando, un acteur nomm\u00e9 d\u00e9sir","title_original":"Marlon Brando, un acteur nomm\u00e9 d\u00e9sir","title_fr":"","title_en":"","year":2014,"length":5400,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Par son aura, la puissance de son jeu, sa beaut\u00e9 extravagante, son attitude rebelle et sa trajectoire unique dans l\u2019histoire du cin\u00e9ma, Brando a marqu\u00e9 notre imaginaire avec quelques r\u00f4les mythiques. Mais derri\u00e8re l\u2019\u00e9toile hollywoodienne se cache le Brando intime et secret. Loin des projecteurs, sa vie est un long processus d\u2019autodestruction.\u00a0Le film tente de restituer ce parcours chaotique, \u00e0 travers un minutieux tissage d\u2019archives et d\u2019extraits de ses r\u00f4les les plus embl\u00e9matiques.","synopsis_en":"With his aura, his powerful performances, his extravagant beauty, his rebel attitude and a\u00a0career path never been seen before in the history of cinema, Brando has excited our imagination with epic roles. But behind the Hollywood star is a private, secret Brando. Out of the spotlight, his life was a long process of self destruction. The film attempts to reconstruct his chaotic career by\u00a0carefully weaving archives with excerpts from his most emblematic appearances.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":728,"first_name":"Philippe","last_name":"Kohly","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2737,"first_name":"Nathalie","last_name":"Durand","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2738,"first_name":"Nicolas","last_name":"\u00c9prendre","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2739,"first_name":"Julie","last_name":"Martinovic","post_fr":"Montage","post_en":"Editing","order":8,"post_order":43},{"id":4235,"first_name":"Serge","last_name":"Forte","post_fr":"Musique","post_en":"Music","order":9,"post_order":82},{"id":4236,"first_name":"Fabien","last_name":"Meissonnier","post_fr":"Musique","post_en":"Music","order":10,"post_order":82},{"id":4237,"first_name":"G\u00e9rard","last_name":"Meissonnier","post_fr":"Musique","post_en":"Music","order":11,"post_order":82},{"id":2740,"first_name":"Thierry","last_name":"Hancisse","post_fr":"Narration","post_en":"Narration","order":12,"post_order":53},{"id":2749,"first_name":"Robert","last_name":"Duvall","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":2750,"first_name":"Ellen","last_name":"Adler","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":2751,"first_name":"Rita","last_name":"Moreno","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":2754,"first_name":"Sondra","last_name":"Lee","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":2756,"first_name":"Richard","last_name":"Donner","post_fr":"Participation","post_en":"Participation","order":17,"post_order":39},{"id":2758,"first_name":"Bernardo","last_name":"Bertolucci","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":2759,"first_name":"Jay","last_name":"Kanter","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":2763,"first_name":"Patricia","last_name":"Bosworth","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":2760,"first_name":"George","last_name":"Englund","post_fr":"Participation","post_en":"Participation","order":21,"post_order":39},{"id":2762,"first_name":"Vittorio","last_name":"Storaro","post_fr":"Participation","post_en":"Participation","order":22,"post_order":39},{"id":2846,"first_name":"Dominique","last_name":"Tibi","post_fr":"Production","post_en":"Production","order":32,"post_order":4},{"id":2736,"first_name":"Philippe","last_name":"Kohly","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2741,"first_name":"Julien","last_name":"Brossier","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":2742,"first_name":"Mikeal","last_name":"Kandelman","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":2743,"first_name":"Florent","last_name":"Barbier","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":2744,"first_name":"Giovanni","last_name":"Di Simone","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":2745,"first_name":"Marlon","last_name":"Brando","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":2748,"first_name":"Robert","last_name":"Duvall","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":2752,"first_name":"Rita","last_name":"Moreno","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":2753,"first_name":"Sondra","last_name":"Lee","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":2755,"first_name":"Richard","last_name":"Donner","post_fr":"Artiste","post_en":"Artist","order":27,"post_order":50},{"id":2757,"first_name":"Bernardo","last_name":"Bertolucci","post_fr":"Artiste","post_en":"Artist","order":28,"post_order":50},{"id":2761,"first_name":"George","last_name":"Englund","post_fr":"Artiste","post_en":"Artist","order":29,"post_order":50},{"id":3392,"first_name":"Patricia","last_name":"Bosworth","post_fr":"Artiste","post_en":"Artist","order":30,"post_order":50},{"id":3393,"first_name":"Vittorio","last_name":"Storaro","post_fr":"Artiste","post_en":"Artist","order":31,"post_order":50},{"id":27612,"first_name":"Philippe","last_name":"Kohly","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/203\/photo\/C_Marlon_Brando_Photo_n_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":204,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le vaisseau de verre","title_original":"Le vaisseau de verre","title_fr":"","title_en":"","year":2015,"length":1560,"website":[{"id":127,"website":"http:\/\/www.lesfilmsdici.fr\/fr\/films-projets\/5062-le-vaisseau-de-verre.html","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 2006, Bernard Arnault, pdg de LVMH, d\u00e9cide de faire construire, \u00e0 l\u2019or\u00e9e du bois de Boulogne, le b\u00e2timent de la Fondation Louis Vuitton,\u00a0un nouveau centre d\u00e9di\u00e9 \u00e0 l'art moderne et contemporain, qui sera l\u2019embl\u00e8me de sa politique de m\u00e9c\u00e9nat artistique. Surmont\u00e9 de douze voiles de verre, l'\u00e9difice a \u00e9t\u00e9 con\u00e7u par l'architecte du mus\u00e9e Guggenheim de Bilbao, Frank Gehry.","synopsis_en":"In 2006, Bernard Arnault, the CEO of LVMH, decided to build the Louis Vuitton Foundation, a centre dedicated to modern and contemporary art, on the edge of the Bois de Boulogne.\u00a0It epitomizes the Foundation's policy of artistic philanthropy. Topped by 12 glass sails, the building was designed by Frank Gehry, the architect responsible for the Guggenheim Museum in Bilbao.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":731,"first_name":"Richard","last_name":"Copans","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/204\/photo\/Copans_Richard_vignette.jpg","order":0}],"generic":[{"id":975,"first_name":"Franck","last_name":"Badaire","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":976,"first_name":"Philippe","last_name":"Guignard","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":977,"first_name":"Marc","last_name":"Marchand","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":974,"first_name":"Gael","last_name":"Polles","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":969,"first_name":"Nicolas","last_name":"Milteau","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":973,"first_name":"Guy","last_name":"Chapellier","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":971,"first_name":"Fran\u00e7ois","last_name":"Marthouret","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":972,"first_name":"Rachel","last_name":"Williams","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":4561,"first_name":"Frank","last_name":"Gehry","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":2836,"first_name":"Richard","last_name":"Copans","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":980,"first_name":"Fran\u00e7oise","last_name":"Buraux","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":981,"first_name":"Richard","last_name":"Copans","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4560,"first_name":"Frank","last_name":"Gehry","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":27625,"first_name":"Richard","last_name":"Copans","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/204\/photo\/Vaisseaudeverre02.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":207,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Paolo Ventura, Vanishing Man","title_original":"Paolo Ventura, Vanishing Man","title_fr":"","title_en":"","year":2015,"length":2820,"website":[],"countries":[{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Mention sp\u00e9ciale, FIFA 2016<\/b>

Le photographe italien Paolo Ventura (n\u00e9 en 1968) invente des histoires \u00e9labor\u00e9es \u00e0 partir des mat\u00e9riaux les plus simples. Ventura a renonc\u00e9 \u00e0 une carri\u00e8re de photographe de mode, car il voulait photographier des images qui le hantaient depuis son enfance \u00e0 partir des souvenirs de la guerre que sa grand-m\u00e8re lui racontait. \u00a0Dans une grange au sommet d'une montagne isol\u00e9e, il cr\u00e9e un univers m\u00e9lancolique intemporel d'une inqui\u00e9tante \u00e9tranget\u00e9, qui fait \u00e9cho \u00e0 l'isolement dans lequel il a grandi. Le film brosse un portrait complexe de cet artiste fascinant et diss\u00e8que les th\u00e8mes de son \u0153uvre.","synopsis_en":"Special Mention, FIFA 2016<\/b>

Italian photographer Paolo Ventura (born in 1968) creates stories using the simplest of materials. He gave up a career as a fashion photographer because he felt compelled to photograph images that had haunted him since childhood, based on stories of the war his grandmother had told him. In a barn on a secluded mountaintop, he creates a timeless, melancholy world that is strangely disturbing, echoing the loneliness in which he grew up. The film presents a complex portrait of this fascinating artist and explores the themes in his work.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":740,"first_name":"Erik","last_name":"Van Empel","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3949,"first_name":"Erik","last_name":"Van Empel","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3950,"first_name":"Erik","last_name":"Van Empel","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3952,"first_name":"Boris","last_name":"Gerrets","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3953,"first_name":"Wouter","last_name":"Van Bemmel","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3958,"first_name":"Paolo","last_name":"Ventura","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3959,"first_name":"Masha","last_name":"Arkink","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":3960,"first_name":"Astrid","last_name":"Prickaerts","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3961,"first_name":"Joost","last_name":"Seelen","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":3951,"first_name":"Mark","last_name":"Wessner","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":3957,"first_name":"Paolo","last_name":"Ventura","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27690,"first_name":"Erik","last_name":"Van Empel","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/207\/photo\/C_PV_STILL_3.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":212,"edition":{"id":1},"career_fr":"","career_en":"Overview of some festivals:\r\n\r\nCopenhagen Architecture Festival (CAFx), Denmark\r\nArchitecture+Design Film Festival Winnipeg, Canada\r\nArchitecture and Design Film Festival, New York, United States\r\nMilano Design Film Festival, Milano, Italy\r\nDoku.Arts Film Festival, Berlin, Germany\r\nDesign Indaba FilmFest, Cape Town, South Africa\r\n\r\nLast update in March 2016","embed":"","title_selected":"David Adjaye – Collaborations: A Portrait of the Architect Through the Eyes of Others","title_original":"David Adjaye – Collaborations: A Portrait of the Architect Through the Eyes of Others","title_fr":"","title_en":"","year":2015,"length":2898,"website":[{"id":124,"website":"http:\/\/blog.signaturefilms.de\/01-david-adjaye-collaborations\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"D'origine anglo-ghan\u00e9enne, David Adjaye (n\u00e9 en 1966) \u00e9rige actuellement le Mus\u00e9e de l'histoire et de l'art afroam\u00e9ricain \u00e0 Washington. Travers\u00e9e par la notion de dialogue, son architecture puise autant dans les traditions europ\u00e9ennes qu\u2019africaines. Le film pr\u00e9sente un nombre important de ses r\u00e9alisations,\u00a0parmi lesquelles\u00a0le Stephen Lawrence Centre \u00e0 Londres et le complexe d'habitation Sugar Hill \u00e0 Harlem. Entrevues avec conservateur\u00b7ice\u00b7s, artistes et ami\u00b7e\u00b7s mettent en lumi\u00e8re ses m\u00e9thodes de travail.","synopsis_en":"The British-Ghanaian architect David Adjaye (b. 1966) is currently completing the National Museum of African American History and Culture in Washington. Rooted in the notion of dialogue, his design draws from both European and African traditions. The film presents several of his works, including the Stephen Lawrence Centre in London and the Sugar Hill housing complex in Harlem. Interviews with curators, artists and friends shed light on his working methods.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":760,"first_name":"Oliver","last_name":"Hardt","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/212\/photo\/OHardt01_FrankBluemler.jpg","order":0}],"generic":[{"id":1018,"first_name":"Harald","last_name":"Schmuck","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1021,"first_name":"Anna","last_name":"Demisch","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1020,"first_name":"Albrecht","last_name":"Kunze","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":3271,"first_name":"David","last_name":"Adjaye","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":3114,"first_name":"Okwui","last_name":"Enwezor","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3117,"first_name":"Zo\u00eb","last_name":"Ryan","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3118,"first_name":"Deyan","last_name":"Sudjic","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3121,"first_name":"Thelma","last_name":"Golden","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3123,"first_name":"Talye","last_name":"Selasi","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3125,"first_name":"Julie","last_name":"Mehretu","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3127,"first_name":"Chris","last_name":"Ofili","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3273,"first_name":"Peter","last_name":"Adjaye","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3275,"first_name":"Lorna","last_name":"Simpson","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3277,"first_name":"Peter","last_name":"Allison","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3279,"first_name":"Sue","last_name":"Webster","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":1022,"first_name":"Oliver","last_name":"Hardt","post_fr":"Production","post_en":"Production","order":29,"post_order":4},{"id":1017,"first_name":"Oliver","last_name":"Hardt","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3270,"first_name":"David","last_name":"Adjaye","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3115,"first_name":"Okwui","last_name":"Enwezor","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3116,"first_name":"Zo\u00eb","last_name":"Ryan","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3119,"first_name":"Deyan","last_name":"Sudjic","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3120,"first_name":"Thelma","last_name":"Golden","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3122,"first_name":"Talye","last_name":"Selasi","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3124,"first_name":"Julie","last_name":"Mehretu","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":3126,"first_name":"Chris","last_name":"Ofili","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":3272,"first_name":"Peter","last_name":"Adjaye","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":3274,"first_name":"Lorna","last_name":"Simpson","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":3276,"first_name":"Peter","last_name":"Allison","post_fr":"Artiste","post_en":"Artist","order":27,"post_order":50},{"id":3278,"first_name":"Sue","last_name":"Webster","post_fr":"Artiste","post_en":"Artist","order":28,"post_order":50},{"id":27878,"first_name":"Oliver","last_name":"Hardt","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/212\/photo\/NMAAHC.jpg","credit":"","desc":"couper pour focuser sur le batiment"},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":213,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Roland Barthes (1915-1980), le th\u00e9\u00e2tre du langage","title_original":"Roland Barthes (1915-1980), le th\u00e9\u00e2tre du langage","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Explorateur des signes et des mythologies contemporaines, Roland Barthes (1915-1980) est l'un des penseurs les plus influents des ann\u00e9es 1960 et 1970. \u00c0 travers le th\u00e9\u00e2tre du langage, il a sond\u00e9 l'imaginaire collectif de l'\u00e9poque moderne. Empire des signes<\/i>, Discours d'un amoureux : fragments<\/i>, Camera Lucida<\/i> - chacun de ces livres \u00e9tait un \u00e9v\u00e9nement, un exercice d'\u00e9l\u00e9gance et de pr\u00e9cision, nous invitant \u00e0 d\u00e9chiffrer le monde pour mieux comprendre l'avenir. Entrelac\u00e9 avec des documents d'archives, ce portrait plonge dans son \u0153uvre pour reconstituer sa pr\u00e9sence singuli\u00e8re.","synopsis_en":"An explorer of signs and contemporary mythologies, Roland Barthes (1915-1980) was one of the most influential thinkers of the 1960s and 1970s. Through the theatre of language, he probed the collective imagination of the modern age. Empire of Signs<\/i>, A Lover\u2019s Discourse:Fragments<\/i>, Camera Lucida<\/i>\u2014each of these books was an event, an exercise in elegance and precision, inviting us to decipher the world to better understand the future. Interwoven with archival materials, this portrait delves into his work to reconstruct his singular presence.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":763,"first_name":"Thierry","last_name":"Thomas","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1025,"first_name":"Bertrand","last_name":"Mouly","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1026,"first_name":"Yann","last_name":"Coquart","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3534,"first_name":"Franz","last_name":"Schubert","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3535,"first_name":"Johann Sebastian","last_name":"Bach","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":1029,"first_name":"Anne","last_name":"Cohen-Solal","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":1028,"first_name":"Elisabeth","last_name":"Kiledjian","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3536,"first_name":"Serge","last_name":"Lalou","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":3537,"first_name":"Sylvie","last_name":"Blum","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":3538,"first_name":"Martine","last_name":"Saada","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":1023,"first_name":"Chantal","last_name":"Thomas","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1024,"first_name":"Thierry","last_name":"Thomas","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4405,"first_name":"Roland","last_name":"Barthes","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27620,"first_name":"Thierry","last_name":"Thomas","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/213\/photo\/Roland_Barthes_3.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":216,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Itimad Ud Daula – Le mausol\u00e9e Moghol","title_original":"Itimad Ud Daula – Le mausol\u00e9e Moghol","title_fr":"","title_en":"","year":2015,"length":1560,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 1622, \u00e0 Agra, capitale de l\u2019Empire moghol, Nur Jahan, \u00ab lumi\u00e8re du monde \u00bb, d\u00e9cide d\u2019\u00e9lever un mausol\u00e9e \u00e0 son p\u00e8re Itimad Ud Daula, \u00ab pilier de l\u2019empire \u00bb. Ce chef-d\u2019\u0153uvre marque un tournant dans l\u2019architecture moghole en privil\u00e9giant le marbre blanc au d\u00e9triment du gr\u00e8s rouge. Ici, tout ob\u00e9it aux r\u00e8gles de l\u2019islam. Mais ce tombeau rassemble aussi des peintures copiant des th\u00e8mes venus de Perse, de Chine et m\u00eame d\u2019Europe.
\u00a0","synopsis_en":"In 1622 in Agra, the capital of the Mughal Empire, Nur Jahan (\u201cLight of the World\u201d) decided to build a mausoleum for his father Itimad Ud Daula (\u201cPillar of the Empire\u201d).\u00a0 This masterpiece was a turning point in the history of Mughal architecture, favouring white marble instead of red sandstone. Every component respected the laws of Islam, but the tomb also included paintings that copied themes from Persia, China and even Europe.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":774,"first_name":"Richard","last_name":"Copans","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/216\/photo\/Copans_Richard_vignette.jpg","order":0}],"generic":[{"id":1042,"first_name":"Richard","last_name":"Copans","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1043,"first_name":"Nicolas","last_name":"Milteau","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1044,"first_name":"Yann","last_name":"Pittard","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":2814,"first_name":"Richard","last_name":"Copans","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":1046,"first_name":"Fran\u00e7oise","last_name":"Buraux","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":1047,"first_name":"Nelly","last_name":"Mabilat","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":1041,"first_name":"Richard","last_name":"Copans","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3567,"first_name":"Fran\u00e7ois","last_name":"Marthouret","post_fr":"Voix","post_en":"Voice","order":5,"post_order":54},{"id":27886,"first_name":"Richard","last_name":"Copans","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/216\/photo\/itimad-ud-daula.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":218,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"La maison Unal","title_original":"La maison Unal","title_fr":"","title_en":"","year":2014,"length":1560,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La maison Unal con\u00e7ue par Claude\u00a0H\u00e4usermann-Costy et construite par Jo\u00ebl Unal\u00a0entre 1972 et 2008. Le\u00a0couple Unal r\u00eavait\u00a0d\u2019habiter une maison\u00a0individuelle.\u00a0C\u2019est un programme classique, la\u00a0maison de famille, qui aboutit \u00e0 un r\u00e9sultat\u00a0singulier : une maison-bulle construite sans aucun\u00a0angle droit, qui s\u2019inscrit dans le courant de \u00ab l\u2019architecture-sculpture \u00bb.\u00a0Pour tous les volumes, une seule\u00a0technique de construction : le voile de b\u00e9ton sans\u00a0coffrage, pos\u00e9 \u00e0 la main sur une armature\u00a0m\u00e9tallique.\u00a0","synopsis_en":"The Unal House was designed by Claude\u00a0H\u00e4usermann-Costy and constructed by Jo\u00ebl Unal\u00a0from 1972 to 2008. The\u00a0Unal couple dreamed of living in a single-family dwelling. The classic plans drawn up resulted in a truly unique structure: a house made of interlocking spheres or \u201cbubbles\u201d with no right angles, a perfect embodiment of \u201csculptural architecture.\u201d For each sphere, a single construction technique was used: reinforced concrete with no casings, installed by hand within a metal frame.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":781,"first_name":"Julien","last_name":"Donada","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1050,"first_name":"Jean-Pierre","last_name":"Schaffner","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1052,"first_name":"Laurence","last_name":"Bawedin","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1054,"first_name":"Fran\u00e7ois","last_name":"Marthouret","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":2834,"first_name":"Richard","last_name":"Copans","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":1051,"first_name":"Fran\u00e7oise","last_name":"Buraux","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":2844,"first_name":"Julien","last_name":"Donada","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2830,"first_name":"Claude","last_name":"Hausermann-Costy","post_fr":"Artiste","post_en":"Artist","order":5,"post_order":50},{"id":2832,"first_name":"Jo\u00ebl","last_name":"Unal","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":27890,"first_name":"Julien","last_name":"Donada","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/218\/photo\/CAPTURE_IMAGE00090505.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":219,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le fabuleux destin d'Elisabeth Vig\u00e9e Le Brun, peintre de Marie-Antoinette","title_original":"Le fabuleux destin d'Elisabeth Vig\u00e9e Le Brun, peintre de Marie-Antoinette","title_fr":"","title_en":"","year":2015,"length":5640,"website":[{"id":140,"website":"https:\/\/vimeo.com\/138325001","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Issue de la petite bourgeoisie, Elisabeth Louise Vig\u00e9e Le Brun (1755-1842) peint les plus c\u00e9l\u00e8bres portraits de Marie-Antoinette. Exil\u00e9e \u00e0 la R\u00e9volution, elle revient sous l\u2019Empire, participe \u00e0 la Restauration et \u00e0 la monarchie de Juillet. Accueillie dans toutes les cours d\u2019Europe, l\u2019artiste signe 650 portraits et 150 dessins, s'accordant les cachets parmi les plus \u00e9lev\u00e9s de son temps.\u00a0Reconstitutions historiques, sc\u00e8nes de fiction, interviews de sp\u00e9cialistes du XVIIIe si\u00e8cle composent ce riche documentaire.","synopsis_en":"Born into a middle-class family, Elisabeth Vig\u00e9e le Brun (1755-1842) painted the most famous portraits of Marie-Antoinette. In exile during the Revolution, she returned under the Empire and took part in both the Restoration and the July Monarchy. Welcomed into all the courts of Europe, she created 650 portraits and 150 drawings, commanding the highest fees of her era. Historical reconstructions, fictional scenes and interviews with historians combine to form this rich portrait.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":784,"first_name":"Arnaud","last_name":"Xainte","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/219\/photo\/ARNAUDXAINTE.JPG","order":0}],"generic":[{"id":1059,"first_name":"Thomas","last_name":"Jacquet","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1060,"first_name":"Thomas","last_name":"Lallier","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1058,"first_name":"St\u00e9phane","last_name":"Rolland","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":1057,"first_name":"H\u00e9l\u00e8ne","last_name":"Blazy","post_fr":"Musique","post_en":"Music","order":8,"post_order":82},{"id":1056,"first_name":"St\u00e9phane","last_name":"Ronchewski","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":2819,"first_name":"Laure","last_name":"Bernard","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":1055,"first_name":"Jean-Fr\u00e9d\u00e9ric","last_name":"Thibault","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1065,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Dabo","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":1063,"first_name":"Pierre","last_name":"Excoffier","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":1064,"first_name":"Valentin","last_name":"Excoffier","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":3572,"first_name":"Elisabeth","last_name":"Vig\u00e9e Le Brun","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27892,"first_name":"Arnaud","last_name":"Xainte","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/219\/photo\/DSC_0187.JPG","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/219\/photo\/affiche_vigee.jpg","credit":"","desc":"Affiche du film"}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":221,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Of Buddies, Offspring and Artificial Mythology","title_original":"Of Buddies, Offspring and Artificial Mythology","title_fr":"\u00c0 propos de Buddies, de prog\u00e9niture et de mythologie artificielle","title_en":"","year":2014,"length":960,"website":[{"id":431,"website":"https:\/\/vimeo.com\/156324922","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Bob Vanderbob, alias Bobvan, artiste, explorateur d'un imaginaire balis\u00e9 par les m\u00e9taphores de la science et de la science-fiction, expose son projet Artificial Mythology<\/i>, vision po\u00e9tique de notre identit\u00e9 techno-humaine en ces temps d\u2019acc\u00e9l\u00e9ration technologique, qu\u00eate de sens et de beaut\u00e9 \u00e0 l\u2019aube de notre expansion dans le syst\u00e8me solaire.\u00a0Le film est structur\u00e9 autour de son installation Offspring<\/i> \u00e0 l'ascenseur \u00e0 bateaux de Strepy, \u00e0 l'occasion de la Biennale d'Art contemporain ARTour.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

Artist Bob Vanderbob, a.k.a. Bobvan, draws on science and science-fiction metaphors in creating his Artificial Mythology<\/i> project, a poetic vision of our techno-human identity in an era of technological acceleration, and of our quest for meaning and beauty as we venture out into the solar system. The film is structured around his installation Offspring<\/i> at the Strepy-Thieu boat lift, part of the ARTour biennial in Belgium.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":792,"first_name":"Bob","last_name":"Vanderbob","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4862,"first_name":"Bob","last_name":"Vanderbob","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4864,"first_name":"Bob","last_name":"Vanderbob","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4842,"first_name":"Bob","last_name":"Vandenbroele","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4863,"first_name":"Bob","last_name":"Vanderbob","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4843,"first_name":"","last_name":"Des Airs Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28040,"first_name":"Bob","last_name":"Vanderbob","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/221\/photo\/OBOAAM_4.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":224,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Mademoiselle Eiffel rembobine","title_original":"Mademoiselle Eiffel rembobine","title_fr":"","title_en":"","year":2014,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Destin\u00e9e \u00e0 \u00eatre d\u00e9truite \u00e0 la fin de l'Exposition universelle de 1889, la Tour Eiffel symbolise aujourd'hui la France. Des milliers de visiteur\u00b7euse\u00b7s arpentent chaque ann\u00e9e sa charpente m\u00e9tallique. Documents d'archives (films, presse, photographies, gravures, toiles, t\u00e9moignages et plans), interviews de sp\u00e9cialistes et images de Paris aujourd'hui illustrent sa tumultueuse histoire depuis les premiers plans, sa construction en 1887, son inauguration en 1889, son r\u00f4le dans l'\u00e9mergence des syst\u00e8mes de radiodiffusion et t\u00e9l\u00e9diffusion au cours du XXe si\u00e8cle, et sa place dans l'art, le cin\u00e9ma et la publicit\u00e9.","synopsis_en":"Destined to be dismantled after the 1889 Exposition universelle, the Eiffel Tower today symbolizes France. Tens of thousands of visitors climb this metal structure every year. Archival documents (films, press clippings, photographs, engravings, paintings, first-hand accounts and drawings), interviews with specialists and images of present-day Paris illustrate its tumultuous history, from the initial drawings and its construction in 1887, to its inauguration in 1889, its role in the emergence of radio and television broadcasting in the 20th century and its place in art, film and advertising.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":802,"first_name":"Philippe","last_name":"Tourancheau","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/224\/photo\/NB_C_Photo_Philippe_tourancheau.JPG","order":0}],"generic":[{"id":1095,"first_name":"Cyril","last_name":"Bron","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":1094,"first_name":"Charles","last_name":"Labriet","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":1097,"first_name":"C\u00e9dric","last_name":"Harrang","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":1099,"first_name":"Mademoiselle","last_name":"Agn\u00e8s","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":4961,"first_name":"Bertrand","last_name":"Lemoine","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4962,"first_name":"St\u00e9phane","last_name":"Roussin","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":1091,"first_name":"Gilles","last_name":"Berthaut","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":1093,"first_name":"Thibaut","last_name":"Camurat","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":2879,"first_name":"Lo\u00efc","last_name":"Bouchet","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":2881,"first_name":"Anne","last_name":"Genevaux","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":1089,"first_name":"Gilles","last_name":"Berthaut","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1090,"first_name":"C\u00e9dric","last_name":"Harrang","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":1088,"first_name":"Philippe","last_name":"Tourancheau","post_fr":"Sc\u00e9nario","post_en":"Script","order":3,"post_order":18},{"id":1096,"first_name":"Fran\u00e7ois","last_name":"Devin","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":27899,"first_name":"Philippe","last_name":"Tourancheau","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/224\/photo\/Mademoiselle_Eiffel_rembobine_-_Sommet_Tour_de_nuit_avec_lune.png","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":226,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Katharina Grosse: Painting with Color","title_original":"Katharina Grosse: Painting with Color","title_fr":"","title_en":"","year":2015,"length":280,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Film\u00e9e \u00e0 Berlin dans son atelier et \u00e0 sa galerie, l'artiste Katharina Grosse \u00e9voque son utilisation de la couleur dans ses \u0153uvres en trois dimensions ou bidimensionnelles. \u00abJ\u2019aime le potentiel anarchique de la couleur \u00bb, explique Grosse, qui peint tr\u00e8s rapidement au pistolet industriel. En d\u00e9pit de ses int\u00e9r\u00eats premiers pour les langues et la lecture, l\u2019artiste a \u00e9t\u00e9 rapidement attir\u00e9e par la peinture en raison de ses qualit\u00e9s non-lin\u00e9aires. Pour elle, la peinture \u00a0\u00ab\u00a0comprime le temps, et r\u00e9duit le processus de r\u00e9flexion et d'action\u00bb.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

Filmed in her studio and gallery in Berlin, artist Katharina Grosse discusses her use of colour when painting on three-dimensional and flat surfaces. \u201cI like this anarchic potential of colour,\u201d says the artist, who paints very rapidly with an industrial spray gun. Despite an early interest in language and reading, she was attracted to painting because of its non-linear qualities. In her words, painting \u201ccompresses time, shortening the process of thinking and acting.\u201d","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":810,"first_name":"Ian","last_name":"Forster","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4954,"first_name":"Claus","last_name":"Deubel","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4955,"first_name":"Mark","last_name":"Walley","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4958,"first_name":"Morgan","last_name":"Riles","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4959,"first_name":"Peter","last_name":"Foley","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4938,"first_name":"Katharina","last_name":"Grosse","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4953,"first_name":"Susan","last_name":"Sollins","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":1118,"first_name":"Ian","last_name":"Forster","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":4956,"first_name":"Oliver","last_name":"Lumpe","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":4957,"first_name":"Angela","last_name":"Walley","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":4937,"first_name":"Katharina","last_name":"Grosse","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4939,"first_name":"","last_name":"Art21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28018,"first_name":"Ian","last_name":"Forster","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/226\/photo\/grosse-color-still-067.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":236,"edition":{"id":1},"career_fr":"Soloturn Film Festival, Suisse (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Ce cher mus\u00e9e","title_original":"Ce cher mus\u00e9e","title_fr":"","title_en":"","year":2015,"length":4020,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Vieux d\u2019un si\u00e8cle, le Mus\u00e9e d\u2019art et d\u2019histoire de Gen\u00e8ve souffre de sa v\u00e9tust\u00e9 et du manque de place pour ses collections. Un architecte de renomm\u00e9e internationale, un jeune magistrat, un directeur de mus\u00e9e et un m\u00e9c\u00e8ne ont uni leurs forces pour offrir \u00e0 Gen\u00e8ve le grand mus\u00e9e qu\u2019elle m\u00e9rite. Mais le projet, imagin\u00e9 par l\u2019architecte Jean Nouvel, est loin de faire l'unanimit\u00e9... Apr\u00e8s 16 ans de n\u00e9gociations, l\u2019opposition reste f\u00e9roce. Aujourd\u2019hui, rien ne va plus...","synopsis_en":"The century-old Mus\u00e9e d\u2019art et d\u2019histoire in Geneva is not only in a state of disrepair, but it lacks space for its collections. A world-renowned architect, a young judge, a museum director and a patron of the arts joined forces to give the city the museum it deserves. But the renovation project conceived by architect Jean Nouvel was far from gaining unanimous approval. After sixteen years of negotiations, opposition remains fierce. Today, things are at a standstill\u2026","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":847,"first_name":"Katharina","last_name":"Von Flotow","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/236\/photo\/KvFlotow_2.jpg","order":0}],"generic":[{"id":1155,"first_name":"Denis","last_name":"Jutzeler","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1156,"first_name":"Dejan","last_name":"Savic","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2696,"first_name":"Brigitte","last_name":"Raul","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":2698,"first_name":"Samy","last_name":"Kanaan","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2721,"first_name":"Jean","last_name":"Nouvel","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":2699,"first_name":"Jean-Yves","last_name":"Marin","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":2700,"first_name":"Jean-Claude","last_name":"Gandur","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":2793,"first_name":"Xavier","last_name":"Grin","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":2795,"first_name":"Ir\u00e8ne","last_name":"Challand","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":2797,"first_name":"Laurent","last_name":"Huguenin","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":2799,"first_name":"Gaspard","last_name":"Lalumi\u00e8re","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":1154,"first_name":"Katharina","last_name":"Von Flotow","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2694,"first_name":"Hatsui","last_name":"Masaki","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":2718,"first_name":"Jean","last_name":"Nouvel","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":2722,"first_name":"Jean-Yves","last_name":"Marin","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":2724,"first_name":"Jean-Claude","last_name":"Gandur","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":27772,"first_name":"Katharina","last_name":"Von Flotow","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/236\/photo\/MAH40243_01.jpg","credit":"","desc":"Couper le monsieur dans l'image"},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":241,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Juste avant l'orage","title_original":"Juste avant l'orage","title_fr":"","title_en":"","year":2013,"length":5400,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du meilleur essai, FIFA 2016<\/b>

Les ann\u00e9es 1900-1914 ont vu une v\u00e9ritable explosion dans tous les domaines artistiques. Ce film donne \u00e0 voir un monde en train de dispara\u00eetre et les pr\u00e9misses de l'av\u00e8nement d'un nouveau monde, le n\u00f4tre.\u00a0Le fil conducteur est un voyage imaginaire en train \u00e0 travers les grandes capitales europ\u00e9ennes, de Vienne \u00e0 Paris en passant par Saint-P\u00e9tersbourg, pour\u00a0sonder les paradoxes, l'insouciance, l'\u00e9veil \u00e0 la modernit\u00e9 et les contradictions de cette \u00e9poque, alors que d\u00e9j\u00e0 l'orage gronde, et\u00a0montrer comment les artistes allaient changer en profondeur la perception du monde.","synopsis_en":"Award for Best Essay, FIFA 2016<\/b>

The years 1900-1914 saw a veritable explosion in all artistic disciplines. This film depicts a vanishing world and the advent of a new one\u2014our own. The connecting thread is an imaginary train journey through the great European capitals, from Vienna and Paris to Saint Petersburg, probing the\u00a0paradoxes, carefree existence, stirrings of modernity and contradictions of the era, when storm clouds were already gathering\u2026 and as artists were changing our perception of the world.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":863,"first_name":"Don","last_name":"Kent","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/241\/photo\/NB_photo_DKent.jpg","order":0}],"generic":[{"id":3849,"first_name":"Don","last_name":"Kent","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1193,"first_name":"Arnaud","last_name":"Petitet","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3894,"first_name":"Agn\u00e8s","last_name":"Sourdillon","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":3895,"first_name":"F\u00e9odor","last_name":"Atkine","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":3896,"first_name":"Hans 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De\u00a0nombreux extraits de films retracent ici sa carri\u00e8re. Sa personnalit\u00e9 se d\u00e9voile au fil d'\u00e9tonnantes interviews recueillies sur pr\u00e8s de 50 ans. Au terme de ce parcours vertigineux, une v\u00e9rit\u00e9 se fait jour : Alain Delon, l\u2019homme aux 87 films, la plus belle gueule du cin\u00e9ma fran\u00e7ais, est un homme que l\u2019on ne conna\u00eet pas.","synopsis_en":"At age 35, Alain Delon had already worked with the greatest directors: Visconti, Antonioni, Melville, Cl\u00e9ment, Verneuil, All\u00e9gret\u2026 Through numerous film clips, this profile looks back at his long career. Interviews conducted over a 50-year span reveal surprising aspects of his personality. 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Didier Varrod est entour\u00e9 des amis de Renaud, chanteurs et personnalit\u00e9s. Archives in\u00e9dites, s\u00e9ances de musique acoustique et dessins de son ami Marc Large viennent compl\u00e9ter ce film cadeau.","synopsis_en":"To celebrate his birthday and his 40 years as an artist, this film pays tribute to the career of Renaud, the singer in the famous red bandana, whose insightful lyrics still reasonate with the same intensity. Didier Varrod is joined by his friends, fellow singers and personalities. Unpublished archives, acoustic sessions and drawings by his friend Marc Large round out this gift in the form of a 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Il est en effet n\u00e9 en 1952 de l'imagination f\u00e9conde de Ian Fleming. Issu d'une famille de la haute soci\u00e9t\u00e9 \u00e9cossaise, dipl\u00f4m\u00e9 d'Eton et engag\u00e9 dans le service de renseignements de la marine \u00e0 la veille de la guerre, Fleming y puise son inspiration pour son personnage. Portrait d'un homme dont la vie et l\u2019\u0153uvre furent \u00e9troitement li\u00e9es.","synopsis_en":"Before appearing as a character in films, the famous British secret agent James Bond was the hero of novels and short stories. He came into being in 1952, the product of the fertile imagination of Ian Fleming. An upper-class Eton dropout and naval intelligence officer during World War II, Fleming drew inspiration from his own life in creating Bond. A portrait of a man whose life and works were closely intertwined.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":921,"first_name":"Andr\u00e9","last_name":"Sch\u00e4fer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/257\/photo\/Andre_Schaefer_3.jpg","order":0}],"generic":[{"id":1274,"first_name":"Benno","last_name":"Soukup","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1276,"first_name":"Fritz","last_name":"Busse","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":1277,"first_name":"Ritchie","last_name":"Staringer","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3183,"first_name":"Ian","last_name":"Fleming","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3104,"first_name":"William","last_name":"Boyd","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3101,"first_name":"Kate","last_name":"Grimond","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3103,"first_name":"Fionn","last_name":"Morgan","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3102,"first_name":"Lucy","last_name":"Fleming","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3478,"first_name":"Nicholas","last_name":"Rankin","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":1278,"first_name":"Anna","last_name":"Steuber","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":2884,"first_name":"Marianne","last_name":"Sch\u00e4fer","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":1272,"first_name":"Beate","last_name":"Kasper","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1273,"first_name":"Hartmut","last_name":"Kasper","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3100,"first_name":"Ian","last_name":"Fleming","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":3105,"first_name":"William","last_name":"Boyd","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":27902,"first_name":"Andr\u00e9","last_name":"Sch\u00e4fer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/257\/photo\/Fleming_Foto_06_2.jpg","credit":"Florianfilm GmbH","desc":"Ian Fleming schreibt an einem neuen Roman in seinem Garten"},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/257\/photo\/TEL_0800960_S_10_XX_big.jpg","credit":"Florianfilm","desc":"Film Poster MY NAME IS FLEMING, IAN FLEMING"}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":258,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Villa Medici - The Ark of Beauty","title_original":"Villa Medici - The Ark of Beauty","title_fr":"Villa Medici - L'arca della bellezza","title_en":"","year":2015,"length":1800,"website":[],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Enclave de beaut\u00e9 au c\u0153ur de Rome, la Villa M\u00e9dicis h\u00e9berge, depuis 1803, l'Acad\u00e9mie de France \u00e0 Rome. De prestigieux artistes y ont s\u00e9journ\u00e9 ou l\u2019ont dirig\u00e9e, notamment Bizet, Debussy, Ingres ou Balthus. \u00c0 l'origine un temple \u00e9trusque, la Villa M\u00e9dicis a \u00e9t\u00e9 par la suite adopt\u00e9e comme r\u00e9sidence par les empereurs romains. Par la suite, elle fut la r\u00e9sidence Renaissance des cardinaux, de la famille Ricci aux M\u00e9dicis, qui ont commenc\u00e9 \u00e0 transformer le b\u00e2timent tel qu\u2019il est aujourd'hui. La Villa abrite aujourd'hui des salons majestueux avec une vue d'une beaut\u00e9 \u00e0 couper le souffle sur Rome. C\u2019est un espace dynamique et contemporain.","synopsis_en":"A haven of beauty in the heart of Rome, Villa Medici has been home to the Acad\u00e9mie de France since 1803. Acclaimed artists have stayed here or served as its director, including Bizet, Debussy, Ingres and Balthus. Originally an Etruscan temple, Villa Medici was adopted as the residence of Roman emperors. In the Renaissance, it was home to cardinals, from the Ricci to the Medici family, who\u00a0began to transform the building into what we see today. The Villa now boasts\u00a0majestic sitting rooms, with breathaking views of Rome, a vibrant and contemporary space.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":925,"first_name":"Ceccarelli","last_name":"Luigi Giuliano","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3489,"first_name":"Amato","last_name":"Mastrogiovanni","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3490,"first_name":"Marco","last_name":"Bombetti","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3491,"first_name":"Johnny","last_name":"Rosselli","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3493,"first_name":"Luigi","last_name":"Ceccarelli","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":3488,"first_name":"Rosa Lina","last_name":"Galantino","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":2897,"first_name":"Giannotti","last_name":"Giuseppe","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":4589,"first_name":"Luigi Giuliano","last_name":"Ceccarelli","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3492,"first_name":"Uberto","last_name":"Di Jacovo","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":27970,"first_name":"Ceccarelli Luigi","last_name":"Giuliano","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/258\/photo\/villa_medici_foto_trois.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":259,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Frank Sinatra ou l'\u00e2ge d'or de l'Am\u00e9rique","title_original":"Frank Sinatra ou l'\u00e2ge d'or de l'Am\u00e9rique","title_fr":"","title_en":"","year":2015,"length":3120,"website":[{"id":226,"website":"http:\/\/www.zed.fr\/fr\/tv\/distribution\/catalogue\/programme\/frank-sinatra-ou-l-age-d-or-de-l-amerique","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La longue carri\u00e8re de Frank Sinatra (1915-1998) conna\u00eet son v\u00e9ritable \u00e2ge d'or dans les ann\u00e9es 1950 et 1960 : chanson, music-hall, cin\u00e9ma, t\u00e9l\u00e9vision\u2026 tout lui r\u00e9ussit. Au m\u00eame moment, l'Am\u00e9rique traverse elle aussi une \u00e9poque faste.\u00a0C'est cette co\u00efncidence de l'\u00e2ge d'or du l\u00e9gendaire chanteur et acteur, et de celui du pays dont il incarne alors tout l\u2019\u00e9clat, mais aussi la part d'ombre, que raconte le film. Road movie<\/i> documentaire, il nous emm\u00e8ne sur les traces toujours visibles d\u2019un artiste hors-norme et d\u2019un r\u00eave am\u00e9ricain plein de s\u00e9duction, dont Sinatra est indissociable. Film r\u00e9alis\u00e9 \u00e0 l'occasion du centenaire de la naissance du c\u00e9l\u00e8bre crooner.","synopsis_en":"The golden age in the long career of Frank Sinatra (1915-1998) was undoubtedly the 1950s and 1960s: records, concerts, television \u2026 everything was crowned with success. At the same time, America was in a halcyon era. It is this conjunction\u2014the golden age of the legendary singer-actor and of the country whose radiance he personified\u2014that this film depicts, along with its darker side. A documentary road movie, it follows the still-visible traces of a remarkable artist and the American dream he symbolized. This production marks the centenary of his birth.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":928,"first_name":"Michel","last_name":"Viotte","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1280,"first_name":"Michel","last_name":"Viotte","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1282,"first_name":"Benedicte","last_name":"Mallet","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1283,"first_name":"Michel","last_name":"Papineschi","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":3845,"first_name":"Frank","last_name":"Sinatra","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":4315,"first_name":"Tommy","last_name":"Dorsey","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":4319,"first_name":"Marylin","last_name":"Monroe","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4321,"first_name":"Lauren","last_name":"Bacall","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4323,"first_name":"Rita","last_name":"Hayworth","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4325,"first_name":"Grace","last_name":"Kelly","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4327,"first_name":"Elvis","last_name":"Presley","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4317,"first_name":"Ava","last_name":"Gardner","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":4329,"first_name":"Nancy","last_name":"Sinatra","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":2863,"first_name":"Marie","last_name":"Drogue","post_fr":"Production","post_en":"Production","order":22,"post_order":4},{"id":1279,"first_name":"Michel","last_name":"Viotte","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3844,"first_name":"Frank","last_name":"Sinatra","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":4314,"first_name":"Tommy","last_name":"Dorsey","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":4318,"first_name":"Marylin","last_name":"Monroe","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":4320,"first_name":"Lauren","last_name":"Bacall","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":4322,"first_name":"Rita","last_name":"Hayworth","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":4324,"first_name":"Grace","last_name":"Kelly","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":4326,"first_name":"Elvis","last_name":"Presley","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":4328,"first_name":"Nancy","last_name":"Sinatra","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":27615,"first_name":"Michel","last_name":"Viotte","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/259\/photo\/03.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":264,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Un homme de danse","title_original":"Un homme de danse","title_fr":"","title_en":"","year":2016,"length":4980,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix de la meilleure \u0153uvre canadienne, ex-aequo, FIFA 2016<\/b>

Excellant autant dans le r\u00e9pertoire classique que contemporain, inoubliable interpr\u00e8te des chor\u00e9graphies de Fernand Nault et de Brian Macdonald et du film Pas de deux <\/i>de Norman MacLaren, Vincent Warren fut la figure de proue des Grands Ballets Canadiens de 1960 \u00e0 1979. Le plus important legs de cet homme de culture d\u2019une grande g\u00e9n\u00e9rosit\u00e9, ancr\u00e9 dans son \u00e9poque, est certainement la Biblioth\u00e8que de la danse Vincent-Warren, la plus importante du genre au Canada.","synopsis_en":"Award for Best Canadian Film, ex-aequo, FIFA 2016<\/b>

Vincent Warren, who excelled in both classical and contemporary ballet repertoire, is memorable for his performances of choreographies by Fernand Nault and Brian Macdonald, and in Norman MacLaren's film Pas de deux. <\/i>Warren was the leading figure with Les Grands Ballets Canadiens from 1960 to 1979. The most important legacy of this cultured and generous man, who was rooted in his time, is without a doubt the Biblioth\u00e8que de la danse Vincent-Warren,\u00a0the largest dance library in Canada.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":950,"first_name":"Marie","last_name":"Brodeur","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/264\/photo\/C_Alain_Theriault_0672.jpg","order":0}],"generic":[{"id":1304,"first_name":"Sylvestre","last_name":"Guidi","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1305,"first_name":"Michel","last_name":"Giroux","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1306,"first_name":"T. 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Une jeune femme est tiraill\u00e9e entre son masque sc\u00e9nique et sa vraie nature. Inspir\u00e9e par la vie tourment\u00e9e de la cantatrice Maria Callas, elle danse le drame de la pr\u00eatresse Norma, ce personnage au destin tragique dont l'interpr\u00e9tation de Callas a marqu\u00e9 l'histoire. La cam\u00e9ra suit sa gestuelle de diff\u00e9rents points de vue, comme un\u00b7e spectateur\u00b7ice voyeur\u00b7euse assistant \u00e0 une prestation sans y \u00eatre invit\u00e9\u00b7e.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

A woman on stage is torn between her theatrical mask and true nature. Inspired by the tormented life of opera singer Maria Callas, she dances the drama of the priestess Norma, a role that Callas made legendary. The camera follows her movements from different angles, like a voyeur attending the performance uninvited.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":966,"first_name":"Claudia","last_name":"Chan Tak","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/269\/photo\/ClaudiaChanTak_creditsNansBortuzzo.jpg","order":0}],"generic":[{"id":1357,"first_name":"Nans","last_name":"Bortuzzo","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":1350,"first_name":"Claudia","last_name":"Chan Tak","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":1355,"first_name":"Lison","last_name":"Baudy","post_fr":"Costumes","post_en":"Costumes","order":0,"post_order":72},{"id":1354,"first_name":"Laurie-Anne","last_name":"Langis","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":0,"post_order":49},{"id":1351,"first_name":"Claudia","last_name":"Chan Tak","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":1356,"first_name":"Antoine","last_name":"Berthiaume","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":1352,"first_name":"\u00c9lian","last_name":"Mata","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":4839,"first_name":"","last_name":"Productions EM","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":1353,"first_name":"Louis-Elyan","last_name":"Martin","post_fr":"Chor\u00e9graphie","post_en":"Choreography","order":1,"post_order":48},{"id":28036,"first_name":"Claudia","last_name":"Chan Tak","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/269\/photo\/Norma05_creditsClaudiaChanTak.jpg","credit":"Claudia Chan Tak","desc":"Photographie promotionnelle\r\nLibre de droits"},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":271,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Fragonard, les gammes de l'amour","title_original":"Fragonard, les gammes de l'amour","title_fr":"","title_en":"","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Jean-Honor\u00e9\u00a0Fragonard (1732-1806)\u00a0\u00e9pouse son si\u00e8cle, le XVIIIe, en r\u00e9pondant \u00e0 toutes les commandes, celles des libertin\u00b7e\u00b7s mais aussi celles des moralistes, comme celles des r\u00eaveur\u00b7euse\u00b7s d\u2019all\u00e9gories douces, champ\u00eatres et mythologiques. Ses petits Amours, qu\u2019il s\u00e8me sous toutes les frondaisons o\u00f9 ses amant\u00b7e\u00b7s se rencontrent, s\u2019enlacent et se tiennent par la main, les yeux dans les yeux, font fl\u00e8che de tout bois. Quelques amoureux\u00b7ses de Fragonard, brillant\u00b7e\u00b7s sp\u00e9cialistes de ses audaces et de ses libert\u00e9s, nous entra\u00eenent dans les plis et replis de ses th\u00e8mes et de ses lits.\u00a0\u00a0","synopsis_en":"Jean-Honor\u00e9\u00a0Fragonard (1732-1806)\u00a0embraced his century, the 18th, by accepting commissions from libertines and moralists alike, as well as from dreamers and lovers of rustic and mythological allegories. One of the most prolific artists active in the last decades of the Ancien R\u00e9gime, Fragonard conveyed an atmosphere of intimacy and veiled eroticism. A sampling of Fragonard\u2019s lovers, specialists in his acts of daring, lead us into the nooks and crannies of his themes\u2014and beds.\u00a0
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Archives, entretiens et \u00e9vocation de lieux t\u00e9moignent de deux histoires, deux cin\u00e9matographies qui se t\u00e9lescopent\u00a0et rappellent les relations\u00a0parfois complexes, conflictuelles ou au contraire harmonieuses entre les cultures fran\u00e7aise et germanique par l'interm\u00e9diaire de leurs personnalit\u00e9s marquantes.","synopsis_en":"CineKino <\/i>traces over one century of relations between French and German cinema, what brought them together from the very beginning and what separated them, what they have shared and what they have taught one another. Archival material, interviews and evocations of past sites combine to recount two histories, two filmmaking industries, depicting the complex, conflicting\u2014or harmonious\u2014relationships between French and German cultures, each with their distinctive traits.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":992,"first_name":"Laurent","last_name":"Heynemann","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/277\/photo\/s_laurent_heynemann.jpg","order":0},{"id":993,"first_name":"Matthias","last_name":"Luthardt","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/277\/photo\/LUTHARDT_Matthias_2009.jpg","order":0}],"generic":[{"id":4086,"first_name":"Sophie","last_name":"Maintigneux","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":4087,"first_name":"Jean-Fran\u00e7ois","last_name":"Robin","post_fr":"Image","post_en":"Cinematography","order":6,"post_order":64},{"id":4088,"first_name":"Christian","last_name":"Marohl","post_fr":"Image","post_en":"Cinematography","order":7,"post_order":64},{"id":1381,"first_name":"Annette","last_name":"Fleming","post_fr":"Montage","post_en":"Editing","order":12,"post_order":43},{"id":1382,"first_name":"Marie","last_name":"Da 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The Secret Soul of Things","title_original":"Tobia Scarpa. The Secret Soul of Things","title_fr":"L'anima segreta delle cose","title_en":"","year":2015,"length":1920,"website":[],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Fils de l'architecte italien Carlo Scapa, un mod\u00e8le pour les g\u00e9n\u00e9rations actuelles, Tobia Scarpa (n\u00e9 en 1935) est lui aussi architecte, notamment pour Benetton, et\u00a0a collabor\u00e9 aux nombreux projets de son p\u00e8re ; il a travaill\u00e9 \u00e9galement comme designer en tandem avec Afra Bianci pendant 40 ans, concevant meubles, verreries, supports graphiques. Leur travail a \u00e9t\u00e9 \u00e9dit\u00e9 par les grandes maisons internationales.\u00a0Le film tente de saisir l'exp\u00e9rience humaine (une lecture dans un fauteuil, un voyage en bateau) \u00e0 la source des \u00ab objets \u00bb de Scarpa.\u00a0","synopsis_en":"The son of Italian architect Carlo Scapa, a role model for current generations, Tobia Scarpa (born in 1935) is himself an architect, notably for Benetton. He worked with his father on numerous projects, as well as with Afra Bianci for 40 years, designing furniture, glassware and graphic works. Books about their work have been published by major international publishing houses. This film attempts to capture the human experience \u00a0(reading becomes a chair, a journey becomes a boat) that provides the raw material for Scarpa's \"objects.\"","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1019,"first_name":"Elia","last_name":"Romanelli","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/284\/photo\/foto_elia.jpg","order":0}],"generic":[{"id":3543,"first_name":"Lorenzo","last_name":"Pezzano","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3542,"first_name":"Chiara","last_name":"Andrich","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3544,"first_name":"Francesco","last_name":"Novara","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":3546,"first_name":"Tobia","last_name":"Scarpa","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2895,"first_name":"Elisa","last_name":"Pajer","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":3839,"first_name":"Francesco","last_name":"Barbato","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":3545,"first_name":"Tobia","last_name":"Scarpa","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":27717,"first_name":"Elia","last_name":"Romanelli","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/284\/photo\/T_Scarpa_trois.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":287,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Bergeron, la suite...","title_original":"Bergeron, la suite...","title_fr":"","title_en":"","year":2014,"length":900,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Germain Bergeron, sculpteur des ann\u00e9es 1960 dans la mouvance des Vaillancourt, Trudeau et B\u00e9langer, cr\u00e9e des sculptures gigantesques \u00e0 partir de m\u00e9tal recycl\u00e9. En 2010, il croise Robert Brulotte, designer visionnaire de L\u2019Assomption, passionn\u00e9 par son \u0153uvre. Brulotte cr\u00e9e l\u2019organisme L\u2019Art en plein air \u00e0 L\u2019Assomption, qui propose de rafra\u00eechir les \u0153uvres entrepos\u00e9es chez Bergeron pour les exposer au public. Avec l\u2019appui enthousiaste de la communaut\u00e9, 14 sculptures monumentales sont restaur\u00e9es et install\u00e9es dans le Quartier des arts de L\u2019Assomption.","synopsis_en":"Germain Bergeron, a sculptor from the 1960s who was part of the same movement as Vaillancourt, Trudeau and B\u00e9langer, created gigantic sculptures using recycled metal. In 2010, he met Robert Brulotte, a visionary designer from L\u2019Assomption, who was excited by his work. Brulotte founded L\u2019Art en plein air in L\u2019Assomption, with the aim of refreshing the works stored at Bergeron's home and putting them on public display. With enthusiastic support from the community, 14 monumental sculptures were restored and installed in L\u2019Assomption's arts district.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1029,"first_name":"Philippe","last_name":"Lupien","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/287\/photo\/Philippe_Lupien.jpg","order":0},{"id":1030,"first_name":"Martin","last_name":"Fafard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/287\/photo\/Martin_Fafard.jpg","order":0}],"generic":[{"id":3622,"first_name":"Francis","last_name":"Pinard","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3632,"first_name":"Martin","last_name":"Fafard","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":3625,"first_name":"Winston","last_name":"McQuade","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":3627,"first_name":"Germain","last_name":"Bergeron","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":3629,"first_name":"Robert","last_name":"Brulotte","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":3633,"first_name":"Sophie","last_name":"Bergeron","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3634,"first_name":"Roxanne","last_name":"Bergeron","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3635,"first_name":"Fran\u00e7ois","last_name":"Renaud","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3636,"first_name":"Nicole","last_name":"Mercier","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3637,"first_name":"Winston","last_name":"McQuade","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3630,"first_name":"Anne-Marie","last_name":"Charest","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":3631,"first_name":"Maryl\u00e8ne","last_name":"Borja","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":3626,"first_name":"Germain","last_name":"Bergeron","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":3628,"first_name":"Robert","last_name":"Brulotte","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":27769,"first_name":"Martin","last_name":"Fafard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27770,"first_name":"Philippe","last_name":"Lupien","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/287\/photo\/Cegep.jpg","credit":"Productions Synop6","desc":"Lulunatik de Germain Bergeron\r\nM\u00e9dium : M\u00e9tal recycl\u00e9\r\nAnn\u00e9e de Cr\u00e9ation : 1970"},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":290,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Peter Behrens - A Pioneer in Architecture |","title_original":"Peter Behrens - A Pioneer in Architecture |","title_fr":"Peter Behrens - Vom Skizzenblock zum Alexanderplatz","title_en":"","year":2015,"length":1980,"website":[{"id":188,"website":"https:\/\/vimeo.com\/142671179","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Peter Behrens (1868-1940), artiste polyvalent du d\u00e9but du XXe si\u00e8cle, a connu une carri\u00e8re fructueuse en tant que peintre, designer et architecte, et a influenc\u00e9 le d\u00e9veloppement du design d\u2019entreprise. Pionnier du d\u00e9veloppement de la Nouvelle Objectivit\u00e9 et de l'\u00e9mergence du mouvement Bauhaus, il est consid\u00e9r\u00e9 comme un pr\u00e9curseur de l\u2019architecture industrielle. Les jeunes architectes Gropius, Mies van der Rohe et Le Corbusier ont travaill\u00e9 dans son agence de Berlin et ont \u00e9t\u00e9 marqu\u00e9s par sa m\u00e9thodologie et son objectivit\u00e9.","synopsis_en":"A versatile artist working at the beginning of the 20th century, Peter Behrens (1868-1940) had a successful career as a painter, architect and product designer, and influenced the development of corporate design. He was a pioneer in the development of New Objectivity and in the emergence of the Bauhaus movement. Young architects such as Walter Gropius, Mies van der Rohe and Le Corbusier worked at his Berlin office and were strongly influenced by his methodology and objectivity.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1041,"first_name":"Alexander","last_name":"Lorenz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/290\/photo\/Alexander_Lorenz.jpg","order":0}],"generic":[{"id":1457,"first_name":"Alexander","last_name":"Lorenz","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1455,"first_name":"Monika","last_name":"Pirch","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":4484,"first_name":"Philipp","last_name":"Gutbrod","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":4485,"first_name":"Martina","last_name":"Fischer","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4486,"first_name":"Carsten","last_name":"Krohn","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4487,"first_name":"Till","last_name":"Behrens","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4488,"first_name":"Thorsten","last_name":"Scheer","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":1458,"first_name":"Angela","last_name":"Freyer","post_fr":"Production","post_en":"Production","order":17,"post_order":4},{"id":4067,"first_name":"Alexander","last_name":"Lorenz","post_fr":"Production","post_en":"Production","order":18,"post_order":4},{"id":1456,"first_name":"Angela","last_name":"Freyer","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1454,"first_name":"Alexander","last_name":"Lorenz","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4468,"first_name":"Angela","last_name":"Freyer","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":4062,"first_name":"Peter","last_name":"Behrens","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":4063,"first_name":"Walter","last_name":"Gropius","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":4064,"first_name":"","last_name":"Le Corbusier","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":4065,"first_name":"","last_name":"Mies Van Der Rohe","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":4489,"first_name":"Philipp","last_name":"Gutbrod","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":4490,"first_name":"Carsten","last_name":"Krohn","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":27948,"first_name":"Alexander","last_name":"Lorenz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/290\/photo\/Still001tif.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":293,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Andr\u00e9 Melan\u00e7on : Le grand gars des vues","title_original":"Andr\u00e9 Melan\u00e7on : Le grand gars des vues","title_fr":"","title_en":"","year":2015,"length":2880,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Andr\u00e9 Melan\u00e7on est reconnu pour \u00eatre le p\u00e8re du cin\u00e9ma pour enfants qu\u00e9b\u00e9cois. On lui doit certains films cultes tels que La guerre des tuques <\/i>et Bach et Bottine<\/i>\u00a0ainsi que des documentaires comme Les vrais perdants<\/i>. Le \u00ab grand gars des vues \u00bb, Abitibien d'origine, retrace les jalons d\u2019une vie parsem\u00e9e d\u2019heureux accidents de parcours qui l\u2019ont amen\u00e9 \u00e0 se pencher sur l\u2019enfance pour produire une \u0153uvre qui r\u00e9siste au temps.\u00a0","synopsis_en":"Andr\u00e9 Melan\u00e7on is known as the father of children\u2019s movies in Quebec. Among his credits are such favourites as The Dog Who Stopped the War <\/i>and Bach and Broccoli<\/i>, as well as such documentaries as Les vrais perdants<\/i>. The seasoned filmmaker from Abitibi looks back at the milestones in a life marked by serendipitous events, which together led him to focus on childhood and create his timeless oeuvre.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1051,"first_name":"Luc","last_name":"Cyr","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/293\/photo\/Photo_Luc_Cyr.jpg","order":0}],"generic":[{"id":1498,"first_name":"Jean-Pierre","last_name":"Saint-Louis","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1500,"first_name":"Justine","last_name":"Godin","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":1501,"first_name":"Michel","last_name":"Simard","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2583,"first_name":"Andr\u00e9","last_name":"Melan\u00e7on","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2801,"first_name":"Vic","last_name":"Pelletier","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":2804,"first_name":"Fran\u00e7ois","last_name":"Trudel","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3166,"first_name":"Vincent","last_name":"Leroux","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":3167,"first_name":"Robert","last_name":"Tremblay","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":1497,"first_name":"Luc","last_name":"Cyr","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1499,"first_name":"Benny","last_name":"Caron","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3162,"first_name":"Andr\u00e9","last_name":"M\u00e9lan\u00e7on","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27607,"first_name":"Luc","last_name":"Cyr","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/293\/photo\/AndreMelancon_photo_4.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":299,"edition":{"id":1},"career_fr":"Amdocs, USA (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Alberto Giacometti, Sculptor of the Gaze","title_original":"Alberto Giacometti, Sculptor of the Gaze","title_fr":"Alberto Giacometti, Sculpteur du regard","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"De ses premi\u00e8res esquisses aux c\u00e9l\u00e8bres sculptures qui ont atteint des sommes exorbitantes, Alberto Giacometti (1901-1966) raconte de sa voix rocailleuse sa vision si personnelle des choses et des gens.\u00a0Ce\u00a0portrait prend sa source dans sa premi\u00e8re exp\u00e9rience de la r\u00e9duction, malgr\u00e9 lui, vers 18 ans, une exp\u00e9rience qui d\u00e9terminera la recherche de toute une vie.\u00a0Giacometti a \u00e9t\u00e9 proche de diff\u00e9rents courants, cubisme, art n\u00e8gre, abstraction jusqu'au surr\u00e9alisme, avant de d\u00e9finir sa propre vision, qu\u2019il nous donnera \u00e0 voir dans son plein \u00e9panouissement \u00e0 partir de 1946.","synopsis_en":"A journey into the life and works of Alberto Giacometti (1901-1966), who revolutionized 20th century sculpture. It is Giacometti himself who guides us with his gravelly voice and true Italian flair. His first experiments with reduction, around the age of 18, set the path for research that he would pursue for the rest of his life. Along the way, he flirted with the various currents of the time\u2014Cubism, Negro art, Abstraction and Surrealism\u2014before defining his own vision, which beginning in 1946 came to full fruition.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1070,"first_name":"Charles","last_name":"De Lartigue","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1542,"first_name":"Olivier","last_name":"Mauguy","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1544,"first_name":"Volker","last_name":"Noack","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1548,"first_name":"Arthur","last_name":"Guibert","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":1547,"first_name":"Nina","last_name":"Lucia","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":1549,"first_name":"Ian","last_name":"Freebairn-Smith","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":1546,"first_name":"Ian","last_name":"Freebairn-Smith","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":4752,"first_name":"Alberto","last_name":"Giacometti","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4750,"first_name":"Charles","last_name":"De Lartigue","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":1552,"first_name":"Charles","last_name":"De Lartigue","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1553,"first_name":"Jean-Claude","last_name":"Leita","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":1550,"first_name":"Alberto","last_name":"Giacometti","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27763,"first_name":"Charles","last_name":"De Lartigue","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/299\/photo\/AG_1950_Parks.jpg","credit":"GORDON PARKS","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":304,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le 186... pour la m\u00e9moire","title_original":"Le 186... pour la m\u00e9moire","title_fr":"","title_en":"","year":2015,"length":4500,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Plus qu'un simple documentaire sur la r\u00e9novation de la maison de F\u00e9lix Leclerc \u00e0 Vaudreuil (monument class\u00e9 historique) et\u00a0sa conversion en une r\u00e9sidence d'artiste, ce document vient souligner le passage du po\u00e8te et chanteur\u00a0dans ce lieu gr\u00e2ce aux souvenirs de Martin Leclerc, son fils a\u00een\u00e9. Combinant entrevues avec ami\u00b7e\u00b7s et artistes, dessins de sa fille M\u00e9lanie et musique originale de J\u00e9r\u00f4me Langlois, le film se fait le trait d'union entre le pass\u00e9 et l'avenir.","synopsis_en":"Much more than a documentary on the renovation of F\u00e9lix Leclerc\u2019s house in Vaudreuil (now an historic monument) and its\u00a0conversion into a site for artists-in-residence, this film depicts the singer-poet\u2019s life here through the memories of his eldest son, Martin Leclerc. Combining interviews with friends and artists, drawings by his daughter M\u00e9lanie and original music by J\u00e9r\u00f4me Langlois, the film provides a link between past and future.
\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1088,"first_name":"Martin","last_name":"Leclerc","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1570,"first_name":"Martin","last_name":"Leclerc","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":1571,"first_name":"Andr\u00e9","last_name":"Desrochers","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":1572,"first_name":"J\u00e9r\u00f4me","last_name":"Langlois","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":3502,"first_name":"Janine","last_name":"Sutto","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":3504,"first_name":"Yves","last_name":"Massicotte","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":3506,"first_name":"Marie-Belle","last_name":"Ouellet","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":3508,"first_name":"Manon","last_name":"C\u00f4t\u00e9","post_fr":"Participation","post_en":"Participation","order":21,"post_order":39},{"id":3510,"first_name":"Pierre","last_name":"Patry","post_fr":"Participation","post_en":"Participation","order":22,"post_order":39},{"id":3512,"first_name":"Marcel","last_name":"Brouillard","post_fr":"Participation","post_en":"Participation","order":23,"post_order":39},{"id":3514,"first_name":"Guy","last_name":"Godin","post_fr":"Participation","post_en":"Participation","order":24,"post_order":39},{"id":3516,"first_name":"Jean-Jacques","last_name":"Chapdelaine","post_fr":"Participation","post_en":"Participation","order":25,"post_order":39},{"id":3518,"first_name":"Hugo","last_name":"Latulippe","post_fr":"Participation","post_en":"Participation","order":26,"post_order":39},{"id":3520,"first_name":"Bernard","last_name":"S\u00e9guin-Poirier","post_fr":"Participation","post_en":"Participation","order":27,"post_order":39},{"id":3522,"first_name":"M\u00e9lanie","last_name":"Leclerc","post_fr":"Participation","post_en":"Participation","order":28,"post_order":39},{"id":3524,"first_name":"Luc","last_name":"Simard","post_fr":"Participation","post_en":"Participation","order":29,"post_order":39},{"id":3526,"first_name":"J\u00e9r\u00f4me","last_name":"Langlois","post_fr":"Participation","post_en":"Participation","order":30,"post_order":39},{"id":3528,"first_name":"Jean-Louis","last_name":"Freund","post_fr":"Participation","post_en":"Participation","order":31,"post_order":39},{"id":3530,"first_name":"Dominique","last_name":"Leroux","post_fr":"Participation","post_en":"Participation","order":32,"post_order":39},{"id":3532,"first_name":"F\u00e9lix","last_name":"Leclerc","post_fr":"Participation","post_en":"Participation","order":33,"post_order":39},{"id":1590,"first_name":"Martin","last_name":"Leclerc","post_fr":"Production","post_en":"Production","order":19,"post_order":4},{"id":3501,"first_name":"Janine","last_name":"Sutto","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":3503,"first_name":"Yves","last_name":"Massicotte","post_fr":"Artiste","post_en":"Artist","order":2,"post_order":50},{"id":3505,"first_name":"Marie-Belle","last_name":"Ouellet","post_fr":"Artiste","post_en":"Artist","order":3,"post_order":50},{"id":3507,"first_name":"Manon","last_name":"C\u00f4t\u00e9","post_fr":"Artiste","post_en":"Artist","order":4,"post_order":50},{"id":3509,"first_name":"Pierre","last_name":"Patry","post_fr":"Artiste","post_en":"Artist","order":5,"post_order":50},{"id":3511,"first_name":"Marcel","last_name":"Brouillard","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":3513,"first_name":"Guy","last_name":"Godin","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":3515,"first_name":"Jean-Jacques","last_name":"Chapdelaine","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":3517,"first_name":"Hugo","last_name":"Latulippe","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":3519,"first_name":"Bernard","last_name":"S\u00e9guin-Poirier","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":3521,"first_name":"M\u00e9lanie","last_name":"Leclerc","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":3523,"first_name":"Luc","last_name":"Simard","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":3525,"first_name":"J\u00e9r\u00f4me","last_name":"Langlois","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":3527,"first_name":"Jean-Louis","last_name":"Freund","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":3529,"first_name":"Dominique","last_name":"Leroux","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3531,"first_name":"F\u00e9lix","last_name":"Leclerc","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":27616,"first_name":"Martin","last_name":"Leclerc","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/304\/photo\/4V9A6719.JPG","credit":"Martin Leclerc","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":313,"edition":{"id":1},"career_fr":"Tallinn Black Nights Film Festival, Estonie\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Hubert de Givenchy, un destin Haute Couture","title_original":"Hubert de Givenchy, un destin Haute Couture","title_fr":"","title_en":"Hubert de Givenchy, A Life in Haute Couture","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019un des cr\u00e9ateurs de mode les plus talentueux du XXe si\u00e8cle, Hubert de Givenchy est aussi l\u2019un des plus discrets. Il t\u00e9moigne pour la premi\u00e8re fois des rencontres qui ont fa\u00e7onn\u00e9 son parcours : de ses souvenirs d\u2019enfance \u00e0 la magie des plateaux d\u2019Hollywood, de l\u2019excitation de son premier d\u00e9fil\u00e9 au rayonnement international de sa marque, de l\u2019effervescence du Paris d\u2019apr\u00e8s-guerre aux moments privil\u00e9gi\u00e9s avec Audrey Hepburn, Balenciaga, Marl\u00e8ne Dietrich et tant d\u2019autres.","synopsis_en":"Among the 20th century\u2019s most talented fashion designers, Hubert de Givenchy is also among the most discreet. For the first time, he describes the events that marked his artistic path: his memories of childhood, the magic of Hollywood film sets, the excitement of his first show, the rise of his international brand, the exuberance of post-war Paris, and special moments spent with Audrey Hepburn, Balenciaga, Marlene Dietrich and many others.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1122,"first_name":"Eric","last_name":"Pellerin De Turckheim","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/313\/photo\/ERIC_PELLERIN_DE_TURCKHEIM.jpg","order":0}],"generic":[{"id":2638,"first_name":"Thomas","last_name":"Collard","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2641,"first_name":"Eric","last_name":"Pellerin","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2640,"first_name":"Arnaud","last_name":"H\u00e9ry","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2642,"first_name":"Eric","last_name":"Pellerin","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":2645,"first_name":"Hubert","last_name":"De Givenchy","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":2650,"first_name":"Janie","last_name":"Samet","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":2652,"first_name":"Olivier","last_name":"Echaudemaison","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":2653,"first_name":"Marie-Caroline","last_name":"Garnier D'Ornellas","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":2655,"first_name":"Dominique","last_name":"Sirop","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":2656,"first_name":"Igor","last_name":"Uria-Zubizarreta","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":2660,"first_name":"Eloy","last_name":"Martinez De La Pera Celada","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":2788,"first_name":"Eric","last_name":"Pellerin De Turckheim","post_fr":"Production","post_en":"Production","order":22,"post_order":4},{"id":1629,"first_name":"Eric","last_name":"Pellerin","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2639,"first_name":"Matthieu","last_name":"Lefort","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":2644,"first_name":"Hubert","last_name":"De Givenchy","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":2651,"first_name":"Olivier","last_name":"Echaudemaison","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":2654,"first_name":"Dominique","last_name":"Sirop","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":2657,"first_name":"Audrey","last_name":"Hepburn","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":2658,"first_name":"Cristobal","last_name":"Balenciaga","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":2659,"first_name":"Eloy","last_name":"Martinez De La Pera Celada","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":2661,"first_name":"Marlene","last_name":"Dietrich","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3191,"first_name":"Igor","last_name":"Uria-Zubizarreta","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":27885,"first_name":"Eric","last_name":"Pellerin De Turckheim","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/313\/photo\/HORIZON_PICTURES_GIVENCHY_11.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/313\/photo\/H_DE_GIVENCHY.jpg","credit":"Victor Skrebneski","desc":"Monsieur Hubert de Givenchy, chez lui \u00e0 Paris"}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":314,"edition":{"id":1},"career_fr":"","career_en":"Overview of some festivals:\r\n\r\nMEXTROPOLI, Mexico (2016)\r\nDesign Indaba, South Africa (2016) \r\nCopenhague Architecture Festival x Film, Denmark (2016)\r\nArkitekturfilm Oslo, Norway (2016) \r\nTransition Film Festival, Australia (2016) \r\nDocAviv International Documentary Film Festival, Tel Aviv (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"The Infinite Happiness","title_original":"The Infinite Happiness","title_fr":"","title_en":"","year":2015,"length":5100,"website":[{"id":209,"website":"http:\/\/www.living-architectures.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":210,"website":"https:\/\/www.facebook.com\/TheLivingArchitecturesFilmSeries","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":211,"website":"https:\/\/www.youtube.com\/user\/BekaFilmsProduction?feature=watch","type_id":13,"type_1":"YouTube","type_2":"YouTube","description":"","embed":""},{"id":374,"website":"https:\/\/www.youtube.com\/watch?v=MAPEioSNvDc","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"Danemark","en":"Denmark"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Con\u00e7u comme un journal vid\u00e9o, le film nous entra\u00eene au c\u0153ur de l'un des complexes r\u00e9sidentiels contemporains consid\u00e9r\u00e9 comme un mod\u00e8le du genre. Tous\u00b7tes deux r\u00e9sident\u00b7e\u00b7s du g\u00e9ant 8 House<\/i> construit par l'architecte danois Bjarke Ingels dans la banlieue de Copenhague, Ila B\u00eaka et Louise Lemoine racontent leur vie \u00e0 l'int\u00e9rieur de cette structure, une exp\u00e9rience de village vertical inventive, \u00e9lue en 2011 \u00ab meilleur b\u00e2timent r\u00e9sidentiel du monde \u00bb.","synopsis_en":"Conceived as a video diary, the film takes viewers into the heart of a contemporary residential complex considered to be a model in its genre. Ila B\u00eaka and Louise Lemoine, two residents of the huge\u00a08 House\u00a0<\/i>built by Danish\u00a0architect Bjarke Ingels in a Copenhagen suburb, describe the experience of living in this ingenious vertical village, which was named the World's Best Residential Building in 2011.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1126,"first_name":"Ila","last_name":"B\u00eaka","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0},{"id":1127,"first_name":"Louise","last_name":"Lemoine","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2713,"first_name":"Ila","last_name":"B\u00eaka","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2712,"first_name":"Louise","last_name":"Lemoine","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":2714,"first_name":"Ila","last_name":"B\u00eaka","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2853,"first_name":"Louise","last_name":"Lemoine","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2854,"first_name":"Ila","last_name":"B\u00eaka","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":2850,"first_name":"Filippo","last_name":"Clericuzio","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":2711,"first_name":"Louise","last_name":"Lemoine","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":2855,"first_name":"Bjarke","last_name":"Ingels","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27962,"first_name":"Ila","last_name":"B\u00eaka","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27963,"first_name":"Louise","last_name":"Lemoine","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/314\/photo\/The_Infinite_Happiness_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":316,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Wa Shan","title_original":"Wa Shan","title_fr":"","title_en":"","year":2015,"length":1560,"website":[],"countries":[{"fr":"Finlande","en":"Finland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Tapie au pied de la \u00ab colline de l\u2019\u00e9l\u00e9phant \u00bb, dans la province chinoise du Zhejiang, Wa Shan, litt\u00e9ralement \u00ab montagne de tuiles \u00bb, est une maison d\u2019h\u00f4tes particuli\u00e8re, construite de 2011 \u00e0 2013 par l\u2019architecte Wang Shu,\u00a0laur\u00e9at du Prix Pritzker en 2012. Con\u00e7ue avec des mat\u00e9riaux de r\u00e9cup\u00e9ration et en terre dam\u00e9e, elle repr\u00e9sente une \u00ab provocation \u00bb dans un pays qui b\u00e9tonne \u00e0 tout-va, et fait le pari d\u2019une architecture durable.","synopsis_en":"At the foot of the \u201celephant hill\u201d in the Chinese province of Zhejiang, La Wa Shan (literally \u201cmountain of tiles\u201d) lies a guest house unlike any other, built between 2011 and 2013 by architect Wang Shu. 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Petite fable sur l\u2019architecture. \u00ab Quand ma fille devenue grande a quitt\u00e9 le \u00ab nid \u00bb familial, je me suis pos\u00e9e, comme tout parent normal, cette question : je reste ou je pars ?\u00a0Je suis rest\u00e9e, non sans avoir m\u00fbrement r\u00e9fl\u00e9chi aux possibilit\u00e9s de transformation que recelait notre maison.\u00a0Ce court m\u00e9trage raconte la chronique\u00a0de cette transformation architecturale sur un mode po\u00e9tique, m\u00ealant pass\u00e9 et pr\u00e9sent, vie animale et spirituelle. \u00bb \u2013 Jo L\u00e9gar\u00e9","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

A short fable relating to architecture. \u201cWhen my grown-up daughter left the family nest, I asked myself, like any normal parent, 'Do I stay here or go?' I stayed, not without thinking long and hard about the possibilities of renovation. This short film chronicles this architectural transformation in a poetic way, mixing past and present, physical and spiritual.\u201d \u2013 Jo L\u00e9gar\u00e9
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Le duo Spazuk-Delhaes a r\u00e9colt\u00e9, dans leur habitat naturel, des milliers de traces de papillons monarques sur du noir de carbone. Du Mexique au Qu\u00e9bec, nous suivons les traces de ces insectes dont la survie est menac\u00e9e. Les pixels taill\u00e9s et assembl\u00e9s forment une image unique qui nous fait prendre conscience de la pr\u00e9carit\u00e9 de la vie animale et v\u00e9g\u00e9tale.","synopsis_en":"The process of creating a work that combines art and science. Steven Spazuk and Danielle Delhaes collected thousands of traces of monarch butterflies in their natural habitat using soot on cardboard.\u00a0The film follows the trail of these endangered insects from Mexico to Quebec. The pixels have been cut and assembled into a unique image that makes us aware of the precariousness of animal and plant life.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2275,"first_name":"Jean-Nicolas","last_name":"Orhon","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/324\/photo\/NB_Photo_Jean-Nicolas_Orhon.jpg","order":0}],"generic":[{"id":1678,"first_name":"Alain","last_name":"Omer Duranceau","post_fr":"Animation","post_en":"Animation","order":6,"post_order":70},{"id":1680,"first_name":"Jean-Nicolas","last_name":"Orhon","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":1679,"first_name":"Jean-Nicolas","last_name":"Orhon","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":1677,"first_name":"Simon","last_name":"Bellefleur","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":1681,"first_name":"Danielle","last_name":"Delhaes","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":1682,"first_name":"Steven","last_name":"Spazuk","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2856,"first_name":"Jean-Nicolas","last_name":"Orhon","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":2858,"first_name":"Danielle","last_name":"Delhaes","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":2859,"first_name":"Steven","last_name":"Spazuk","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27953,"first_name":"Jean-Nicolas","last_name":"Orhon","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/324\/photo\/monarque1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":327,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Chagall, peintre de la musique","title_original":"Chagall, peintre de la musique","title_fr":"","title_en":"","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Quand on pense au peintre d\u2019origine russe Marc Chagall (1887-1985), on pense aux couples d\u2019amoureux\u00b7ses dans le ciel, aux bouquets multicolores et aux repr\u00e9sentations oniriques d\u2019une r\u00e9alit\u00e9 transform\u00e9e. Mais ce que l\u2019on sait moins, c\u2019est que Chagall entretenait un rapport tr\u00e8s intime avec la musique, une passion venue de son enfance berc\u00e9e par la musique klezmer et les psaumes liturgiques. Le film raconte comment cette passion s\u2019est exprim\u00e9e \u00e0 travers son \u0153uvre picturale, depuis les repr\u00e9sentations multiples d\u2019instruments dans ses toiles jusqu\u2019\u00e0 son travail pour la sc\u00e8ne.","synopsis_en":"When we think of the Russian-French artist Marc Chagall (1887-1985), what comes to mind are pairs of lovers in the sky, colourful bouquets and dreamlike representations of transformed reality. What is less known is that Chagall had a close relationship with music, a passion that came from a childhood steeped in Klezmer music and liturgical psalms. 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En franchissant le seuil de lieux g\u00e9n\u00e9ralement ferm\u00e9s au public, ce documentaire invite \u00e0 d\u00e9couvrir les richesses cach\u00e9es de splendides demeures, v\u00e9ritables merveilles de raffinement et d'architecture, et nous plonge dans l'histoire de la capitale, du Moyen-\u00c2ge jusqu'\u00e0 la Belle \u00c9poque.\u00a0","synopsis_en":"From the Marais to the Champs-Elys\u00e9es, \u00cele Saint-Louis to the Plaine-Monceau, Montmartre to Faubourg Saint-Germain, the h\u00f4tels particuliers<\/i>\u2014private mansions\u2014of Paris are among the city's most invaluable treasures. Venturing into areas usually closed to the public, this documentary reveals the hidden riches of these splendid residences, with their marvelously refined architecture, and immerses viewers in the history of Paris, from the Middle Ages to the Belle \u00c9poque.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1188,"first_name":"Fran\u00e7oise","last_name":"Cros De Fabrique","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1713,"first_name":"St\u00e9phane","last_name":"Bion","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1712,"first_name":"St\u00e9phane","last_name":"Cazenave","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":1714,"first_name":"Jean-Christophe","last_name":"Chauvel","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3108,"first_name":"Sophie","last_name":"Jovillard","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3111,"first_name":"Alexandre","last_name":"Gady","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":1710,"first_name":"Fran\u00e7oise","last_name":"Cros De Fabrique","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1711,"first_name":"Christian","last_name":"Huleu","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3112,"first_name":"Alexandre","last_name":"Gady","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27898,"first_name":"Fran\u00e7oise","last_name":"Cros De Fabrique","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/332\/photo\/Ho_tel_Beauharnais_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":333,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Graffiti : peintres et vandales","title_original":"Graffiti : peintres et vandales","title_fr":"","title_en":"","year":2015,"length":4020,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab Le graffiti, \u00e7a se vit. \u00c7a ne s'ach\u00e8te pas. \u00c7a ne se vend pas. Un peu comme le sexe \u00bb, constate le graffeur Sore.\u00a0\u00a0Ce mode d\u2019expression, revendiqu\u00e9 par des groupes en marge de la soci\u00e9t\u00e9, quitte les murs pour envahir les galeries d\u2019art les plus pris\u00e9es.\u00a0Comment cette culture, jusqu\u2019ici marginalis\u00e9e et passible de poursuites, est-elle devenue l\u2019objet de sp\u00e9culations sans pr\u00e9c\u00e9dent sur le march\u00e9 international de l\u2019art ?","synopsis_en":"\"Graffiti is something you experience: you can't buy it, you can't sell it. It's a bit like sex,\" says graffiti artist Sore. This means of expression, adopted by groups on the fringes of society, is moving from the street into the most popular art galleries. How has this culture, until now marginalized and subject to prosecution, become the object of unprecedented speculation on the international art market 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Corbusier","title_fr":"The Century of Le Corbusier","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Architecte et urbaniste, Le Corbusier (1887\u20131965) a r\u00e9volutionn\u00e9 l'habitat et impos\u00e9 une conception moderne de la vie collective. Plus encore, il a mis au monde une esth\u00e9tique et r\u00eav\u00e9 une autre soci\u00e9t\u00e9. Construit \u00e0 partir des \u0153uvres, des interviews et des textes du Corbusier, le film \u00e9tablit un dialogue entre l'homme et son si\u00e8cle, celui des guerres mondiales, des id\u00e9ologies et des totalitarismes. Ce film a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 l'occasion du 50e anniversaire de sa mort.","synopsis_en":"Architect and urban planner, Le Corbusier (1887\u20131965) revolutionized living conditions in crowded cities, imposing his modern conception of community life. Furthermore, he imagined a new kind of society, a new architectural aesthetic. Based on his accomplishments, writings and interviews, the film creates a dialogue between the man and his century, an era of world wars, ideologies and totalitarianism. This film marks the 50th anniversary of his death.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1196,"first_name":"Juliette","last_name":"Cazanave","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/334\/photo\/NB_Juliette-Cazenave.jpg","order":0}],"generic":[{"id":2598,"first_name":"Jean-Marc","last_name":"Bouzou","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1722,"first_name":"Marie","last_name":"Da Costa","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2600,"first_name":"Pascal","last_name":"Villard","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2604,"first_name":"Claude","last_name":"Debussy","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":2605,"first_name":"Erik","last_name":"Satie","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":2603,"first_name":"Igor","last_name":"Stravinsky","post_fr":"Musique","post_en":"Music","order":8,"post_order":82},{"id":2597,"first_name":"Dominique","last_name":"Parent","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":2610,"first_name":"","last_name":"Le Corbusier","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":2826,"first_name":"Laurence","last_name":"Miller","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":2827,"first_name":"Nicolas","last_name":"George","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":2828,"first_name":"Christiane","last_name":"Graziani","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":2829,"first_name":"Fabienne","last_name":"Servan Schreiber","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":1721,"first_name":"Pierre","last_name":"Assouline","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1720,"first_name":"Juliette","last_name":"Cazanave","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":2611,"first_name":"","last_name":"Le Corbusier","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":27683,"first_name":"Juliette","last_name":"Cazanave","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/334\/photo\/unnamed.jpg","credit":"\u00a9 FLC\/ADAGP, 2015","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":343,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"El Greco: An Artist's Odyssey","title_original":"El Greco: An Artist's Odyssey","title_fr":"","title_en":"","year":2014,"length":1800,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"D'origine cr\u00e9toise, Le Greco (1541-1614) a commenc\u00e9 sa carri\u00e8re comme peintre d'ic\u00f4ne dans les \u00e9glises byzantines. En Italie, puis en Espagne, ses \u0153uvres associent les gloires de Byzance aux jeux de lumi\u00e8re v\u00e9nitiens et aux artifices \u00e9l\u00e9gants du mani\u00e9risme romain. \u00c0 Tol\u00e8de, il cr\u00e9e une s\u00e9rie d\u2019\u0153uvres passionn\u00e9es dans un style visionnaire, empreint d'\u00e9motion et de drame. Si son travail d\u00e9routa nombre de ses contemporain\u00b7e\u00b7s, il sera consid\u00e9r\u00e9 par la suite comme un pr\u00e9curseur du modernisme par des artistes tels que Picasso. Tourn\u00e9 \u00e0 l\u2019occasion de l'exposition El Greco<\/i> in the National Gallery of Art and Washington-Area Collections: A 400th Anniversary Celebration<\/i>.","synopsis_en":"Born in Crete, El Greco (1541-1614) began his career as a painter of icons for Byzantine churches. Moving to Italy and then to Spain, his work combined lessons learned from the glories of Byzantium with the ravishing colour of Venetian art and the elegant artificialities of Roman mannerism. In Toledo, he created a series of works in a visionary style charged with emotion and drama. Although his work puzzled many contemporaries, later artists such as Picasso considered him a prophet of modernism. This film coincided with the exhibition El Greco<\/i> in the National Gallery of Art and Washington-Area Collections: A 400th Anniversary Celebration<\/i>.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1213,"first_name":"David","last_name":"Hammer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4923,"first_name":"Patrick","last_name":"Duval","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4924,"first_name":"Richard","last_name":"Numeroff","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4925,"first_name":"Barbara","last_name":"Burst","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4922,"first_name":"Adrien","last_name":"Brody","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":4920,"first_name":"Carroll","last_name":"Moore","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4921,"first_name":"Susan","last_name":"Arensberg","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":4919,"first_name":"Carroll","last_name":"Moore","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4926,"first_name":"El","last_name":"Greco","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4927,"first_name":"","last_name":"National Gallery Of Art","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27880,"first_name":"David","last_name":"Hammer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/343\/photo\/DEXP_ElGreco-3_Paintings.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":346,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Philip Dadson: Sonics From Scratch","title_original":"Philip Dadson: Sonics From Scratch","title_fr":"","title_en":"","year":2015,"length":4800,"website":[],"countries":[{"fr":"Nouvelle-Z\u00e9lande","en":"New Zealand"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Peu d\u2019artistes n\u00e9oz\u00e9landais\u00b7e\u00b7 ont eu autant de r\u00e9sonance que Philip Dadson (n\u00e9 en 1946) avec sa recherche dans le domaine du son et de l\u2019installation vid\u00e9o, caract\u00e9ris\u00e9e par l'exp\u00e9rimentation et l'inventivit\u00e9. Dadson a particip\u00e9 au Scratch Orchestra de Cornelius Cardew avant de lancer son propre ensemble, From Scratch, actif de 1974 \u00e0 2002. Instruments invent\u00e9s, improvisations et rituels in\u00e9dits \u00e9taient au c\u0153ur de sa pratique. Ce documentaire revient sur sa trajectoire, depuis ses d\u00e9buts jusqu'\u00e0 la reconnaissance internationale dans les ann\u00e9es 1980, illustr\u00e9 des prestations les plus remarquables de From Scratch.","synopsis_en":"Few New Zealand artists have made as powerful an impact as Philip Dadson (b.1946), who has earned an international reputation for sonic invention, sophisticated video installations and bold experimentation. Dadson performed with Cornelius Cardew\u2019s Scratch Orchestra before launching his own group, From Scratch, active from 1974 to 2002. Invented instruments, unusual improvisations and rituals lie at the heart of his practice. Illustrated by remarkable performances by From Scratch, this documentary charts Dadson\u2019s career from his humble beginnings to his eventual world recognition.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2199,"first_name":"Orlando","last_name":"Stewart","artist_name":"","company":"","function":"Director and producer","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0},{"id":2200,"first_name":"Simon","last_name":"Ogston","artist_name":"","company":"","function":"Director and 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- longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":351,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Museo Italia – Galleria Borghese","title_original":"Museo Italia – Galleria Borghese","title_fr":"","title_en":"","year":2015,"length":3000,"website":[],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab La plus belle collection priv\u00e9e du monde.\u00bb C\u2019est ainsi que Canova d\u00e9crivit la collection r\u00e9unie par le Cardinal Scipione Borghese au d\u00e9but du XVIIe si\u00e8cle. Neveu du pape Paul V, Scipione construisit la Villa Borghese dans un grand parc, juste \u00e0 l\u2019ext\u00e9rieur des murs de Rome, pour abriter son exceptionnelle collection, rassemblant art antique et chefs-d\u2019\u0153uvre de ses contemporains, tels que Le Caravage et Bernini. Avec lui est n\u00e9e la figure moderne du collectionneur, curieux, prompt \u00e0 saisir la qualit\u00e9 et le go\u00fbt, et \u00e0 interpr\u00e9ter l'esprit du temps.","synopsis_en":"\u201cThe most beautiful private collection in the world\u201d is how Canova described Cardinal Scipione Borghese\u2019s collection at the turn of the 17th century. A nephew of Pope Paul V, Scipione built the Villa Borghese in a large park just outside the walls of Rome to house this exceptional collection, which ranged from ancient works to contemporary pieces by such masters as Caravaggio and Bernini. Thus arose the modern concept of the collector: curious, refined in taste, quick to identify quality and the spirit of the time.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1240,"first_name":"Mimma","last_name":"Nocelli","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4293,"first_name":"Pasquale","last_name":"D'Alessandro","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4591,"first_name":"Antonio","last_name":"Paolucci","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4738,"first_name":"Scipione","last_name":"Borghese","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4739,"first_name":"","last_name":"Le Caravage","post_fr":"Artiste","post_en":"Artist","order":2,"post_order":50},{"id":4740,"first_name":"","last_name":"Le Bernin","post_fr":"Artiste","post_en":"Artist","order":3,"post_order":50},{"id":4292,"first_name":"","last_name":"RAI\u00a05","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27901,"first_name":"Mimma","last_name":"Nocelli","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/351\/photo\/Museo_Italia_7.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":353,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Voir l'invisible","title_original":"Voir l'invisible","title_fr":"","title_en":"","year":2015,"length":2880,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Voir l\u2019invisible<\/i>\u00a0donne la parole \u00e0 des Inuits et montre comment leurs peurs et leurs projets d\u2019avenir pourraient s\u2019implanter dans le paysage nordique \u00e0 long terme. Le film s\u2019int\u00e9resse \u00e0 leur art, leur culture, aux paysages r\u00e9els ou imaginaires du Grand Nord, \u00e0 la transformation de leur mode de vie et aux nombreux enjeux li\u00e9s aux changements climatiques qui permettront l'ouverture du mythique passage du Nord-Ouest \u00e0 la navigation commerciale.","synopsis_en":"Voir l\u2019invisible (Beyond Sight)\u00a0<\/i>gives a voice to the Inuit and shows how their fears and future projects for the north could become a reality in the long term. The film explores Inuit art, culture, real and imagined landscapes of the Far North, the transformation of their way of life and the many issues associated with climate change that could open the mythical Northwest Passage to commercial shipping.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1247,"first_name":"Louise","last_name":"Lamarre","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/353\/photo\/PhotoLou.jpg","order":0}],"generic":[{"id":2777,"first_name":"Daniel","last_name":"Bri\u00e8re","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3090,"first_name":"Philippe","last_name":"Ralet","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":2776,"first_name":"Michel F.","last_name":"April","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":2775,"first_name":"B\u00e9atrice","last_name":"Deer","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":3085,"first_name":"Ernest","last_name":"Bernhardt","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":3086,"first_name":"Heather","last_name":"Igloliorte","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3087,"first_name":"Suzanne","last_name":"Lalonde","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3084,"first_name":"Piita","last_name":"Irniq","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3088,"first_name":"Louise","last_name":"Lamarre","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3089,"first_name":"Daniel","last_name":"Bri\u00e8re","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":27971,"first_name":"Louise","last_name":"Lamarre","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/353\/photo\/Igloolik-jumelles.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":354,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"L'artiste dans son for int\u00e9rieur","title_original":"L'artiste dans son for int\u00e9rieur","title_fr":"","title_en":"","year":2016,"length":1020,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Danielle Marie Chanut cr\u00e9e des\u00a0livres et objets d\u00e9tourn\u00e9s<\/i>... La r\u00e9alisatrice Helen Doyle plonge litt\u00e9ralement dans son univers fantasmagorique, d\u00e9tournant\u00a0\u00e0 son tour une douzaine de ses cr\u00e9ations insolites. Ce faisant, elle s'attache \u00e0 poursuivre les traces de notre inconscient collectif \u00e0 travers les mythes, les contes et les l\u00e9gendes, fouillant dans les interstices d\u2019une page ou les fragments d\u2019un coquillage pour y d\u00e9celer les secrets et les visions chim\u00e9riques de\u00a0l\u2019artiste dans son for int\u00e9rieur<\/i>.","synopsis_en":"Danielle Marie Chanut creates reworked books and objects\u2026 Director Helen Doyle immerses viewers in her phantasmagoric world, reworking\u00a0in turn a dozen of her unusual creations. In the process, she follows the traces of our collective unconscious through myths, tales and legends, delving into the interstices of a page or the fragments of a shell to reveal the secrets and chimerical visions embedded deep within the artist.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1252,"first_name":"Helen","last_name":"Doyle","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/354\/photo\/Doyle57.jpg","order":0}],"generic":[{"id":2901,"first_name":"Nathalie","last_name":"Moliavko-Visotzky","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2904,"first_name":"Claire","last_name":"Childeric","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2902,"first_name":"Dominique","last_name":"Sicotte","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2907,"first_name":"Danielle Marie","last_name":"Chanut","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2900,"first_name":"Helen","last_name":"Doyle","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":2903,"first_name":"Germain","last_name":"Bonneau","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":2905,"first_name":"Graciela","last_name":"Barrault","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":2906,"first_name":"Danielle Marie","last_name":"Chanut","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":27624,"first_name":"Helen","last_name":"Doyle","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/354\/photo\/Ophelie_HDoyle.JPG","credit":"Helen Doyle","desc":"\u00abOph\u00e9lie\u00bb, livre d\u00e9tourn\u00e9 de Danielle-Marie Chanut"},"images_poster":null,"images":null,"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":361,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Twist","title_original":"Twist","title_fr":"非常舞蹈","title_en":"","year":2015,"length":6120,"website":[],"countries":[{"fr":"Chine ","en":"China"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Chinois","en":"Chinese"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L'histoire de Hu, un danseur, qui a grandi dans une famille dysfonctionnelle. Le film parle de danse, d\u2019amour homosexuel et h\u00e9t\u00e9rosexuel et de la relation de Hu avec ses parents.\u00a0Au cours des deux ann\u00e9es o\u00f9 la cam\u00e9ra l'a suivi, Hu a choisi de quitter son emploi pour \u00e9tudier \u00e0 l'\u00e9tranger, mais il a finalement d\u00e9cid\u00e9 de rejoindre une autre troupe de danse. Enfin il a s\u00e9journ\u00e9 au Tibet seul en qu\u00eate de paix int\u00e9rieure.","synopsis_en":"Twist<\/i> tells the story of Hu, a dancer who grew up in a dysfunctional family. It is about dancing, homosexual and heterosexual love, and the relationship between Hu and his two fathers. During the two-year film shoot, Hu decided to quit his job in order to study abroad, but changed his mind and joined another dance troupe. He eventually went to Tibet, alone, in search of inner peace.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1276,"first_name":"Mai","last_name":"Liang","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/361\/photo\/The_Director.jpg","order":0}],"generic":[{"id":1781,"first_name":"Xiquan","last_name":"Zhang","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1782,"first_name":"Ning","last_name":"Liang","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1794,"first_name":"Fei","last_name":"Tian","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":1786,"first_name":"Wai","last_name":"Xiao","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":1785,"first_name":"Ya","last_name":"Ya","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":1788,"first_name":"Lizhen","last_name":"Cheng","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3982,"first_name":"Shenyuan","last_name":"Hu","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3986,"first_name":"Wei","last_name":"Guo","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3989,"first_name":"Daiping","last_name":"Gan","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3991,"first_name":"Jun","last_name":"Fang","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":1780,"first_name":"Nianwen","last_name":"Dai","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":1784,"first_name":"Zhaodun","last_name":"Situ","post_fr":"Production","post_en":"Production","order":16,"post_order":4},{"id":1791,"first_name":"Mai","last_name":"Liang","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1783,"first_name":"Duzhi","last_name":"Du","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3981,"first_name":"Shenyuan","last_name":"Hu","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":3990,"first_name":"Jun","last_name":"Fang","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":27719,"first_name":"Mai","last_name":"Liang","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/361\/photo\/TWIST_Photo_1.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/361\/photo\/TWIST_Poster.jpg","credit":"","desc":""}],"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":363,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Yves Saint Laurent \/ Karl Lagerfeld : une guerre en dentelles","title_original":"Yves Saint Laurent \/ Karl Lagerfeld : une guerre en dentelles","title_fr":"","title_en":"","year":2014,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Karl Lagerfeld (n\u00e9 en 1935) et Yves Saint Laurent (1936-2008) appartiennent \u00e0 la m\u00eame g\u00e9n\u00e9ration.Tr\u00e8s li\u00e9s \u00e0 leurs d\u00e9buts, les deux couturiers ont entretenu jusqu'\u00e0 la mort de Saint Laurent une relation parfois passionnelle. Le milieu de la mode les a souvent consid\u00e9r\u00e9s comme des rivaux, m\u00eame s'ils se sont, de leur c\u00f4t\u00e9, toujours estim\u00e9s. Interviews et images d'archives font revivre un demi-si\u00e8cle de mode et de haute couture et retracent l'\u00e9volution de la soci\u00e9t\u00e9 fran\u00e7aise de 1960 aux ann\u00e9es 2000.","synopsis_en":"Karl Lagerfeld (born in 1935) and Yves Saint Laurent (1936-2008) belong to the same generation. Although they were very close when they were starting out, the relationship between the two fashion designers was at times fractious up until Saint Laurent's death. The fashion world has offten viewed them as rivals, even if they always held each other in high esteem. Interviews and archival photographs bring to life a half-century of fashion and haute couture and look back at the evolution of French society from 1960 to the 2000s.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1282,"first_name":"Stephan","last_name":"Kopecki","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3670,"first_name":"Eric","last_name":"Blanc","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3671,"first_name":"Fabrice","last_name":"Moindrot","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3672,"first_name":"St\u00e9phane","last_name":"Massis","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":3668,"first_name":"Caroline","last_name":"Choplin","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":3669,"first_name":"Jean-Christophe","last_name":"Marcot","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":3667,"first_name":"Amandine","last_name":"Decroix","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":3650,"first_name":"Karl","last_name":"Lagerfeld","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3652,"first_name":"Yves","last_name":"Saint Laurent","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3654,"first_name":"Michel","last_name":"Klein","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3655,"first_name":"Suzy","last_name":"Menkes","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3656,"first_name":"Florence","last_name":"Muller","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3657,"first_name":"Anita","last_name":"Brey","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3658,"first_name":"Betty","last_name":"Catroux","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3659,"first_name":"Dominique","last_name":"Brabec","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":3660,"first_name":"Philippe","last_name":"Morillon","post_fr":"Participation","post_en":"Participation","order":17,"post_order":39},{"id":3662,"first_name":"Diane","last_name":"De Beauvau Craon","post_fr":"Participation","post_en":"Participation","order":18,"post_order":39},{"id":3663,"first_name":"Janie","last_name":"Samet","post_fr":"Participation","post_en":"Participation","order":19,"post_order":39},{"id":3665,"first_name":"Victoire","last_name":"Doutreleau","post_fr":"Participation","post_en":"Participation","order":20,"post_order":39},{"id":3653,"first_name":"Pierre","last_name":"Berg\u00e9","post_fr":"Participation","post_en":"Participation","order":21,"post_order":39},{"id":3674,"first_name":"Rachel","last_name":"Kahn","post_fr":"Production","post_en":"Production","order":28,"post_order":4},{"id":3666,"first_name":"Rachel","last_name":"Kahn","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3673,"first_name":"Pierre-Antoine","last_name":"Coutant","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":3649,"first_name":"Karl","last_name":"Lagerfeld","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3651,"first_name":"Yves","last_name":"Saint Laurent","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":3661,"first_name":"Philippe","last_name":"Morillon","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":3664,"first_name":"Victoire","last_name":"Doutreleau","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":3676,"first_name":"Michel","last_name":"Klein","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":3677,"first_name":"Pierre","last_name":"Berg\u00e9","post_fr":"Artiste","post_en":"Artist","order":27,"post_order":50},{"id":27974,"first_name":"Stephan","last_name":"Kopecki","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/363\/photo\/gamma_KL_83.JPG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":367,"edition":{"id":1},"career_fr":"Survol de quelques festivals :\r\n\r\nThird Coast Dance Film festival, USA (2015-2016)\r\nInShadow Festival Official Selection, USA (2015)\r\nTiny Dance Film Festival, San Francisco, USA (2015)\r\nUtah Dance Film Festival, USA (2015) \r\nGreensboro Dance Film Festival, USA (2015) \r\nSans Souci Festival of Dance Cinema, USA (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"Overview of some festivals:\r\n\r\nThird Coast Dance Film festival, USA (2015-2016)\r\nInShadow Festival Official Selection, USA (2015)\r\nTiny Dance Film Festival, San Francisco, USA (2015)\r\nUtah Dance Film Festival, USA (2015) \r\nGreensboro Dance Film Festival, USA (2015) \r\nSans Souci Festival of Dance Cinema, USA (2015) \r\n\r\nLast update in March 2016\r\n\r\n","embed":"","title_selected":"Lay Me Low","title_original":"Lay Me Low","title_fr":"","title_en":"","year":2015,"length":480,"website":[{"id":432,"website":"http:\/\/www.sandysilvadance.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 1<\/b>

Collaboration entre Sandy Silva et Marlene Millar, Lay Me Low <\/i>exprime l\u2019exp\u00e9rience commune du deuil. Les voix de chacun\u00b7e, tiss\u00e9es ensemble, forment un chant rythm\u00e9 par leurs pas \u00e0 l'unisson. Cette chanson traditionnelle shaker interpr\u00e9t\u00e9e par 10 danseur\u00b7euse\u00b7s, musicien\u00b7ne\u00b7s et chanteur\u00b7euse\u00b7s transmet le sentiment universel de la perte, mais \u00e9galement du paradoxe de notre solitude.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

A collaboration between Sandy Silva and\u00a0Marlene Millar,\u00a0Lay Me Low\u00a0<\/i>expresses the shared experience of mourning. The\u00a0individual\u00a0voices\u00a0are woven\u00a0together to\u00a0make one song, steps are taken in\u00a0rhythm to make one walk.\u00a0This traditional Shaker song performed by\u00a010 dancers,\u00a0musicians and singers\u00a0conveys the universal feeling of loss as well as evoking a\u00a0paradoxical\u00a0sense of intimacy.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1292,"first_name":"Marlene","last_name":"Millar","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/367\/photo\/SS_MM_Cinedans.jpg","order":0}],"generic":[{"id":1809,"first_name":"Geoffroy","last_name":"Beauchemin","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":1810,"first_name":"Andrew","last_name":"Bathory","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":3,"post_order":49},{"id":1811,"first_name":"Sonia","last_name":"Clarke","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":4,"post_order":49},{"id":1812,"first_name":"Dominic","last_name":"Desrochers","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":5,"post_order":49},{"id":1813,"first_name":"Josee","last_name":"Gagnon","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":6,"post_order":49},{"id":1815,"first_name":"Kimberly","last_name":"Robin","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":7,"post_order":49},{"id":1816,"first_name":"Sandy","last_name":"Silva","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":8,"post_order":49},{"id":1817,"first_name":"Bobby","last_name":"Thompson","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":9,"post_order":49},{"id":4970,"first_name":"David","last_name":"Cronkite","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":10,"post_order":49},{"id":4971,"first_name":"Josianne","last_name":"Laporte","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":11,"post_order":49},{"id":4972,"first_name":"H\u00e9l\u00e8ne","last_name":"Lemay","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":12,"post_order":49},{"id":1806,"first_name":"Marlene","last_name":"Millar","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":1807,"first_name":"Sandy","last_name":"Silva","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":1804,"first_name":"Marlene","last_name":"Millar","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1805,"first_name":"Sandy","last_name":"Silva","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4973,"first_name":"F\u00e9lix","last_name":"Boisvert","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":4737,"first_name":"","last_name":"Migration","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":28023,"first_name":"Marlene","last_name":"Millar","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/367\/photo\/Lay_Me_Low_still_2.jpg","credit":"Geoffroy Beauchemin","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":380,"edition":{"id":1},"career_fr":"Festival Utopiales, Nantes, France\r\nTous Ecrans, Gen\u00e8ve, Suisse\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"The Worlds of Philip K. Dick","title_original":"The Worlds of Philip K. Dick","title_fr":"","title_en":"","year":2015,"length":3360,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Une plong\u00e9e dans la vie et les \u00e9crits de\u00a0Philip K. Dick (1928-1982),\u00a0un extraordinaire \u00e9crivain de science-fiction, dont l\u2019\u0153uvre a anticip\u00e9 comme aucune autre le monde parano\u00efaque et technologique du XXIe si\u00e8cle, et dont les visions sont une formidable mati\u00e8re adapt\u00e9e par le cin\u00e9ma hollywoodien, de Blade Runner<\/i> \u00e0 Minority Report.<\/i>\u00a0Comme un personnage de ses romans, Philip K. Dick\u00a0estompe la fronti\u00e8re qui s\u00e9pare le r\u00e9el de l\u2019imaginaire, le pr\u00e9sent du futur.\u00a0","synopsis_en":"An exploration of the life and works of Philip K. Dick (1928-1982),\u00a0an extraordinary writer of science fiction, whose tales anticipated the paranoid and technological world of the 21st century, and whose visions have provided a wealth of material for Hollywood, from Blade Runner<\/i> to Minority Report.<\/i>\u00a0Like a character from one of his novels, Philip K. Dick\u00a0blurs the boundary between reality and imagination, present and future.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1315,"first_name":"Yann","last_name":"Coquart","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/380\/photo\/YANN_COQUART.jpg","order":0}],"generic":[{"id":1876,"first_name":"Jordi","last_name":"Esgleas","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":1874,"first_name":"Anne","last_name":"Barb\u00e9","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":13,"post_order":49},{"id":1885,"first_name":"Yann","last_name":"Coquart","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":1884,"first_name":"Seamus","last_name":"Haley","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":1882,"first_name":"Franck","last_name":"Desmedt","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":1881,"first_name":"Jean-Paul","last_name":"Bordes","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":1890,"first_name":"Igor","last_name":"De Savitch","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":1880,"first_name":"Jacques","last_name":"Frantz","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":1879,"first_name":"Thierry","last_name":"Hancisse","post_fr":"Narration","post_en":"Narration","order":10,"post_order":53},{"id":1878,"first_name":"B\u00e9atrice","last_name":"Michel","post_fr":"Narration","post_en":"Narration","order":11,"post_order":53},{"id":1889,"first_name":"Olivier","last_name":"Peissel","post_fr":"Narration","post_en":"Narration","order":12,"post_order":53},{"id":1883,"first_name":"Thibaut","last_name":"De Corday","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":1875,"first_name":"Ariel","last_name":"Kyrou","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":1877,"first_name":"Yann","last_name":"Coquart","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":27967,"first_name":"Yann","last_name":"Coquart","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/380\/photo\/unnamed-5.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/380\/photo\/PKD_theWorlds.jpg","credit":"","desc":""}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":390,"edition":{"id":1},"career_fr":"DOXA Documentary Film Festival, Vancouver, Canada (2015) \r\nWNDX Festival of Moving Image, Winnipeg, Canada (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"DOXA Documentary Film Festival, Vancouver, Canada (2015) \r\nWNDX Festival of Moving Image, Winnipeg, Canada (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"Ocean Falls","title_original":"Ocean Falls","title_fr":"","title_en":"","year":2015,"length":794,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

La nature a repris ses droits sur ce lieu abandonn\u00e9, qui accueillait autrefois\u00a0plus de 3000 personnes \u00e0 proximit\u00e9 d'une usine de p\u00e2te et papier prosp\u00e8re. Les vestiges de la ville fant\u00f4me p\u00e8sent de tout leur poids sur le paysage. Ocean Falls<\/i> est une observation m\u00e9ditative et inquisitrice de cette ancienne communaut\u00e9 de colonisation \u00e9tablie en Colombie-Britannique autour de l'extraction des ressources.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

The natural environment invades this abandoned site in British Columbia, once home to over 3,000 people dependent on its thriving pulp mill. The vestiges of the ghost town weigh heavily on the landscape. Ocean Falls<\/i> is a somber, inquisitive look at a colonial settlement built upon resource extraction.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1349,"first_name":"Jessica","last_name":"Johnson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0},{"id":2402,"first_name":"Ryan","last_name":"Ermacora","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4851,"first_name":"Ryan","last_name":"Ermacora","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4852,"first_name":"Ryan","last_name":"Ermacora","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4853,"first_name":"Jessica","last_name":"Johnson","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":4850,"first_name":"Aidan","last_name":"Whiteley","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":28038,"first_name":"Ryan","last_name":"Ermacora","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2},{"id":28039,"first_name":"Jessica","last_name":"Johnson","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/390\/photo\/unnamed_1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":393,"edition":{"id":1},"career_fr":"Festival du Film Juif de Miami, \u00c9tats-Unis (2016)\r\nFestival du Film Juif de San Diego, \u00c9tats-Unis (2016)\r\nFestival International du Film d'Histoire de Pessac, France (2015)\r\nFestival du Film Juif de San Francisco, \u00c9tats-Unis (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016","career_en":"","embed":"","title_selected":"Les marchands d'Hitler","title_original":"Les marchands d'Hitler","title_fr":"","title_en":"","year":2015,"length":3720,"website":[{"id":419,"website":"https:\/\/vimeo.com\/artfifa3\/review\/155005002\/ad3c7fdc02","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"mdp: artfifa","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En f\u00e9vrier 2012, une fabuleuse collection de tableaux est d\u00e9couverte dans un vieil appartement de Munich : 1 500 dessins, peintures et toiles de ma\u00eetres acquis en grande partie sous le IIIe Reich par l'un des marchands d'art d'Hitler. Dans les ann\u00e9es 1930, Hildebrand Gurlitt, sp\u00e9cialiste de l'art moderne, tire parti de ses accointances avec les nazis pour s'enrichir. Dans le Paris occup\u00e9, en 1940, le march\u00e9 de l'art fran\u00e7ais profite de la manne allemande, et Gurlitt devient un assidu de l'H\u00f4tel Drouot, alors aliment\u00e9 par les confiscations antis\u00e9mites et les ventes forc\u00e9es. \u00c0 sa mort, son fils Cornelius s'engage \u00e0 rendre les \u0153uvres spoli\u00e9es.","synopsis_en":"n February 2012, a fabulous collection of artworks was discovered in an old Munich apartment: some 1,500 drawings and paintings acquired largely during the Third Reich by one of Hitler\u2019s art dealers,\u00a0Hildebrand Gurlitt. In the 1930s, this modern art specialist used his connections with the Nazis to amass these treasures. In 1940, in occupied Paris, the French art market profited from this plundered art, and Gurlitt became a regular at the H\u00f4tel Drouot, where such works were sold. After his death, his son Cornelius agreed to return the works to their rightful heirs.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1360,"first_name":"St\u00e9phane","last_name":"Bentura","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/393\/photo\/Stephane_Bentura.jpg","order":0}],"generic":[{"id":4655,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Fournier","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4652,"first_name":"Thomas","last_name":"Dappelo","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":4647,"first_name":"St\u00e9phane","last_name":"Freiss","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":4633,"first_name":"Georges-Marc","last_name":"Benamou","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":4656,"first_name":"J\u00e9r\u00f4me","last_name":"Cl\u00e9ment","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":4646,"first_name":"St\u00e9phane","last_name":"Bentura","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4653,"first_name":"Fabien","last_name":"Blanchard","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":4654,"first_name":"Peter","last_name":"Kautzsch","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4632,"first_name":"Hildebrand","last_name":"Gurlitt","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":4657,"first_name":"Cornelius","last_name":"Gurlitt","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27897,"first_name":"St\u00e9phane","last_name":"Bentura","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/393\/photo\/Dealing_with_the_devil_-_Louvre_-_1939.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":398,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Setting West","title_original":"Setting West","title_fr":"","title_en":"","year":2015,"length":325,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ce film a \u00e9t\u00e9 r\u00e9alis\u00e9 avec du mat\u00e9riel d\u2019imprimerie original provenant d\u2019ateliers typographiques renomm\u00e9s en Am\u00e9rique du Nord. Imprim\u00e9s directement sur pellicule 35 mm, ces caract\u00e8res de bois, bordures d\u00e9coratives et clich\u00e9s de cowboys, d\u2019\u00abIndiens\u00bb, de bisons et de trains produisent une texture unique \u00e0 l\u2019\u00e9cran, en plus de g\u00e9n\u00e9rer une trame sonore originale \u00e9voquant le western. Setting West<\/i> r\u00e9interpr\u00e8te ce genre tout en explorant une p\u00e9riode marquante dans l\u2019histoire de la typographie et de l\u2019imprimerie.","synopsis_en":"This film was made with original printing materials from the late 19th and early 20th centuries, such as wood type, borders and stereotypes of \u201ccowboys and Indians,\u201d trains and bison. These words and images were printed directly onto 35mm clear film stock, producing a unique texture on screen, as well as generating an original optical sound track. Setting West<\/i> reinterprets a classic film genre while exploring a formative period in the history of typography and printing.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1380,"first_name":"Judith","last_name":"Poirier","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/398\/photo\/SettingWest_JudithPoirier.jpg","order":0}],"generic":[{"id":1927,"first_name":"Judith","last_name":"Poirier","post_fr":"Animation","post_en":"Animation","order":0,"post_order":70},{"id":1928,"first_name":"Christian","last_name":"Thomas","post_fr":"Mixage","post_en":"Sound mixing","order":0,"post_order":62},{"id":3569,"first_name":"Judith","last_name":"Poirier","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":1929,"first_name":"Judith","last_name":"Poirier","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":28049,"first_name":"Judith","last_name":"Poirier","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/398\/photo\/SettingWest_Border_Stars.jpg","credit":"","desc":"image du film Setting West"},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":413,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"CRU – SoulStep","title_original":"CRU – SoulStep","title_fr":"","title_en":"","year":2015,"length":240,"website":[{"id":247,"website":"http:\/\/www.mouvementperpetuel.net","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":248,"website":"https:\/\/www.facebook.com\/Mouvement-Perp%C3%A9tuel-282835363485\/?pnref=lhc","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 1<\/b>

Anim\u00e9e par \u00c9tienne \u00ab ATN \u00bb Lou, un membre dynamique de la sc\u00e8ne de popping montr\u00e9alaise, la s\u00e9rie\u00a0CRU met en sc\u00e8ne la culture florissante de la danse urbaine \u00e0 Montr\u00e9al et les artistes au c\u0153ur de ce mouvement.\u00a0Mathieu \u00ab SoulStep \u00bb Ulrich est un v\u00e9t\u00e9ran du break montr\u00e9alais et pratique le B-boying depuis maintenant 15 ans. Repr\u00e9sentant l'essence m\u00eame d\u2019un b-boy, SoulStep est un v\u00e9ritable adepte de la culture hip-hop, enracin\u00e9 dans la communaut\u00e9.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

Hosted by the exuberant, inquisitive \u201cpopper\u201d and emerging actor \u201cATN\u201d (\u00c9tienne Lou), the CRU<\/i> series conveys the energy of the expanding street dance culture in Montreal <\/i>and the artists at the heart of the movement. Mathieu \u201cSoulStep\u201d Ulrich is a veteran Montreal breakdancer, entrenched in Montreal\u2019s hip hop culture, who has built a reputation as a defender of the pure, original-style B-boying.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1419,"first_name":"Philip","last_name":"Szporer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/413\/photo\/MM_PS_3D_rig.JPG","order":0},{"id":1420,"first_name":"Marlene","last_name":"Millar","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":1973,"first_name":"Michael","last_name":"Wees","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":1979,"first_name":"Ja James","last_name":"Britton Johnson","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":1975,"first_name":"Ja James","last_name":"Britton Johnson","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":1974,"first_name":"Jules","last_name":"De Niverville","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":1976,"first_name":"Devon","last_name":"Bate","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":1978,"first_name":"\u00c9tienne","last_name":"Lou","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":1977,"first_name":"Mathieu","last_name":"Ulrich","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":1972,"first_name":"Alexandra \"Spicey\"","last_name":"Lande","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":1971,"first_name":"Marlene","last_name":"Millar","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":1970,"first_name":"Philip","last_name":"Szporer","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":4974,"first_name":"Marlene","last_name":"Millar","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4975,"first_name":"Philip","last_name":"Szporer","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4976,"first_name":"Alexandra","last_name":"Lande","post_fr":"Sc\u00e9nario","post_en":"Script","order":3,"post_order":18},{"id":4977,"first_name":"\u00c9tienne","last_name":"Lou","post_fr":"Sc\u00e9nario","post_en":"Script","order":4,"post_order":18},{"id":4978,"first_name":"Ja James Britton","last_name":"Johnson","post_fr":"Sc\u00e9nario","post_en":"Script","order":5,"post_order":18},{"id":4777,"first_name":"\u00c9tienne","last_name":"Lou","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4778,"first_name":"Matthieu","last_name":"Ulrich","post_fr":"Artiste","post_en":"Artist","order":2,"post_order":50},{"id":28004,"first_name":"Marlene","last_name":"Millar","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":28005,"first_name":"Philip","last_name":"Szporer","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/413\/photo\/SoulStep_4838.jpg","credit":"Jules de Niverville","desc":"de gauche \u00e0 droite: \"Soulstep\" Mathieu Ulrich; animateur de CRU, \"ATN\" \u00c9tienne Lou"},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":423,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Regards et gestes de la curiosit\u00e9","title_original":"Regards et gestes de la curiosit\u00e9","title_fr":"","title_en":"","year":2015,"length":2880,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans une exposition consacr\u00e9e \u00e0 la d\u00e9couverte par les grands voyageurs fran\u00e7ais au \u00a0XIXe si\u00e8cle de l\u2019Italie, de la Gr\u00e8ce, de l\u2019\u00c9gypte, puis de l\u2019Extr\u00eame Orient et de l\u2019Am\u00e9rique du Sud, deux visiteuses-danseuses interrogent ce que sont les gestes de la curiosit\u00e9.","synopsis_en":"In an exhibition devoted to the discoveries of the great 19th century French travellers in Italy, Greece, Egypt, the Far East and South America, two dancer-visitors question the meaning of acts of curiosity.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1457,"first_name":"Alain","last_name":"Fleischer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/423\/photo\/Alain_FLEISCHER_2.jpg","order":0}],"generic":[{"id":4679,"first_name":"Sylvain","last_name":"Briend","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4680,"first_name":"Carole","last_name":"Quettier","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":1,"post_order":49},{"id":4676,"first_name":"Baptiste","last_name":"\u00c9vrard","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4677,"first_name":"Siegfried","last_name":"Canto","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4675,"first_name":"Alain","last_name":"Fleischer","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":4681,"first_name":"Patrick","last_name":"Le Noeune","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4682,"first_name":"Alain","last_name":"Flesicher","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":4674,"first_name":"Alain","last_name":"Fleischer","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4678,"first_name":"Danielle","last_name":"Schirman","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":27950,"first_name":"Alain","last_name":"Fleischer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/423\/photo\/FLEISCHER_Alain_Regards_et_gestes_de_la_curiosite_2015_03.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":424,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Asger Jorn – Go to Hell with Your Money","title_original":"Asger Jorn – Go to Hell with Your Money","title_fr":"","title_en":"","year":2014,"length":3540,"website":[],"countries":[{"fr":"Danemark","en":"Denmark"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Danois","en":"Danish"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"Italien","en":"Italian"}],"synopsis_fr":"Grande figure de l\u2019art danois du XXe si\u00e8cle, peintre et sculpteur, li\u00e9 \u00e0 COBRA et \u00e0 d\u2019autres mouvements d\u2019avant-garde, Asger Jorn (1914-1973) incarne le mythe de l'artiste sans le sou\u00a0qui a tout sacrifi\u00e9 pour une vie de boh\u00e8me, affrontant des conditions tr\u00e8s difficiles et dont la reconnaissance fut tardive. Jorn, disparu pr\u00e9matur\u00e9ment \u00e0 l'\u00e2ge de 59 ans, a d\u00e9ploy\u00e9, tout au long de sa vie, une activit\u00e9 prodigieuse. Le film rend hommage \u00e0 cet artiste habit\u00e9 d'une foi in\u00e9bralable, en s'appuyant sur sa correspondance priv\u00e9e, ses journaux intimes, des photos et vid\u00e9os in\u00e9dites, et des entrevues avec des gens qui l\u2019ont cot\u00f4y\u00e9.","synopsis_en":"Asger Jorn (1914-1973),\u00a0a leading figure in twentieth-century Danish art, a painter, and sculptor associated with COBRA and other avant-garde movements, embodies the myth of the penniless artist who has sacrificed everything for a bohemian life, struggling under very difficult conditions and gaining recognition only late in life. \u00a0Throughout his life, Jorn, who died prematurely at age 59, had a prodigious artistic output. The film pays tribute to this artist, who had unfailing faith in himself, with exerpts from his private correspondence, diaries, never-before-seen photos and videos, and interviews with people close to him.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1460,"first_name":"Anna","last_name":"Von Lowzow","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/424\/photo\/directorselfie_Left_Lene_Borch_right_Anna_von_Lowzow.JPG","order":0},{"id":2272,"first_name":"Lene","last_name":"Borch Hansen","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/424\/photo\/NB_directorselfie_Left_Lene_Borch_right_Anna_von_Lowzow.JPG","order":0}],"generic":[{"id":2019,"first_name":"Morten","last_name":"Kruger","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2023,"first_name":"Mike","last_name":"Woolmans","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":2018,"first_name":"David","last_name":"Bateson","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":2017,"first_name":"Nicolaj","last_name":"Kopernikus","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":2024,"first_name":"Jessica","last_name":"Lees","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":4505,"first_name":"Troels","last_name":"Jorn","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4507,"first_name":"Bodil","last_name":"Kaalund","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4508,"first_name":"Marc","last_name":"Richez","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4510,"first_name":"Giovanni","last_name":"Poggi","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4511,"first_name":"Bitten","last_name":"Damgaard","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4512,"first_name":"Louise","last_name":"Birk Petersen","post_fr":"Production","post_en":"Production","order":15,"post_order":4},{"id":2021,"first_name":"Flemming","last_name":"Christensen","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":4504,"first_name":"Asger","last_name":"Jorn","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":4506,"first_name":"Bodil","last_name":"Kaalund","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":4509,"first_name":"Giovanni","last_name":"Poggi","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":27666,"first_name":"Lene","last_name":"Borch Hansen","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27667,"first_name":"Anna","last_name":"Von Lowzow","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/424\/photo\/Jorn_in_front_of_22Letter_to_my_son_22_1957_FOTO_by_Gunni_Busck.JPG","credit":"Gunni Busck","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":425,"edition":{"id":1},"career_fr":"","career_en":"ADFF New York, United States\r\nDublin Film Festival, Ireland\r\nCork Film Festival, Ireland\r\n\r\nLast update in March 2016","embed":"","title_selected":"Talking to My Father","title_original":"Talking to My Father","title_fr":"","title_en":"","year":2015,"length":5400,"website":[{"id":273,"website":"https:\/\/vimeo.com\/140564285","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Irlande","en":"Ireland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019architecture moderne en Irlande s'est beaucoup d\u00e9velopp\u00e9e au d\u00e9but des ann\u00e9es 1960. \u00c9l\u00e8ve de Mies van der Rohe, Robin Walker (1924-1991) \u00e9tait l\u2019une de ses plus illustres figures. Un quart de si\u00e8cle apr\u00e8s sa mort pr\u00e9matur\u00e9e, son fils Simon, lui aussi architecte, explore l'h\u00e9ritage de son p\u00e8re et noue un dialogue imaginaire avec lui. Le paysage domine l\u2019horizon alors que Seamus Heaney r\u00e9cite son po\u00e8me \u00abUn architecte\u00bb \u00e9crit pour la femme de Robin, Dorothy, apr\u00e8s la mort de son mari.","synopsis_en":"Modern architecture reached a high point in Ireland in the early 1960s. A student of Mies van der Rohe, Robin Walker (1924-1991) was one of its most illustrious figures. A quarter century after his untimely death, his son Simon, also an architect, explores his father\u2019s heritage in a dialogue spanning two eras. The landscape stretches to its horizon as Seamus Heaney recites his poem, \u201cAn Architect,\u201d written for Robin\u2019s wife Dorothy after her husband died.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1463,"first_name":"S\u00e9","last_name":"Merry Doyle","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/425\/photo\/NB_C_Se_Merry_Doyle.jpg","order":0}],"generic":[{"id":2027,"first_name":"Patrick","last_name":"Jordan","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3975,"first_name":"S\u00e9 Merry","last_name":"Doyle","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3976,"first_name":"","last_name":"Stano","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3972,"first_name":"Simon","last_name":"Walker","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":3973,"first_name":"Seamus","last_name":"Heaney","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3977,"first_name":"Andrea","last_name":"Pitt","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":3978,"first_name":"Sasha","last_name":"King","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":2025,"first_name":"S\u00e9","last_name":"Merry Doyle","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2715,"first_name":"Philippe","last_name":"Faujas","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":2707,"first_name":"Simon","last_name":"Walker","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":2708,"first_name":"Robin","last_name":"Walker","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":3974,"first_name":"Seamus","last_name":"Heaney","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27957,"first_name":"S\u00e9","last_name":"Merry Doyle","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/425\/photo\/kinsale_4LRtif.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/425\/photo\/ttmf_IFI_poster.jpg","credit":"","desc":""}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":429,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Davide Rivalta – The Look of Innocence","title_original":"Davide Rivalta – The Look of Innocence","title_fr":"Davide Rivalta – Lo sguardo dell'innocenza","title_en":"","year":2015,"length":1740,"website":[],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le processus de cr\u00e9ation des sculptures de Davide Rivalta, de leur gen\u00e8se dans son atelier de la banlieue de Bologne \u00e0 leur r\u00e9alisation finale \u00e0 la fonderie d'art de Carli \u00e0 Turin, et jusqu\u2019aux lieux o\u00f9 ses animaux sont ancr\u00e9s\u00a0: les gorilles install\u00e9s dans la cour du palais de justice de Ravenne, les buffles de bronze monumentaux qui se perdent dans le paysage en face de la basilique Saint-Apollinaire in Classe \u00e0 Ravenne, les dessins muraux dans des lieux priv\u00e9s de Naples \u00e0 Paris, l'ours de la Piazza San Domenico d\u2019Arezzo. \u00c9tay\u00e9 de diff\u00e9rents t\u00e9moignages, le film met en lumi\u00e8re la compr\u00e9hension qu\u2019a Rivalta du corps de l'animal.","synopsis_en":"An in-depth look at the creative process of sculptor Davide Rivalta, from the genesis of his works in his studio on the outskirts of Bologna to their final creation at the Di Carli foundry in Turin. We visit the sites where his animal figures are displayed: the gorillas in the courthouse in Ravenna; the monumental bronze buffalos lost in the landscape opposite the Basilica of Sant\u2019Apollinaire in Classe near Ravenna; the wall drawings in private spaces from Naples to Paris; the bear created for the Piazza San Domenico in Arezzo. Interwoven with analyses and interviews, the film sheds light on Rivalta\u2019s perception of the animal body.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1478,"first_name":"Elena","last_name":"Matacena","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/429\/photo\/ELENA_1.jpg","order":0}],"generic":[{"id":2034,"first_name":"Enzo","last_name":"Pascolo","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2035,"first_name":"Paolo","last_name":"Barone","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":2036,"first_name":"Dario","last_name":"Casillo","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":4929,"first_name":"Pierluigi","last_name":"Tazzi","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4931,"first_name":"Davide","last_name":"Rivalta","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":2037,"first_name":"Biblioteca Ark\u00e8s","last_name":"Napoli","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":4933,"first_name":"Paolo","last_name":"Barone","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4936,"first_name":"Elena","last_name":"Matacena","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":2033,"first_name":"Elena","last_name":"Matacena","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4928,"first_name":"Pierluigi","last_name":"Tazzi","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4930,"first_name":"Davide","last_name":"Rivalta","post_fr":"Artiste","post_en":"Artist","order":2,"post_order":50},{"id":4934,"first_name":"","last_name":"Napoli Film Industry","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":4935,"first_name":"","last_name":"Biblioteca Ark\u00e8s Napoli","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":27622,"first_name":"Elena","last_name":"Matacena","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/429\/photo\/orso1tif.jpg","credit":"The Bear Installation Davide Rivalta 2015","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/429\/photo\/affiche_look_of_innocence.jpg","credit":"","desc":""},{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/429\/photo\/photo_1_look_of_innocence.jpg","credit":"","desc":""}],"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":432,"edition":{"id":1},"career_fr":"","career_en":"Netherlands Film Festival, Netherlands (2015)\r\nAstra Film Festival, Romania (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"The Alphabet of Fear","title_original":"The Alphabet of Fear","title_fr":"","title_en":"","year":2015,"length":3300,"website":[],"countries":[{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Roumain","en":"Romanian"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019\u00e9crivaine germano-roumaine Herta M\u00fcller (1953) a re\u00e7u le prix Nobel de litt\u00e9rature en 2009. Son p\u00e8re a servi dans les SS pendant la Deuxi\u00e8me Guerre mondiale et sa m\u00e8re a \u00e9t\u00e9 emprisonn\u00e9e dans un camp de travail sovi\u00e9tique apr\u00e8s la guerre. Ses propres \u00e9tudes et sa vie adulte ont \u00e9t\u00e9 assombries par la r\u00e9pression du r\u00e9gime Ceausescu et le harc\u00e8lement continu de la Securitate. Le film s'int\u00e9resse aux racines de son \u0153uvre, \u00e0 la peur mortelle et \u00e0 l'app\u00e9tit de vivre qui se manifestent dans tous ses \u00e9crits.","synopsis_en":"The Romanian-born German writer Herta M\u00fcller (b.1953) won the Nobel Prize in Literature in 2009. Her father served in the SS during World War II, and after the war her mother was sent to a Soviet labour camp. The repression of the Ceausescu regime and the relentless harassment of the Securitate cast a large shadow over the author\u2019s studies and adult life. This film explores the roots of her work, her mortal fears and zest for life reflected in all her writings.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1487,"first_name":"John Albert","last_name":"Jansen","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4294,"first_name":"Adri","last_name":"Schrover","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4296,"first_name":"Jos","last_name":"Driessen","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4297,"first_name":"Daan","last_name":"Veldhuizen","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":4295,"first_name":"Alexander","last_name":"Balanescu","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":4056,"first_name":"Herta","last_name":"M\u00fcller","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4300,"first_name":"John Albert","last_name":"Jansen","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":4301,"first_name":"Annelotte","last_name":"Verhaagen","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":4304,"first_name":"Saskia","last_name":"Van Schaik","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":4303,"first_name":"Brigit","last_name":"Dopheide","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":4299,"first_name":"John Albert","last_name":"Jansen","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4298,"first_name":"Wouter","last_name":"Veldhuis","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4055,"first_name":"Herta","last_name":"M\u00fcller","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27960,"first_name":"John Albert","last_name":"Jansen","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/432\/photo\/MONTAGE_05-12_DEF_CORRECTIES_GRADING00_01_28_15Still002.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":433,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Jeff Koons: Diary of a Seducer","title_original":"Jeff Koons: Diary of a Seducer","title_fr":"","title_en":"","year":2014,"length":3960,"website":[],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Bienvenue dans l'univers de Jeff Koons, l'artiste vivant le plus cher du monde, mais \u00e9galement le plus controvers\u00e9 et le plus surprenant. Ses monumentaux Balloon Dogs<\/i> (chiens sculpt\u00e9s en forme de ballon) ou encore son Puppy g\u00e9ant\u00a0enti\u00e8rement fait de fleurs\u00a0sont devenus embl\u00e9matiques, tout comme ses rang\u00e9es d'aspirateurs neufs et sa porcelaine grandeur nature de Michael Jackson avec son chimpanz\u00e9 Bubbles. Le directeur artistique de la BBC, Alan Yentob, qui a rencontr\u00e9 l'artiste au d\u00e9but de sa r\u00e9trospective au Whitney Museum \u00e0 New York, tente de percer ce qui se\u00a0cache derri\u00e8re le ph\u00e9nom\u00e8ne Koons.\u00a0","synopsis_en":"Welcome to the world of Jeff Koons, the world's most expensive - not to mention most controversial and surprising - artist alive today. His monumental\u00a0Balloon Dogs <\/i>and giant flower puppies have become iconic, along with his rows of virgin vacuum cleaners and life-sized porcelain Michael Jackson with his chimpanze, Bubbles. Alan Yentob, Creative Director of the BBC, who met with the artist at the opening of his retrospective at New York's Whitney Museum, attempts to find out what lies beneath the surface of the Koons 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Le griot parle et chante tout en jouant des musiques extr\u00eamement \u00e9labor\u00e9es, transmises de p\u00e8re en fils, enrichies \u00e0 chaque g\u00e9n\u00e9ration.\u00a0Le film retrace l'histoire et l'\u00e9volution de cet instrument, et explore l\u2019interaction de la musique africaine avec la musique occidentale.","synopsis_en":"An instrument with a deep, delicate sound, the kora is a harp-lute that originated in West Africa. Traditionally, the kora is played by the griot, who is also a storyteller, poet, memory-keeper, advisor and diplomat. The griot talks and sings while playing extremely complex music that has been handed down from father to son and enriched by each generation.\u00a0The film looks at the history and evolution of this instrument and explores the interaction between African and Western 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l'architecture et aux spectateur\u00b7ice\u00b7s ? Car le mouvement dynamique de la cam\u00e9ra et de l'\u0153il, contraste avec le statisme min\u00e9ral de la sculpture, qui garde en revanche sa tridimensionnalit\u00e9 contre la bidimensionnalit\u00e9 du cin\u00e9ma. Comment surprendre un instant d\u00e9cisif qu'elle provoque, attire et refl\u00e8te en miroir en m\u00eame temps ? Comment la montrer li\u00e9e \u00e0 l'architecture, mais diff\u00e9rente d'elle : d\u00e9tach\u00e9e, en contrepoint, pour permettre aux spectateur\u00b7ice\u00b7s de la salle de cin\u00e9ma de voyager dans le pass\u00e9 de cette forme, avant m\u00eame qu'elle n'existe ?","synopsis_en":"How does film capture sculpture and its relationship with architecture and its viewers? The movements of the camera and the eye, versus the static nature of stone, which is three-dimensional, contrasts with the two-dimensionality of film. How does it capture the decisive instant it arouses, attracts and mirrors, all at the same time? How does it show it is connected to architecture, and yet different from it: a detached counterpoint and takes spectators on a journey into the past of this form, before it even existed.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1562,"first_name":"Guillermo","last_name":"G. Peydr\u00f3","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/452\/photo\/Peydro.jpg","order":0}],"generic":[{"id":3482,"first_name":"Guillermo G.","last_name":"Peydr\u00f3","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3481,"first_name":"Guillermo G.","last_name":"Peydr\u00f3","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3484,"first_name":"Jeanne De","last_name":"Petriconi","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4593,"first_name":"Guillermo G.","last_name":"Peydr\u00f3","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3483,"first_name":"Jeanne De","last_name":"Petriconi","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":27766,"first_name":"Guillermo","last_name":"G. 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Peydr\u00f3","desc":"Exhibition de Architectomie #1"},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":455,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Les si\u00e8ges de Monsieur Paulin","title_original":"Les si\u00e8ges de Monsieur Paulin","title_fr":"","title_en":"","year":2015,"length":3000,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le designer fran\u00e7ais Pierre Paulin (1927-2009) a incarn\u00e9 pendant pr\u00e8s de 60 ans la figure de la modernit\u00e9. En pionnier, il a \u00e9labor\u00e9 de nouveaux modes de vie, souvent pr\u00e9monitoires, de l\u2019\u00e9volution des m\u0153urs.\u00a0Son travail est essentiellement centr\u00e9 sur le si\u00e8ge dont il concevait l\u2019assise comme une m\u00e9taphore de l\u2019\u00eatre humain. En utilisant un tissu d'ameublement extensible, il a invent\u00e9 l\u2019habillage complet de l\u2019ossature du si\u00e8ge, pour un confort synonyme de r\u00e9confort.","synopsis_en":"For close to 60 years, French designer Pierre Paulin (1927-2009) embodied modernity. A pioneer, he developed new styles that heralded changing customs. His work focused primarily on chairs, which he saw as a metaphor for the human being. By using elastic upholstery fabric, he came up with a way of completely covering the frame of the chair to offer both comfort and support.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1572,"first_name":"Danielle","last_name":"Schirman","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/455\/photo\/DS.jpg","order":0}],"generic":[{"id":2114,"first_name":"Christian","last_name":"Bahier","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2113,"first_name":"Simon","last_name":"Roche","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3129,"first_name":"Caroline","last_name":"Schirman","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2116,"first_name":"Siegfried","last_name":"Canto","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":2115,"first_name":"Carole","last_name":"Quettier","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":2875,"first_name":"Danielle","last_name":"Schirman","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":2112,"first_name":"Danielle","last_name":"Schirman","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3130,"first_name":"Ivan","last_name":"Gariel","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3417,"first_name":"Pierre","last_name":"Paulin","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":27684,"first_name":"Danielle","last_name":"Schirman","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/455\/photo\/Ribbon_chair.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":457,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Revealing Marie Saint Pierre","title_original":"Revealing Marie Saint Pierre","title_fr":"Marie Saint Pierre se r\u00e9v\u00e8le","title_en":"","year":2016,"length":2280,"website":[{"id":429,"website":"https:\/\/vimeo.com\/156283227?utm_source=email&utm_medium=vimeo-cliptranscode-201504&utm_campaign=29220","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"mdp: artfifa","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La cr\u00e9atrice de mode qu\u00e9b\u00e9coise Marie Saint Pierre n'avait que 7 ans quand elle a connu le peintre Jean-Paul Riopelle, un ami de la famille, une rencontre d\u00e9terminante dans sa trajectoire. 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\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1615,"first_name":"Pappi","last_name":"Corsicato","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/466\/photo\/Pappi_Corsicato.jpg","order":0}],"generic":[{"id":2215,"first_name":"Cesare","last_name":"Accetta","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2216,"first_name":"Artemide","last_name":"Alfieri","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3281,"first_name":"Francesca","last_name":"Maciocia","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":2214,"first_name":"Pappi","last_name":"Corsicato","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":27627,"first_name":"Pappi","last_name":"Corsicato","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/466\/photo\/POMPEI_ETERNAL_EMOTION_131.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":467,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Conspiracy of Lies","title_original":"Conspiracy of Lies","title_fr":"","title_en":"","year":1992,"length":714,"website":[{"id":301,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Apr\u00e8s la d\u00e9couverte de fragments d\u2019un journal personnel, l'artiste s'identifie \u00e0 l'auteur anonyme en supposant que celui-ci est gay et de race blanche. Invitant, \u00e0 tour de r\u00f4le, douze narrateur\u00b7ice\u00b7s de diff\u00e9rentes religions, sexes et orientations sexuelles \u00e0 divulguer le contenu de ces \u00e9crits, Henricks souhaite d\u00e9jouer sa propre subjectivit\u00e9. Dans l\u2019interrogation de th\u00e8mes portant sur l'ali\u00e9nation des minorit\u00e9s, la culture de consommation, l\u2019isolement social et l'\u00e9quilibre d\u00e9licat entre l'ordre et le chaos mental, l\u2019artiste construit des m\u00e9taphores identitaires qui, \u00e9voquant nombre de pr\u00e9jug\u00e9s et de st\u00e9r\u00e9otypes moraux et culturels, sont susceptibles de modifier notre jugement. ","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Conspiracy Of Lies <\/i>speaks of the alienation of minorities, of consumer culture, urban isolation and the fine balance between mental order and chaos. The video begins with a voice (my own) recounting the story of the discovery of a series of diary entries and lists written by an anonymous author. When I found the texts, I assumed the author to be a white, gay man, like myself. Through the use of twelve narrators of different race, gender, religion, and sexual orientation, I attempted to destabilize my own subjectivity and challenge my pre-existing assumptions regarding difference. The video begins and ends with two texts written by myself. This, I hope, helps to render the boundary between myself and the anonymous author more fluid, thereby questioning the 'authority' of authorship.\"","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1618,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2932,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2933,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2935,"first_name":"Nelson","last_name":"Henricks","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":2937,"first_name":"Geoffrey","last_name":"Hunter","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":2938,"first_name":"Steve","last_name":"Nunoda","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":2939,"first_name":"Sandra","last_name":"Tivy","post_fr":"Narration","post_en":"Narration","order":9,"post_order":53},{"id":2940,"first_name":"Sarah","last_name":"John","post_fr":"Narration","post_en":"Narration","order":10,"post_order":53},{"id":2941,"first_name":"Colleen","last_name":"Kerr","post_fr":"Narration","post_en":"Narration","order":11,"post_order":53},{"id":2942,"first_name":"Grant","last_name":"Poier","post_fr":"Narration","post_en":"Narration","order":12,"post_order":53},{"id":2943,"first_name":"Harry","last_name":"Schwartz","post_fr":"Narration","post_en":"Narration","order":13,"post_order":53},{"id":2944,"first_name":"Peter","last_name":"Stinson","post_fr":"Narration","post_en":"Narration","order":14,"post_order":53},{"id":2945,"first_name":"Celine","last_name":"Godberson","post_fr":"Narration","post_en":"Narration","order":15,"post_order":53},{"id":2946,"first_name":"C.K.","last_name":"Cousins","post_fr":"Narration","post_en":"Narration","order":16,"post_order":53},{"id":2947,"first_name":"Kathy","last_name":"Dodd","post_fr":"Narration","post_en":"Narration","order":17,"post_order":53},{"id":2948,"first_name":"Tracey","last_name":"Bacenas","post_fr":"Production","post_en":"Production","order":18,"post_order":4},{"id":2950,"first_name":"C.K.","last_name":"Cousins","post_fr":"Production","post_en":"Production","order":19,"post_order":4},{"id":2949,"first_name":"Janet","last_name":"Cardiff","post_fr":"Production","post_en":"Production","order":20,"post_order":4},{"id":2951,"first_name":"Tim V.S.","last_name":"Westberg","post_fr":"Production","post_en":"Production","order":21,"post_order":4},{"id":2952,"first_name":"Jon","last_name":"Winet","post_fr":"Production","post_en":"Production","order":22,"post_order":4},{"id":2931,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2934,"first_name":"Nelson","last_name":"Henricks","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":2936,"first_name":"Mark","last_name":"Dicey","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":28003,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/467\/photo\/Conspiration_des_mensonges.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":468,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Emission","title_original":"Emission","title_fr":"\u00c9mission","title_en":"","year":1994,"length":720,"website":[{"id":302,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Bas\u00e9e sur trois performances \u00e9crites par l'artiste entre 1988 et 1991, \u00c9mission<\/i> montre comment, face aux difficult\u00e9s de langage et de communication entre les individus, l'\u00eatre humain peut r\u00e9gresser et retrouver ses instincts les plus bestiaux. R\u00e9partie en huit \u00e9pisodes, regroup\u00e9s en trois \u00ab\u00a0actes\u00a0\u00bb, ce r\u00e9cit vid\u00e9ographique examine, au rythme des images de lumi\u00e8re blanche et noire, la place qu\u2019occupe l\u2019\u00eatre humain parmi la nature et la technologie. Partag\u00e9e entre l\u2019expression d\u2019un d\u00e9sir de contact plus primitif (animalit\u00e9) et le souhait d'une relation plus raffin\u00e9e, cette \u0153uvre \u00e9largit notre mani\u00e8re de penser, visuellement, le langage. ","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Emission<\/i> found its origin in three performances which I wrote between 1988 and 1991. In their original form, the performances dealt with sex, romance, and communication technologies. The video elaborates upon these themes to speak of how human beings exist in a margin between nature and technology, and works towards confounding any simplified analysis of this worn-out duality. Structurally speaking, Emission comprises eight episodes which are grouped into three 'acts.' The first of these deals with technology and language; the second implies a breakdown of language and a movement towards 'being animal'; the third envisions a confrontation with our animal nature, yet with an ultimate resignation to 'keep talking' and remain human.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1622,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2954,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2958,"first_name":"Gis\u00e8le","last_name":"Trudel","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":2956,"first_name":"Nelson","last_name":"Henricks","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":2964,"first_name":"Leslie","last_name":"Bricusse","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":2955,"first_name":"Nelson","last_name":"Henricks","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":2960,"first_name":"Pierre","last_name":"Beaudoin","post_fr":"Narration","post_en":"Narration","order":2,"post_order":53},{"id":2961,"first_name":"Nikki","last_name":"Forrest","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":2962,"first_name":"Zelda","last_name":"Henricks","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":2957,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2953,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2959,"first_name":"Martin","last_name":"Hurtubise","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28008,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/468\/photo\/E_mission.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":469,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Balard, construire la d\u00e9fense fran\u00e7aise","title_original":"Balard, construire la d\u00e9fense fran\u00e7aise","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Entre d\u00e9fi architectural et aventure humaine, ce nouveau \u00ab Pentagone \u00bb \u00e0 la fran\u00e7aise, implant\u00e9 \u00e0 Balard, dans le sud-ouest de Paris,\u00a0est un projet hors-norme, un d\u00e9fi de haute technologie et de s\u00e9curit\u00e9, et le plus grand chantier de ces derni\u00e8res ann\u00e9es en France. C'est toute la D\u00e9fense tricolore \u2013 les trois arm\u00e9es de terre, de l'air et la Marine \u2013 qui est, pour la premi\u00e8re fois, r\u00e9unie sur un m\u00eame lieu. Retour sur les enjeux de cette construction embl\u00e9matique, men\u00e9e \u00e0 terme par trois cabinets d'architecture : l'Agence ANMA, l'Agence 2\/3\/4 et l'Agence Wilmotte & Associ\u00e9s.","synopsis_en":"Both an architectural challenge and human adventure, this new French-style \u201cPentagon\u201d in Balard in south-west Paris\u00a0is a project unlike any other, a challenge to high technology and security and the largest construction site in France in many years. For the first time, the French armed forces\u2014army, air force and navy\u2014will occupy the same site. A look back at this emblematic project undertaken by three architectural firms: Agence ANMA, Agence 2\/3\/4 and Agence Wilmotte & Associ\u00e9s.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1626,"first_name":"Ang\u00e8le","last_name":"Berland","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2221,"first_name":"Jean-Fran\u00e7ois","last_name":"D'Arcangues","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2217,"first_name":"Vivien","last_name":"Floris","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2218,"first_name":"Johann","last_name":"Jolivet","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":2219,"first_name":"James","last_name":"Miale","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":2220,"first_name":"Lo\u00efc","last_name":"Legray","post_fr":"Image","post_en":"Cinematography","order":6,"post_order":64},{"id":2224,"first_name":"Delphine","last_name":"Dufriche","post_fr":"Montage","post_en":"Editing","order":9,"post_order":43},{"id":3715,"first_name":"Anne","last_name":"Cardona","post_fr":"Narration","post_en":"Narration","order":10,"post_order":53},{"id":3719,"first_name":"Cyril","last_name":"Tr\u00e9tout","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3721,"first_name":"Pierre","last_name":"Bolze","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3723,"first_name":"Jean-Michel","last_name":"Wilmotte","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3725,"first_name":"Herv\u00e9","last_name":"Morin","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3727,"first_name":"Jacques","last_name":"Devaux","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3728,"first_name":"Jean-Yves","last_name":"Mikalef","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":3717,"first_name":"Nicolas","last_name":"Michelin","post_fr":"Participation","post_en":"Participation","order":23,"post_order":39},{"id":2861,"first_name":"Denis","last_name":"Bortot","post_fr":"Production","post_en":"Production","order":22,"post_order":4},{"id":3714,"first_name":"Ang\u00e8le","last_name":"Berland","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2223,"first_name":"Beno\u00eet","last_name":"Daout","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":2222,"first_name":"Fanny","last_name":"Wojkievicz","post_fr":"Son","post_en":"Sound","order":8,"post_order":59},{"id":3718,"first_name":"Cyril","last_name":"Tr\u00e9tout","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3720,"first_name":"Pierre","last_name":"Bolze","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3722,"first_name":"Jean-Michel","last_name":"Wilmotte","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3724,"first_name":"Herv\u00e9","last_name":"Morin","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3726,"first_name":"Jacques","last_name":"Devaux","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3716,"first_name":"Nicolas","last_name":"Michelin","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":27768,"first_name":"Ang\u00e8le","last_name":"Berland","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/469\/photo\/20150401_LZ001.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":470,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Crush","title_original":"Crush","title_fr":"","title_en":"","year":1997,"length":720,"website":[{"id":303,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Crush<\/i> met en sc\u00e8ne un homme qui, souhaitant se transformer en animal, explore une vari\u00e9t\u00e9 de \u00ab\u00a0techniques\u00a0\u00bb de modification du corps\u00a0: de la gymno-modification \u00e0 la cosm\u00e9tisation corporelle, de la chirurgie plastique \u00e0 l\u2019amputation volontaire. Visiblement, insatisfait de son apparence physique, il d\u00e9sire<\/i> un corps id\u00e9al. Un corps id\u00e9al qui, prenant l\u2019allure d\u2019un animal aquatique, lui permet de recouvrer une pl\u00e9nitude dans la \u00ab dissolution \u00bb de son corps \u2013 de la parole au silence \u2013 avec l\u2019animal. V\u00e9ritable parcours d\u2019une m\u00e9tamorphose corporelle, cette vid\u00e9o interpelle autant notre sens d\u2019individuation que notre obsession \u00e0 devenir \u00ab\u00a0Autre\u00a0\u00bb.","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Crush<\/i> is the story of a man who wants to turn into an animal. He employs a variety of techniques to transform himself. He cuts off parts of his body. He exercises. He wants to return to the water to speed up evolution a little. Has he gone mad, or is he just tired of being human? As the narrator descends into his private obsessions, we begin to perceive the distorted outlines of reason that guide his journey. The trajectory he takes allows us to reflect upon the correlations between the body and identity, our culture\u2019s obsession with the body beautiful and what it means to be human.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1630,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2976,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2978,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":2981,"first_name":"Monique","last_name":"Moumblow","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":2982,"first_name":"Michel","last_name":"Giroux","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":2983,"first_name":"Gis\u00e8le","last_name":"Trudel","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2980,"first_name":"Nikki","last_name":"Forrest","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":2984,"first_name":"Jean-Philippe","last_name":"C\u00f4t\u00e9","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":2985,"first_name":"Pierre","last_name":"Beaudoin","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":2986,"first_name":"Nelson","last_name":"Henricks","post_fr":"Participation","post_en":"Participation","order":3,"post_order":39},{"id":2987,"first_name":"Yudi","last_name":"Sewraj","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":2988,"first_name":"Tim Van","last_name":"Wijk","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2989,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2975,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2977,"first_name":"Nelson","last_name":"Henricks","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":2979,"first_name":"Martin","last_name":"Hurtubise","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":28006,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/470\/photo\/Crush.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":471,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Handyman","title_original":"Handyman","title_fr":"Homme \u00e0 tout faire","title_en":"","year":1999,"length":630,"website":[{"id":304,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Trois hommes. Trois corps en labeur, involontairement, poseurs et solitaires. Deux travailleurs de la construction, l\u00e9g\u00e8rement v\u00eatus, et un homme seul qui se d\u00e9shabille pour le bon plaisir du\u00b7de la spectateur\u00b7ice discret\u00b7\u00e8te. Tous ont en commun d\u2019\u00eatre inconscients de titiller le d\u00e9sir, tout simplement, en raison qu\u2019ils se contentent d\u2019exister et d\u2019exciter \u00e0 leur insu. Une cam\u00e9ra discr\u00e8te, d\u00e9busquant <\/i>leur moindre geste, filme ces lieux o\u00f9 ils s\u2019\u00ab\u00a0exhibent\u00a0\u00bb \u2013 enregistrant une r\u00e9alit\u00e9 fantasm\u00e9e qu\u2019elle pose comme r\u00e9alit\u00e9 accoutum\u00e9e. \u00c0 l\u2019instar du vid\u00e9aste anonyme<\/i>, l\u2019objectif stimule l\u2019imaginaire du\u00b7de la spectateur\u00b7ice \u2013 l\u2019impliquant dans un processus de voyeurisme et de f\u00e9tichisme de l\u2019image vid\u00e9ographique. ","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Both a single-channel video and a triple-screen installation, this work examines voyeurism and surveillance. With his video camera, Henricks documented two workers in his interior courtyard. The camerawork has a secretive and furtive feel, treating the male body as an erotic object and implicating the viewer in processes of exhibitionism and image fetishization. Handy Man is part a series of works that explores one of the principle metaphors of video: the window.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1634,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2991,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2994,"first_name":"Monique","last_name":"Moumblow","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":2996,"first_name":"Michel","last_name":"Daigneault","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":2993,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2990,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2992,"first_name":"Nelson","last_name":"Henricks","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":2995,"first_name":"Martin","last_name":"Hurtubise","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":28013,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/471\/photo\/Homme_a_tout_faire.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":472,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Map of the City","title_original":"Map of the City","title_fr":"La Plan de la ville","title_en":"","year":2006,"length":1260,"website":[{"id":305,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

\u00c9vocation visuelle, textuelle et sonore de trac\u00e9s urbains, Le plan de la ville<\/i> est une vid\u00e9o \u00e0 deux \u00e9crans qui explore un univers o\u00f9 l\u2019architecture est assimil\u00e9e au livre. Entreprise dans le cadre d\u2019une r\u00e9sidence \u00e0 Rome, cette \u0153uvre propose de voir la ville comme une biblioth\u00e8que emplie de fragments de b\u00e2timents, de statues et de tablettes antiques. S\u2019inspirant des chapelles et des cath\u00e9drales, qui agissent \u00e0 titre de repr\u00e9sentations tridimensionnelles et immersives de la Bible, l\u2019artiste cite des passages de l\u2019\u00c9vangile selon Thomas et du livre de l\u2019Eccl\u00e9siastique \u2013 entrem\u00eal\u00e9s de textes originaux, de photographies et de sons \u00e9lectroniques.\u00a0","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Map of the City<\/i> is a double-screen video installation that explores the notion of the building-as-book. Initiated during a six-month residency in Rome, this work sees the city as a textual environment that requires both readers and writers. Urban space is compared to a library. This work is inspired by chapels and cathedrals, which act as three-dimensional, immersive representations of the Bible. Quotes from The Gospel of Thomas and Ecclesiastes are interwoven with original text, still photos and electronic soundscapes. The city is depicted as an accumulation of gestures that outstrip the life of the individual.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1638,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2966,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2967,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":2968,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2965,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2969,"first_name":"Martin","last_name":"Hurtubise","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28029,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/472\/photo\/Le_Plan_de_la_ville.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":473,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Failure","title_original":"Failure","title_fr":"\u00c9chec","title_en":"Failure","year":2007,"length":407,"website":[{"id":306,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"Site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Qu\u00eate introspective, cette vid\u00e9o illustre la g\u00eane que peut \u00e9prouver un adolescent en voie de devenir homme. La transformation physique \u2013 signe de maturit\u00e9 \u2013 questionne les modalit\u00e9s qui participent \u00e0 la construction du genre\u00a0: comment elles agissent et conditionnent la masculinit\u00e9? Interrogeant l\u2019id\u00e9e m\u00eame des diff\u00e9rences g\u00e9nitales, construites socialement, l\u2019artiste observe, dans son univers domestique tout comme sur une sc\u00e8ne de th\u00e9\u00e2tre, des \u00ab\u00a0pratiques\u00a0\u00bb d\u2019esth\u00e9tisation (\u00e9pilation) et de repr\u00e9sentation du corps\/homme de mani\u00e8re \u00e0 exposer des troubles psychologiques associ\u00e9s \u00e0 des sentiments post-adolescents d\u2019humiliation et de mal \u00eatre.","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Images of beauty rituals \u2013 both masculine and feminine \u2013 focus on the removal of body hair. Scenes of adolescent embarrassment are played out in adult life. Gender confusion lurks behind the curtain. Impoverished aesthetics. Popular music.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1642,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2971,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2972,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4342,"first_name":"Nina","last_name":"Simone","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4343,"first_name":"Serge","last_name":"Gainsbourg","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":4344,"first_name":"","last_name":"Pavement","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":2974,"first_name":"Beno\u00eet","last_name":"Chauss\u00e9","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":2973,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2970,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":28009,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/473\/photo\/E_chec.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":474,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Life Session","title_original":"Life Session","title_fr":"","title_en":"","year":2016,"length":120,"website":[{"id":307,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

Life Session<\/i> repose sur les deux premi\u00e8res minutes d'un film porno gay des ann\u00e9es 1970. Film\u00e9 en Super 8, le film original (10 min.) se d\u00e9roule dans l'atelier de l'artiste : on y voit un artiste dessin\u00e9 un mod\u00e8le vivant, de gros plans sur des dessins au fusain en cours d'ex\u00e9cution et des prises de vue sur le mod\u00e8le qui regarde l'artiste. Accompagn\u00e9 d\u2019assistants, Henricks a fait des dessins au crayon de chaque image de cet extrait de film. Ces images dessin\u00e9es, entrecoup\u00e9es avec le film en action, cr\u00e9ent un curieux effet. Life Session<\/i> examine le mythe de l'artiste dans la culture populaire par l'interm\u00e9diaire d\u2019une mise-en-abyme<\/i> d'un artiste dessinant le film d'un artiste dessinant un mod\u00e8le. ","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

Life Session<\/i> is based on the first two minutes of a 1970s gay porn film. Shot on Super 8, the original 10-minute film takes place in an artist\u2019s studio: we see an artist drawing a live model, close-ups of the charcoal drawings he is executing, and shots of the model looking back at the artist. With the help of several assistants, Henricks has made pencil drawings of every frame of this two-minute excerpt. The resulting animated sequences were intercut with the live action footage, creating a curious effect. Life Session<\/i> examines the myth of the artist in popular culture via the mise-en-abyme of an artist drawing a film of an artist drawing a model.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1646,"first_name":"Neslon","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2998,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3001,"first_name":"Richard","last_name":"Moore","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2999,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3000,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2997,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":28026,"first_name":"Neslon","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/474\/photo\/Life_Session.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":475,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Hush","title_original":"Hush","title_fr":"","title_en":"","year":2016,"length":430,"website":[{"id":308,"website":"http:\/\/nelsonhenricks.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"site de l'artiste","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Nelson Henricks<\/b>

\u00c0 partir de sc\u00e8nes, tri\u00e9es sur le volet, l\u2019artiste recr\u00e9e une trame visuelle qui met en sc\u00e8ne le lieu d\u2019un m\u00e9lodrame plut\u00f4t qu\u2019il en fait un r\u00e9cit anecdotique bas\u00e9 sur les personnages. Le lieu, transform\u00e9 en une s\u00e9rie de s\u00e9quences rabout\u00e9es, peaufine un langage cin\u00e9matographique qui \u00e9voque l\u2019histoire du cin\u00e9ma. Questionnant le film originel*, Henricks propose un assemblage de sc\u00e8nes qui, plus souvent qu\u2019autrement, passent inaper\u00e7ues. Hush<\/i> transforme ainsi un film d\u2019horreur classique en un v\u00e9ritable th\u00e9\u00e2tre du drame : une violente dispute \u00e9clate dans le manoir d\u2019une plantation en Louisiane. Quelqu\u2019un vient d\u2019\u00eatre assassin\u00e9. Une t\u00eate coup\u00e9e roule dans un escalier. Une main git sur le sol. Qui a donc perp\u00e9tr\u00e9 ces gestes cruels ?
Hush <\/i>est compos\u00e9 de s\u00e9quences filmiques trouv\u00e9es (Found footage<\/i>) tir\u00e9es du film Hush... <\/i>Hush, Sweet Charlotte<\/i> (avec, entre autres,\u00a0 Bette Davis\u00a0 et Olivia de Havilland) r\u00e9alis\u00e9 par Robert Aldrich, en 1964. ","synopsis_en":"Program presented as part of the program Nelson Henricks<\/b>

A found footage film, Hush\u2026 condenses a classic Hollywood horror of the 1960s into a series of brief and haunting vignettes. A heated argument in crumbling plantation mansion. A murder in the summerhouse. A severed head rolls down the stairs. A severed hand lies on the floor. Who perpetrated these vicious acts? By removing the central elements of the narrative, Henricks shifts our attention to the periphery; to those objects, mechanisms and conventions to which we seldom pay attention.
Hush<\/i> is composed of found film sequences (Found footage) from the film Hush... Hush, Sweet Charlotte<\/i> (with, among others, Bette Davis and Olivia de Havilland) directed by Robert Aldrich, in 1964.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1650,"first_name":"Nelson","last_name":"Henricks","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3003,"first_name":"Nelson","last_name":"Henricks","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3006,"first_name":"Robert","last_name":"Aldrich","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3004,"first_name":"Nelson","last_name":"Henricks","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3005,"first_name":"Nelson","last_name":"Henricks","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3002,"first_name":"Nelson","last_name":"Henricks","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":28015,"first_name":"Nelson","last_name":"Henricks","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/475\/photo\/Hush.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":476,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Jacqueline Salmon – l'art d'avancer masqu\u00e9e","title_original":"Jacqueline Salmon – l'art d'avancer masqu\u00e9e","title_fr":"","title_en":"","year":2016,"length":3240,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Jacqueline Salmon est reconnue pour sa pratique d\u2019une photographie \u00e0 caract\u00e8re documentaire, principalement pour ses travaux sur l\u2019architecture, les lieux en mutation dont le destin refl\u00e8te l\u2019\u00e9volution de notre soci\u00e9t\u00e9.\u00a0Derri\u00e8re la rigueur des cadrages, des compositions et des formats, la r\u00e9alisatrice Teri Wehn Damisch s'est attach\u00e9e \u00e0 r\u00e9v\u00e9ler les \u00e9l\u00e9ments d\u2019une autobiographie masqu\u00e9e. \u00c0 l\u2019origine de ces vues r\u00e9currentes de b\u00e2timents en chantier, un corps surgit, en chantier lui aussi, \u00e0 la suite d\u2019un grave accident.\u00a0","synopsis_en":"Jacqueline Salmon is known for her documentary-style photography, mainly in\u00a0 the field of architecture, in which she captures changing sites whose destiny reflects our evolving society. Behind the framing and composition, director Teri Wehn Damisch has attempted to reveal the elements of a hidden autobiography. Underlying these recurring shots of \u00a0buildings under construction is a body, in the construction site itself, following a serious accident.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1654,"first_name":"Teri","last_name":"Wehn Damisch","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3495,"first_name":"Samuel","last_name":"Fleury","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3497,"first_name":"Samuel","last_name":"Fleury","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":3494,"first_name":"Daniel","last_name":"Werts","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":3498,"first_name":"Jacqueline","last_name":"Salmon","post_fr":"Participation","post_en":"Participation","order":5,"post_order":39},{"id":2866,"first_name":"Teri","last_name":"Wehn Damisch","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":3496,"first_name":"Samuel","last_name":"Fleury","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":3499,"first_name":"Jacqueline","last_name":"Salmon","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":27674,"first_name":"Teri","last_name":"Wehn Damisch","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/476\/photo\/et_Louis_Bourgeois_1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":483,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Retour","title_original":"Retour","title_fr":"","title_en":"","year":2015,"length":3660,"website":[{"id":434,"website":"https:\/\/www.dropbox.com\/s\/9fq10pylwuch5ae\/Volver-Retour_pr%C3%A9sentation_suggestions%20MB.pdf?dl=0","type_id":5,"type_1":"Dossier de presse","type_2":"Press kit","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Espagnol","en":"Spanish"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le musicien Tomas Jensen retourne \u00e0 Buenos Aires, en Argentine, apr\u00e8s un exil de pr\u00e8s de 40 ans, sa famille ayant fui la dictature militaire en 1976. Il y retrouve des membres de sa famille, visite les lieux de son enfance et d\u00e9terre d\u00e9licatement certains fragments de son histoire familiale. L\u2019\u00e9motion est au rendez-vous. Il fait la connaissance des nouveaux\u00b7elles musicien\u00b7ne\u00b7s qui font vibrer l'Argentine d'aujourd'hui. Avec eux\u00b7elles, il s\u2019installe en studio pour cr\u00e9er un album qu\u2019il\u00b7elle\u00b7s interpr\u00e8tent ensemble sur sc\u00e8ne. Un retour aux sources et aux sons de son enfance.","synopsis_en":"Musician Tomas Jensen returns to Buenos Aires, Argentina, after nearly 40 years in exile, his family having fled the military dictatorship in 1976. He reconnects with relatives, visits childhood haunts and carefully unearths fragments of his family history. It's an emotional journey. He meets musicians from today's vibrant music scene in Argentina and takes them into the studio to record an album that they subsequently perform on stage. He returns to his roots and the sounds of his childhood.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1683,"first_name":"Martin","last_name":"Bourgault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/483\/photo\/MBourgault.jpg","order":0}],"generic":[{"id":2277,"first_name":"Martin","last_name":"Bourgault","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2267,"first_name":"Martin","last_name":"Bourgault","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2270,"first_name":"Andrea","last_name":"Henriquez","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":2268,"first_name":"Tomas","last_name":"Jensen","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":2269,"first_name":"Claude","last_name":"Sicre","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":4386,"first_name":"Tomas","last_name":"Jensen","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4980,"first_name":"Damian","last_name":"Nisenson","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4983,"first_name":"Fernando","last_name":"Kabusacki","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4985,"first_name":"Mene Savasta","last_name":"Alsina","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4986,"first_name":"Marina","last_name":"Fage","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":2273,"first_name":"Louis-Armand","last_name":"Bombardier","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":4390,"first_name":"Nathalie","last_name":"Bissonnette","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":4392,"first_name":"Ginette","last_name":"Petit","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":2266,"first_name":"Martin","last_name":"Bourgault","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2276,"first_name":"Martin","last_name":"Desranleau","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4385,"first_name":"Tomas","last_name":"Jensen","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":4981,"first_name":"Damian","last_name":"Nisenson","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":4982,"first_name":"Fernando","last_name":"Kabusacki","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":4984,"first_name":"Mene Savasta","last_name":"Alsina","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":27952,"first_name":"Martin","last_name":"Bourgault","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/483\/photo\/RETOUR_11.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":493,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"\u00c6gis\u00ed\u00f0a – Notes from Iceland","title_original":"\u00c6gis\u00ed\u00f0a – Notes from Iceland","title_fr":"","title_en":"\u00c6gis\u00ed\u00f0a – Notes from Iceland","year":2015,"length":410,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 1<\/b>

La rue \u00c6gis\u00ed\u00f0a longe le bord de mer \u00e0 Reykjavik et fait r\u00e9f\u00e9rence \u00e0 un dieu de la mer. Un journal de voyage r\u00e9el et imaginaire tiss\u00e9 d'impressions et de sensations, pr\u00e9texte \u00e0 une exp\u00e9rimentation visuelle avec le paysage, sur la musique \u00e9nigmatique de\u00a0Krist\u00edn Anna Valt\u00fdsd\u00f3ttir.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

\u00c6gis\u00ed\u00f0a is an old seaside street in Reykjavik and refers to a God of the sea. 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Ce\u00a0chef-d'\u0153uvre hollandais du XVIIe si\u00e8cle\u00a0avait \u00e9t\u00e9 s\u00e9rieusement endommag\u00e9 au cours d\u2019une tentative de vol en 1972, et seulement en partie restaur\u00e9 en 1974.","synopsis_en":"The painstaking, impassioned work of Agata Sochon, who spent 1,450 hours restoring Emanuel de Witte's\u00a0painting Interior with a Woman Playing a Virginal<\/i>,\u00a0in the collection of the Montreal Museum of Fine Arts since 1894. 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Alors que seulement 10 % du site a d\u00e9j\u00e0 \u00e9t\u00e9 fouill\u00e9, les expert\u00b7e\u00b7s estiment que les d\u00e9couvertes potentielles pourraient jeter un \u00e9clairage r\u00e9volutionnaire sur l'histoire de l'Afghanistan et m\u00eame sur celle du bouddhisme.\u00a0Histoire d'une lutte entre la sauvegarde d'une culture et les int\u00e9r\u00eats \u00e9conomiques.","synopsis_en":"An archaeologist races against time to save a 2,000-year-old Buddhist archaeological site in Afghanistan threatened by a Chinese copper mine and Taliban attacks. Only 10% of Mes Aynak has been excavated and experts believe future discoveries have the potential to redefine the history of Afghanistan and of Buddhism itself. Saving Mes Aynak<\/i> examines the conflict between cultural preservation and\u00a0economic opportunity.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1805,"first_name":"Brent E.","last_name":"Huffman","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4665,"first_name":"Brent E.","last_name":"Huffman","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4664,"first_name":"Brent E.","last_name":"Huffman","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":4667,"first_name":"Matt","last_name":"Lauterbach","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4668,"first_name":"Homayoun","last_name":"Sakhi","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":4673,"first_name":"Qadir","last_name":"Temori","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":4671,"first_name":"Brent E.","last_name":"Huffman","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":4662,"first_name":"Xiaoli","last_name":"Zhou","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":4663,"first_name":"Zak","last_name":"Piper","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":4658,"first_name":"Julia","last_name":"Reichert","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":4659,"first_name":"Gordon","last_name":"Quinn","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":4660,"first_name":"Justine","last_name":"Nagan","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":4661,"first_name":"Brian","last_name":"Gilman","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":4666,"first_name":"Brent E.","last_name":"Huffman","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":4672,"first_name":"Qadir","last_name":"Temori","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":27954,"first_name":"Brent E.","last_name":"Huffman","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/516\/photo\/Screen_Shot_2015-04-20_at_31519_PM_1.png","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/516\/photo\/SMA_PosterUpdate_27x40_Kopie_s.jpg","credit":"","desc":""}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":521,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Madama Butterfly","title_original":"Madama Butterfly","title_fr":"","title_en":"","year":2015,"length":313,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Programmation pr\u00e9sent\u00e9e dans le cadre du programme Diagonales - Programme 2<\/b>

Op\u00e9ra au d\u00e9nouement tragique, Madama Butterfly<\/i> est ici interpr\u00e9t\u00e9 par des marionnettes \u00e0 fils.","synopsis_en":"Program presented as part of the program Diagonals - Program 2<\/b>

The tragic opera Madama Butterfly<\/i> is here performed by marionettes.
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Hommage \u00e0 ces milliers d'utilisateur\u00b7ice\u00b7s de YouTube et de blogueur\u00b7euse\u00b7s vid\u00e9o \u00e0 l'ambition d\u00e9bordante, adeptes plus ou moins dou\u00e9\u00b7e\u00b7s de l'autopromotion sur Internet, qui se sont forg\u00e9 un public au niveau international. La habanera de\u00a0Carmen<\/i> de Bizet est r\u00e9interpr\u00e9t\u00e9e pour MeTube, enrichie de sons \u00e9lectroniques.","synopsis_en":"Program presented as part of the program Diagonals - Program 1<\/b>

This tribute to thousands of YouTube users and video bloggers, as well as gifted and less gifted self-promoters on the Internet, has attracted international attention. Bizet\u2019s \u201cHabanera\u201d aria from\u00a0Carmen<\/i> is here reinterpreted and enhanced with electronic sounds.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1824,"first_name":"Daniel","last_name":"Moshel","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4836,"first_name":"August","last_name":"Schram","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":1,"post_order":49},{"id":4838,"first_name":"Daniel","last_name":"Moshel","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4837,"first_name":"August","last_name":"Schram","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4833,"first_name":"","last_name":"Moshel Film","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":4834,"first_name":"","last_name":"August Schram Production","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":28031,"first_name":"Daniel","last_name":"Moshel","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/522\/photo\/01MeTube_300dpi.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":84,"title":"Programmations sp\u00e9ciales"}],"programs":null,"partners":null},{"id":523,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"One Million Steps","title_original":"One Million Steps","title_fr":"","title_en":"","year":2015,"length":1200,"website":[{"id":378,"website":"https:\/\/vimeo.com\/118969713","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""},{"id":380,"website":"https:\/\/vimeo.com\/118969713","type_id":0,"type_1":null,"type_2":null,"description":"Trailer","embed":""},{"id":381,"website":"http:\/\/www.onemillionsteps-project.com\/en\/","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"Turquie","en":"Turkey"},{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""}],"languages":[{"fr":"Turc","en":"Turkish"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du Jury, FIFA 2016 <\/b>

Une danseuse fait des claquettes, tandis qu'autour d'elle, les gens se ruent pour \u00e9chapper au gaz lacrymog\u00e8ne de la police. Sommes-nous dans deux mondes s\u00e9par\u00e9s ? S'il n'y avait pas cette br\u00e8che inattendue au sol, juste en face de la danseuse... Elle d\u00e9cide alors d'y sauter et atterrit au milieu des \u00e9meutes sociales \u00e0 Istanbul. Elle est t\u00e9moin de la lutte du peuple pour sa libert\u00e9 personnelle et son espace vital, et en profite pour transformer sa danse en une d\u00e9claration de solidarit\u00e9.","synopsis_en":"Jury Award, FIFA 2016 <\/b>

A tap dancer performs, while elsewhere people run from the tear gas of police. Two worlds apart? If it were not for an unexpected opening in the floor, right in front of the dancer\u2026 She decides to jump, and lands in the middle of social protests in Istanbul. The dancer witnesses the people\u2019s fight for personal freedom and living space, and takes the opportunity to transform her dance into a statement of solidarity.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1827,"first_name":"Eva","last_name":"Stotz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3621,"first_name":"Arzu","last_name":"Saglam","post_fr":"Animation","post_en":"Animation","order":16,"post_order":70},{"id":3612,"first_name":"Carola Rodriguez","last_name":"Sanchez","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3604,"first_name":"Marije","last_name":"Nie","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":12,"post_order":49},{"id":3607,"first_name":"Banu","last_name":"Inci","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":13,"post_order":49},{"id":3611,"first_name":"Ahmet Turan","last_name":"Demirbag","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":14,"post_order":49},{"id":3609,"first_name":"Utku","last_name":"Yurrtas","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":15,"post_order":49},{"id":3613,"first_name":"Gregor","last_name":"Bartsch","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3614,"first_name":"Georg","last_name":"Petzold","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":3616,"first_name":"Timothy","last_name":"Beutler","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":3617,"first_name":"Meinhard","last_name":"Blum","post_fr":"Musique","post_en":"Music","order":8,"post_order":82},{"id":3618,"first_name":"Said","last_name":"Anzali","post_fr":"Musique","post_en":"Music","order":9,"post_order":82},{"id":3619,"first_name":"Kardes","last_name":"T\u00fcrk\u00fcler","post_fr":"Musique","post_en":"Music","order":10,"post_order":82},{"id":3620,"first_name":"","last_name":"Bogazi\u00e7i Jazz Choir","post_fr":"Musique","post_en":"Music","order":11,"post_order":82},{"id":2886,"first_name":"Eva","last_name":"Stotz","post_fr":"Production","post_en":"Production","order":21,"post_order":4},{"id":3601,"first_name":"Marije","last_name":"Nie","post_fr":"Production","post_en":"Production","order":22,"post_order":4},{"id":3599,"first_name":"Eva","last_name":"Stotz","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3615,"first_name":"Turgay","last_name":"Uygur","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3605,"first_name":"Marije","last_name":"Nie","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3606,"first_name":"Banu","last_name":"Inci","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3608,"first_name":"Utku","last_name":"Yurrtas","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3610,"first_name":"Ahmet Turan","last_name":"Demirbag","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3598,"first_name":"Marije","last_name":"Nie","post_fr":"Chor\u00e9graphie","post_en":"Choreography","order":1,"post_order":48},{"id":27626,"first_name":"Eva","last_name":"Stotz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/523\/photo\/OMS_Filmstill_Whirling.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":78,"title":"Comp\u00e9tition - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":525,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le cercle de Kantor","title_original":"Le cercle de Kantor","title_fr":"Krag Kantora","title_en":"","year":2015,"length":3480,"website":[],"countries":[{"fr":"Pologne","en":"Poland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Polonais","en":"Polish"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du meilleur film \u00e9ducatif, ex-aequo, FIFA 2016<\/b>

En 1942, \u00e0 Cracovie, en pleine occupation nazie, Tadeusz Kantor, le grand metteur en sc\u00e8ne polonais qui r\u00e9volutionna le th\u00e9\u00e2tre europ\u00e9en avec son spectacle La classe morte<\/i>, fonde avec de jeunes plasticien\u00b7ne\u00b7s le th\u00e9\u00e2tre clandestin ind\u00e9pendant. Ce film l\u00e8ve le voile sur les d\u00e9buts m\u00e9connus d\u2019un groupe de jeunes artistes qui devinrent plus tard les grandes figures de l'avant-garde polonaise du XXe si\u00e8cle. Parmi eux\u00b7elles, les peintres Jerzy Nowosielski, Tadeusz Brzozowski, Jerzy Kujawski et le futur r\u00e9alisateur Wojciech Jerzy Has.","synopsis_en":"Award for Best Educative Film, ex-aequo, FIFA 2016<\/b>

In Krakow in 1942, at the height of the Nazi occupation, Tadeusz Kantor, the eminent Polish director who would revolutionize European theatre with his play,\u00a0Dead Class<\/i>, created independent underground theatre together\u00a0with young artists.The film sheds light on the beginnings of this group that would go on to become figures in the Polish avant-garde of the 20th century. They include painters Jerzy Nowosielski, Tadeusz Brzozowski, Jerzy Kujawski and future filmmaker Wojciech Jerzy Has.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1833,"first_name":"Adrianna","last_name":"Ksiazek","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/525\/photo\/C_NB_Adrianna_Ksiazek.jpg","order":0},{"id":1834,"first_name":"Iwo","last_name":"Ksiazek","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/525\/photo\/Iwo_Ksiazek.jpg","order":0}],"generic":[{"id":2402,"first_name":"Iwo","last_name":"Ksiazek","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2403,"first_name":"Adrianna","last_name":"Ksiazek","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2400,"first_name":"Michal","last_name":"Dymny","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":2898,"first_name":"Iwo","last_name":"Ksiazek","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":2397,"first_name":"Adrianna","last_name":"Ksiazek","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2398,"first_name":"Iwo","last_name":"Ksiazek","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":2726,"first_name":"Tadeusz","last_name":"Kantor","post_fr":"Artiste","post_en":"Artist","order":6,"post_order":50},{"id":2727,"first_name":"Jerzy","last_name":"Nowosielski","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":2728,"first_name":"Tadeusz","last_name":"Brzozowski","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":2730,"first_name":"Wojciech Jerzy","last_name":"Has","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":2729,"first_name":"Jerzy","last_name":"Kujawski","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27679,"first_name":"Adrianna","last_name":"Ksiazek","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27680,"first_name":"Iwo","last_name":"Ksiazek","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/525\/photo\/FIFA_lecercledekantor2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":534,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Fitzgerald \/ Hemingway : Une question de taille","title_original":"Fitzgerald \/ Hemingway : Une question de taille","title_fr":"","title_en":"","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"F. Scott Fitzgerald (1896-1940) et Ernest Hemingway (1899-1961), deux arch\u00e9types de la figure de l\u2019\u00e9crivain. Hemingway, le baroudeur viril et s\u00fbr de lui, le travailleur acharn\u00e9 qui \u00e9crit comme d\u2019autres boxent. Fitzgerald, le dandy d\u00e9licat, \u00e9motif et tourment\u00e9, au talent aussi fulgurant que fragile. Que se cache-t-il derri\u00e8re cette l\u00e9gende l\u00e9gu\u00e9e \u00e0 la post\u00e9rit\u00e9 par Hemingway dans\u00a0Paris est une f\u00eate<\/i>, qui brosse un portrait peu flatteur de Fitzgerald?\u00a0La r\u00e9ponse est peut-\u00eatre dans ces lettres que s\u2019\u00e9chang\u00e8rent les deux hommes \u00e0 partir de 1925, qui racontent l\u2019histoire d\u2019une amiti\u00e9 complexe, o\u00f9 l\u2019admiration c\u00f4toie le m\u00e9pris et o\u00f9 la rivalit\u00e9 n\u2019exclut pas un attachement profond.","synopsis_en":"F. Scott Fitzgerald (1896-1940) and Ernest Hemingway (1899-1961): two archetypes of the writer. Hemingway, the manly, self-confident scrapper, a tireless worker who wrote like others box. Fitzgerald, the delicate dandy, tormented and emotional, whose talent was as dazzling as it was fragile. What lies behind the legacy left by Hemingway in A Moveable Feast,<\/i>\u00a0which paints an unflattering portrait of Fitzgerald? The answer might be found in the correspondence between the two men, starting in 1925, which tells the story of a complicated friendship\u2014part admiration, part contempt\u2014in which rivalry did not rule out a deep attachment.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1865,"first_name":"Claude","last_name":"Ventura","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/534\/photo\/NB_Portrait_Claude_Ventura.jpg","order":0}],"generic":[{"id":4334,"first_name":"Claude","last_name":"Ventura","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4333,"first_name":"Carole","last_name":"Equer Hamy","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4336,"first_name":"Jim","last_name":"Palette","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":4337,"first_name":"Stanislas","last_name":"Nordey","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":4338,"first_name":"Mathieu","last_name":"Buscatto","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":2427,"first_name":"Jean-Fran\u00e7ois","last_name":"Lepetit","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":2428,"first_name":"Karina","last_name":"Si Ahmed","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":2426,"first_name":"Claude","last_name":"Ventura","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4335,"first_name":"Claudia","last_name":"Nepala","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4340,"first_name":"Ernest","last_name":"Hemingway","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":4341,"first_name":"F. Scott","last_name":"Fitzgerald","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":27882,"first_name":"Claude","last_name":"Ventura","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/534\/photo\/2_Fitzgerald.jpg","credit":"","desc":"Fitzgerald"},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":536,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Sculpting in Colour","title_original":"Sculpting in Colour","title_fr":"","title_en":"","year":2015,"length":3600,"website":[{"id":323,"website":"http:\/\/www.phillipking.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Pendant toute une ann\u00e9e, le film suit le l\u00e9gendaire sculpteur britannique d'origine tunisienne, Phillip King, \u00e2g\u00e9 de 80 ans, contemporain d\u2019Anthony Caro, alors qu\u2019il cr\u00e9e une nouvelle sculpture majeure\u00a0dans son atelier merveilleusement chaotique du quartier de West Hampstead, \u00e0 Londres. Nous l'observons concevoir un mod\u00e8le puis sa r\u00e9plique grand format avec l'aide d'un\u00b7e ou deux assistant\u00b7e\u00b7s, et sommes \u00e9galement t\u00e9moins des pr\u00e9paratifs de diverses expositions de sa production des 60 derni\u00e8res ann\u00e9es, entre autres une r\u00e9trospective de ses sculptures embl\u00e9matiques en m\u00e9tal et fibre de verre des ann\u00e9es 1960 \u00e0 la galerie Duveen de la Tate Britain.","synopsis_en":"This film follows the legendary Tunisian-born British sculptor Phillip King, now 80 years old, a contemporary of Anthony Caro, over a one-year span as he creates a new sculpture in his marvellously chaotic studio in West Hampstead, London. We watch him as he constructs a model and then replicates it in large form with the help of assistants. We also see him preparing for various gallery and outdoor exhibitions of his work dating from the last sixty years, including a retrospective of his iconic metal and fibreglass sculptures from the 1960s at the Duveen Gallery of Tate Britain.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1873,"first_name":"Gerald","last_name":"Fox","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4741,"first_name":"Gerald","last_name":"Fox","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4742,"first_name":"John","last_name":"Street","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4744,"first_name":"Philip","last_name":"King","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4746,"first_name":"Sir Nick","last_name":"Serota","post_fr":"Participation","post_en":"Participation","order":2,"post_order":39},{"id":4747,"first_name":"Tom","last_name":"Dingle","post_fr":"Participation","post_en":"Participation","order":3,"post_order":39},{"id":4748,"first_name":"Chris","last_name":"Stephens","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":4891,"first_name":"Gerald","last_name":"Fox","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4743,"first_name":"John","last_name":"Quinn","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":4745,"first_name":"Philip","last_name":"King","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4890,"first_name":"","last_name":"Foxy Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27955,"first_name":"Gerald","last_name":"Fox","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/536\/photo\/IMG_0474.PNG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":540,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Truffaut \/ Godard : sc\u00e9nario d'une rupture","title_original":"Truffaut \/ Godard : sc\u00e9nario d'une rupture","title_fr":"","title_en":"","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Fran\u00e7ois Truffaut, Jean-Luc Godard : la Nouvelle Vague les a r\u00e9v\u00e9l\u00e9s et unis autant qu'elle les a \u00e9loign\u00e9s. Habit\u00e9s au d\u00e9part par le d\u00e9sir commun de changer le cin\u00e9ma, ils ont rapidement emprunt\u00e9 des sentiers cin\u00e9matographiques diff\u00e9rents, voire oppos\u00e9s. Pourtant aujourd'hui encore, il est difficile d'\u00e9voquer l'un sans citer l'autre. Truffaut et Godard forment un \u00ab couple l\u00e9gendaire\u00bb du cin\u00e9ma. Un couple qui finira par se d\u00e9chirer en m\u00eame temps qu'il donnera naissance \u00e0 deux lign\u00e9es comptant dans leur rang les plus grands noms du cin\u00e9ma d'auteur.","synopsis_en":"Fran\u00e7ois Truffaut and Jean-Luc Godard: the New Wave movement revealed and united them as much as it distanced them. While they were both driven from the outset by a shared desire to change cinema, they were soon pursing different, even opposing, paths. Yet, even today, it is difficult to think of one without the other. Truffaut and Godard are a \u201clegendary couple\u201d in film. A couple that ends up breaking apart at the same time as it gives birth to two lineages that include some of the greatest names in cinema d\u2019auteur.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1891,"first_name":"Claire","last_name":"Duguet","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/540\/photo\/Portrait_Claire_Duguet.jpg","order":0}],"generic":[{"id":2474,"first_name":"Guillaume","last_name":"Adrey","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2472,"first_name":"Yordan","last_name":"Tavernier","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":2473,"first_name":"Fabien","last_name":"Leroy","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3390,"first_name":"Anne","last_name":"Cordona","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":2703,"first_name":"Benoit","last_name":"Marchand","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":2702,"first_name":"Laurent","last_name":"Stocker","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":3372,"first_name":"Mathieu","last_name":"Amalric","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3374,"first_name":"Olivier","last_name":"Assayas","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3376,"first_name":"Claire","last_name":"Denis","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3378,"first_name":"Gilles","last_name":"Jacob","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":3380,"first_name":"Jean-Fran\u00e7ois","last_name":"St\u00e9venin","post_fr":"Participation","post_en":"Participation","order":13,"post_order":39},{"id":3382,"first_name":"Marin","last_name":"Karmitz","post_fr":"Participation","post_en":"Participation","order":14,"post_order":39},{"id":3384,"first_name":"Claude","last_name":"De Givray","post_fr":"Participation","post_en":"Participation","order":15,"post_order":39},{"id":3386,"first_name":"Antoine","last_name":"De Baecque","post_fr":"Participation","post_en":"Participation","order":16,"post_order":39},{"id":3389,"first_name":"Carlos","last_name":"Pinsky","post_fr":"Production","post_en":"Production","order":27,"post_order":4},{"id":3391,"first_name":"Catherine","last_name":"Rouault","post_fr":"Production","post_en":"Production","order":28,"post_order":4},{"id":2475,"first_name":"Claire","last_name":"Duguet","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":2476,"first_name":"Arnaud","last_name":"Guigue","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":3369,"first_name":"Fran\u00e7ois","last_name":"Truffaut","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3370,"first_name":"Jean-Luc","last_name":"Godard","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":3371,"first_name":"Mathieu","last_name":"Amalric","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":3373,"first_name":"Olivier","last_name":"Assayas","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":3375,"first_name":"Claire","last_name":"Denis","post_fr":"Artiste","post_en":"Artist","order":21,"post_order":50},{"id":3377,"first_name":"Gilles","last_name":"Jacob","post_fr":"Artiste","post_en":"Artist","order":22,"post_order":50},{"id":3379,"first_name":"Jean-Fran\u00e7ois","last_name":"St\u00e9venin","post_fr":"Artiste","post_en":"Artist","order":23,"post_order":50},{"id":3381,"first_name":"Marin","last_name":"Karmitz","post_fr":"Artiste","post_en":"Artist","order":24,"post_order":50},{"id":3383,"first_name":"Claude","last_name":"De Givray","post_fr":"Artiste","post_en":"Artist","order":25,"post_order":50},{"id":3385,"first_name":"Antoine","last_name":"De Baecque","post_fr":"Artiste","post_en":"Artist","order":26,"post_order":50},{"id":27613,"first_name":"Claire","last_name":"Duguet","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/540\/photo\/Franaois_Truffaut_et_Jean-Luc_Godard_CinCmathaque_68.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/540\/photo\/Jean-Luc_Godard.jpg","credit":"","desc":""}],"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":550,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Cartes et territoires, un parcours","title_original":"Cartes et territoires, un parcours","title_fr":"","title_en":"","year":2015,"length":2700,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00c0 partir de ses archives personnelles, la r\u00e9alisatrice donne une nouvelle vie \u00e0 des images tourn\u00e9es depuis 1981 en Chine, en Indon\u00e9sie, au Br\u00e9sil, en France, en Catalogne, aux Pays-Bas, aux \u00c9tats-Unis et au Qu\u00e9bec. La carte y est abord\u00e9e comme un territoire d\u2019o\u00f9 \u00e9mergent des images, m\u00e9moire de paysages, de corps, d\u2019architectures et de cultures marqu\u00e9es par le passage du temps. Ce parcours se termine par sa cartographie osseuse r\u00e9v\u00e9lant la pr\u00e9carit\u00e9 de son \u00e9tat de sant\u00e9. Le corps serait-il un nouveau territoire \u00e0 explorer?","synopsis_en":"From her personal archives, the director gives new life to images filmed since 1981 in China, Indonesia, Brazil, France, Catalonia, the Netherlands, the United States and Quebec. The map is here approached as a territory from which landscapes of memories\/images, bodies, architectures and cultures emerge, marked by the passage of time. The route ends with the director looking at her own bone mapping, revealing the precariousness of her health. Will the body be the new territory to explore?
\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1930,"first_name":"Chantal","last_name":"DuPont","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/550\/photo\/duPont_Chantal.jpg","order":0}],"generic":[{"id":3816,"first_name":"Jade","last_name":"Barrette","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":3368,"first_name":"Martin","last_name":"Hurtubise","post_fr":"Mixage","post_en":"Sound mixing","order":4,"post_order":62},{"id":3367,"first_name":"Nicolas","last_name":"Borycki","post_fr":"Mixage","post_en":"Sound mixing","order":5,"post_order":62},{"id":3818,"first_name":"","last_name":"Chantal DuPont","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3366,"first_name":"Robert Marcel","last_name":"Lepage","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":3397,"first_name":"Chantal","last_name":"DuPont","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3817,"first_name":"Jade","last_name":"Barrette","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":28002,"first_name":"Chantal","last_name":"DuPont","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/550\/photo\/02_cartes_et_territoires_Chine_porteur_d_eautif.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":551,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Mittelnacht","title_original":"Mittelnacht","title_fr":"","title_en":"","year":2015,"length":2503,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Mittelnacht<\/i> est une s\u00e9rie de six vid\u00e9os, chacune associ\u00e9e \u00e0 un personnage et \u00e0 un \u00e9tat am\u00e9ricain\u00a0: Oliver, or Combine in Iowa<\/i>, Louis over Nebraska<\/i>, Agnes from Missouri<\/i>, Adeline through Montana<\/i>, Emma and North Dakota<\/i> et Betty Made in Minnesota<\/i>. Kim Kielhofner poursuit son exploration de l\u2019identit\u00e9 et des formes de r\u00e9cit par assemblage d\u2019images, de paroles et de textes de ses archives personnelles, de documents trouv\u00e9s ou emprunt\u00e9s au cin\u00e9ma ou sur Internet.","synopsis_en":"<\/xml>A series of six videos, each associated with a character from an American state: Oliver, or Combine in Iowa<\/i>; Louis over Nebraska<\/i>; Agnes from Missouri<\/i>; Adeline through Montana<\/i>; Emma and North Dakota<\/i>; Betty Made in Minnesota<\/i>. The same event is retold from differing memories in the manner of Rashomon<\/i>. The artist is pursuing her exploration of identity and narrative through a mix of images and texts from her personal archives, as well as found or borrowed material from film or the Internet.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1933,"first_name":"Kim","last_name":"Kielhofner","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/551\/photo\/dorothy5.jpg","order":0}],"generic":[{"id":3794,"first_name":"Kim","last_name":"Kielhofner","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3795,"first_name":"Kim","last_name":"Kielhofner","post_fr":"Narration","post_en":"Narration","order":2,"post_order":53},{"id":3396,"first_name":"Kim","last_name":"Kielhofner","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":28033,"first_name":"Kim","last_name":"Kielhofner","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/551\/photo\/dorothy5.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":552,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Circa. 1967","title_original":"Circa. 1967","title_fr":"","title_en":"","year":2015,"length":547,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Circa. 1967<\/i> est un film muet \u00e0 partir d'images 8mm tourn\u00e9es par des r\u00e9alisateur\u00b7ice\u00b7s anonymes \u00e0 New York \u00e0 la fin des ann\u00e9es 1960. Il est clair qu'il ne s'agissait pas d'amateur\u00b7ice\u00b7s, mais de gens curieux dot\u00e9s d'une sensibilit\u00e9 visuelle. \u00c0 ces fragments de films trouv\u00e9s, se surimpose une grille s\u00e9rielle sur l'ensemble de la composition qui en souligne l'image et le rythme. Mi-documentaire historique, mi-essai lyrique, il s'agit d'une c\u00e9l\u00e9bration de\u00a0la vie dans un contexte familier.","synopsis_en":"Circa. 1967<\/i> is a silent film composed of 8mm footage shot by a group of anonymous filmmakers in New York during the late 1960s. It is clear that they were no everyday amateurs, but people with avid and curious visual sensibilities. To this found footage a serial grid is added to the overall composition, emphasizing image and rhythm. Part historical documentary and part lyrical essay, Circa. 1967<\/i> observes and celebrates universal life in a familiar context.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":1936,"first_name":"Eric","last_name":"Gaucher","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/552\/photo\/Eric_Gaucher_portrait.jpg","order":0}],"generic":[{"id":3808,"first_name":"Anonymous","last_name":"Found Footage","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3806,"first_name":"Eric","last_name":"Gaucher","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3413,"first_name":"Eric","last_name":"Gaucher","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3807,"first_name":"Eric","last_name":"Gaucher","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":27761,"first_name":"Eric","last_name":"Gaucher","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/552\/photo\/Circa_1967_still_3.jpg","credit":"Eric Gaucher","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":554,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"The Photographers","title_original":"The Photographers","title_fr":"","title_en":"","year":2015,"length":309,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"The Photographers<\/i> nous plonge au c\u0153ur d'un monde \u00e9nigmatique et fabul\u00e9 de la photographie, constitu\u00e9 d'appareils photographiques et de voix d\u00e9sincarn\u00e9es et r\u00e9incarn\u00e9es de photographes. Con\u00e7ue au d\u00e9part comme un \u00e9l\u00e9ment d'une installation de photographie et de vid\u00e9o intitul\u00e9e \u00ab The Photographer \u00bb qui traite de l'autoportrait dans l'histoire de la photographie, cette vid\u00e9o est pr\u00e9sent\u00e9e pour la premi\u00e8re fois comme une \u0153uvre autonome.
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Le mot Niagara<\/i> est d\u00e9riv\u00e9 du mot iroquois Onguiaahra<\/i>, de la\u00a0Conf\u00e9d\u00e9ration Haudenosaunee.","synopsis_en":"This video tells a simple story of love and loss.\u00a0The word Niagara<\/i>\u00a0derives from the Mohawk word Ongniaahra<\/i> from the Haudenosaunee Nations.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2025,"first_name":"Shelley","last_name":"Niro","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4142,"first_name":"Shelley","last_name":"Niro","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4141,"first_name":"Katharine","last_name":"Asals","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4140,"first_name":"Shelley","last_name":"Niro","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":4143,"first_name":"Shelley","last_name":"Niro","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":28035,"first_name":"Shelley","last_name":"Niro","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/575\/photo\/Niro_Niagara.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":576,"edition":{"id":1},"career_fr":"The ImagineNative Indigenous film and media arts festival, Toronto, Canada (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2016\r\n\r\n","career_en":"The ImagineNative Indigenous film and media arts festival, Toronto, Canada (2015)\r\n\r\nLast update in March 2016","embed":"","title_selected":"Miss Chief of Hearts","title_original":"Miss Chief of Hearts","title_fr":"","title_en":"","year":2015,"length":1350,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le 18 octobre 2013, Miss Chief Eagle Testickle,\u00a0artiste c\u00e9l\u00e8bre, aristocrate, mondaine et m\u00e9c\u00e8ne des arts, effectue une visite officielle dans l'aile de la collection d'art moderne\u00a0du Mus\u00e9e d'art de Denver. Au cours d'une visite guid\u00e9e par l'\u00e9minent sp\u00e9cialiste en beaux-arts de l'institution, Miss Chief offre compassion, amour et chaleur aux \u00ab malades \u00bb de l'aile moderne : les victimes de la modernit\u00e9.","synopsis_en":"On October 18, 2013, celebrity artist, aristocratic socialite and patron of the arts, Miss Chief Eagle Testickle, made an official visit to the Modern Wing of the Denver Art Museum. Led on a tour by the institution\u2019s Doctor of Fine Arts, Miss Chief offered compassion, love and warmth to the Modern Wing\u2019s sick and ailing: the Casualties of Modernity.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2028,"first_name":"Kent","last_name":"Monkman","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":2548,"first_name":"John","last_name":"Aden","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":2547,"first_name":"Chris","last_name":"Hagen","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":2549,"first_name":"Brandon","last_name":"Stiller","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":2546,"first_name":"Jamie","last_name":"Chirico","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":2545,"first_name":"Brad","last_name":"Tinmouth","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":28032,"first_name":"Kent","last_name":"Monkman","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/576\/photo\/Monkman_Miss-Chief-of-Hearts_67212.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":577,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le tilleul","title_original":"Le tilleul","title_fr":"","title_en":"","year":2014,"length":104,"website":[{"id":340,"website":"http:\/\/www.lecrepusculedesjours.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un grand tilleul en avril, au milieu d\u2019un champ, dans la Sarthe. Il est en train de reverdir. Les jeunes feuilles sont encore pour la plupart enroul\u00e9es. C\u2019est le pr\u00e9texte d\u2019une exploration circulaire entre le flou et le net en le prenant comme point central. On entend les travaux des champs, les oiseaux et les vaches en hors champ.","synopsis_en":"A majestic linden tree in April, in the middle of a field, in Sarthe. It is growing green again. The young leaves are still largely coiled. Such is the setting, the focal point, for a circular exploration of blurred and sharp focus. Off-camera we hear work being done in the fields, as well as birds and cows.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2031,"first_name":"Mich\u00e8le","last_name":"Waquant","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/577\/photo\/photo_M_Waquant.jpg","order":0}],"generic":[{"id":3804,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3398,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3805,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28025,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/577\/photo\/Le_tilleul_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":578,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Pluie du soir","title_original":"Pluie du soir","title_fr":"","title_en":"","year":2014,"length":77,"website":[{"id":341,"website":"http:\/\/www.lecrepusculedesjours.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Rue Saint-Joseph, le soir du 6 ao\u00fbt 2014, \u00e0 Baie-Saint-Paul. La pluie tombe, torrentielle. Dans la dur\u00e9e, l'image se transforme, s'alt\u00e8re. La pluie n'en finit pas de tomber, de sonner sur l'asphalte, de gronder, de ruisseler dans la goutti\u00e8re, sans discontinuer. Dehors sur sa galerie, le voisin d\u2019en face la contemple religieusement.","synopsis_en":"The evening of August 6, 2014, rue Saint-Joseph, Baie-Saint-Paul. The rain is falling, in torrents. Over time, the image is transformed. The rain continues to fall, hammering on the asphalt, gurgling into the gutter, relentlessly. Outside on his porch, the neighbour from across the street contemplates it religiously.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2034,"first_name":"Mich\u00e8le","last_name":"Waquant","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/578\/photo\/photo_M_Waquant.jpg","order":0}],"generic":[{"id":3802,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3406,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":2550,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3803,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28045,"first_name":"Mich\u00e8le","last_name":"Waquant","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/578\/photo\/Pluie_du_soir_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":579,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"The 1st part of the 2nd half","title_original":"The 1st part of the 2nd half","title_fr":"","title_en":"","year":2015,"length":1051,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un po\u00e8me visuel autour des th\u00e8mes de l'amour et de la r\u00e9surrection. Ce film fait \u00e0 la main utilise tous les motifs du m\u00e9dium : le panoramique fil\u00e9, le compte \u00e0 rebours et la sc\u00e8ne de sexe, qui apparaissent tous \u00e0 un certain moment. Les ma\u00eetres de cin\u00e9ma exp\u00e9rimental, Warhol, Brakhage et Jarman, sont cit\u00e9s. Le d\u00e9but et la fin sont invers\u00e9s. Dans la premi\u00e8re version de l\u2019\u0153uvre, toutes les images fixes agrandies \u00e9taient suspendues dans une pi\u00e8ce comme la pellicule d\u2019un film pour cr\u00e9er l'apparence d\u2019un chutier g\u00e9ant dans lequel le\u00b7la monteur\u00b7euse\/spectateur\u00b7ice p\u00e9n\u00e9trait. Le concept pr\u00e9sentait le\u00b7la spectateur\u00b7ice comme le\u00b7la monteur\u00b7euse lilliputien\u00b7ne d'un film analogique en exigeant qu'il\u00b7elle reconstitue le \u00ab film\u00a0\u00bb dans sa t\u00eate. En 2015, toutes les images ont \u00e9t\u00e9 tourn\u00e9es \u00e0 nouveau et anim\u00e9es. Il existe deux versions de l\u2019\u0153uvre. Une version de 17 minutes pour les galeries et une autre de 40 minutes au ralenti avec une bande-son de Mary Margaret O'Hara, enregistr\u00e9e en direct au cours de sa premi\u00e8re pr\u00e9sentation.","synopsis_en":"A visual poem wrestling with ideas about love and resurrection, this handmade film uses all of the motifs of the medium: the swish pan, the countdown and the sex scene all make an appearance. Such masters of experimental film as Warhol, Brakhage and Jarman are all quoted. Beginnings and ends are reversed. In the artwork\u2019s initial incarnation, all of the oversized frames were installed as filmstrips in a room to create the appearance of a giant trim bin that the editor\/viewer entered. The conceit was casting the viewer as a Lilliputian editor of an analog film who had to mentally pieced the \u201cfilm\u201d together. In 2015 all the frames were re-shot and animated. 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Les conditions d\u2019\u00e9coute ne sont souvent pas les m\u00eames pour les animaux sauvages que pour les animaux domestiques.","synopsis_en":"A seagull and parrot are pictured listening to a recording of \u201cJust a Closer Walk with Thee,\u201d performed by the Privateer Brass of Liverpool, Nova Scotia. Listening conditions are often very different for wild and domesticated animals.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2046,"first_name":"Tom","last_name":"Sherman","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4129,"first_name":"Tom","last_name":"Sherman","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4130,"first_name":"Tom","last_name":"Sherman","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":4399,"first_name":"Tom","last_name":"Sherman","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":4131,"first_name":"Tom","last_name":"Sherman","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":27760,"first_name":"Tom","last_name":"Sherman","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/581\/photo\/Sherman_Birds-listening_366_70.png","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":582,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Prison Arabic in 50 Days","title_original":"Prison Arabic in 50 Days","title_fr":"","title_en":"","year":2013,"length":270,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le 16 ao\u00fbt 2013, le cin\u00e9aste canadien John Greyson et le m\u00e9decin palestino-canadien Tarek Loubani ont \u00e9t\u00e9 d\u00e9tenus sans chef d'inculpation \u00e0 la prison de Tora, au Caire. Pendant leur d\u00e9tention de 50 jours, Greyson a cr\u00e9\u00e9 ces fiches visuelles comme un carnet de bord de leur exp\u00e9rience. \u00c0 la suite d'une campagne de solidarit\u00e9 internationale, ils ont \u00e9t\u00e9 lib\u00e9r\u00e9s le 7 octobre et sont rentr\u00e9s au Canada le 13 octobre. Cette vid\u00e9o est d\u00e9di\u00e9e \u00e0 toutes celles et ceux qui ont r\u00e9clam\u00e9 leur lib\u00e9ration, et \u00e0 toutes celles et ceux qui sont encore derri\u00e8re les barreaux.","synopsis_en":"On August 16, 2013, Canadian filmmaker John Greyson and Palestinian-Canadian doctor Tarek Loubani were detained without charges in Cairo\u2019s Tora Prison. During their 50-day detention, Greyson created these flash cards as a diary of their experiences. Following an international grassroots campaign, they were released on October 7, and returned to Canada on October 13. 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At other times, the video clips resemble an unpeopled video or computer game (Myst<\/i>, for example), in which the viewer wanders\/drives\/skates through architectures and landscapes designed for people but devoid of life.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2053,"first_name":"Oliver","last_name":"Husain","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4163,"first_name":"Oliver","last_name":"Husain","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3412,"first_name":"Oliver","last_name":"Husain","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4162,"first_name":"Oliver","last_name":"Husain","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":28042,"first_name":"Oliver","last_name":"Husain","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/583\/photo\/Husain_parade_still_lrg.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":585,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"La fontaine et la chute II","title_original":"La fontaine et la chute II","title_fr":"","title_en":"","year":2015,"length":167,"website":[{"id":343,"website":"http:\/\/www.philippehamelin.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":344,"website":"http:\/\/www.julietremble.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Tableau anim\u00e9, entre nature morte vivante et paysage aquatique, La fontaine et la chute II <\/i>explore la profondeur de l\u2019image et la suspension de la mati\u00e8re. Produite dans le cadre d\u2019une r\u00e9sidence d\u2019exploration de la vid\u00e9o st\u00e9r\u00e9oscopique \u00e0 Sporobole, cette animation s\u2019inspire de la nature et des trompe-l\u2019\u0153il qui composent le paysage urbain de la ville de Sherbrooke.","synopsis_en":"An animated tableau midway between still life and water landscape, La fontaine et la chute II <\/i>explores the depth of the image and the suspension of the material. 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L'Orchestre de chambre de Tallinn, le Ch\u0153ur de chambre philharmonique estonien et les solistes dirig\u00e9s par le chef T\u00f5nu Kaljuste interpr\u00e8tent Adam\u2019s Lament, Miserere <\/i>et Tabula Rasa <\/i>de P\u00e4rt\u00a0ainsi que Sequentia<\/i>, compos\u00e9e pour l'occasion.","synopsis_en":"In the spectacular setting of a former submarine factory in Talinn, Estonia in May 2015, American stage director Robert Wilson creates a poetic visual world in which the mystical language of the Estonian composer Arvo P\u00e4rt can cast its meditative spell. 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Today, thirty years later, despite severe vision problems, his artistic urges remain.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2065,"first_name":"Caitlin","last_name":"Durlak","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4308,"first_name":"Caitlin","last_name":"Durlak","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4312,"first_name":"James","last_name":"Klopko","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4310,"first_name":"Caitlin","last_name":"Durlak","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4313,"first_name":"Bry","last_name":"Webb","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":3402,"first_name":"Caitlin","last_name":"Durlak","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4309,"first_name":"Caitlin","last_name":"Durlak","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4311,"first_name":"Lorne","last_name":"Marin","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":28043,"first_name":"Caitlin","last_name":"Durlak","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/587\/photo\/4177_PersistenceofVision_1col.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":588,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Second Impressions","title_original":"Second Impressions","title_fr":"","title_en":"Second Impressions","year":1975,"length":540,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab Dans Second Impressions,<\/i> je me suis impos\u00e9 un parti-pris formel pour me concentrer sur la cr\u00e9ation d'images visuelles poss\u00e9dant les qualit\u00e9s et les limites inh\u00e9rentes au processus de r\u00e9alisation. La cam\u00e9ra devait \u00eatre fixe pour la dur\u00e9e du film ; il ne devait y avoir aucune suggestion de connexions ou de d\u00e9veloppement narratif directs ou implicites. Les deux s\u00e9quences d'ouverture fournissent des r\u00e9f\u00e9rences autobiographiques sur mon film pr\u00e9c\u00e9dent. Elles sont suivies par le corps du film qui pose et renvoie le regard sur un salon vide. \u00bb \u2013 Lorne Marin","synopsis_en":"In Second Impressions<\/i> I made a decision to impose on myself, and the film, severe formal limitations in order to concentrate on the creation of visual imagery possessing the inherent qualities and natural restrictions of the filmmaking process. The camera was to be fixed for the duration of the film; there was to be no suggestion of direct or implied narrative connections or development. The two opening sequences provide autobiographical references to my previous film work. This is followed by the main body of the film that arises out of, and returns to, the empty living room \u201cset.\u201d \u2014Lorne Marin","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2072,"first_name":"Lorne","last_name":"Marin","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3829,"first_name":"Lorne","last_name":"Marin","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3831,"first_name":"Lorne","last_name":"Marin","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3414,"first_name":"Lorne","last_name":"Marin","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3830,"first_name":"Lorne","last_name":"Marin","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28218,"first_name":"Lorne","last_name":"Marin","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/588\/photo\/image_Second_impressios.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":589,"edition":{"id":1},"career_fr":"","career_en":"Brighton Film Festival, UK\r\nBuenos Aires International Festival of Independent Cinema, Argentina\r\nDoc Aviv, Israel\r\n\r\nLast update in March 2016","embed":"","title_selected":"Hockney","title_original":"Hockney","title_fr":"","title_en":"","year":2014,"length":6720,"website":[{"id":423,"website":"http:\/\/www.filmmovement.com\/nontheatrical\/index.asp?MerchandiseID=460","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du meilleur portrait, FIFA 2016<\/b>

Pour la premi\u00e8re fois, David Hockney (n\u00e9 en 1937), l\u2019un des artistes les plus importants de sa g\u00e9n\u00e9ration, a donn\u00e9 un acc\u00e8s illimit\u00e9 \u00e0 ses archives visuelles personnelles pour ce portrait exhaustif. Du \u00ab\u00a0swinging London\u00a0\u00bb des ann\u00e9es 1960 \u00e0 la sc\u00e8ne contemporaine florissante de New York, de ses ann\u00e9es \u00e0 Los Angeles \u00e0 ses souvenirs douloureux de l\u2019\u00e9pid\u00e9mie du sida des ann\u00e9es 1980 et 1990, le film retrace la trajectoire de ce rebelle charismatique. Sans cesse en qu\u00eate de nouvelles mani\u00e8res de voir, Hockney continue, \u00e0 77 ans, de travailler tous les jours\u00a0dans son atelier, avec la m\u00eame passion.","synopsis_en":"Award for Best Portrait, FIFA 2016<\/b>

For the first time, David Hockney (b.1937) has given unprecedented access to his personal archive of photographs and films, resulting in a frank and unparalleled visual diary of one of the most important artists of his generation. From the \u201cswinging London\u201d of the 1960s to the thriving New York scene of today, from his years in Los Angeles to his painful memories of the AIDS epidemic of the 1980s and \u201990s, the film traces the artistic path of this charismatic rebel. Always searching for new ways of seeing, Hockney, at age 77, is still working with the same passion in the studio, seven days a week.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2074,"first_name":"Randall","last_name":"Wright","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4497,"first_name":"Patrick","last_name":"Duval","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4499,"first_name":"Paul","last_name":"Binns","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4498,"first_name":"John","last_name":"Harle","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4503,"first_name":"David","last_name":"Hockney","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4500,"first_name":"Kate","last_name":"Ogborn","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4722,"first_name":"Randall","last_name":"Wright","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":4721,"first_name":"Geoff","last_name":"Price","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":2601,"first_name":"David","last_name":"Hockney","post_fr":"Artiste","post_en":"Artist","order":1,"post_order":50},{"id":4501,"first_name":"","last_name":"Blakeway","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":4502,"first_name":"","last_name":"Fly Film Production","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":27672,"first_name":"Randall","last_name":"Wright","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/589\/photo\/7_Beverly_Hills_Housewife_1966-1967.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":593,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Win–nip–egg","title_original":"Win–nip–egg","title_fr":"","title_en":"","year":2015,"length":252,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab Quand un \u00e9tat fant\u00f4mise une population, une autre r\u00e9alit\u00e9.
Quand l'histoire d\u00e9figure le visage d'une v\u00e9rit\u00e9.
Quand mon histoire rencontre une autre histoire.
Quand des femmes disparaissent sans laisser de traces.
Quand, blanche et privil\u00e9gi\u00e9e, j'assiste \u00e0 une r\u00e9p\u00e9tition d'histoires.
Quand la violence faite aux corps des femmes \u00e9gale la violence de l'utilisation des mots. Des corps de ceux qu'on ne veut pas voir ni entendre.
Depuis ma fen\u00eatre de studio, je regarde et ma vie croise la leur.
\u00c0 Winnipeg,\u00a0il y a ceux qui WIN, en g\u00e9n\u00e9ral les blancs ;
il y a les nip, tous les immigr\u00e9s surnomm\u00e9s NIP pour le nippon des asiatiques (les latinos rentrant dans l'injure) ;
et tout le monde marche sur des \u0153ufs EGG. \u00bb \u2013 Lamathilde","synopsis_en":"\"When a state phantomizes a population, another reality.
When history distorts the truth.
When my (her)story meets another (her)story.
When women disappear without a trace.
When, white and privileged, I attend a rehearsal of stories.
When violence done to women\u2019s bodies equals the violence done by words.
The bodies of those we don\u2019t want to see or hear.
From my studio window, I look out and my life intersects with theirs.
In Winnipeg there are those who Win, generally the whites
There are the nips, the name given to Asian immigrants (the Latinos included in the insult)
And everyone walks on EGG shells.\" \u2013 Lamathilde","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2107,"first_name":"Lamathilde","last_name":"Lamathilde","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/593\/photo\/lamathilde.jpg","order":0}],"generic":[{"id":3812,"first_name":"","last_name":"Lamathilde","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3814,"first_name":"","last_name":"Lamathilde","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":3415,"first_name":"","last_name":"Lamathilde","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":3811,"first_name":"","last_name":"Lamathilde","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3813,"first_name":"","last_name":"Lamathilde","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":28056,"first_name":"Lamathilde","last_name":"Lamathilde","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/593\/photo\/LAMATHILDE_win_2.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/593\/photo\/LAMATHILDE_win_1_-_copie.jpg","credit":"","desc":""}],"sections":[{"id":79,"title":"FIFA Exp\u00e9rimental"}],"programs":null,"partners":null},{"id":594,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Facing Up to Mackintosh","title_original":"Facing Up to Mackintosh","title_fr":"","title_en":"","year":2014,"length":3480,"website":[],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Construite \u00e0 l\u2019aube du XXe si\u00e8cle, l\u2019\u00c9cole d\u2019art de Glasgow est l\u2019\u0153uvre majeure de l'architecte\u00a0Charles Rennie Mackintosh, consid\u00e9r\u00e9 comme pr\u00e9curseur de la modernit\u00e9. L\u2019architecte am\u00e9ricain Steven Holl (n\u00e9 en 1947) a relev\u00e9 le d\u00e9fi de concevoir le projet d'extension de la c\u00e9l\u00e8bre \u00e9cole. Film\u00e9 sur une p\u00e9riode de trois ans, ce document retrace les \u00e9tapes de la conception et de la construction du Reid Building, inaugur\u00e9 en 2014, qui forme selon Holl \u00ab un contraste compl\u00e9mentaire\u00bb au b\u00e2timent de Mackintosh, \u00ab produisant une symbiose dans laquelle chaque structure met en \u00e9vidence les qualit\u00e9s intrins\u00e8ques de l\u2019autre \u00bb.","synopsis_en":"Built at the dawn of the 20th century, the Glasgow School of Art is the signature work of architect\u00a0Charles Rennie Mackintosh, a structure regarded as a precursor of modernity. American architect Steven Holl (b.1947) was given the daunting task of creating a new building to sit opposite Mackintosh\u2019s masterpiece. Filmed over three years, this film charts the design and construction of the new school of design, the Reid Building, inaugurated in 2014. According to Holl, it constitutes a \u201ccomplementary contrast\u201d to Mackintosh\u2019s building, \u201cforging a symbiotic relation in which each structure heightens the integral qualities of the other.\u201d","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2223,"first_name":"Louise","last_name":"Lockwood","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":3913,"first_name":"Louise","last_name":"Lockwood","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3915,"first_name":"Fraser","last_name":"Rice","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3910,"first_name":"Jonathan","last_name":"Seal","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3911,"first_name":"","last_name":"Lu-Sisi","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":3912,"first_name":"Gibran","last_name":"Farrah","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":3852,"first_name":"Steven","last_name":"Holl","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3854,"first_name":"Chris","last_name":"McVoy","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3855,"first_name":"Muriel","last_name":"Gray","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3856,"first_name":"Adrian","last_name":"Wiszniewski","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":3859,"first_name":"Martin","last_name":"Boyce","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":3861,"first_name":"Janice","last_name":"Kirkpatrick","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":4394,"first_name":"Andrew","last_name":"Lockyer","post_fr":"Production","post_en":"Production","order":19,"post_order":4},{"id":3909,"first_name":"Louise","last_name":"Lockwood","post_fr":"Production","post_en":"Production","order":20,"post_order":4},{"id":4393,"first_name":"Stewart","last_name":"Houston","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3851,"first_name":"Steven","last_name":"Holl","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":3853,"first_name":"Chris","last_name":"McVoy","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":3857,"first_name":"Adrian","last_name":"Wiszniewski","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3858,"first_name":"Martin","last_name":"Boyce","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":3860,"first_name":"Janice","last_name":"Kirkpatrick","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":3863,"first_name":"Charles Rennie","last_name":"Mackintosh","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":27669,"first_name":"Louise","last_name":"Lockwood","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/594\/photo\/dusk_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":595,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Jheronimus Bosch, Touched by the Devil","title_original":"Jheronimus Bosch, Touched by the Devil","title_fr":"","title_en":"","year":2015,"length":5220,"website":[{"id":413,"website":"http:\/\/www.pvhfilm.nl\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":414,"website":"https:\/\/vimeo.com\/146310635","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"N\u00e9erlandais","en":"Dutch"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Des historien\u00b7ne\u00b7s de l\u2019art tentent d\u2019\u00e9lucider le myst\u00e8re des 25 toiles qui subsistent de J\u00e9r\u00f4me Bosch (1450-1516). Pendant cinq ans, il\u00b7elle\u00b7s ont rendu visite \u00e0 de grands mus\u00e9es tels que le Louvre, le Prado et la National Gallery \u00e0 Washington. Des techniques de pointe, rayons-X, photographie en infrarouge et analyse multispectrale, leur ont permis d\u2019analyser en profondeur les tableaux attribu\u00e9s \u00e0 Bosch,\u00a0jetant ainsi un \u00e9clairage diff\u00e9rent sur l\u2019\u0153uvre du peintre.","synopsis_en":"A team of art historians attempts to elucidate the mysteries of the twenty-five paintings attributed to Hieronymous Bosch (1450-1516). Over a period of five years, they travelled the world, visiting such museums as the Louvre, Prado and National Gallery in Washington. By using modern techniques, including X-rays, infrared photography and multi-spectrum analysis, they were able to make in-depth analyses of the works, helping us to see Bosch's oeuvre in a new light.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2137,"first_name":"Pieter","last_name":"Van Huystee","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4517,"first_name":"Hans","last_name":"Fels","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4518,"first_name":"Gregor","last_name":"Meerman","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":4519,"first_name":"Giovanni","last_name":"Andreotta","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":4520,"first_name":"Rogier","last_name":"Timmermans","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":4521,"first_name":"Erik","last_name":"Van Empel","post_fr":"Image","post_en":"Cinematography","order":6,"post_order":64},{"id":4522,"first_name":"David","last_name":"De Jongh","post_fr":"Image","post_en":"Cinematography","order":7,"post_order":64},{"id":4523,"first_name":"David","last_name":"De Jongh","post_fr":"Montage","post_en":"Editing","order":8,"post_order":43},{"id":4524,"first_name":"Chris","last_name":"Van Oers","post_fr":"Montage","post_en":"Editing","order":9,"post_order":43},{"id":4525,"first_name":"Tim","last_name":"Wijpenga","post_fr":"Montage","post_en":"Editing","order":10,"post_order":43},{"id":4526,"first_name":"Michiel","last_name":"Rummens","post_fr":"Montage","post_en":"Editing","order":11,"post_order":43},{"id":4514,"first_name":"Paul M.","last_name":"Van Brugge","post_fr":"Musique","post_en":"Music","order":12,"post_order":82},{"id":4516,"first_name":"Peter","last_name":"Van Huystee","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":4527,"first_name":"Oscar","last_name":"Van Der Kroon","post_fr":"Production","post_en":"Production","order":14,"post_order":4},{"id":4515,"first_name":"Peter","last_name":"Van Huystee","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":27676,"first_name":"Pieter","last_name":"Van Huystee","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/595\/photo\/shot_13close_met_schilderij.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":598,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Et Schiaparelli cr\u00e9a la mode","title_original":"Et Schiaparelli cr\u00e9a la mode","title_fr":"Elsa Schiaparelli – Mode ist Kunst","title_en":"","year":2015,"length":1560,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"N\u00e9e \u00e0 Rome, Elsa Schiaparelli (1890-1973) s\u2019installe \u00e0 Paris et s\u2019impose comme l'une des plus influentes cr\u00e9atrices de haute couture des Ann\u00e9es folles. Coco Chanel devient sa rivale, Marlene Dietrich ou Katharine Hepburn se p\u00e2ment devant ses mod\u00e8les et Yves Saint Laurent s\u2019inspire de son style. Elle d\u00e9tonne par ses id\u00e9es novatrices et s'entoure des plus grands, de Dal\u00ed \u00e0 Cocteau. Mais la Seconde Guerre mondiale donne un coup d\u2019arr\u00eat \u00e0 son ascension et elle finit par mettre la cl\u00e9 sous la porte en 1954.","synopsis_en":"Born in Rome, Elsa Schiaparelli (1890-1973) moved to Paris in 1922, where she became one of the most influential haute couture designers of the Roaring Twenties. Coco Chanel became her rival, Marlene Dietrich and Katharine Hepburn swooned over her designs, and Yves Saint Laurent was inspired by her style. She made waves with her innovative ideas, and associated with the iconoclastic artists of the time, from Dal\u00ed to Cocteau. But the Second World War put a halt to her rise, and she closed down her house in 1954.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2145,"first_name":"Sabine","last_name":"Carbon","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/598\/photo\/Photo_real.jpg","order":0}],"generic":[{"id":3012,"first_name":"Axel","last_name":"Luettich","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3011,"first_name":"Matthias","last_name":"Behrens","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":3010,"first_name":"Sabine","last_name":"Carbon","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3008,"first_name":"Claudia","last_name":"Urbschat-Mingues","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":3313,"first_name":"Karl","last_name":"Lagerfeld","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":3315,"first_name":"Jean Paul","last_name":"Gaultier","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":3322,"first_name":"Marisa","last_name":"Berenson","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":3007,"first_name":"Irene","last_name":"H\u00f6fer","post_fr":"Production","post_en":"Production","order":17,"post_order":4},{"id":3015,"first_name":"Sabine","last_name":"Carbon","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3013,"first_name":"Axel","last_name":"Luettich","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3312,"first_name":"Karl","last_name":"Lagerfeld","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":3314,"first_name":"Jean Paul","last_name":"Gaultier","post_fr":"Artiste","post_en":"Artist","order":11,"post_order":50},{"id":3316,"first_name":"Elsa","last_name":"Schiaparelli","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":3318,"first_name":"Marlene","last_name":"Dietrich","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":3319,"first_name":"Coco","last_name":"Chanel","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":3320,"first_name":"Katharine","last_name":"Hepburn","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":3323,"first_name":"Marisa","last_name":"Berenson","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":27881,"first_name":"Sabine","last_name":"Carbon","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/598\/photo\/11_Shocking.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":83,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":null,"partners":null},{"id":599,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Le testament d'Alexander McQueen","title_original":"Le testament d'Alexander McQueen","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Les deux derni\u00e8res ann\u00e9es de la carri\u00e8re d\u2019un g\u00e9nie de la mode, Alexander McQueen (1969-2010) qui mettait fin abruptement \u00e0 ses jours en f\u00e9vrier 2010. 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Featuring archival images from his spectacular and provocative shows, as well as previously unreleased interviews (including one with his mother), the film sheds light on the artist\u2019s dazzling world, his sources of inspiration and obsessions.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2149,"first_name":"Lo\u00efc","last_name":"Prigent","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/599\/photo\/Loic_Prigent_BANGUMI.JPG","order":0}],"generic":[{"id":3023,"first_name":"Anthony","last_name":"Goujjane","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":3017,"first_name":"Nils","last_name":"Frahm","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":3480,"first_name":"Alexander","last_name":"McQueen","post_fr":"Participation","post_en":"Participation","order":4,"post_order":39},{"id":3022,"first_name":"Yann","last_name":"Barth\u00e8s","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":3021,"first_name":"\u00c9lodie","last_name":"Bernard-Perez","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":3016,"first_name":"Laurent","last_name":"Bon","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":3020,"first_name":"Lo\u00efc","last_name":"Prigent","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":3487,"first_name":"Perrine","last_name":"Altmann","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":3019,"first_name":"Lo\u00efc","last_name":"Prigent","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3479,"first_name":"Alexander","last_name":"McQueen","post_fr":"Artiste","post_en":"Artist","order":5,"post_order":50},{"id":27895,"first_name":"Lo\u00efc","last_name":"Prigent","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/599\/photo\/91531872_Getty_images.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":602,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Sur la piste de Fletcher Wade Moses","title_original":"Sur la piste de Fletcher Wade Moses","title_fr":"","title_en":"","year":2015,"length":1260,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le photographe documentaire Bertrand Carri\u00e8re s\u2019int\u00e9resse \u00e0 la m\u00e9moire et \u00e0 l\u2019histoire des lieux. 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He also meets the descendants of Fletcher Wade Moses. 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Si de 1930 \u00e0 1934, les films dits \u00ab pr\u00e9-code \u00bb abordent ouvertement des th\u00e8mes comme l\u2019adult\u00e8re, l\u2019homosexualit\u00e9, la drogue et le crime organis\u00e9, l'instauration du code Hays change la donne.\u00a0Les metteurs en sc\u00e8nes tels que Billy Wilder, Ernst Lubitsch, Frank Capra, Alfred Hitchcock\u00a0rivaliseront d'ing\u00e9niosit\u00e9 pour d\u00e9jouer cette censure : les films sont truff\u00e9s d'images charg\u00e9es de sous-entendus, permettant ainsi aux artistes de s'exprimer, malgr\u00e9 l'intransigeance du code Hays.","synopsis_en":"A half-century of censorship in American cinema. \u00a0From 1930 to 1934, films known as \"pre-code\" openly addressed topics such as adultery, homosexuality, drugs and organized crime, but the implementation of the Hays code would change everything. \u00a0Directors such as Billy Wilder, Ernst Lubitsch, Frank Capra and Alfred Hitchcock\u00a0rivalled each other for their ingenuity in getting around this censorship: their films were replete with innuendos, which allowed artists to express themselves despite the rigidity of the Hays code.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2207,"first_name":"Clara & Julia","last_name":"Kuperberg","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/603\/photo\/Clara_Julia_Kuperberg.JPG","order":0}],"generic":[{"id":3934,"first_name":"Mitch","last_name":"Espe","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":3932,"first_name":"Peter","last_name":"Krajewski","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3930,"first_name":"Julia","last_name":"Kuperberg","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":3931,"first_name":"Clara","last_name":"Kuperberg","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":4998,"first_name":"Clara","last_name":"Kuperberg","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":4997,"first_name":"Julia","last_name":"Kuperberg","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":3933,"first_name":"Peter","last_name":"Krajewski","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":3935,"first_name":"Mitch","last_name":"Espe","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":3936,"first_name":"Billy","last_name":"Wilder","post_fr":"Artiste","post_en":"Artist","order":7,"post_order":50},{"id":3937,"first_name":"Ernst","last_name":"Lubitsch","post_fr":"Artiste","post_en":"Artist","order":8,"post_order":50},{"id":3938,"first_name":"Frank","last_name":"Capra","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":3939,"first_name":"Alfred","last_name":"Hitchcock","post_fr":"Artiste","post_en":"Artist","order":10,"post_order":50},{"id":27610,"first_name":"Clara & Julia","last_name":"Kuperberg","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/603\/photo\/Jane_Russell_in_The_Outlaw.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":604,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Los Angeles Film Noir","title_original":"Los Angeles Film Noir","title_fr":"Los Angeles : cit\u00e9 du film noir","title_en":"","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Immersion dans les arcanes d\u2019une cit\u00e9 des anges t\u00e9n\u00e9breux. \u00c9tay\u00e9 des t\u00e9moignages des sp\u00e9cialistes du genre, les \u00e9crivains James Ellroy, Eddie Muller et Alain Silver, d'extraits de films et d\u2019images d\u2019archives, ce film raconte l\u2019histoire du film noir, \u00e0 travers le prisme de Los Angeles et de ses d\u00e9cors.\u00a0D\u2019Assurance sur la mort\u00a0<\/i>\u00e0 Sunset Boulevard<\/i>, en passant par des chefs-d\u2019\u0153uvre comme La griffe du pass\u00e9, Criss Cross, Mort \u00e0 l\u2019arriv\u00e9e, The Big Combo,<\/i> jusqu\u2019\u00e0 Chinatown, The Long Goodbye, L.A. 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Son Journal <\/i>est le point de d\u00e9part de ce film d\u2019auteur qui\u00a0donne acc\u00e8s, directement par les textes de l'\u00e9crivaine, \u00e0 sa pens\u00e9e. D\u2019appartement en h\u00f4tel, de Montmartre \u00e0 la Manche, de rues en ruelles, de proches en proches, c\u2019est un portrait po\u00e9tique que brosse la r\u00e9alisatrice Anita Hugi.","synopsis_en":"\"Family grips us like a bullet in the head.\" Thus opens the literary journal of Undine Gruenter (1952-2002), a well-kept secret in European literature. She began keeping the journal in the early 1980s, when she moved to Paris. It provides\u00a0the starting point for this\u00a0<\/i>film d\u2019auteur, which gives direct access to Gruenter's innermost thoughts. From apartments to hotels, Montmartre to the Channel, streets to alleys, friends to relatives,\u00a0filmmaker Anita Hugi presents a poetic portrait of the writer.\u00a0","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2230,"first_name":"Anita","last_name":"Hugi","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/605\/photo\/NB_C_Anita_Hugi_FIFA.jpg","order":0}],"generic":[{"id":3924,"first_name":"Philippe","last_name":"Brault","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":3925,"first_name":"Benny","last_name":"Jaberg","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":3923,"first_name":"Kaspar","last_name":"Kaven","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":3922,"first_name":"Nicole","last_name":"Hussy","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":3920,"first_name":"Marcel","last_name":"Vaid","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":3918,"first_name":"Bibiana","last_name":"Beglau","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":3917,"first_name":"Judith","last_name":"Hardegger","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":3927,"first_name":"Anita","last_name":"Hugi","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":3919,"first_name":"Christoph","last_name":"Br\u00fcnggel","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":3966,"first_name":"Undine","last_name":"Gruenter","post_fr":"Artiste","post_en":"Artist","order":9,"post_order":50},{"id":27721,"first_name":"Anita","last_name":"Hugi","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/605\/photo\/Undine_FIFA.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":606,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Recherche Fred Vargas d\u00e9sesp\u00e9r\u00e9ment","title_original":"Recherche Fred Vargas d\u00e9sesp\u00e9r\u00e9ment","title_fr":"","title_en":"","year":2010,"length":3205,"website":[{"id":412,"website":"https:\/\/vimeo.com\/84848595","type_id":11,"type_1":"Vimeo","type_2":"Vimeo","description":"extrait","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Fred Vargas, de son vrai nom Fr\u00e9d\u00e9rique Audoin-Rouzeau, romanci\u00e8re arch\u00e9ologue, a invent\u00e9 le commissaire\u00a0Adamsberg, un flic lunaire en veston fatigu\u00e9 qui hante ses \u00abrompols\u00bb, habit\u00e9s de loups-garous, de pestif\u00e9r\u00e9s et de macchab\u00e9es \u00e9tranges.\u00a0Ses livres\u00a0Pars vite et reviens tard<\/i>,\u00a0Un lieu incertain<\/i>,\u00a0L'homme \u00e0 l'envers\u00a0<\/i>et\u00a0Dans les bois \u00e9ternels<\/i>\u00a0l'ont consacr\u00e9e reine du polar fran\u00e7ais. Mais Vargas reste dans l'ombre. Le film part sur ses traces, interroge ses proches, sa soeur jumelle, Fran\u00e7ois Bayrou, ses \u00e9ditrices. Un portrait s'esquisse en creux de cette \u00e9crivaine qui garde son myst\u00e8re.","synopsis_en":"The archaeologist-novelist Fr\u00e9d\u00e9rique Audoin-Rouzeau, alias Fred Vargas, invented Police Chief Adamsberg, a peripatetic cop in a crumpled coat who navigates his way through werewolves, plague victims and strange corpses.\u00a0Such books as Have Mercy on Us All<\/i>,\u00a0An Uncertain Place<\/i>, Seeking Whom He May Devour\u00a0<\/i>and\u00a0This Night\u2019s Foul Work <\/i>have earned her the title of queen of the French detective novel. But Vargas herself remains in the shadow. This film tracks her down, interviews her close relations, her twin sister Fran\u00e7ois Bayrou, her editors. A rough portrait of this mysterious writer gradually emerges.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2253,"first_name":"Thibaut","last_name":"Chatel","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/606\/photo\/VARGAS_THIBAUT_CHATEL_REALISATEUR.jpg","order":0}],"generic":[{"id":4492,"first_name":"St\u00e9phane","last_name":"Gaultier","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":4491,"first_name":"Raoul","last_name":"Fruhauf","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":4494,"first_name":"Val\u00e9rie","last_name":"De Vulpian","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":4469,"first_name":"Fred","last_name":"Vargas","post_fr":"Participation","post_en":"Participation","order":6,"post_order":39},{"id":4471,"first_name":"Fran\u00e7ois","last_name":"Bayrou","post_fr":"Participation","post_en":"Participation","order":7,"post_order":39},{"id":4472,"first_name":"Jos\u00e9e","last_name":"Dayan","post_fr":"Participation","post_en":"Participation","order":8,"post_order":39},{"id":4475,"first_name":"Jo","last_name":"Vargas","post_fr":"Participation","post_en":"Participation","order":9,"post_order":39},{"id":4477,"first_name":"Jacques","last_name":"Spiesser","post_fr":"Participation","post_en":"Participation","order":10,"post_order":39},{"id":4479,"first_name":"H\u00e9l\u00e8ne","last_name":"Filli\u00e8res","post_fr":"Participation","post_en":"Participation","order":11,"post_order":39},{"id":4481,"first_name":"Edmond","last_name":"Baudoin","post_fr":"Participation","post_en":"Participation","order":12,"post_order":39},{"id":4483,"first_name":"Guillaume","last_name":"Calliot","post_fr":"Production","post_en":"Production","order":19,"post_order":4},{"id":4435,"first_name":"Guillaume","last_name":"Lebeau","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":4493,"first_name":"St\u00e9phane","last_name":"Gaultier","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":4470,"first_name":"Fred","last_name":"Vargas","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":4473,"first_name":"Jos\u00e9e","last_name":"Dayan","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":4474,"first_name":"Jo","last_name":"Vargas","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":4476,"first_name":"Jacques","last_name":"Spiesser","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":4478,"first_name":"H\u00e9l\u00e8ne","last_name":"Filli\u00e8res","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":4480,"first_name":"Edmond","last_name":"Baudoin","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":27619,"first_name":"Thibaut","last_name":"Chatel","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/606\/photo\/VARGAS_FRED_VARGAS.jpg","credit":"Archives priv\u00e9e de Fred Vargas","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":608,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"L'ombre fragile des choses","title_original":"L'ombre fragile des choses","title_fr":"The Fleeting Shadow of Things","title_en":"","year":2007,"length":5040,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans cette invitation au voyage,\u00a0Jacques Giraldeau jette un pont entre jadis et d\u00e9sormais. D\u00e9licatement, cette \u0153uvre filmique se d\u00e9ploie en une mosa\u00efque de vestiges et d'images capt\u00e9s au fil des ans, au fil d'une vie. On y retrouve \u00c9variste Quesnel, personnage \u00e9nigmatique que l'on suit de Cuba \u00e0 l'\u00cele-aux-Grues, sans pouvoir le saisir. C'est un appel \u00e0 contempler, \u00e0 penser, \u00e0 lire ces lieux.\u00a0En sillonnant les fragments d'hier et d'aujourd'hui laiss\u00e9s pour la m\u00e9moire \u2013 journal, pellicule, peinture, lettre \u2013, en interrogeant notre relation \u00e0 ces ombres, le film inscrit l'art comme archive de la r\u00e9alit\u00e9.","synopsis_en":"In this film journey,\u00a0Jacques Giraldeau builds a bridge between then and now. It brings together a mosaic of vestiges and images captured over the years, over a lifetime. We follow the enigmatic character \u00c9variste Quesnel from Cuba to \u00cele-aux-Grues in Quebec, without ever fully understanding him. The film is more an invitation to contemplate, to decode its locations. Examining past and present fragments\u2014from diary entries, film images, paintings, letters\u2014and questioning our relationship to these distant shadows, the film makes art the archive of reality.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2285,"first_name":"Jacques","last_name":"Giraldeau","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/608\/photo\/C_Giraldeau_Jacques-3.jpg","order":0}],"generic":[{"id":4625,"first_name":"Jacques","last_name":"Giraldeau","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":4626,"first_name":"France","last_name":"Dub\u00e9","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":4627,"first_name":"Christian","last_name":"Thomas","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":4628,"first_name":"Jacques","last_name":"Giraldeau","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":4629,"first_name":"\u00c9lise","last_name":"Guilbault","post_fr":"Narration","post_en":"Narration","order":2,"post_order":53},{"id":4630,"first_name":"Hubert","last_name":"Fielden","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":4622,"first_name":"Yves","last_name":"Bisaillon","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":4623,"first_name":"Jacques","last_name":"Giraldeau","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":4624,"first_name":"Jacques","last_name":"Giraldeau","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":27621,"first_name":"Jacques","last_name":"Giraldeau","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/608\/photo\/C_53906_07.jpg","credit":"\u00a9 2007, Grand Angle \/ Office nationale du film du Canada","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":609,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Viva Dada","title_original":"Viva Dada","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du meilleur film \u00e9ducatif, ex-aequo, FIFA 2016<\/b>

En 1916, des\u00a0artistes venus de toute l\u2019Europe se rassembl\u00e8rent autour d\u2019un id\u00e9al\u00a0pacifique. Il\u00b7elle\u00b7s s\u2019appel\u00e8rent eux\u00b7elles-m\u00eames les\u00a0dada\u00efstes. Ce\u00a0mouvement artistique et litt\u00e9raire, international et contestataire, a r\u00e9volutionn\u00e9 l'art du XXe si\u00e8cle. Cent ans plus\u00a0tard,\u00a0ce film restitue la parole des dada\u00efstes \u2013 Tristan\u00a0Tzara, Marcel Duchamp, Francis Picabia, Jean Arp, Man Ray \u2013,\u00a0toujours aussi subversive.\u00a0Il suit \u00e9galement la finalisation de l\u2019une des \u0153uvres\u00a0majeures que Tzara n\u2019a jamais pu terminer : le\u00a0Dada\u00a0Globe, un recueil et une\u00a0\u0153uvre d\u2019art r\u00e9elle.","synopsis_en":"Award for Best Educative Film, ex-aequo, FIFA 2016<\/b>

In 1916,\u00a0artists from across\u00a0Europe\u00a0came together around a pacifist ideal, calling\u00a0themselves the Dadaists. This\u00a0international, controversial artistic and literary movement would\u00a0revolutionize\u00a0art in the twentieth century. One hundred years later, this\u00a0film\u00a0allows the voices of the Dadaists - Tristan\u00a0Tzara, Marcel Duchamp, Francis\u00a0Picabia, Jean Arp\u00a0and\u00a0Man Ray - to be heard again, as\u00a0subversive\u00a0as ever.\u00a0It also follows the completion of one of\u00a0Tzara's\u00a0major unfinished projects:\u00a0Dada<\/i>g<\/i>lobe<\/i>,\u00a0a compendium and a genuine work of art.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2291,"first_name":"R\u00e9gine","last_name":"Abadia","artist_name":"","company":"","function":"","biography_fr":"\u00a0
\u00a0","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4968,"first_name":"Ricardo","last_name":"Kump","post_fr":"Animation","post_en":"Animation","order":1,"post_order":70},{"id":4637,"first_name":"Dominique","last_name":"Colin","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":4638,"first_name":"Dominique","last_name":"Fausset","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":4969,"first_name":"Ricardo","last_name":"Kump","post_fr":"Cr\u00e9ation graphique","post_en":"Graphic Creation","order":1,"post_order":65},{"id":4644,"first_name":"Vincent","last_name":"Schmitt","post_fr":"Montage","post_en":"Editing","order":8,"post_order":43},{"id":4645,"first_name":"Joseph","last_name":"Licid\u00e9","post_fr":"Montage","post_en":"Editing","order":9,"post_order":43},{"id":4640,"first_name":"Margarida","last_name":"Guia","post_fr":"Musique","post_en":"Music","order":10,"post_order":82},{"id":4639,"first_name":"Fran\u00e7oise","last_name":"Cadol","post_fr":"Narration","post_en":"Narration","order":11,"post_order":53},{"id":4635,"first_name":"Sophie","last_name":"Parrault","post_fr":"Production","post_en":"Production","order":17,"post_order":4},{"id":4636,"first_name":"R\u00e9gine","last_name":"Abadia","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":4641,"first_name":"Jean-Fran\u00e7ois","last_name":"Mabire","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":4642,"first_name":"Romain","last_name":"Parrault","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":4643,"first_name":"Jules","last_name":"Evrard","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":4731,"first_name":"Tristan","last_name":"Tzara","post_fr":"Artiste","post_en":"Artist","order":12,"post_order":50},{"id":4732,"first_name":"Marcel","last_name":"Duchamp","post_fr":"Artiste","post_en":"Artist","order":13,"post_order":50},{"id":4733,"first_name":"Francis","last_name":"Picabia","post_fr":"Artiste","post_en":"Artist","order":14,"post_order":50},{"id":4734,"first_name":"Jean","last_name":"Arp","post_fr":"Artiste","post_en":"Artist","order":15,"post_order":50},{"id":4736,"first_name":"Man","last_name":"Ray","post_fr":"Artiste","post_en":"Artist","order":16,"post_order":50},{"id":4964,"first_name":"Max","last_name":"Ernst","post_fr":"Artiste","post_en":"Artist","order":17,"post_order":50},{"id":4965,"first_name":"Raoul","last_name":"Hausmann","post_fr":"Artiste","post_en":"Artist","order":18,"post_order":50},{"id":4967,"first_name":"Hannah","last_name":"H\u00f6ch","post_fr":"Artiste","post_en":"Artist","order":19,"post_order":50},{"id":4966,"first_name":"Hugo","last_name":"Ball","post_fr":"Artiste","post_en":"Artist","order":20,"post_order":50},{"id":27722,"first_name":"R\u00e9gine","last_name":"Abadia","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/609\/photo\/9_VIVAdada-SophieTaeuber.jpg","credit":"Nic Aluf \/ Fondation ARP","desc":"Sophie Taeuber avec t\u00eate Dada\r\n"},"images_poster":null,"images":null,"sections":[{"id":1,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":610,"edition":{"id":1},"career_fr":"","career_en":"","embed":"","title_selected":"Agatha Christie","title_original":"Agatha Christie","title_fr":"","title_en":"","year":2011,"length":3120,"website":[],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L'histoire de la litt\u00e9rature se souviendra peut-\u00eatre d'elle comme \u00ab la femme \u00e0 qui le crime a le plus rapport\u00e9 depuis Lucr\u00e8ce Borgia \u00bb. V\u00e9ritable monument de la litt\u00e9rature polici\u00e8re, Agatha Christie fut aussi populaire que secr\u00e8te. Pour percer ce myst\u00e8re, le film m\u00e8ne une enqu\u00eate \u00e0 partir d'indices nous r\u00e9v\u00e9lant une femme bien diff\u00e9rente de l'image qu'elle a projet\u00e9e.","synopsis_en":"The history of literature will perhaps remember her as \u201cthe woman who made crime pay the most since Lucrezia Borgia.\u201d A towering figure in the crime novel genre, Agatha Christie was as popular as she was secretive. To penetrate this<\/i> mystery, the film conducts an investigation based on clues that she was much different from the image she projected.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2391,"first_name":"Matthew","last_name":"Barrett","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":4883,"first_name":"Pauline","last_name":"Dyball","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":1,"post_order":49},{"id":4884,"first_name":"Laurence","last_name":"Dobiesz","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":2,"post_order":49},{"id":4885,"first_name":"Cookie","last_name":"Twigger","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":3,"post_order":49},{"id":4886,"first_name":"John","last_name":"Mangan","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":4,"post_order":49},{"id":4887,"first_name":"Ann","last_name":"Melhuish","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":5,"post_order":49},{"id":4881,"first_name":"Sophie","last_name":"Okonedo","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":4882,"first_name":"Laura","last_name":"Thompson","post_fr":"Participation","post_en":"Participation","order":1,"post_order":39},{"id":4880,"first_name":"Johanna","last_name":"Gibbon","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":27614,"first_name":"Matthew","last_name":"Barrett","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/1\/film\/610\/photo\/11_01_9MB.jpg","credit":"Popperfoto\/Getty Images","desc":""},"images_poster":null,"images":null,"sections":[{"id":2,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":null,"partners":null},{"id":619,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Bliss, \u00e9pop\u00e9e d'une cr\u00e9ation","title_original":"Bliss, \u00e9pop\u00e9e d'une cr\u00e9ation","title_fr":"Bliss, \u00e9pop\u00e9e d'une cr\u00e9ation","title_en":"Bliss, the Story of a Creation","year":2015,"length":5400,"website":[{"id":437,"website":"http:\/\/www.frenchcx.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":438,"website":"https:\/\/vimeo.com\/154212166","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le chor\u00e9graphe Anthony Eg\u00e9a fait le pari de cr\u00e9er le premier spectacle d\u2019envergure m\u00ealant hip-hop et \u00e9lectro. S\u2019inspirant autant des pistes de danse et des raves que du d\u00e9sir de former un v\u00e9ritable corps de ballet hip-hop, Eg\u00e9a entra\u00eene toute son \u00e9quipe dans une aventure \u00e9tonnante. Ce documentaire suit la cr\u00e9ation du spectacle, de la s\u00e9lection des danseur\u00b7euse\u00b7s \u00e0 la premi\u00e8re audition et aux r\u00e9p\u00e9titions men\u00e9es dans toute la France. Le r\u00e9alisateur \u00c9ric Ellena va \u00e0 la rencontre de la cr\u00e9ativit\u00e9 et du talent des jeunes danseur\u00b7euse\u00b7s venu\u00b7e\u00b7s de diff\u00e9rents horizons. L\u2019aventure de Bliss<\/i> va profond\u00e9ment transformer la vie et la carri\u00e8re artistique de ces danseur\u00b7euse\u00b7s, du chor\u00e9graphe et de son \u00e9quipe.","synopsis_en":"Choreographer Anthony Eg\u00e9a has created the first large-scale production combining hip-hop and electro dance. Drawing inspiration from dance floors and raves, and with the aim of forming a veritable hip hop ballet, Eg\u00e9a leads his team on an amazing journey. This documentary follows the show\u2019s creation, the selection of dancers at the first audition, and the rehearsals conducted throughout France. Director \u00c9ric Ellena seeks out the creativity and talent of young dancers from a variety of backgrounds. The adventure of Bliss <\/i>would deeply transform the lives and careers of the dancers, choreographer and entire team.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2430,"first_name":"Eric","last_name":"Ell\u00e9na","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/619\/photo\/Eric_Ellena.jpg","order":0}],"generic":[{"id":5032,"first_name":"Eric","last_name":"Ellena","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8666,"first_name":"","last_name":"French Connection Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5037,"first_name":"Ancelin","last_name":"Quinton","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":5038,"first_name":"Eric","last_name":"Simon","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":5031,"first_name":"Eric","last_name":"Ellena","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":5041,"first_name":"Ana\u00efs","last_name":"Kagny","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":5040,"first_name":"Olivier","last_name":"Roussille","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":5034,"first_name":"Nicolqs","last_name":"Bazeille","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":5035,"first_name":"G\u00e9rald","last_name":"Ladoul","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":5036,"first_name":"Eric","last_name":"Simon","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8665,"first_name":"","last_name":"French Connection Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27559,"first_name":"Eric","last_name":"\u00c9llena","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/619\/photo\/BLISS_Photo_09bis_Credit_Pierre_PLANCHENAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":207}],"partners":null},{"id":630,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Hugo Pratt, trait pour trait","title_original":"Hugo Pratt, trait pour trait","title_fr":"","title_en":"","year":2016,"length":3360,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un film qui retrace la vie du dessinateur Hugo Pratt. Une vie faite d'aventures, d\u2019impr\u00e9vus, de myst\u00e8re et d'exc\u00e8s. N\u00e9 Ugo Prat en Italie en 1927, il a \u00e9t\u00e9 entra\u00eene tr\u00e8s jeune par son p\u00e8re en \u00c9thiopie, alors occup\u00e9e par les forces mussoliniennes. Il est fascin\u00e9 par les grands espaces africains, comme il le sera bient\u00f4t par ceux de l\u2019Am\u00e9rique et de l\u2019univers du western. Corto Maltese, son c\u00e9l\u00e9brissime h\u00e9ro qui baigne dans un monde d\u2019armes et de magie, marque un point tournant dans l\u2019histoire de la bande dessin\u00e9e. Entre l\u2019Italie, l\u2019\u00c9thiopie, l\u2019Argentine, l\u2019Amazonie, le Br\u00e9sil, Londres, Paris, et Lausanne, le documentaire po\u00e9tique et inventif de Thierry Thomas part sur les traces de Pratt et des milliers de planches qu\u2019il a dessin\u00e9es.","synopsis_en":"This profile of comic book artist Hugo Pratt looks back over a lifetime of travels, adventures, mysteries and excesses. Born Ugo Prat in Italy in 1927, he was taken by his father at a young age to Ethiopia, at the time occupied by Mussolini\u2019s troops. He was soon fascinated by Africa\u2019s great open spaces, as he would later by those of America and the world of the western. Corto Maltese, his celebrated hero who lives in a world of weapons and magic, represents a turning point in the history of comics. Travelling to Italy, Ethiopia, Argentine, Amazonia, Brazil, London, Paris and Lausanne, this poetic and inventive documentary by Thierry Thomas follows the trail of Hugo Pratt and the thousands of frames he has drawn.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2466,"first_name":"Thierry","last_name":"Thomas","artist_name":"","company":"","function":"","biography_fr":"","biography_en":" ","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/630\/photo\/ThierryThomas.jpg","order":0}],"generic":[{"id":5112,"first_name":"Xavier","last_name":"Liberman","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":5113,"first_name":"Olivier","last_name":"Raffet","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":5114,"first_name":"Scott","last_name":"Sinkler","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8428,"first_name":"","last_name":"Quark Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5109,"first_name":"Yann","last_name":"Coquart","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":5110,"first_name":"Lambert","last_name":"Wilson","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":5117,"first_name":"Juliette","last_name":"Guigon","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":5116,"first_name":"Patrick","last_name":"Winocour","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":5115,"first_name":"Jean-Luc","last_name":"P\u00e9art","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8429,"first_name":"","last_name":"Quark Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27576,"first_name":"Thierry","last_name":"Thomas","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/630\/photo\/Jose_Munoz_Quark.jpg","credit":"Quark","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/630\/photo\/Pratt_ge_ne_rique.jpg","credit":"","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":151},{"id":224}],"partners":null},{"id":632,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les P\u00e8lerins de Bouge","title_original":"Les P\u00e8lerins de Bouge","title_fr":"The Pilgrims of Bouge","title_en":"","year":2016,"length":3120,"website":[{"id":439,"website":"https:\/\/vimeo.com\/161271850","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""},{"id":440,"website":"http:\/\/www.matele.be\/babel-cafe-avec-ga-tan-leboutte","type_id":7,"type_1":"Autre","type_2":"Other","description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Une incursion dans l\u2019univers des P\u00e8lerins de Bouge, une compagnie th\u00e9\u00e2trale dont la d\u00e9marche constitue un cheminement afin d\u2019engager un dialogue entre deux mondes. Constitu\u00e9e de 90 personnes, dont certaines r\u00e9sident dans diff\u00e9rents centres psychiatriques et institutions d\u2019accueil, les P\u00e8lerins de Bouge sont davantage une communaut\u00e9 artistique et humaine qu\u2019une compagnie. Dans le film po\u00e9tique et humain de Ga\u00ebtan Leboutte, aucune entrevue, seuls des moments de la vie t\u00e9moignent de l\u2019\u00e9quilibre et la joie que des personnes souffrant d\u2019une maladie mentale ont trouv\u00e9e dans leur cadre de vie gr\u00e2ce au th\u00e9\u00e2tre. La rencontre avec l\u2019autre, qui est ici au c\u0153ur de l\u2019exp\u00e9rience th\u00e9\u00e2trale, permet \u00e0 chacun de sortir grandi de ce partage.","synopsis_en":"A journey into the world of Les P\u00e8lerins de Bouge, a theatre company that strives to establish a dialogue between two worlds. Consisting of 90 people, some of whom are patients in psychiatric institutions and centres, Les P\u00e8lerins de Bouge are more of a social and artistic community than a company. In Ga\u00ebtan Leboutte\u2019s human and poetic film, there are no interviews, only real-life moments that show the balance and joy people with mental illness have found through theatre. Through contact with others, which is the main aim of this theatre project, everyone grows through the shared experience. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2473,"first_name":"Ga\u00ebtan","last_name":"Leboutte","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/632\/photo\/photo_Gae_tan_Leboutte_1.jpg","order":0}],"generic":[{"id":5124,"first_name":"Ga\u00ebtan","last_name":"Leboutte","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8816,"first_name":"","last_name":"Kinoprod","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5125,"first_name":"Ga\u00ebtan","last_name":"Leboutte","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":5126,"first_name":"Damien","last_name":"Libert","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8817,"first_name":"Ga\u00ebtan","last_name":"Leboutte","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":5127,"first_name":"Thibaut","last_name":"Nguyen","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8815,"first_name":"","last_name":"Kinoprod","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27792,"first_name":"Ga\u00ebtan","last_name":"Leboutte","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/632\/photo\/Dany_Jeux.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":144},{"id":175}],"partners":null},{"id":638,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"EXIT","title_original":"EXIT","title_fr":"","title_en":"","year":2016,"length":326,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00c0 travers les images et le son, \u00e0 travers le regard et l'objectif de la cam\u00e9ra, une coh\u00e9rence subtile s\u2019\u00e9chappe du film de Pascale Paroissien. Et sa course impressionniste qui illumine le paysage, son retour incessant au point de d\u00e9part deviennent \u00e9piphanie.","synopsis_en":"Through sounds and images, through the eye and the camera lens, a subtle cohesion emerges in this short film by Pascale Paroissien. Its impressionist path illuminates the landscape; its continual return to its starting point leads to an epiphany. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2494,"first_name":"Pascale","last_name":"Paroissien","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/638\/photo\/PascaleParoissien.jpg","order":0}],"generic":[{"id":8855,"first_name":"","last_name":"EXIT","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8856,"first_name":"Pascale","last_name":"Paroissien","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8854,"first_name":"","last_name":"EXIT","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27443,"first_name":"Pascale","last_name":"Paroissien","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/638\/photo\/Photo_1_EXIT_Pascale_Paroissien.JPG","credit":"Pascale Paroissien","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":166},{"id":215},{"id":241}],"partners":null},{"id":645,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Herg\u00e9, \u00e0 l'ombre de Tintin","title_original":"Herg\u00e9, \u00e0 l'ombre de Tintin","title_fr":"Herg\u00e9, in the Shade of Tintin","title_en":"","year":2016,"length":4860,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Par une immersion dans l\u2019univers de Tintin et une d\u00e9construction du processus cr\u00e9atif du dessinateur belge, ce film de Hugues Nancy, produit \u00e0 l'occasion de l'exposition Herg\u00e9<\/i> au Grand Palais \u00e0 Paris il y a quelques mois, retrace tout le parcours de Georges Remi, dit Herg\u00e9. Dans chacune des p\u00e9riodes de la vie d\u2019Herg\u00e9, depuis son implication dans le mouvement scout lorsqu\u2019il \u00e9tait jeune jusqu\u2019\u00e0 sa fascination pour l\u2019art contemporain qu\u2019il entretiendra longtemps, Tintin n\u2019est jamais bien loin. Les t\u00e9moignages des fans et des expert\u00b7e\u00b7s du personnage ainsi que les extraits d\u2019entrevues avec Herg\u00e9 permettent d\u2019appr\u00e9hender le ph\u00e9nom\u00e8ne Tintin, qui a fini par d\u00e9passer son cr\u00e9ateur. On d\u00e9couvre un homme surdou\u00e9 et acharn\u00e9 qui, \u00e0 la fin de sa vie, se dessinait en prisonnier, encha\u00een\u00e9 \u00e0 sa table \u00e0 dessin.","synopsis_en":"Produced for the exhibition Herg\u00e9<\/i> at the Grand Palais in Paris, this film by Hugues Nancy immerses viewers in the world of Tintin. It also deconstructs the creative process of Georges Remi, the Belgian cartoonist better known as Herg\u00e9, while looking back at his artistic path. In each stage of his life, from his early days as a Boy Scout to his lifelong fascination with contemporary art, Tintin was never far away. Interviews with fans and experts, as well as Herg\u00e9 himself, allow us to better understand the phenomenon of Tintin, whose fame exceeded that of his creator. We discover a gifted and single-minded man who, at the end of his life, was a prisoner to his craft, chained to his drawing table. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2520,"first_name":"Hugues","last_name":"Nancy","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/645\/photo\/HuguesNANCY.jpg","order":0}],"generic":[{"id":5207,"first_name":"Gr\u00e9goire","last_name":"De Callignon","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8421,"first_name":"","last_name":"TERRANOA","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5204,"first_name":"Mathilde","last_name":"Morieres","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8422,"first_name":"Michel","last_name":"Korb","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":5206,"first_name":"Laurent","last_name":"Stocker","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":5205,"first_name":"Corine","last_name":"Janin","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":5208,"first_name":"Matthieu","last_name":"Daude","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8420,"first_name":"","last_name":"GEDEON Programmes","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":9000,"first_name":"","last_name":"ARTE","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":9001,"first_name":"","last_name":"MOULINSART SA","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":9002,"first_name":"","last_name":"RTBF","post_fr":"Production","post_en":"Production","order":9,"post_order":3},{"id":27575,"first_name":"Hugues","last_name":"Nancy","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/645\/photo\/M0096276_Christian_GIBEY_PARISMATCH_SCOOP.jpg","credit":"Christian GIBEY\/PARISMATCH\/SCOOP","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":152},{"id":252}],"partners":null},{"id":649,"edition":{"id":2},"career_fr":"Festival International de Litt\u00e9rature (FIL), Montr\u00e9al, Canada (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Les 24 heures du roman - Sur les traces de Champlain","title_original":"Les 24 heures du roman - Sur les traces de Champlain","title_fr":"","title_en":"","year":2016,"length":3120,"website":[{"id":451,"website":"https:\/\/www.youtube.com\/watch?v=TESTSJkHa0s&feature=youtu.be","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le 23 octobre 2015 \u00e0 Halifax, vingt-quatre \u00e9crivain\u00b7e\u00b7s s'embarquent \u00e0 bord du train L\u2019Oc\u00e9an <\/i>et se consacrent ensemble \u00e0 l\u2019\u00e9criture d\u2019un roman durant 24 heures. En traversant le territoire de la Nouvelle-\u00c9cosse, du Nouveau Brunswick, le Qu\u00e9bec et l\u2019Ontario, ils se dirigent vers Toronto, reprenant la trajectoire qui a \u00e9t\u00e9 celle de Champlain lors de son arriv\u00e9e au Canada. Vingt-quatre \u00e9crivain\u00b7e\u00b7s d\u2019Acadie, de France, d\u2019Ontario, des Premi\u00e8res Nations et du Qu\u00e9bec sur les traces fondatrices de cet explorateur d\u00e9barquant en Am\u00e9rique. Vingt-quatre \u00e9crivains qui unissent leurs plumes pour raconter et questionner le pass\u00e9. Dans une mosa\u00efque d\u2019histoires, il\u00b7elle\u00b7s explorent la vie de Champlain, mais aussi celle du pr\u00e9sent et celle \u00e0 venir. L\u2019\u00e9quipe des Productions Machine Gum, avec \u00e0 sa t\u00eate le r\u00e9alisateur Simon Madore, a saisi les pr\u00e9cieux instants de ce voyage cr\u00e9atif hors du temps, jusqu\u2019\u00e0 sa destination finale : la publication d\u2019un roman de pr\u00e8s de 67 200 mots b\u00e2ti en 24 heures chrono.","synopsis_en":"On October 23, 2015 in Halifax, twenty-four writers embarked on a 24-hour journey aboard The Ocean<\/i> train to write a novel together. After travelling across Nova Scotia, New Brunswick, Quebec and Ontario, they made their way to Toronto, replicating Champlain\u2019s route upon his arrival in Canada. Twenty-four writers from Acadia, France, Ontario, Quebec and the First Nations produced a mosaic of stories exploring the past, but also the present and future. The Machine Gum Productions crew, led by filmmaker Simon Madore, captured some of the key moments of this creative voyage outside time. Its final destination: the publication of a novel of nearly 67,200 words written during this 24-hour marathon.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2535,"first_name":"Simon","last_name":"Madore","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/649\/photo\/SimonMadore.jpg","order":0}],"generic":[{"id":5234,"first_name":"Christopher","last_name":"Katsarov","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":5235,"first_name":"Simon","last_name":"Madore","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8997,"first_name":"","last_name":"Machine Gum Productions","post_fr":"Distribution","post_en":"Distribution","order":19,"post_order":69},{"id":5238,"first_name":"Sara","last_name":"Cabrera-Arragon","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":5239,"first_name":"Simon","last_name":"Madore","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":5280,"first_name":"Sarah","last_name":"Neufeld","post_fr":"Musique","post_en":"Music","order":9,"post_order":82},{"id":5279,"first_name":"Colin","last_name":"Stetson","post_fr":"Musique","post_en":"Music","order":10,"post_order":82},{"id":5231,"first_name":"David","last_name":"Baeta","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":5232,"first_name":"Philippe","last_name":"Burnet","post_fr":"Production","post_en":"Production","order":12,"post_order":4},{"id":5233,"first_name":"Simon","last_name":"Madore","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":5236,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Edwards","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":5237,"first_name":"Fran\u00e7ois","last_name":"Proulx","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8697,"first_name":"","last_name":"Machine Gum Productions","post_fr":"Production","post_en":"Production","order":16,"post_order":3},{"id":27586,"first_name":"Simon","last_name":"Madore","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/649\/photo\/Les24hDuRoman_PhilippeDavisseau_5.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":205}],"partners":null},{"id":652,"edition":{"id":2},"career_fr":"BAFICI, Argentine\r\nFestival de Lussas, France\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Raoul Ruiz contre l'ignorance fiction","title_original":"Raoul Ruiz contre l'ignorance fiction","title_fr":"","title_en":"","year":2016,"length":3720,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Espagnol","en":"Spanish"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le r\u00e9alisateur franco-chilien Raoul Ruiz est l\u2019un des grands artistes du cin\u00e9ma. Il est \u00e9galement l\u2019un des plus prolifiques avec pr\u00e8s de 120 films \u00e0 son actif. De sa naissance dans le sud du Chili, \u00e0 sa participation au gouvernement d\u2019Allende, suivie de son exil en France lors de l\u2019arriv\u00e9e de la dictature fasciste de Pinochet, le documentaire d\u2019 Alejandra Rojo r\u00e9v\u00e8le les fondamentaux du travail de l\u2019artiste. On d\u00e9couvre que dans son univers, l\u2019enfance, la po\u00e9sie et la science font loi. Ce sont les trois cl\u00e9s indispensables pour p\u00e9n\u00e9trer dans la vaste filmographie de Ruiz que nous livre ce film compos\u00e9 d\u2019extraits de films, d\u2019interviews et de t\u00e9moignages.","synopsis_en":"French-Chilean filmmaker Raoul Ruiz is one of cinema\u2019s great artists. He is also among the most prolific, with close to 120 films to his credit. From his birth in southern Chile, to his involvement in the Allende government and exile in France with the rise of Pinochet\u2019s dictatorship, Alejandra Rojo\u2019s documentary reveals the fundamentals of Ruiz\u2019s work, and how childhood, poetry and science rule his world. These are the three indispensable keys for understanding his vast filmography presented by this film, which features film excerpts, interviews and testimonials. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2545,"first_name":"Alejandra","last_name":"Rojo","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/652\/photo\/alejandra_rojo.jpg","order":0}],"generic":[{"id":5291,"first_name":"J\u00e9r\u00f4me","last_name":"Colin","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8964,"first_name":"","last_name":"TS Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5294,"first_name":"Isabelle","last_name":"Poudevigne","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":5290,"first_name":"Delphine","last_name":"Morel","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":5293,"first_name":"Roxane","last_name":"Billamboz","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8965,"first_name":"","last_name":"TS Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27808,"first_name":"Alejandra","last_name":"Rojo","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/652\/photo\/Raoul_Ruiz_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":253}],"partners":null},{"id":673,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Alain Plan\u00e8s, l'infini turbulent","title_original":"Alain Plan\u00e8s, l'infini turbulent","title_fr":"","title_en":"","year":2016,"length":3300,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Interpr\u00e8te virtuose autant de classique que de musique contemporaine, polyvalent, exigeant, passionn\u00e9 de peinture et amoureux de po\u00e9sie, Alain Plan\u00e8s puise dans sa relation avec les arts plastiques et les mots le sens et la force de sa cr\u00e9ativit\u00e9. Celui qui s\u2019est toujours prot\u00e9g\u00e9 des m\u00e9dias accepte ici de se confier sur ses sources d\u2019inspiration et ses choix musicaux. Retra\u00e7ant tout son parcours depuis ses d\u00e9buts comme gamin au piano, ses ann\u00e9es d\u2019\u00e9tudes au conservatoire \u00e0 Paris et aux \u00c9tats-Unis et l\u2019amorce de sa carri\u00e8re dans les ann\u00e9es 70, le documentaire de Dominique Lemonnier propose une immersion dans l\u2019univers de l\u2019artiste. La r\u00e9alisatrice livre un portrait libre et intimiste du pianiste fran\u00e7ais Alain Plan\u00e8s, mettant en lumi\u00e8re ses rencontres marquantes et ses influences.","synopsis_en":"Alain Plan\u00e8s is a virtuoso performer of both classical and contemporary music, a versatile and demanding musician and ardent enthusiast of painting and poetry. From his relationship with the visual arts and words, he derives the meaning and power of his creativity. Although he has always avoided the glare of the media, he agreed here to reveal his sources of inspiration and musical choices. Looking back at his artistic path, from his very early days on the piano, his conservatory studies in Paris and the United States, and the launch of his career in the 1970s, this profile by Dominique Lemonnier immerses us in the world of the artist. In her directorial debut, the violinist offers a candid and intimate portrait of the pianist, shedding light on his influences and pivotal encounters.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2617,"first_name":"Dominique \"Solrey\"","last_name":"Lemonnier","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/673\/photo\/dominique_sorley_lemonnier.jpg","order":0}],"generic":[{"id":5465,"first_name":"Justine","last_name":"Emard","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":5466,"first_name":"Xavier","last_name":"Forcioli","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":5464,"first_name":"Edward","last_name":"Japp","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":5467,"first_name":"Gerard","last_name":"Quiles","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":5463,"first_name":"Ange","last_name":"Leccia","post_fr":"Image","post_en":"Cinematography","order":6,"post_order":64},{"id":8378,"first_name":"Dominique","last_name":"\"Solrey\" Lemonnier","post_fr":"Distribution","post_en":"Distribution","order":15,"post_order":69},{"id":5471,"first_name":"Idit","last_name":"Bloch","post_fr":"Montage","post_en":"Editing","order":10,"post_order":43},{"id":5472,"first_name":"Cyril","last_name":"Polinacci","post_fr":"Montage","post_en":"Editing","order":11,"post_order":43},{"id":5475,"first_name":"Alain","last_name":"Planes","post_fr":"Narration","post_en":"Narration","order":12,"post_order":53},{"id":8377,"first_name":"Dominique","last_name":"\"Solrey\" Lemonnier","post_fr":"Production","post_en":"Production","order":13,"post_order":4},{"id":5468,"first_name":"Romain","last_name":"Allender","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":5470,"first_name":"Xavier","last_name":"Forcioli","post_fr":"Son","post_en":"Sound","order":8,"post_order":59},{"id":5469,"first_name":"Alexandre","last_name":"Tanguy","post_fr":"Son","post_en":"Sound","order":9,"post_order":59},{"id":5476,"first_name":"","last_name":"Galilea Music","post_fr":"Production","post_en":"Production","order":14,"post_order":3},{"id":27312,"first_name":"Dominique","last_name":"Solrey Lemonnier","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/673\/photo\/The_Thumb_of_Alain_Planes.png","credit":"\u00a9 Galilea Music","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":177},{"id":236}],"partners":null},{"id":674,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Des ailes et des ombres","title_original":"Des ailes et des ombres","title_fr":"","title_en":"","year":2016,"length":3780,"website":[{"id":472,"website":"http:\/\/www.signe-productions.ch","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ren\u00e9 Myrha et Rose-Marie Pagnard sont n\u00e9\u00b7e\u00b7s \u00e0 Del\u00e9mont, en Suisse. D\u00e8s les ann\u00e9es 60, il\u00b7elle\u00b7s s'installent \u00e0 B\u00e2le o\u00f9 il\u00b7elle\u00b7s prennent une part active \u00e0 l'activit\u00e9 artistique de la ville. Dans une ancienne ferme de la campagne jurassienne reconvertie en un lumineux espace de travail, il\u00b7elle\u00b7s partagent leur vie. Leurs \u0153uvres respectives naissent et grandissent en complicit\u00e9 l\u2019une avec l\u2019autre. Pagnard, \u00e9crivaine, donne \u00e0 lire et \u00e0 voir. Myrha, peintre, plasticien et sc\u00e9nographe, donne \u00e0 voir et \u00e0 lire. La richesse de l'\u0153uvre peinte et de l'oeuvre \u00e9crite alimente l'imaginaire et la mise en sc\u00e8ne de cette mati\u00e8re prend soudainement la forme des actes et des tableaux d\u2019un op\u00e9ra\u2026 Un axe de travail qui s\u2019impose d\u00e8s le moment o\u00f9 il\u00b7elle\u00b7s collaborent avec Guy Montavon, metteur en sc\u00e8ne et directeur du Grand Th\u00e9\u00e2tre d'Erfurt, en Allemagne.","synopsis_en":"Visual artist and set designer Ren\u00e9 Myrha and writer Rose-Marie Pagnard both hail from Del\u00e9mont, Switzerland. In the 1960s, they moved to Basel, where became actively involved in the city\u2019s cultural community. In an old farmhouse in Canton Jura, which they converted into a light-filled workspace, they share their lives, mutually influencing and shaping their respective works. Their wealth of paintings and writings fuels the imagination, and the presentation of this material immediately assumes the form of acts and scenes from an opera when they begin working with Guy Montavon, stage director and director of Theater Erfurt in Germany.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2621,"first_name":"Claude","last_name":"Stadelmann","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/674\/photo\/Claudestadelmann.jpg","order":0}],"generic":[{"id":5492,"first_name":"Nicolas","last_name":"Ch\u00e8vre","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":5498,"first_name":"Signe","last_name":"Productions","post_fr":"Distribution","post_en":"Distribution","order":6,"post_order":69},{"id":5495,"first_name":"Nicolas","last_name":"Ch\u00e8vre","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":5496,"first_name":"Claude","last_name":"Stadelmann","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":8818,"first_name":"Claude","last_name":"Stadelmann","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":5494,"first_name":"Charles","last_name":"Montini","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":5497,"first_name":"Signe","last_name":"Productions","post_fr":"Production","post_en":"Production","order":5,"post_order":3},{"id":27551,"first_name":"Claude","last_name":"Stadelmann","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/674\/photo\/2_Rene_Myrha_de_cor_opera.JPG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":169}],"partners":null},{"id":682,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"In Art We Trust","title_original":"In Art We Trust","title_fr":"","title_en":"","year":2016,"length":5160,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce documentaire, Beno\u00eet Rossel fait le portrait, avec une grande bienveillance et une pointe d\u2019ironie, d\u2019un m\u00e9tier myst\u00e9rieux, aussi souvent sacralis\u00e9 par les un\u00b7e\u00b7s que d\u00e9nigr\u00e9 et consid\u00e9r\u00e9 comme une imposture par les autres. Il raconte le parcours d\u2019artistes important\u00b7e\u00b7s du monde occidental, comme Val\u00e9rie Jouve, Julie Mehretu, Ayako David-Kawauchi, Lawrence Weiner, etc. En questionnant les ambitions, les doutes, les strat\u00e9gies, les compromis, les vaches maigres et les ann\u00e9es fastes d\u2019artistes particuliers, mais embl\u00e9matiques de l\u2019ensemble d\u2019une profession, ce film se fait une all\u00e9gorie vivante, ludique et \u00e9mouvante de la figure de l\u2019artiste dans la soci\u00e9t\u00e9 contemporaine.","synopsis_en":"Beno\u00eet Rossel\u2019s documentary is an indulgent portrait, with a touch of irony, of a mysterious occupation that is as often venerated as it is reviled and decried as imposture. He looks at the careers of major Western artists such as Val\u00e9rie Jouve, Julie Mehretu, Ayako David-Kawauchi and Lawrence Weiner. By questioning the ambitions, doubts, strategies, compromises, lean times and good years of artists who epitomize the entire profession, the film presents a lively, playful and moving allegory of the figure of the artist in today\u2019s society.
","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2648,"first_name":"Beno\u00eet","last_name":"Rossel","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/682\/photo\/BenoitRossel.jpg","order":0}],"generic":[{"id":5533,"first_name":"Blaise","last_name":"Harrison","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8441,"first_name":"","last_name":"Close Up Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5532,"first_name":"Gw\u00e9nola","last_name":"Heaulme","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":5529,"first_name":"Jo\u00eblle","last_name":"Bertossa","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":5530,"first_name":"M\u00e9lanie","last_name":"Gerin","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":5531,"first_name":"Beno\u00eet","last_name":"Rossel","post_fr":"Sc\u00e9nario","post_en":"Script","order":0,"post_order":18},{"id":8438,"first_name":"Marc Von","last_name":"St\u00fcrler","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8439,"first_name":"Cyril","last_name":"Harrison","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8440,"first_name":"","last_name":"Close Up Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27337,"first_name":"Benoit","last_name":"Rossel","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/682\/photo\/Lawrence_Weiner_1.jpg","credit":"Close Up Films","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":190}],"partners":null},{"id":695,"edition":{"id":2},"career_fr":"FICFA, Moncton, Canada (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Zachary Richard, toujours batailleur","title_original":"Zachary Richard, toujours batailleur","title_fr":"","title_en":"","year":2016,"length":4740,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce film de Phil Comeau, Zachary Richard retrace le parcours fascinant de son h\u00e9ritage, en qu\u00eate de la pertinence de l\u2019identit\u00e9 acadienne aujourd\u2019hui. En voyageant \u00e0 travers les trois provinces maritimes canadiennes et la Louisiane, il cherche \u00e0 comprendre comment le Grand D\u00e9rangement acadien a fa\u00e7onn\u00e9 sa culture. Le chanteur fait d\u2019\u00e9tonnantes d\u00e9couvertes sur sa propre histoire et celle de sa famille, qui a habit\u00e9 l\u2019Acadie pendant un si\u00e8cle et demi : il visite pour la premi\u00e8re fois les anciens villages o\u00f9 ses anc\u00eatres ont v\u00e9cu, ainsi que les camps de r\u00e9fugi\u00e9\u00b7e\u00b7s o\u00f9 il\u00b7elle\u00b7s ont surv\u00e9cu \u00e0 la famine. Finalement captur\u00e9\u00b7e\u00b7s et emprisonn\u00e9\u00b7e\u00b7s sur l\u2019\u00cele Georges \u00e0 Halifax, il\u00b7elle\u00b7s seront du premier grand voyage de migration vers la Louisiane, o\u00f9 Richard est n\u00e9. De retour chez lui, Zachary Richard interroge son entourage acadien sur leurs origines et leur appartenance culturelle. Arrivera-t-il \u00e0 se r\u00e9concilier avec son pass\u00e9 pour se tourner vers l\u2019avenir ?","synopsis_en":"In this film by Phil Comeau, singer Zachary Richard embarks on a fascinating quest, tracing his ancestral roots and reflecting on what it means to be Acadian today. Travelling through three Maritime provinces and Louisiana, he attempts to understand how the Expulsion of the Acadians shaped his culture. The singer makes some surprising discoveries about the history of his family, who lived in Acadia for a century and a half. For the first time, he visits the villages where his ancestors lived, as well as the refugee camps where they survived the famine. Finally captured and imprisoned on Georges Island in Halifax, they were part of the first migrations to Louisiana, where Richard was born. Back home, he questions his Acadian circle about their origins and cultural affiliations. Will he manage to reconcile himself with the past and turn towards the future?","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2697,"first_name":"Phil","last_name":"Comeau","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/695\/photo\/PhilComeau.jpg","order":0}],"generic":[{"id":5595,"first_name":"Bernard","last_name":"Foug\u00e8res","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8527,"first_name":"","last_name":"Bellefeuille Production Lt\u00e9e","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5592,"first_name":"Julien","last_name":"Cadieux","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8528,"first_name":"Serge","last_name":"Arseneault","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":5596,"first_name":"Jean-Claude","last_name":"Bellefeuille","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":8526,"first_name":"","last_name":"Bellefeuille Production Lt\u00e9e","post_fr":"Production","post_en":"Production","order":5,"post_order":3},{"id":27817,"first_name":"Phil","last_name":"Comeau","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/695\/photo\/zachary_7.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":221}],"partners":null},{"id":698,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Having a Cigarette with \u00c1lvaro Siza","title_original":"Having a Cigarette with \u00c1lvaro Siza","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"Portugal","en":"Portugal"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Portugais","en":"Portuguese"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Install\u00e9 \u00e0 la table \u00e0 dessin, cigarette au bec, l\u2019architecte portugais \u00c1lvaro Siza se livre \u00e0 la cam\u00e9ra du r\u00e9alisateur Iain Dilthey. Socialiste engag\u00e9 et fumeur passionn\u00e9, Siza est l\u2019une des plus grandes figures de l\u2019architecture contemporaine. Ses r\u00e9alisations sont \u00e0 son image : simples et sobres, s\u2019inscrivant dans leur environnement et traversant les \u00e9poques. \u00c0 travers son parcours, ses premiers travaux, on d\u00e9couvre aussi l\u2019histoire de la soci\u00e9t\u00e9 portugaise de la deuxi\u00e8me moiti\u00e9 du 20e si\u00e8cle. Dans ce documentaire ma\u00eetris\u00e9, qui demeure en tout temps fid\u00e8le au style et \u00e0 la parole de l\u2019architecte, on plonge au coeur de sa pens\u00e9e et de son travail.","synopsis_en":"Seated at his drawing table, cigarette dangling from his lips, Portuguese architect \u00c1lvaro Siza opens up before the camera of Iain Dilthey. A committed socialist and passionate smoker, Siza is among the foremost figures in contemporary architecture. His structures are not unlike their creator: simple, understated, fitting perfectly into their environment and spanning several decades. Looking back at this path and early works, we also discover the history of Portuguese society and the second half of the 20th century. In this finely tuned documentary, in keeping with the style and words of the architect, we journey to the heart of the architect\u2019s work and ideas.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2707,"first_name":"Iain","last_name":"Dilthey","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/698\/photo\/Diltheylain.jpg","order":0}],"generic":[{"id":5613,"first_name":"Isabelle","last_name":"Casez","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8561,"first_name":"","last_name":"Solo:film GmbH","post_fr":"Distribution","post_en":"Distribution","order":6,"post_order":69},{"id":5614,"first_name":"Frederik","last_name":"B\u00f6sing","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":5612,"first_name":"Christian","last_name":"Conrad","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":5616,"first_name":"Iain","last_name":"Dilthey","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":5615,"first_name":"Susann","last_name":"Schimk","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8562,"first_name":"Johannes","last_name":"Schneeweiss","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":8560,"first_name":"","last_name":"Solo:film GmbH","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27574,"first_name":"Iain","last_name":"Dilthey","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/698\/photo\/Siza-Press-Photo-01_JSchneeweiss.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":195}],"partners":null},{"id":699,"edition":{"id":2},"career_fr":"","career_en":"Overview of some festivals:\r\n\r\nEncounters Short Film and Animation Festival, United Kingdom (2016)\r\nMiami Independent Film Festival, United States (2016)\r\nCine Pobre Film Festival, Cuba (2016)\r\n24th International Animation Festival of Brazil, Brazil (2016)\r\nBlock Film & Art Festival, United States (2016)\r\nLisbon International Film Festival, Portugal (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Cut to Bliss: Force of Fashion","title_original":"Cut to Bliss: Force of Fashion","title_fr":"","title_en":"","year":2016,"length":122,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ce court m\u00e9trage d\u2019animation a \u00e9t\u00e9 cr\u00e9\u00e9 dans le cadre d\u2019une ma\u00eetrise en beaux-arts \u00e0 la School of Visual Arts de New York. Le projet de Moree Wu pose un regard rafra\u00eechissant sur l\u2019univers de la mode, en l\u2019envisageant comme une prise de pouvoir du f\u00e9minin. Le langage visuel fort de la r\u00e9alisatrice d\u2019origine chinoise dissout toute trame narrative en une g\u00e9om\u00e9trie et une abstraction sensible et rythm\u00e9e.","synopsis_en":"This animated short film is the graduate thesis for an MFA at the School of Visual Arts in New York. Moree Wu\u2019s project takes a fresh look at fashion as a way to express female empowerment. The strong visual language used by the Chinese-born filmmaker replaces the narrative with sensitive, rhythmic geometry and abstraction.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2710,"first_name":"Moree","last_name":"Wu","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/699\/photo\/moree_wu.jpg","order":0}],"generic":[{"id":5618,"first_name":"Moree","last_name":"Wu","post_fr":"Animation","post_en":"Animation","order":0,"post_order":70},{"id":8425,"first_name":"Moree","last_name":"Wu","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5617,"first_name":"S\u00f8ren","last_name":"Stenager","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":8406,"first_name":"Moree","last_name":"Wu","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":27446,"first_name":"Moree","last_name":"Wu","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/699\/photo\/2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":200}],"partners":null},{"id":708,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Buster Keaton, un g\u00e9nie bris\u00e9 par Hollywood","title_original":"Buster Keaton, un g\u00e9nie bris\u00e9 par Hollywood","title_fr":"","title_en":"","year":2016,"length":3240,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Joseph Frank Keaton, devenu Buster Keaton, est l\u2019une des figures les plus connues de l\u2019histoire du cin\u00e9ma. 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Screenwriter, director, actor, producer and versatile performer, he made some of the most notable silent films of the 1920s before being swallowed up by Hollywood studios. His deadpan expression, at once childlike and stern, and his funny, touching storylines had universal audience appeal at the time and continue to charm us even today. Made entirely with skillfully edited archival footage from Keaton\u2019s films, Jean-Baptiste P\u00e9reti\u00e9 takes viewers on a journey into his amazing world and introduces them to the career of this undisputed genius of film. What happened to Keaton to transform him from revered star to fallen idol, alcoholic and alone?


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In this documentary about the queen of the Montreal cabaret scene, filmmaker Julien Cadieux inteviews the artist at length, revealing the duality that remains within him even to this day. Dispossessed of Guilda\u2019s charismatic and provocative personality, the Frenchman, now a venerable 88, talks about his remarkable career and his often difficult relationship with his alter ego.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2744,"first_name":"Julien","last_name":"Cadieux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/709\/photo\/JulienCadieux.jpg","order":0}],"generic":[{"id":5680,"first_name":"R\u00e9nald","last_name":"Bellemare","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8678,"first_name":"","last_name":"Phare-Est M\u00e9dia Inc.","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8676,"first_name":"Julien","last_name":"Cadieux","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":5679,"first_name":"Claude","last_name":"Fournier","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":5678,"first_name":"C\u00e9cile","last_name":"Chevrier","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":5683,"first_name":"Marcel","last_name":"Fraser","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":5681,"first_name":"Georges","last_name":"Hannan","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8677,"first_name":"","last_name":"Phare-Est M\u00e9dia Inc.","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27573,"first_name":"Julien","last_name":"Cadieux","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/709\/photo\/Guilda_3.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/709\/photo\/POSTER.jpg","credit":"","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":197},{"id":238}],"partners":null},{"id":713,"edition":{"id":2},"career_fr":"Festival Punto de Vista, Navarra, Espagne (2015) \r\nFestival Traces de Vie, Clermont-Ferrand (2015) \r\nFestival de Cin\u00e9ma, Douarnenez, France (2014)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017\r\n","career_en":"","embed":"","title_selected":"Le complexe de la salamandre","title_original":"Le complexe de la salamandre","title_fr":"Le complexe de la salamandre","title_en":"The Salamander Complex","year":2014,"length":4860,"website":[{"id":489,"website":"https:\/\/www.facebook.com\/pages\/Le-complexe-de-la-salamandre\/248891798634541","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":490,"website":"http:\/\/www.mille-et-une-films.fr\/sites\/default\/files\/le_complexe_de_la_salamandre_-_dossier_de_presse_web.pdf","type_id":5,"type_1":"Dossier de presse","type_2":"Press kit","description":"","embed":""},{"id":491,"website":"https:\/\/vimeo.com\/134082599","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""},{"id":492,"website":"http:\/\/www.mille-et-une-films.fr\/le-complexe-de-la-salamandre","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans les Vosges o\u00f9 il vit en retrait du monde de l\u2019art, un artiste fa\u00e7onne, \u00e0 son rythme, une \u0153uvre \u00e9nigmatique et singuli\u00e8re, reliant l\u2019art des ma\u00eetres anciens \u00e0 la cr\u00e9ation contemporaine. Alors qu\u2019un centre d\u2019art lui passe une commande importante qui pourrait modifier le cours de sa carri\u00e8re, il s\u2019att\u00e8le \u00e0 la t\u00e2che sans rien modifier \u00e0 ses habitudes ou \u00e0 son quotidien. Au fil des saisons, entre travail concret et \u0153uvres r\u00eav\u00e9es, entre pr\u00e9cision du geste et \u00e9conomie de mots, entre promenades en for\u00eat et brefs allers retours \u00e0 la capitale fran\u00e7aise, le travail avance plus lentement que pr\u00e9vu. Dans ce film contemplatif de Serge Steyer, qui opte tout comme Neu pour une approche sensorielle et m\u00e9ticuleuse, on s\u2019approche progressivement de l\u2019univers artistique et intime de cet artiste.","synopsis_en":"In the Vosges region, where he lives far removed from the art world, an artist works at his own pace on a unique, enigmatic work that brings together the Old Masters with contemporary art. When he receives a major commission that could change the course of his life, he sets to work on it without changing any of his daily habits. As the seasons pass, between concrete effort and dream projects, between the precision of his gestures and his economy of words, between walks in the woods and his short trips to and from Paris, his progress is slower than anticipated. In this contemplative film by Serge Steyer, which, like the artist himself, adopts a meticulous, sensory approach, viewers are gradually transported into Patrick Neu's artistic and personal realm. 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Films","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/713\/photo\/4-Affiche.jpg","credit":"","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":161}],"partners":null},{"id":715,"edition":{"id":2},"career_fr":"Filmfest Schleswig-Holstein, Kiel, Allemagne (2016)\r\nNordic Filmdays, Luebeck, Allemagne (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour mars 2017","career_en":"Filmfest Schleswig-Holstein,Kiel, Germany (2016)\r\nNordic Filmdays, Luebeck, Germany (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"A Shape of Time – The Composer Jo Kondo","title_original":"A Shape of Time – The Composer Jo Kondo","title_fr":"","title_en":"","year":2016,"length":6000,"website":[{"id":493,"website":"http:\/\/www.jo-kondo-film.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Japonais","en":"Japanese"},{"fr":"Allemand","en":"German"},{"fr":"","en":""}],"synopsis_fr":"Jo Kondo est l\u2019un des compositeurs les plus reconnus en musique contemporaine au Japon. Ses compositions sont \u00e0 la fois abstraites et intuitives, d\u00e9nu\u00e9es de directions claires, mais non de forme. Tout comme la musique v\u00e9ritablement inclassable de Kondo, le film de Viola Rusche et Hauke Harder \u00e9volue constamment. Ils suivent le compositeur d\u2019un concert \u00e0 Amsterdam \u00e0 un restaurant haut de gamme de Tokyo, d\u2019un enregistrement dans un studio \u00e0 Cologne au Temple qu\u2019il fr\u00e9quente dans sa ville natale. S\u2019inspirant de l\u2019esth\u00e9tique du travail du r\u00e9alisateur japonais Yasujiro Ozu, qui est n\u00e9 \u00e0 Kamakura tout comme Kondo, et dont le travail rel\u00e8ve de la m\u00eame \u00e9nergie quotidienne et famili\u00e8re, ce documentaire \u00e9vite le spectaculaire, accordant sa narration au rythme singulier de la musique de Kondo.","synopsis_en":"Jo Kondo is one of Japan\u2019s most acclaimed contemporary composers. His compositions are both abstract and intuitive, devoid of any clear directions but not without form. Like Kondo\u2019s unclassifiable music, Viola Rusche and Hauke Harder\u2019s film is constantly evolving. They follow the composer from a concert in Amsterdam to a high-end restaurant in Tokyo, a recording studio in Cologne and the temple he attends in his birthplace. Inspired by the aesthetic of Japanese filmmaker Yasujiro Ozu, who, like Kondo, was born in Kamakura and whose work reveals the same familiar, day-to-day energy, this documentary avoids the spectacular, tuning its narrative to the unique rhythm of Kondo\u2019s music.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2765,"first_name":"Viola","last_name":"Rusche","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/715\/photo\/Viola_Rusche.jpg","order":0},{"id":2766,"first_name":"Hauke","last_name":"Harder","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/715\/photo\/Hauke_Harder.jpg","order":0}],"generic":[{"id":5727,"first_name":"Ludger","last_name":"Blanke","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":5723,"first_name":"Viola","last_name":"Rusche","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":5722,"first_name":"Martin","last_name":"Zawadzki","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8641,"first_name":"Viola","last_name":"Rusche","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5724,"first_name":"Viola","last_name":"Rusche","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":8639,"first_name":"Viola","last_name":"Rusche","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":5725,"first_name":"Hauke","last_name":"Harder","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8640,"first_name":"Viola","last_name":"Rusche","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27569,"first_name":"Hauke","last_name":"Harder","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27570,"first_name":"Viola","last_name":"Rusche","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/715\/photo\/A_Shape_of_Time_03.jpg","credit":"Rusche&Harder","desc":"Filmstill"},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":203},{"id":246}],"partners":null},{"id":716,"edition":{"id":2},"career_fr":"","career_en":"ARTFILMFESTIVAL, Asolo, Italy (2015)\r\nFilmfest Schleswig-Holstein, Kiel, Germany (2015)\r\nfaithful! II, Fidelity and Betrayal of Musical Interpretation, Berlin, Germany (2014)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Line by Line","title_original":"Line by Line","title_fr":"Zeile f\u00fcr Zeile","title_en":"","year":2014,"length":1980,"website":[{"id":494,"website":"http:\/\/www..zeilefuerzeile.de","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le compositeur allemand Ernstalbrecht Stiebler est l\u2019un des premiers en Europe \u00e0 avoir explor\u00e9 les possibilit\u00e9s du minimalisme et de la r\u00e9p\u00e9tition dans ses compositions. Aujourd\u2019hui directeur de la musique contemporaine au Hessischer Rundfunk \u00e0 Francfort, il est \u00e9galement le cr\u00e9ateur d\u2019une \u0153uvre foisonnante, qui est largement appr\u00e9ci\u00e9e par un public plus jeune. Les r\u00e9alisateur\u00b7ice\u00b7s Viola Rusche et Hauke Harder s\u2019embarquent dans les m\u00e9andres d\u2019une rivi\u00e8re avec le compositeur et suivent ses r\u00e9flexions sur la place du silence dans la musique contemporaine. Sa pi\u00e8ce pour violoncelle Sequenz II<\/i> alterne avec ses pens\u00e9es pr\u00e9cises sur la musique, la lenteur, l\u2019espace, la r\u00e9p\u00e9tition, la r\u00e9sonance, l\u2019\u00e9motion.","synopsis_en":"German composer Ernstalbrecht Stiebler was among the first in Europe to explore the possibilities of minimalism and repetition in his compositions. Today the director of contemporary music at the Hessischer Rundfunk in Frankfurt, he is also the creator of a rich body of work that appeals to younger audiences. Filmmakers Viola Rusche and Hauke Harder follow the composer as he meanders down a river and reflects on the role of silence in contemporary music. His work for cello, Sequenz II, <\/i>is interspersed with his thoughts about music, slowness, space, repetition, resonance and emotion. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2769,"first_name":"Viola","last_name":"Rusche","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/716\/photo\/Viola_Rusche.jpg","order":0},{"id":2770,"first_name":"Hauke","last_name":"Harder","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/716\/photo\/Hauke_Harder.jpg","order":0}],"generic":[{"id":5730,"first_name":"Roman","last_name":"Pernack","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8841,"first_name":"Viola","last_name":"Rusche","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5729,"first_name":"Viola","last_name":"Rusche","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8840,"first_name":"Viola","last_name":"Rusche","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":5728,"first_name":"Hauke","last_name":"Harder","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":8839,"first_name":"Viola","last_name":"Rusche","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27793,"first_name":"Hauke","last_name":"Harder","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27794,"first_name":"Viola","last_name":"Rusche","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/716\/photo\/Zeile_04.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":176}],"partners":null},{"id":738,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"N&B","title_original":"N&B","title_fr":"","title_en":"","year":2016,"length":660,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ce court m\u00e9trage de Carlos Ferrand et Nicolas Renaud nous am\u00e8ne dans l\u2019atelier du photographe Yves Jeanmougin, o\u00f9 le temps se suspend. M\u00e9ditation sur un travail en voie de disparition. Les gestes de l'artisan c\u00e9l\u00e8brent une c\u00e9r\u00e9monie silencieuse qui, \u00e0 travers l\u2019\u0153uvre riche et forte que d\u00e9veloppe ce photographe de reportage depuis les ann\u00e9es 1970, conjure le visage humain jour apr\u00e8s jour.","synopsis_en":"This short film by Carlos Ferrand and Nicolas Renaud takes viewers into the studio of photographer Yves Jeanmougin, where time stands still, in a meditation on a vanishing craft. The photojournalist performs a silent ceremony that invokes the human face day in and day out, as evidenced by his rich and compelling body of work dating back to the 1970s.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2846,"first_name":"Carlos","last_name":"Ferrand","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/738\/photo\/Nicolas_Renaud_gauche-Carlos_Ferrand_droite.jpg","order":0},{"id":2847,"first_name":"Nicolas","last_name":"Renaud","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/738\/photo\/NicolasRenaud.jpg","order":0}],"generic":[{"id":5903,"first_name":"Carlos","last_name":"Ferrand","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":5900,"first_name":"Yves","last_name":"Jeanmougin","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8873,"first_name":"Carlos","last_name":"Ferrand","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5902,"first_name":"Nicolas","last_name":"Renaud","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8871,"first_name":"Carlos","last_name":"Ferrand","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8870,"first_name":"Catherine","last_name":"Van Der Donckt","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8872,"first_name":"Carlos","last_name":"Ferrand","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27522,"first_name":"Carlos","last_name":"Ferrand","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27523,"first_name":"Nicolas","last_name":"Renaud","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/738\/photo\/still-3_N_B.jpg","credit":"","desc":"still from the film"},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":161}],"partners":null},{"id":741,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Thomas Ostermeier, insatiable th\u00e9\u00e2tre","title_original":"Thomas Ostermeier, insatiable th\u00e9\u00e2tre","title_fr":"","title_en":"","year":2016,"length":3420,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Thomas Ostermeier est l\u2019un des metteur en sc\u00e8nes les plus importants de la sc\u00e8ne th\u00e9\u00e2trale europ\u00e9enne actuelle. Issu de la grande tradition des arts vivants en Allemagne, Ostermeier s'int\u00e9resse \u00e0 la mise en sc\u00e8ne contemporaine des canons de la dramaturgie. Ses spectacles sont \u00e0 la fois grandioses et intimes, renouvelant constamment la pertinence de l\u2019exp\u00e9rience th\u00e9\u00e2trale, pour les artistes comme pour les spectateur\u00b7ice\u00b7s. Le r\u00e9alisateur J\u00e9r\u00e9mie Cuvillier s\u2019est faufil\u00e9 dans la salle de r\u00e9p\u00e9tition du spectacle La Mouette<\/i>, cr\u00e9\u00e9e \u00e0 Lausanne en 2016. On observe Ostermeier, anim\u00e9 d\u2019un insatiable d\u00e9sir de th\u00e9\u00e2tre et de v\u00e9rit\u00e9, alors qu\u2019il se saisit de la pi\u00e8ce de Tchekhov pour plonger ses interpr\u00e8tes dans la complexit\u00e9 des enjeux du texte. Travaillant \u00e0 partir d\u2019une m\u00e9thode de jeu qu\u2019il a mise en place, les huit acteurs cheminent vers leur personnage d\u2019une mani\u00e8re intime et authentique.","synopsis_en":"Thomas Ostermeier is one of the leading figures in today's European theatre. Steeped in the great tradition of German performing arts, he is particularly interested in contemporary restagings of the canonical works. His productions are at once grandiose and intimate, constantly renewing the theatrical experience for artists and audiences alike. In this film by J\u00e9r\u00e9mie Cuvillier, we see the rehearsals for The Seagull<\/i>, which premiered in Lausanne in 2016. We also witness Ostermeier\u2019s insatiable desire for dramatic excellence and truth as he takes hold of Chekhov\u2019s play, schooling the actors in the complexities of the text. With the help of an acting method devised by the director himself, the eight actors assume their roles in a very personal and authentic manner.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2856,"first_name":"J\u00e9r\u00e9mie","last_name":"Cuvillier","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/741\/photo\/Jeremie_Cuvillier.jpg","order":0}],"generic":[{"id":8703,"first_name":"J\u00e9r\u00e9mie","last_name":"Cuvillier","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8705,"first_name":"","last_name":"La Compagnie Des Indes","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8702,"first_name":"Fabien","last_name":"Leroy","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":5910,"first_name":"Nils","last_name":"Ostendorf","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":5909,"first_name":"Gildas","last_name":"Le Roux","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8704,"first_name":"","last_name":"La Compagnie Des Indes","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27814,"first_name":"J\u00e9r\u00e9mie","last_name":"Cuvillier","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/741\/photo\/1_Ostermeier_-_La_Compagnie_des_Indes.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":146}],"partners":null},{"id":742,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Zoroastre | Moi, Giacomo Casanova","title_original":"Zoroastre | Moi, Giacomo Casanova","title_fr":"Zoroastro | Io, Giacomo Casanova","title_en":"","year":2016,"length":4140,"website":[],"countries":[{"fr":"Italie","en":"Italy"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Italien","en":"Italian"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce film d\u2019une beaut\u00e9 somptueuse, la com\u00e9dienne Galatea Ranzi pr\u00eate sa voix \u00e0 Giacomo Casanova qui, en 1751, re\u00e7oit l\u2019ordre de traduire en italien un op\u00e9ra fran\u00e7ais \u00ab susceptible de grandes transformations \u00bb. L\u2019aventurier v\u00e9nitien choisit Zoroastre de Cahusac, afin \u00ab d\u2019\u00e9clairer les hommes qui jetteront les bases de la R\u00e9volution fran\u00e7aise \u00bb. En alternance avec les textes de Casanova, le Theresia Youth Baroque Orchestra reprend les plages instrumentales et vocales tir\u00e9es de la version originale de cet op\u00e9ra. Les images du film de Gianni Di Capua, tourn\u00e9es dans des espaces n\u00e9oclassiques tout juste restaur\u00e9s du Teatro Galli de Rimini, suivent un rythme d\u00e9licat, \u00e9laborant une fine mise en sc\u00e8ne entre la voix sobre et grave de Ranzi, les ombres \u00e9l\u00e9gantes du th\u00e9\u00e2tre et les grands mouvements vaporeux de la musique. Une c\u00e9l\u00e9bration unique et in\u00e9dite de la musique classique. ","synopsis_en":"In this sumptuously beautiful film, actress Galatea Ranzi lends her voice to Giacomo Casanova who, in 1751, was commissioned to produce an Italian translation of a French opera that would produce \u201cgreat transformation.\u201d The Venetian adventurer chose Cahusac\u2019s Zoroastre<\/i> to \u201cenlighten the men who would lay the groundwork for the French Revolution.\u201d Interspersed with Casanova\u2019s texts, the Theresia Youth Baroque Orchestra performs instrumental and vocal excerpts from the opera\u2019s original version. The delicately paced images in Gianni Di Capua\u2019s film, shot in the recently restored neoclassical Teatro Galli de Rimini, form a subtle interplay with Ranzi\u2019s deep, solemn voice, the elegant shadows of the theatre and the great ethereal movements of the music. A unique, unprecedented celebration of classical music. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2860,"first_name":"Gianni","last_name":"Di Capua","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/742\/photo\/GianniDi_Capua.jpg","order":0}],"generic":[{"id":5917,"first_name":"Giovanni","last_name":"Andreotta","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8707,"first_name":"","last_name":"Berta Film","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5918,"first_name":"Francesco","last_name":"Marotta","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":5920,"first_name":"Jean-Philippe","last_name":"Rameau","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":8708,"first_name":"Gianni","last_name":"Di Capua","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8706,"first_name":"","last_name":"Bliq Srl","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27818,"first_name":"Gianni","last_name":"Di Capua","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/742\/photo\/Zoroastro_52_SUB_ITA_ENG_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":201}],"partners":null},{"id":746,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Peter Lindbergh - The Eye","title_original":"Peter Lindbergh - The Eye","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Peter Lindbergh est l\u2019un des seuls photographes allemands \u00e0 s\u2019inscrire parmi ceux qui ont largement contribu\u00e9 \u00e0 fa\u00e7onner le monde de la mode et de la publicit\u00e9. Ses fameux portraits de femmes, intemporels, \u00e0 la fois r\u00e9alistes et cin\u00e9matographiques, sont c\u00e9l\u00e8bres, mais peu de gens connaissent son nom. Lindbergh d\u00e9finit son esth\u00e9tique en s\u2019identifiant aux films expressionnistes allemands des ann\u00e9es 20. Il cherche \u00e0 photographier des femmes auxquelles il est possible de s\u2019identifier, des femmes libres et naturelles. Avec lui, une approche nouvelle de la photo de mode voit le jour. Dans ce film de Gero von Boehm, on d\u00e9couvre la personnalit\u00e9 de cet artiste rigoureux ainsi que son travail marquant.","synopsis_en":"Peter Lindbergh is one of the few German photographers in the upper echelon of artists who have shaped the world of fashion and advertising. His timeless portraits of women, at once realistic and cinematic, are famous, but few know his name. Lindbergh\u2019s high contrast black-and-white photos are inspired by Expressionist films of the 1920s. He attempts to photograph women with whom we can identify, women who are free and natural. His style ushered in a new aesthetic approach to fashion photography. In this film by Gero von Boehm, we discover the personality of this rigorous artist and his distinctive \u201cv\u00e9rit\u00e9\u201d images.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2876,"first_name":"Gero","last_name":"Von Boehm","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/746\/photo\/Gerovon_Boehm.jpg","order":0}],"generic":[{"id":5953,"first_name":"Till","last_name":"Vielrose","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8963,"first_name":"","last_name":"First Hand Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":5949,"first_name":"Felix","last_name":"Von Boehm","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":5954,"first_name":"Christiane","last_name":"Von Boehm","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":5955,"first_name":"Sabrina","last_name":"Aull","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":5956,"first_name":"Anton","last_name":"Kaiser","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":5957,"first_name":"Christine","last_name":"Reiss-Suckow","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":5951,"first_name":"Andreas","last_name":"Kickel","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":5950,"first_name":"Lucie","last_name":"Westbrock","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8962,"first_name":"","last_name":"Interscience Film GmbH","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27805,"first_name":"Gero","last_name":"Von Boehm","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/746\/photo\/Lindbergh_13_c_Till_Vielrose.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":200}],"partners":null},{"id":767,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Inquiry Into Time and Perception. Study #1","title_original":"Inquiry Into Time and Perception. Study #1","title_fr":"","title_en":"","year":2015,"length":720,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ces vignettes vid\u00e9o sur le mouvement du corps, inspir\u00e9es par une profonde vitalit\u00e9, stimulent les sens, l\u2019intelligence et l\u2019imagination. L\u2019intimit\u00e9 cr\u00e9\u00e9e par la cam\u00e9ra dans ce film silencieux de Philip Szporer s\u2019allie \u00e0 la vivacit\u00e9 des \u0153uvres cycliques de l\u2019artiste Mariko Tanabe et plus sp\u00e9cifiquement \u00e0 la puissance et la complexit\u00e9 de l\u2019expression des \u00e9motions. Les vid\u00e9os tentent de d\u00e9peindre les sujets, de tracer les contours de leur transcendance, de leur transformation, et de l\u2019espace qu\u2019ils habitent.","synopsis_en":"These vibrant video vignettes of the moving body stimulate the senses, the intellect and the imagination. The intimacy created by the camera in this silent film by Philip Szporer combines with the liveliness of the cyclical works by artist Mariko Tanabe, and in particular with the power and complexity of the emotional expression. The videos attempt to delineate their subjects: their transcendency, transformation, and the spaces they inhabit.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2954,"first_name":"Philip","last_name":"Szporer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/767\/photo\/PhilipSzporer.jpg","order":0}],"generic":[{"id":6088,"first_name":"Bill","last_name":"Kerrigan","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8853,"first_name":"","last_name":"Mouvement Perpetuel","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6089,"first_name":"Marlene","last_name":"Millar","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":6084,"first_name":"Philip","last_name":"Szporer","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":27516,"first_name":"Philip","last_name":"Szporer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/767\/photo\/MARIKO_blindfold.jpg","credit":"Bill Kerrigan","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":146}],"partners":null},{"id":772,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Le paradis, c'est ailleurs","title_original":"Le paradis, c'est ailleurs","title_fr":"","title_en":"","year":2017,"length":3120,"website":[{"id":534,"website":"http:\/\/vimeo.com\/175710117 password: 4747","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le r\u00e9alisateur Martin Duckworth nous propose une rencontre avec Edouard Lachapelle. \u00c0 la fois artiste peintre, concepteur graphique, critique d\u2019art, conservateur, historien et m\u00e9diateur culturel, Lachapelle est un oiseau rare \u00e0 notre \u00e9poque de sp\u00e9cialistes. C\u2019est plut\u00f4t un homme de la Renaissance, dont la d\u00e9marche est aussi cr\u00e9ative qu'intellectuelle. Il est l\u2019un des pionniers et un membre important depuis plus de vingt ans de la Fondation pour l\u2019art th\u00e9rapeutique et l\u2019art brut au Qu\u00e9bec (FATABQ), organisme mieux connu sous le nom des Impatients. Bien ancr\u00e9 dans la vie culturelle montr\u00e9alaise, les Impatients offre des ateliers de cr\u00e9ation aux personnes ayant un probl\u00e8me de sant\u00e9 mentale, en plus de diffuser leurs \u0153uvres ainsi que celle de plusieurs artistes. \u00c0 travers la voix de ses amis et de ses coll\u00e8gues, ce film rend hommage \u00e0 la contribution unique de Edouard Lachapelle \u00e0 la culture qu\u00e9b\u00e9coise.","synopsis_en":"In this film, Martin Duckworth presents a portrait of Edouard Lachapelle. Painter, graphic designer, art critic, curator, historian and cultural mediator, Lachapelle is a rarity in this era of specialization. He is more of a Renaissance man, whose process is as creative as it is intellectual. For more than 20 years, he was one of the pioneers and leading members of the Fondation pour l\u2019art th\u00e9rapeutique et l\u2019art brut au Qu\u00e9bec, better know as Impatients. Well established on Montreal\u2019s cultural scene, Impatients offers creative workshops to people struggling with mental problems, in addition to disseminating their works and those of many artists. With commentary by his friends and colleagues, the film pays tribute to Lachapelle\u2019s unique contribution to Quebec culture. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2971,"first_name":"Martin","last_name":"Duckworth","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/772\/photo\/Martin_duckworth.jpg","order":0}],"generic":[{"id":6103,"first_name":"Martin","last_name":"Duckworth","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8831,"first_name":"","last_name":"Pleiades Production","post_fr":"Distribution","post_en":"Distribution","order":7,"post_order":69},{"id":6105,"first_name":"Yigal","last_name":"Judah","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":6106,"first_name":"Robert Marcel","last_name":"Lepage","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":6107,"first_name":"Jocelyne","last_name":"Clarke","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":6108,"first_name":"Michel","last_name":"Tanguay","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8830,"first_name":"","last_name":"Pleiades Production","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":27584,"first_name":"Martin","last_name":"Duckworth","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/772\/photo\/Le_paradis_c_est_ailleurs.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":186}],"partners":null},{"id":776,"edition":{"id":2},"career_fr":"Survol de quelques festivals :\r\n\r\nSolothurner Filmtage, Suisse\r\nDocs against Gravity Film Festival, Pologne\r\nFestival Internacional de Cine en Guadalajara, Mexique\r\nVisions du R\u00e9el, Suisse\r\nInternationale Kurzfilmtage Oberhausen, Allemagne\r\nJugendarbeit Worb, Suisse\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Heidi at the Foley Artist","title_original":"Heidi at the Foley Artist","title_fr":"Heidi beim Ger\u00e4uschemacher","title_en":"","year":2016,"length":840,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Une jeune com\u00e9dienne qui incarne le r\u00f4le-titre dans un nouveau film de Heidi<\/i> se passionne pour le travail de l\u2019ing\u00e9nieur du son sur le plateau. La petite Anuk nous entra\u00eenera dans un studio myst\u00e9rieux o\u00f9 elle participe \u00e0 une exp\u00e9rience fascinante : bruiter une sc\u00e8ne mythique de l\u2019adaptation du roman de Johanna Spyri. Une petite le\u00e7on de cin\u00e9ma sur une figure l\u00e9gendaire et l\u2019importance de la bande-son.","synopsis_en":"A young actress playing the title role in the new Heidi<\/i> film is intrigued by the sound engineer. Nine-year-old Anuk takes viewers into a mysterious studio where she becomes part of a fascinating experiment: creating the sound effects for a scene from the adaptation of Johanna Spyri\u2019s novel. An enlightening lesson about a legendary film character and the importance of the soundtrack.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2989,"first_name":"Christian","last_name":"Frei","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/776\/photo\/CHRISTIANFREI.jpg","order":0}],"generic":[{"id":6126,"first_name":"Peter","last_name":"Indergand","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8567,"first_name":"","last_name":"Milos-Films","post_fr":"Distribution","post_en":"Distribution","order":9,"post_order":69},{"id":6127,"first_name":"Thomas","last_name":"Bachmann","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":6128,"first_name":"Christian","last_name":"Frei","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6129,"first_name":"Chick","last_name":"Corea","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8565,"first_name":"Francine","last_name":"Pickel","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8566,"first_name":"Isabelle","last_name":"Zampiero","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":8564,"first_name":"Vincent","last_name":"Adatte","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":8563,"first_name":"","last_name":"Milos-Films","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27515,"first_name":"Christian","last_name":"Frei","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/776\/photo\/Heidi_beim_Geraeuschemacher_Still_Maintif.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":199}],"partners":null},{"id":778,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Magritte, la trahison des images","title_original":"Magritte, la trahison des images","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab Mes tableaux sont des pens\u00e9es visibles \u00bb, disait Magritte. Ce film fouill\u00e9 du r\u00e9alisateur Sylvain Berg\u00e8re s\u2019attache \u00e0 la pens\u00e9e d\u2019un homme qui, parmi d\u2019autres choses s\u2019adonnait \u00e0 la peinture. L\u2019aventure surr\u00e9aliste de Magritte commence en 1923, lorsqu\u2019il rencontre une reproduction du Chant d\u2019amour<\/i> de Giorgio de Chirico. Pour la premi\u00e8re fois, il a le sentiment d\u2019\u00eatre confront\u00e9 \u00e0 une image qui est directement branch\u00e9 sur la vie de l\u2019esprit. Jusqu\u2019\u00e0 sa derni\u00e8re \u0153uvre, Magritte sera fid\u00e8le \u00e0 ce choc fondateur. \u00c0 l\u2019occasion de la grande r\u00e9trospective organis\u00e9e au Centre Pompidou, \u00e0 Paris, \u00e0 l\u2019automne 2016, le r\u00e9alisateur Sylvain Berg\u00e8re diss\u00e8que cette \u0153uvre foisonnante pour comprendre comment, \u00e0 partir de symboles parfois tr\u00e8s simples, le peintre belge a construit un langage pictural riche et pluriel.","synopsis_en":"\u201cMy paintings are thoughts made visible,\u201d said Magritte. This carefully researched film by Sylvain Berg\u00e8re examines the mind of a man who, among other things, took up painting. Magritte embarked on his Surrealist adventure in 1923, after seeing a reproduction of Giorgio de Chirico\u2019s Song of Love<\/i>. For the first time, he felt he was looking at an image that was directly connected to the realm of the spirit. Magritte remained true to this initial realization right up until his final work. At a major retrospective at the Centre Pompidou in Paris in fall 2016, the filmmaker analyzed the Belgian painter\u2019s vast body of work in an attempt to understand how he developed a rich and varied pictorial language based on symbols, some of them very simple. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2995,"first_name":"Sylvain","last_name":"Berg\u00e8re","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/778\/photo\/SylvainBergere.jpg","order":0}],"generic":[{"id":6133,"first_name":"Didier","last_name":"Ottinger","post_fr":"Auteur","post_en":"Author","order":9,"post_order":19},{"id":6138,"first_name":"Rodolphe","last_name":"Soucaret","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":6136,"first_name":"Philippe","last_name":"Baillon","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":6137,"first_name":"J\u00e9r\u00f4me","last_name":"Dedina","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":6139,"first_name":"Muriel","last_name":"Combeau","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":6140,"first_name":"Eric","last_name":"Depreter","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":6141,"first_name":"Gabor","last_name":"Rassov","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":6135,"first_name":"Olivier","last_name":"Mille","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":8990,"first_name":"","last_name":"Artline Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27799,"first_name":"Sylvain","last_name":"Berg\u00e8re","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/778\/photo\/VISUEL_2_MAGRITTE.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":151},{"id":224}],"partners":null},{"id":779,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Lucky Luke - La fabrique du western europ\u00e9en","title_original":"Lucky Luke - La fabrique du western europ\u00e9en","title_fr":"","title_en":"","year":2016,"length":3180,"website":[{"id":537,"website":"https:\/\/vimeo.com\/185472533","type_id":11,"type_1":"Vimeo","type_2":"Vimeo","description":"","embed":""}],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Du 14 octobre 2017 au 21 janvier 2018, le Mus\u00e9e des beaux-arts de Montr\u00e9al pr\u00e9sentera l\u2019exposition Il \u00e9tait une fois... le western : une mythologie entre art et cin\u00e9ma<\/i>. En Am\u00e9rique comme \u00e0 l\u2019\u00e9tranger, le mythe du western a marqu\u00e9 l\u2019imaginaire de toute une g\u00e9n\u00e9ration par son exotisme. Par le fait m\u00eame, le dessinateur belge Maurice de B\u00e9v\u00e8re, dit Morris, fantasme sur les truands qui peuplent les plaines d\u00e9sertiques am\u00e9ricaines et en vient \u00e0 cr\u00e9er le personnage de Lucky Luke. Des premi\u00e8res esquisses de son cowboy jusqu\u2019\u00e0 la version aujourd\u2019hui mondialement c\u00e9l\u00e8bre \u00e9labor\u00e9e avec Goscinny aux commandes du sc\u00e9nario, on d\u00e9couvre le parcours et les diff\u00e9rentes influences de Morris. Dans ce portrait de Lucky Luke qui, malgr\u00e9 ses 70 ans, d\u00e9gaine toujours aussi vite, le r\u00e9alisateur fran\u00e7ais Guillaume Podrovnik instille folie et d\u00e9calage tout en multipliant les portes d\u2019entr\u00e9e pour d\u00e9crire ce mythe dessin\u00e9.","synopsis_en":"From October 14, 2017, to January 21, 2018, the Montreal Museum of Fine Arts will be presenting the exhibition Once Upon a Time ... The Western: A New Frontier in Art and Film.<\/i> In America and abroad, the myth of the exotic Wild West captured the imagination of an entire generation. Belgian cartoonist Maurice de B\u00e9v\u00e8re, known as Morris, fantasized about the gunslingers who roamed the American Great Plains and invented the character of Lucky Luke. From his early sketches to the now world-famous version of his cowboy, developed with scripts by Goscinny, the film looks at Morris\u2019s career and his various influences. In this madcap portrait of Lucky Luke who, although now 70 years old, is still just as quick on the draw, French filmmaker Guillaume Podrovnik presents the mythical cartoon cowboy from a variety of angles. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":2999,"first_name":"Guillaume","last_name":"Podrovnik","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/779\/photo\/Guillaume_Podrovnik.jpg","order":0}],"generic":[{"id":6144,"first_name":"Pierre","last_name":"Ma\u00efllis-Laval","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8455,"first_name":"","last_name":"Label Image","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6146,"first_name":"Ronan","last_name":"Sinquin","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6147,"first_name":"Samuel","last_name":"Hirsch","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":6148,"first_name":"Garance","last_name":"Thenault","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":6143,"first_name":"Thibaut","last_name":"Chatel","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":6142,"first_name":"Guillaume","last_name":"Galliot","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":6158,"first_name":"Laurence","last_name":"Chanut","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":6145,"first_name":"Kevin","last_name":"Bally","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8597,"first_name":"","last_name":"Label Image","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27796,"first_name":"Guillaume","last_name":"Podrovnik","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/779\/photo\/Goscinny-Morris_dessin-anime_70_s.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":147},{"id":152}],"partners":null},{"id":782,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"J\u00e9r\u00f4me Bosch, le diable aux ailes d'ange","title_original":"J\u00e9r\u00f4me Bosch, le diable aux ailes d'ange","title_fr":"","title_en":"","year":2016,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019ann\u00e9e 2016 marquait les 500 ans de la mort du peintre n\u00e9erlandais le plus c\u00e9l\u00e8bre : J\u00e9r\u00f4me Bosch. Contemporain de L\u00e9onard de Vinci, Bosch est \u00e0 la crois\u00e9e de l\u2019h\u00e9ritage symbolique du Moyen \u00c2ge et de l\u2019arriv\u00e9e de l\u2019humanisme issu de la Renaissance. Ses \u0153uvres authentiques sont rares : 25 tableaux et huit dessins, r\u00e9partis dans les plus grands mus\u00e9es du monde. Avec ce documentaire dans lequel nous entrons, gr\u00e2ce \u00e0 l\u2019animation, dans l\u2019imaginaire de Bosch, les r\u00e9alisatrices Eve Ramboz et Nathalie Plicot rendent un hommage sensible et po\u00e9tique \u00e0 ce peintre de g\u00e9nie. Avec des superbes effets visuels cr\u00e9\u00e9s par Ramboz, les tableaux du peintre s\u2019animent, d\u00e9ployant toute leur beaut\u00e9 et leur force. Le d\u00e9cryptage des \u0153uvres l\u00e8ve le voile sur cet homme et sa pens\u00e9e ainsi que sur sa relation avec l\u2019\u00c9glise et la science naissante.","synopsis_en":"The year 2016 marked the 500th anniversary of the death of one of Holland\u2019s most celebrated painters: Hieronymous Bosch. A contemporary of Da Vinci, Bosch was at the crossroads of mediaeval symbolism and Renaissance humanism. His authenticated works are rare: twenty-five paintings and eight drawings, all exhibited in the world\u2019s greatest museums. In this sensitive and poetic portrait, we enter the imagination of the painter via the techniques of animation. Through the superb visual effects created by co-director Eve Ramboz, the paintings come to life, displaying all their beauty and power. By decrypting his works in the context of his time, the film lifts the veil on the man and his beliefs; it also examines the relationships between Bosch, the Church and science in an age in which these two visions of the world were starting to clash.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3010,"first_name":"Eve","last_name":"Ramboz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/782\/photo\/everamboz.jpg","order":0},{"id":3011,"first_name":"Nathalie","last_name":"Plicot","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/782\/photo\/nathalieplicot.jpg","order":0}],"generic":[{"id":6183,"first_name":"Jean-Dominique","last_name":"Ferrucci","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":6182,"first_name":"Denis","last_name":"Gaubert","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":6184,"first_name":"Marc","last_name":"Seferchian","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8444,"first_name":"","last_name":"Ina","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6186,"first_name":"Catherine","last_name":"Beringuier","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":6185,"first_name":"Guillaume","last_name":"Solignat","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":8442,"first_name":"Sylvie","last_name":"Blum","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8443,"first_name":"","last_name":"Ina","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27338,"first_name":"Nathalie","last_name":"Plicot","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/782\/photo\/BOSCH_02.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":177},{"id":236}],"partners":null},{"id":783,"edition":{"id":2},"career_fr":"Festival International du Film d'Histoire, Pessac, France (2015)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Artistes Femmes, \u00e0 la force du pinceau","title_original":"Artistes Femmes, \u00e0 la force du pinceau","title_fr":"Artistes Femmes, \u00e0 la force du pinceau","title_en":"Women Painters, Four Centuries of Struggle","year":2015,"length":3180,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"De la Renaissance au d\u00e9but du XXe si\u00e8cle, la documentariste Manelle Blanc retrace le parcours de neuf femmes peintres qui ont lutt\u00e9 pour acc\u00e9der \u00e0 la reconnaissance artistique. Gr\u00e2ce \u00e0 leur ing\u00e9niosit\u00e9 et \u00e0 leur courage, elles ont r\u00e9ussi tant bien que mal \u00e0 gagner, de leur vivant, l\u2019estime de leurs pairs. Mais quelle place ont-elles aujourd\u2019hui dans l\u2019histoire de l\u2019art ? C\u2019est aussi la subjectivit\u00e9 du discours officiel qui est ici mis en lumi\u00e8re. Voyageant de tableau en tableau, \u00e0 travers les \u00e9poques et les styles, rassemblant les t\u00e9moignages de plusieurs intervenants du milieu de l\u2019art, ce documentaire extr\u00eamement bien ficel\u00e9 construit le r\u00e9cit d\u2019une histoire m\u00e9connue qu\u2019il est grand temps d\u2019\u00e9crire : celle des femmes qui ont marqu\u00e9 le milieu de la peinture.","synopsis_en":"From the Renaissance to the beginning of the twentieth century, documentary filmmaker Manelle Blanc looks at the lives of nine female painters who struggled to achieve recognition as artists.Through their ingenuity and courage, they somehow managed to win the respect of their peers during their lifetime. But what place do they hold today in the history of art? The film also sheds light on the subjective nature of the official story. Moving from painting to painting and through various eras and styles, with commentary by a number of art experts, this finely crafted documentary tells a little-known story that is long overdue: that of women who left their mark as painters.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3015,"first_name":"Manuelle","last_name":"Blanc","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/783\/photo\/Marie-Guillemine_Benoist_Portrait_d_une_negresse_Bridgeman_Images.jpg","order":0}],"generic":[{"id":6189,"first_name":"Olivier","last_name":"Raffet","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8330,"first_name":"","last_name":"Lucky You","post_fr":"Distribution","post_en":"Distribution","order":5,"post_order":69},{"id":6188,"first_name":"Julie","last_name":"Martinovic","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":6190,"first_name":"Emmanuel","last_name":"Curtil","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":6193,"first_name":"Marie","last_name":"Balducchi","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":6191,"first_name":"Sylvain","last_name":"Delecroix","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8329,"first_name":"","last_name":"Ex Nihilo","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27562,"first_name":"Manuelle","last_name":"Blanc","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/783\/photo\/Danae_-_Arte_misia_Gentileschi_Bridgeman_Images.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":216}],"partners":null},{"id":785,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Samurai Architect: Tadao Ando","title_original":"Samurai Architect: Tadao Ando","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"Japon","en":"Japan"},{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Japonais","en":"Japanese"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Autodidacte, ancien boxeur, Tadao Ando a s\u00e9duit le monde entier avec ses constructions de b\u00e9ton qui reprennent les principes de simplicit\u00e9 de la philosophie zen. R\u00e9cipiendaire du prix Pritzker d\u2019architecture, il est l\u2019un des architectes les plus reconnus mondialement. Sa personnalit\u00e9 et son sens de l\u2019humour incisif tranchent avec ses cr\u00e9ations minimalistes. Dans ce documentaire, le r\u00e9alisateur Yu Nakamura suit Ando sur une p\u00e9riode d\u2019un an, mettant en lumi\u00e8re son implacable discipline de travail et son sens esth\u00e9tique aigu, qui lui ont valu le surnom d\u2019\u00ab architecte samurai \u00bb. Au-del\u00e0 du dessin et de la conception, le film nous donne acc\u00e8s au processus de construction, au chantier et \u00e0 l\u2019habilet\u00e9 de ceux qui transforment les dessins en b\u00e2timents.","synopsis_en":"Tadao Ando has captivated people around the globe with his elegant concrete designs that reflect the Zen principle of simplicity. The recipient of the Pritzker Architecture Prize, the profession\u2019s highest honour, he is among the world\u2019s preeminent architects. In sharp contrast to his refined minimalist creations, the self-taught 73 year-old former boxer has an aggressive personality, a sharp tongue and a unique sense of humour. These seemingly contradictory traits add to his appeal, and when combined with his disciplined work ethic and keen aesthetic sense, they help to explain why he has been called the \u201csamurai architect.\u201d This film follows Ando over a one-year period, shedding light on his creative process, on the skill and ingenuity required to transform drawings into buildings.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3023,"first_name":"Yu","last_name":"Nakamura","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/785\/photo\/Director_Yu_Nakamura.jpg","order":0},{"id":3024,"first_name":"Shigenori","last_name":"Mizuno","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":6206,"first_name":"Ryu","last_name":"Aritomi","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":6207,"first_name":"Minoru","last_name":"Fukutomi","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8521,"first_name":"","last_name":"NHK And NHK Enterprises Inc.","post_fr":"Distribution","post_en":"Distribution","order":10,"post_order":69},{"id":6209,"first_name":"Herbert","last_name":"Hunger","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6208,"first_name":"Birger","last_name":"Clausen","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":6211,"first_name":"Patrick","last_name":"Hoerl","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":6212,"first_name":"Shigenori","last_name":"Mizuno","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":6210,"first_name":"Taiju","last_name":"Shimoda","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":8519,"first_name":"","last_name":"NHK And NHK Enterprises Inc.","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":8520,"first_name":"","last_name":"Authentic","post_fr":"Production","post_en":"Production","order":9,"post_order":3},{"id":27376,"first_name":"Yu","last_name":"Nakamura","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/785\/photo\/Samurai_Architect2_c_NHK.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":149},{"id":211}],"partners":null},{"id":801,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Le songe du luthier","title_original":"Le songe du luthier","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En lui achetant un lot d\u2019\u00e9rable tout \u00e0 fait exceptionnel, le luthier suisse Pierre Louis fait une promesse \u00e0 une ancienne coll\u00e8gue de l\u2019\u00e9cole de lutherie. Avec le bois de ce lot, qui provient d\u2019un m\u00eame arbre, il r\u00e9alisera quatre instruments qui constitueront un quatuor \u00e0 cordes : deux violons, un violoncelle et un alto. Install\u00e9e au c\u0153ur de l\u2019atelier, la cam\u00e9ra de Christophe Ferrux filme les gestes, capte les sons et la chor\u00e9graphie subtile qui est celle du luthier \u00e0 l\u2019\u0153uvre. Au fil des saisons, entre le silence de l\u2019atelier et la musique d\u2019Aur\u00e8le Louis, naissent les instruments. Portrait m\u00e9ditatif de cet artisan d\u2019exception, dont le projet ne se contente pas de donner vie \u00e0 ces quatre instruments d\u2019une m\u00eame famille, mais les accompagne jusqu\u2019\u00e0 ce qu\u2019ils jouent ensemble leurs premi\u00e8res notes entre les mains du Casals Quartet. ","synopsis_en":"After buying an exceptional maple lot, Swiss instrument maker Pierre Louis made a promise to a colleague from his former school. With the wood from this lot, which came from a single tree, he would make four instruments for a string quartet: two violins, a cello and a viola. Inside his studio, the camera of director Christophe Ferrux follows his gestures, captures the sounds and subtle choreography of a skilled craftsman at work. Over the seasons, between the silence of the workshop and the music of Aur\u00e8le Louis, the instruments come to life. A meditative portrait of this remarkable craftsman, which not only chronicles the birth of these four instruments from the same family, but records their very first notes together, as performed by the Casals Quartet.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3077,"first_name":"Christophe","last_name":"Ferrux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/801\/photo\/ChristohpheFerrux.jpg","order":0}],"generic":[{"id":6315,"first_name":"Christophe","last_name":"Ferrux","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8836,"first_name":"","last_name":"Les Amis Du Quatuor","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6317,"first_name":"Aur\u00e8le","last_name":"Louis","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":6318,"first_name":"Aur\u00e8le","last_name":"Louis","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":6316,"first_name":"Christophe","last_name":"Ferrux","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":8838,"first_name":"Catherine","last_name":"Louis","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8837,"first_name":"","last_name":"Les Amis Du Quatuor","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27585,"first_name":"Christophe","last_name":"Ferrux","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/801\/photo\/Capture_d_e_cran_2016-01-06_a_21_42_26.png","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":176}],"partners":null},{"id":803,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Jean-Pierre Morin le sculpteur de lumi\u00e8re","title_original":"Jean-Pierre Morin le sculpteur de lumi\u00e8re","title_fr":"","title_en":"","year":2016,"length":1740,"website":[{"id":544,"website":"https:\/\/vimeo.com\/160914996","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Madame Isabelle de M\u00e9vius, m\u00e9c\u00e8ne et directrice fondatrice du centre d\u2019exposition le 1700 La Poste, a confi\u00e9 \u00e0 l\u2019artiste qu\u00e9b\u00e9cois Jean-Pierre Morin la cr\u00e9ation d\u2019une \u0153uvre monumentale qui s\u2019inscrit d\u00e9sormais en permanence dans le paysage de la rue Notre-Dame \u00e0 Montr\u00e9al. En dialogue avec la r\u00e9alisatrice Suzanne Guy, Morin raconte son parcours dans le monde de l\u2019art et sa mani\u00e8re d\u2019envisager la sculpture. Ce film, produit \u00e0 l\u2019occasion de la r\u00e9alisation de cette commande, suit son processus cr\u00e9atif, depuis la conception jusqu\u2019\u00e0 la r\u00e9alisation et l\u2019installation des sculptures.","synopsis_en":"Isabelle de M\u00e9vius, patron of the arts and founding director of the exhibition centre 1700 La Poste, commissioned Quebec artist Jean-Pierre Morin to create a monumental work that would be a permanent feature of the landscape on Montreal\u2019s Notre Dame Street. In a conversation with filmmaker Suzanne Guy, Morin talks about his career in art and the way he views sculpture. The film, which was made as the commission was being executed, follows Morin\u2019s creative process from the design stage to the completion and installation of the sculptures.

","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3084,"first_name":"Suzanne","last_name":"Guy","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/803\/photo\/suzanneguy.jpg","order":0}],"generic":[{"id":6329,"first_name":"Philippe","last_name":"Lavalette","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8712,"first_name":"","last_name":"Les \u00c9ditions De M\u00e9vius","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6334,"first_name":"Yves","last_name":"Chaput","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":6336,"first_name":"Odr\u00e9e","last_name":"Lapointe","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":6328,"first_name":"David","last_name":"Thomas","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":8711,"first_name":"Roger","last_name":"Lupien","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":6331,"first_name":"Richard","last_name":"Lavoie","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":6330,"first_name":"Olivier","last_name":"L\u00e9ger","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":6322,"first_name":"Les \u00c9ditions","last_name":"De M\u00e9vius","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27517,"first_name":"Suzanne","last_name":"Guy","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/803\/photo\/SG_Atelier_JPM_2.JPG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":164}],"partners":null},{"id":804,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Le pavillon des douze","title_original":"Le pavillon des douze","title_fr":"","title_en":"","year":2016,"length":2940,"website":[],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Quelque part le long d\u2019un canal en Wallonie, il y aurait un pavillon qui abriterait 12 tableaux\u2026 Un mus\u00e9e \u00e0 la port\u00e9e de tous. Le r\u00e9alisateur Claude Fran\u00e7ois nous immerge avec un rythme po\u00e9tique dans les univers de 12 \u0153uvres picturales, librement comment\u00e9es par 12 auteur\u00b7ice\u00b7s belges francophones. L\u2019\u0153il de la cam\u00e9ra nous guide \u00e0 travers la toile, d\u00e9voilant les multiples r\u00e9cits qui se d\u00e9ploient dans les tableaux de Gilberte Dumont, de Paul Bril, de Jos Albert, de L\u00e9on Fr\u00e9d\u00e9ric, de Roger Goossens, de Th\u00e9o van Rysselberghe, de F\u00e9licien Rops, de Louis Van Spiegele, de C\u00e9cile Douard, d\u2019Andr\u00e9 Stas, d\u2019Henri Bles et d\u2019un peintre anonyme. Ce film est un floril\u00e8ge tr\u00e8s personnel qui rassemble des \u0153uvres de toutes les \u00e9poques et de tous les styles, provenant de collections priv\u00e9es et de mus\u00e9es de la F\u00e9d\u00e9ration Wallonie-Bruxelles. Une histoire de l\u2019art en Belgique novatrice et accessible.","synopsis_en":"Somewhere along a canal in Wallonia is a pavilion housing twelve paintings\u2026 a museum within everyone\u2019s reach. Director Claude Fran\u00e7ois poetically immerses us in these twelve pictorial worlds, guided by twelve Belgian authors. The eye of the camera leads us into the heart of the canvases, revealing the multiple narratives unfolding within paintings by Gilberte Dumont, Paul Bril, Jos Albert, L\u00e9on Fr\u00e9d\u00e9ric, Roger Goossens, Th\u00e9o van Rysselberghe, F\u00e9licien Rops, Louis Van Spiegele, C\u00e9cile Douard, Andr\u00e9 Stas, Henri Bles, and an anonymous artist. This very personal anthology brings together works from all eras and all styles from private collections and museums throughout the Wallonia-Brussels Federation. An innovative and accessible history of Belgian art.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3088,"first_name":"Claude","last_name":"Fran\u00e7ois","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/804\/photo\/ClaudeFrancois.jpg","order":0}],"generic":[{"id":6343,"first_name":"Jean Pierre","last_name":"VanderElst","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":6356,"first_name":"","last_name":"IMAGECREATION.com","post_fr":"Distribution","post_en":"Distribution","order":12,"post_order":69},{"id":6354,"first_name":"Martine","last_name":"Barb\u00e9","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":8595,"first_name":"Wilbur","last_name":"Leguebe","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":8596,"first_name":"Isabelle","last_name":"Christiaens","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":6355,"first_name":"","last_name":"IMAGECREATION.com","post_fr":"Production","post_en":"Production","order":10,"post_order":3},{"id":6357,"first_name":"","last_name":"RTBF","post_fr":"Production","post_en":"Production","order":11,"post_order":3},{"id":6345,"first_name":"Margarida","last_name":"Guia","post_fr":"Conception sonore","post_en":"Sound Design","order":1,"post_order":57},{"id":6351,"first_name":"Henri","last_name":"Morelle","post_fr":"Sons additionnels","post_en":"Additional sounds","order":1,"post_order":60},{"id":6350,"first_name":"Nathalie","last_name":"Estevenin","post_fr":"Musique","post_en":"Music","order":1,"post_order":58},{"id":6344,"first_name":"Sacha","last_name":"Stefanovic","post_fr":"Musique","post_en":"Music","order":2,"post_order":58},{"id":8716,"first_name":"Jason","last_name":"Van Gulick","post_fr":"Musique","post_en":"Music","order":3,"post_order":58},{"id":8717,"first_name":"Tom","last_name":"Cohen","post_fr":"Musique","post_en":"Music","order":4,"post_order":58},{"id":8718,"first_name":"Hern\u00e2ni","last_name":"Faustino","post_fr":"Musique","post_en":"Music","order":5,"post_order":58},{"id":9003,"first_name":"","last_name":"12 Variations De \"Ah, Vous Dirai-Je, Maman\" - K265 De Mozart Interpr\u00e9t\u00e9 Au Piano Par Sacha Stefanovic","post_fr":"Musique additionnelle","post_en":"Additional music","order":1,"post_order":61},{"id":27371,"first_name":"Claude","last_name":"Fran\u00e7ois","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/804\/photo\/Le_Pavillon_des_Douze_03_002.jpg","credit":"Image cr\u00e9ation.com","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":221}],"partners":null},{"id":832,"edition":{"id":2},"career_fr":"BFI London Film Festival, Londres, Angleterre (2016)\r\nL'Age D'Or Film Festival, Bruxelles, Belgique (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"BFI London Film Festival, London, UK (2016)\r\nL'Age D'Or Film Festival, Brussels, Belgium (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"EXPRMNTL","title_original":"EXPRMNTL","title_fr":"","title_en":"","year":2016,"length":4020,"website":[{"id":558,"website":"http:\/\/www.exprmntl.be","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":559,"website":"https:\/\/www.facebook.com\/exprmntl\/","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":560,"website":"http:\/\/www.twitter.com\/exprmntl","type_id":12,"type_1":"Twitter","type_2":"Twitter","description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Flamand","en":"Flemish"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""}],"synopsis_fr":"En 1949, le casino de Knokke, une petite station baln\u00e9aire mondaine belge, devient l\u2019\u00e9picentre d\u2019un des \u00e9v\u00e9nements les plus importants de l\u2019histoire du cin\u00e9ma exp\u00e9rimental et d\u2019avant-garde. Le Festival international du cin\u00e9ma exp\u00e9rimental de Knokke-le-Zoute, surnomm\u00e9 EXPRMNTL, a connu cinq \u00e9ditions entre 1949 et 1974, qui sont toutes devenues mythiques. Il constituait un lieu de rendez-vous pour des r\u00e9alisateur\u00b7ice\u00b7s de la contre-culture des ann\u00e9es 60 devenu\u00b7e\u00b7s tout aussi l\u00e9gendaires et dont les films questionnaient la nature m\u00eame des images et du cin\u00e9ma. Le film de Brecht Debackere raconte le cin\u00e9ma exp\u00e9rimental \u00e0 travers l\u2019histoire de ce festival, en m\u00ealant les images d\u2018archives aux t\u00e9moignages d\u2019artistes comme Peter Kubelka, Jonas Mekas et Agn\u00e8s Varda qui y ont fait leurs d\u00e9buts.","synopsis_en":"In 1949, the casino in Knokke, a small Belgian seaside resort, became the epicentre for a seminal event in the history of experimental and avant-garde film. The Festival international du cin\u00e9ma exp\u00e9rimental de Knokke-le-Zoute, also known as EXPRMNTL, was presented five times between 1949 and 1974, with each edition achieving a mythical status. It was a gathering place for counterculture filmmakers of the 1960s who went on to become legends and whose films questioned the very nature of images and film. Filmmaker Brecht Debackere looks at experimental cinema through the history of this festival, combining archival images with commentary by such artists as Peter Kubelka, Jonas Mekas and Agn\u00e8s Varda, who made their debut at EXPRMNTL.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3185,"first_name":"Brecht","last_name":"Debackere","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/832\/photo\/BrechtDe_backere.jpg","order":0}],"generic":[{"id":8427,"first_name":"Sander","last_name":"Vandenbroucke","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8426,"first_name":"Steven","last_name":"Dhoedt","post_fr":"Image","post_en":"Cinematography","order":7,"post_order":64},{"id":8414,"first_name":"","last_name":"Visualantics","post_fr":"Distribution","post_en":"Distribution","order":6,"post_order":69},{"id":6574,"first_name":"Beppe","last_name":"Leonetti","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6572,"first_name":"Steven","last_name":"Dhoedt","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":6575,"first_name":"Boris","last_name":"Debackere","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8413,"first_name":"","last_name":"Visualantics","post_fr":"Production","post_en":"Production","order":5,"post_order":3},{"id":27554,"first_name":"Brecht","last_name":"Debackere","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/832\/photo\/EXPRMNTL-Intro_title_main03.jpg","credit":"Visualantics","desc":"Jacques Ledoux, founder of the EXPRMNTL festival"},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":141}],"partners":null},{"id":836,"edition":{"id":2},"career_fr":"Journ\u00e9es Internationales du Film sur l'Art, Mus\u00e9e du Louvre, France (2017)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Quinzaine claire","title_original":"Quinzaine claire","title_fr":"Waxing Moon","title_en":"","year":2017,"length":5806,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"Cambodge","en":"Cambodia"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Khmer","en":"Khmer"},{"fr":"Anglais","en":"English"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""}],"synopsis_fr":"Pendant le r\u00e9gime des Khmers Rouges, on a dit du Cambodge qu\u2019il \u00e9tait comme plong\u00e9 dans le noir. Une nuit \u00e9paisse, qui efface tout : les visages, les gestes, les images. Seule la lueur de la lune, comme dans les anciens contes khmers, permettait d\u2019\u00e9clairer les visages et de compter le temps qui passe. Aux jours sombres succ\u00e8de la quinzaine des nuits claires.

Quarante ans apr\u00e8s la chute de Phnom Penh, le 17 avril 1975, S\u00e9ra Ing travaille sur la sculpture qui va devenir le premier m\u00e9morial du g\u00e9nocide. Le projet rencontre des difficult\u00e9s \u00e0 exister et cristallise les paradoxes d\u2019une soci\u00e9t\u00e9 en pleine mutation. Est-il temps de se souvenir ?","synopsis_en":"During the Khmer Rouge regime, people said that Cambodia was plunged into total darkness. A thick night that erased everything: faces, gestures, images. Like in the ancient Khmer tales, only the glow of the moon shed light on faces and marked the passage of time. The dark days were followed by two weeks of clear nights.

Forty years after Phnom Penh fell on April 17, 1975, S\u00e9ra Ing is working on a sculpture that will become the first memorial to the genocide. The project runs into some difficulties and reveals the paradoxes in a changing society. Is it now time to remember?","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3199,"first_name":"Adrien","last_name":"Genoudet","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/836\/photo\/AdrienGenoudet.jpg","order":0}],"generic":[{"id":6605,"first_name":"Emilien","last_name":"Awada","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8905,"first_name":"","last_name":"Quilombo Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8906,"first_name":"","last_name":"Anti-Archive","post_fr":"Distribution","post_en":"Distribution","order":2,"post_order":69},{"id":6608,"first_name":"Margaux","last_name":"Serre","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":6611,"first_name":"Him","last_name":"Sophy","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":6613,"first_name":"Davy","last_name":"Chou","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":6612,"first_name":"Adonis","last_name":"Liranza","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":6603,"first_name":"Adrien","last_name":"Genoudet","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":6604,"first_name":"Eline","last_name":"Grignard","post_fr":"Sc\u00e9nario","post_en":"Script","order":2,"post_order":18},{"id":6606,"first_name":"Vincent","last_name":"Villa","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8861,"first_name":"","last_name":"Anti-Archive","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":8862,"first_name":"","last_name":"Quilombo Films","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":27807,"first_name":"Adrien","last_name":"Genoudet","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/836\/photo\/Capture_d_e_cran_2015-01-27_a_11_30_26.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":143}],"partners":null},{"id":841,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Danser l'espoir : portrait de Germaine Acogny","title_original":"Danser l'espoir : portrait de Germaine Acogny","title_fr":"","title_en":"","year":2016,"length":2580,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Germaine Acogny a mis au monde la danse contemporaine africaine. Aujourd\u2019hui \u00e2g\u00e9e de 70 ans, elle revient sur les \u00e9tapes qui ont marqu\u00e9 sa vie de chor\u00e9graphe, son travail avec Maurice B\u00e9jart et, surtout, son travail \u00e0 l\u2019\u00c9cole des Sables au S\u00e9n\u00e9gal dans ce documentaire des r\u00e9alisateur\u00b7ice\u00b7s canadien\u00b7ne\u00b7s Vali Fugulin et Martin Morissette. Ce lieu de formation et de cr\u00e9ation, nich\u00e9 dans la brousse, est devenu incontournable pour les jeunes danseur\u00b7euse\u00b7s de partout en Afrique. Germaine Acogny y a r\u00e9alis\u00e9 son r\u00eave : r\u00e9unir par la danse toute une g\u00e9n\u00e9ration de jeunes danseur\u00b7euse\u00b7s qui se battent pour faire na\u00eetre et faire vivre la danse contemporaine en Afrique. Issu\u00b7e\u00b7s de la danse de rue ou du hip-hop, de la danse traditionnelle ou du contemporain, il\u00b7elle\u00b7s \u00e9voluent autour d\u2019Acogny qui, au-del\u00e0 de la technique vitale et exigeante qu\u2019elle leur enseigne, leur apprend surtout \u00e0 affronter l\u2019espoir.","synopsis_en":"The birth of contemporary dance in Africa is due in no small part to Germaine Acogny. In this documentary by Canadian directors Vali Fugulin and Martin Morissette, she looks back, at the age of 70, at the milestones in her career, her work with Maurice B\u00e9jart and in particular with the \u00c9cole des Sables in Senegal. A training and creation centre nestled in the wilderness, the site has become a mecca for young dancers from all over Africa. Acogny is thus pursuing her dream of bringing together an entire generation of young dancers, all devoted to developing contemporary dance. With backgrounds in street dancing or hip-hop, traditional or contemporary dance, they develop their skills under the watchful eye of Germaine Acogny. In addition to the rigorous techniques, she instructs them how to never lose hope.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3218,"first_name":"Vali","last_name":"Fugulin","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/841\/photo\/Valifugulin.jpg","order":0},{"id":3219,"first_name":"Martin","last_name":"Morissette","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/841\/photo\/morrisette.jpg","order":0}],"generic":[{"id":6636,"first_name":"Genevi\u00e8ve","last_name":"Perron","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8408,"first_name":"","last_name":"Esperamos Films","post_fr":"Distribution","post_en":"Distribution","order":7,"post_order":69},{"id":6638,"first_name":"Martin","last_name":"Morissette","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6640,"first_name":"Alain","last_name":"Auger","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":6639,"first_name":"Hugo","last_name":"Latulippe","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8953,"first_name":"Vali","last_name":"Fugulin","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":6637,"first_name":"Sylvain","last_name":"Vary","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8407,"first_name":"","last_name":"Esperamos Films","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":27333,"first_name":"Vali","last_name":"Fugulin","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/841\/photo\/Screen_Shot_2016-10-16_at_20_25_37.jpg","credit":"Vali Fugulin","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":163},{"id":220}],"partners":null},{"id":847,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Der Stehgeiger, le violoniste debout","title_original":"Der Stehgeiger, le violoniste debout","title_fr":"","title_en":"Der Stehgeiger, the Standing Violonist","year":2016,"length":2760,"website":[{"id":573,"website":"https:\/\/vimeo.com\/170513012","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Vienne a vu na\u00eetre des grand\u00b7e\u00b7s musicien\u00b7ne\u00b7s classiques, parmi les plus grand\u00b7e\u00b7s de l\u2019histoire. C\u2019est dans cette ville de musique que le r\u00e9alisateur S\u00e9bastien Ventura suit le violoniste qu\u00e9b\u00e9cois Alexandre Da Costa pour l\u2019enregistrement d\u2019un album unique avec l'Orchestre Symphonique de Vienne. Le jeune musicien bouscule les conventions de cet orchestre mythique avec ses arrangements novateurs. Il remet au go\u00fbt du jour une ancienne fa\u00e7on de diriger, comme le faisait Johann Strauss. Da Costa, le violoniste debout, nous partage son attachement \u00e0 la ville autrichienne o\u00f9 il a fait ses \u00e9tudes, ainsi que sa vision de la musique classique et du m\u00e9tier de violoniste.","synopsis_en":"Vienna has produced some of the greatest classical composers and musicians in history. It is in this musical city that S\u00e9bastien Ventura follows the Quebec violinist Alexandre Da Costa as he records a unique album with the Vienna Symphony. The young musician upsets the conventions of this mythical orchestra with his innovative arrangements. And resurrects an old-fashioned manner of conducting, in the style of Johann Strauss. Da Costa describes his attachment to the Austrian city, where he studied, as well as his vision of classical music and the profession of violinist.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3242,"first_name":"S\u00e9bastien","last_name":"Ventura","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/847\/photo\/SebastienVentura.jpg","order":0}],"generic":[{"id":6711,"first_name":"S\u00e9bastien","last_name":"Ventura","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8738,"first_name":"","last_name":"56Avenue T\u00e9l\u00e9vision Inc","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6677,"first_name":"Pierre","last_name":"Ducrocq","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":6682,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Chiasson","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":6683,"first_name":"Bobby","last_name":"Cyr","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":6681,"first_name":"Alexandre","last_name":"Da Costa","post_fr":"Musique","post_en":"Music","order":8,"post_order":82},{"id":6676,"first_name":"S\u00e9bastien","last_name":"Ventura","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":8996,"first_name":"Georges","last_name":"Forget","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":6679,"first_name":"Georg","last_name":"Burdicek","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8737,"first_name":"","last_name":"Productions Cin\u00e9Clap","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27555,"first_name":"S\u00e9bastien","last_name":"Ventura","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/847\/photo\/Der_Stehgeiger_11.jpg","credit":"S\u00e9bastien Ventura","desc":"Photo 11: Alexandre Da Costa en coulisses avant d'entrer sur sc\u00e8ne pour un concert"},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":200}],"partners":null},{"id":851,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Le triomphe des images il y a mille ans","title_original":"Le triomphe des images il y a mille ans","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Au 11e si\u00e8cle, partout en France, la peinture envahit les b\u00e2timents religieux. Le r\u00e9alisateur J\u00e9r\u00f4me Prieur nous entra\u00eene dans une exploration minutieuse des sc\u00e8nes peintes de l\u2019\u00e9glise Saint-Martin et de l\u2019abbaye de Saint-Savin, surnomm\u00e9e \u00ab la Sixtine de l\u2019\u00e9poque romane \u00bb. Son film \u00e0 la r\u00e9alisation discr\u00e8te et soign\u00e9e donne la parole \u00e0 des historiens du Moyen \u00c2ge ainsi qu\u2019\u00e0 des peintres contemporains, dont les r\u00e9flexions savantes et sensibles nous permettent de mieux comprendre le pourquoi de ces images, le processus de cr\u00e9ation qui les a fait na\u00eetre, certaines de leurs significations et, surtout, d\u2019en appr\u00e9cier des qualit\u00e9s plastiques.","synopsis_en":"In the 11th century, the walls of religious buildings throughout France began to be decorated with paintings. Filmmaker J\u00e9r\u00f4me Prieur presents a detailed exploration of the painted scenes in Saint Martin\u2019s church and Saint Savin abbey, dubbed the \u201cRomanesque Sistine Chapel.\u201d His carefully crafted film includes commentary by medieval historians and contemporary painters. Their scholarly and insightful observations help us better understand the reasons for these images, the creative process behind them and some of their meanings and, above all, appreciate their artistic qualities.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3256,"first_name":"Jerome","last_name":"Prieur","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/851\/photo\/JeromePrieur.jpg","order":0}],"generic":[{"id":6727,"first_name":"Renaud","last_name":"Personnaz","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8688,"first_name":"","last_name":"La Chambre Aux Fresques","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6731,"first_name":"Isabelle","last_name":"Poudevigne","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":6730,"first_name":"Marc Olivier","last_name":"Dupin","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":6728,"first_name":"Thomas","last_name":"Schmitt","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":6729,"first_name":"Julien","last_name":"Philipponneau","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8689,"first_name":"Fr\u00e9d\u00e9ric","last_name":"Loth","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8687,"first_name":"","last_name":"La Chambre Aux Fresques","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27372,"first_name":"Jerome","last_name":"Prieur","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/851\/photo\/DSO86-246-0807-9621.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":188}],"partners":null},{"id":859,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"WIM","title_original":"WIM","title_fr":"","title_en":"","year":2016,"length":6960,"website":[],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"Pays-Bas","en":"Netherlands"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Espagnol","en":"Spanish"},{"fr":"N\u00e9erlandais","en":"Dutch"}],"synopsis_fr":"Prix sp\u00e9cial, FIFA 2017<\/b>

Comment savoir exactement en quoi l\u2019art et la vie sont des concepts distincts ? Dans le film qu\u2019a r\u00e9alis\u00e9 Lut Vandekeybus sur son fr\u00e8re le chor\u00e9graphe, metteur en sc\u00e8ne et r\u00e9alisateur Wim Vandekeybus, la cr\u00e9ation et la vie semblent en effet impossible \u00e0 dissocier. Sans s\u2019embarrasser d\u2019une chronologie superflue et en ne misant que sur un langage visuel \u00e9vocateur, la documentariste belge permet \u00e0 la biographie, \u00e0 la vie et la danse, puissante et souveraine, de s\u2019entrecroiser. Au carrefour de tout \u00e7a, pour Wim Vandekeybus, il y a la famille. Celle que repr\u00e9sentent ses enfants et celle qu\u2019il s\u2019est cr\u00e9\u00e9e avec sa compagnie Ultima Vez, fond\u00e9e en 1986. Gr\u00e2ce \u00e0 d\u2019abondantes archives, entrevues et captations, on entre dans l\u2019univers po\u00e9tique et complexe, f\u00e9brile, de cet artiste exigeant, mais surtout, compl\u00e8tement engag\u00e9 dans la cr\u00e9ation.","synopsis_en":"Special Prize, FIFA 2017<\/b>

How can you know exactly what distinguishes art from life? In this film by Lut Vandekeybus about her brother, the choreographer and director Wim Vandekeybus, creativity and life seem impossible to separate. Without dwelling on superfluous chronology and using only evocative visual language, the Belgian documentary filmmaker presents the interconnections between biography, life and dance, powerful and supreme. At the core there is Wim Vandekeybus's family: his own children and the family he has created in his company, Ultima Vez, founded in 1986. Drawing on extensive archives, interviews and recordings, the film explores the poetic and complex world of this energetic, demanding artist who is driven by his need to create.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3286,"first_name":"Lut","last_name":"Vandekeybus","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/859\/photo\/LutVandekeybus.jpg","order":0}],"generic":[{"id":6774,"first_name":"","last_name":"Family Archive","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":6786,"first_name":"","last_name":"Films Ultima Vez","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":6781,"first_name":"Kassim","last_name":"Ahmed","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":6780,"first_name":"Lut","last_name":"Vandekeybus","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":8525,"first_name":"","last_name":"Khadouj Films","post_fr":"Distribution","post_en":"Distribution","order":10,"post_order":69},{"id":6782,"first_name":"Lut","last_name":"Vandekeybus","post_fr":"Montage","post_en":"Editing","order":6,"post_order":43},{"id":6784,"first_name":"","last_name":"Composers Ultima Vez","post_fr":"Musique","post_en":"Music","order":7,"post_order":82},{"id":6777,"first_name":"Daniel","last_name":"De Valck","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":6778,"first_name":"John","last_name":"Devine","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":6776,"first_name":"","last_name":"Khadouj Films","post_fr":"Production","post_en":"Production","order":9,"post_order":3},{"id":27380,"first_name":"Lut","last_name":"Vandekeybus","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/859\/photo\/UV_InSpite_DannyWillemsDW-4933-2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":215},{"id":241}],"partners":null},{"id":862,"edition":{"id":2},"career_fr":"Survol de quelques festivals :\r\n\r\nVisions du R\u00e9el, Nyon, Suisse\r\nIndieLisboa, Lissabon, Portugal\r\nFilmfest M\u00fcnchen, Allemagne\r\nFestival des deutschen Films, Allemagne\r\nF\u00fcnf Seen Filmfestival, Allemagne\r\nCinema d'Afrique - Th\u00e9\u00e2tre de verdure - Lausanne - Suisse\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"Overview of some festivals:\r\n\r\nVisions du R\u00e9el, Nyon, Switzerland\r\nIndieLisboa, Lissabon, Portugal\r\nFilmfest M\u00fcnchen, Germany\r\nFestival des deutschen Films, Germany\r\nF\u00fcnf Seen Filmfestival, Germany\r\nCinema d'Afrique - Th\u00e9\u00e2tre de verdure - Lausanne - Schweiz\r\n\r\nLast update in March 2017","embed":"","title_selected":"Mali blues","title_original":"Mali blues","title_fr":"","title_en":"","year":2016,"length":5700,"website":[{"id":579,"website":"https:\/\/www.facebook.com\/MaliBluesFilm\/","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La musique est au c\u0153ur de l\u2019identit\u00e9 culturelle du Mali. Ce pays est consid\u00e9r\u00e9 comme le berceau du blues et du jazz. Dans Mali Blues<\/i>, le r\u00e9alisateur Lutz Gregor entreprend un voyage musical au c\u0153ur de l\u2019Afrique, nous \u00e9blouissant de ses couleurs vives et de ses m\u00e9lodies bigarr\u00e9es. Il rencontre des musicien\u00b7ne\u00b7s engag\u00e9\u00b7e\u00b7s qui militent pour la paix et la libert\u00e9 religieuse au Mali, menac\u00e9es par des groupes djihadistes depuis 2012. Parmi eux, Bassekou Kouyat\u00e9, le virtuose du n\u2019goni<\/i>; Master Soumy, le rappeur de la rue; Ahmed Ag Kaedi, le bandleader des Touareg; et Fatoumata Diawara, la chanteuse, musicienne et auteure-compositrice mondialement connue. Apr\u00e8s avoir quitt\u00e9 son pays natal lorsqu\u2019elle \u00e9tait encore une jeune fille, cette derni\u00e8re a fait carri\u00e8re \u00e0 l\u2019\u00e9tranger. On la suit alors qu\u2019elle effectue un retour aux sources en rentrant au Mali.","synopsis_en":"Music lies at the very core of Mali's cultural identity. The country, after all, is known as the cradle of blues and jazz. In Mali Blues<\/i>, director Lutz Gregor embarks on a musical journey to the heart of Africa, dazzling us with its kaleidoscopic colours and melodies. He meets up with socially committed musicians who are fighting for peace and religious freedom in the country, which has been threatened by jihadistes since 2012. These musicians include Bassekou Kouyat\u00e9, the virtuoso of the n\u2019goni<\/i>; rapper Master Soumy; Ahmed Ag Kaedi, the bandleader of Touareg; and singer-songwriter Fatoumata Diawara. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3298,"first_name":"Lutz","last_name":"Gregor","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/862\/photo\/LutzGregor.jpg","order":0}],"generic":[{"id":6812,"first_name":"Axel","last_name":"Schneppat","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8459,"first_name":"","last_name":"Real Fiction Filmverleih","post_fr":"Distribution","post_en":"Distribution","order":6,"post_order":69},{"id":6814,"first_name":"Michelle","last_name":"Barbin","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":6813,"first_name":"Markus","last_name":"Schmidt","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":6815,"first_name":"Christian","last_name":"Beetz","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":6817,"first_name":"Pascal","last_name":"Capitolin","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8458,"first_name":"","last_name":"Gebrueder Beetz Filmproduktion K\u00f6ln GmbH & Co. KG","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27373,"first_name":"Lutz","last_name":"Gregor","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/862\/photo\/01_MALI_BLUES_Konrad_Waldmann.jpg","credit":"Konrad Waldmann","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":156},{"id":225}],"partners":null},{"id":879,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Art in the Twenty-First Century: Chicago","title_original":"Art in the Twenty-First Century: Chicago","title_fr":"","title_en":"","year":2016,"length":3360,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Comment la ville de Chicago est-elle inspirante pour les artistes qui y vivent ? En quoi est-ce que l\u2019architecture, l\u2019histoire et le caract\u00e8re singulier de cette ville se refl\u00e8tent dans le travail de ses artistes ? Quels quartiers sont les plus riches artistiquement ? Dans ce film de la s\u00e9rie documentaire Art in the Twenty-First Century, le r\u00e9alisateur Stanley Nelson nous fait d\u00e9couvrir le travail de quatre artistes de Chicago : Nick Cave, Theaster Gates, Barbara Kasten et Chris Ware. Il\u00b7elle\u00b7s racontent comment les diff\u00e9rentes communaut\u00e9s de la ville font na\u00eetre leurs id\u00e9es de dessins, de sculptures ou de photographies et comment ces communaut\u00e9s s\u2019inscrivent dans les \u0153uvres. Dans cette ville industrielle, o\u00f9 les hautes tours du centre-ville dominent, les artistes viennent modifier l\u2019exp\u00e9rience urbaine par l\u2019exp\u00e9rimentation et le croisement des disciplines. ","synopsis_en":"How does the city of Chicago inspire the artists who live there? How are the architecture, history, and character of the city reflected in their work? Which parts of the city have the most to offer artistically? In this episode from the documentary series Art in the Twenty-First Century<\/i>, filmmaker Stanley Nelson presents the work of four Chicago artists: Nick Cave, Theaster Gates, Barbara Kasten and Chris Ware. They talk about the ways in which their communities ignite ideas for photographs, sculptures and drawings, and how those communities are invited by the artists to become part of the artworks themselves. In this industrial city dominated by skyscrapers, artists are changing the urban experience by experimentation and by blurring the boundaries between disciplines. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3359,"first_name":"Stanley","last_name":"Nelson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/879\/photo\/StanleyNelson.jpg","order":0}],"generic":[{"id":8643,"first_name":"Keith","last_name":"Walker","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":6957,"first_name":"Aljernon","last_name":"Tunsil","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8642,"first_name":"Joel","last_name":"Pickard","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":6955,"first_name":"Eve","last_name":"Moros Ortega","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":6956,"first_name":"Nick","last_name":"Ravich","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8644,"first_name":"","last_name":"ART21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27566,"first_name":"Stanley","last_name":"Nelson","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/879\/photo\/Chicago_art21-ware-003.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/879\/photo\/S8-Poster-Kasten.jpg","credit":"Art in the Twenty-First Century: Chicago","desc":"Episode poster"}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":244}],"partners":null},{"id":880,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Art in the Twenty-First Century: Mexico City","title_original":"Art in the Twenty-First Century: Mexico City","title_fr":"","title_en":"","year":2016,"length":3360,"website":[{"id":590,"website":"http:\/\/art21.org\/season8","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":591,"website":"https:\/\/www.facebook.com\/art21","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":592,"website":"https:\/\/twitter.com\/art21","type_id":12,"type_1":"Twitter","type_2":"Twitter","description":"","embed":""},{"id":593,"website":"https:\/\/www.instagram.com\/art21\/","type_id":15,"type_1":"Instagram","type_2":"Instagram","description":"","embed":""},{"id":594,"website":"https:\/\/www.youtube.com\/user\/art21org","type_id":13,"type_1":"YouTube","type_2":"YouTube","description":"","embed":""}],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Espagnol","en":"Spanish"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce film de la s\u00e9rie documentaire Art in the Twenty-First Century<\/i>, les artistes de Mexico quittent leurs maisons et leurs studios pour faire de la m\u00e9galopole leur canevas. Entre l\u2019ordre et le chaos, la narration et la d\u00e9construction, le personnel et le politique, la galerie d\u2019art et les rues de Mexico, cette ville plurielle et foisonnante, Natalia Almada, Minerva Cuevas, Dami\u00e1n Ortega et Pedro Reyes r\u00e9fl\u00e9chissent le monde dans lequel il\u00b7elle\u00b7s vivent et cherchent \u00e0 le transformer. Dans le projet de Pedro Reyes, les objets deviennent vecteur de changement : en collaboration avec des jeunes de la ville, il r\u00e9cup\u00e8re des armes \u00e0 feux pour en faire des instruments de musique et des sculptures extr\u00eamement puissantes \u00e0 la fois artistiquement et socialement.","synopsis_en":"In this film from the documentary series Art in the Twenty-First Century<\/i>, artists from Mexico City exit their homes and studios to use the expanding megalopolis as their canvas. Reflecting order and chaos, narration and deconstruction, the personal and the political, four artists\u2014Natalia Almada, Minerva Cuevas, Dami\u00e1n Ortega and Pedro Reyes\u2014seek to transform the world in which they live. The artists present everyday materials as artworks, mine recognizable images for their poetic potential, and take their art to the streets. In the project undertaken by Pedro Reyes, for example, objects become vectors of change: with the help of children, he transforms firearms into artistically and socially powerful musical instruments and sculptures.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3362,"first_name":"Deborah","last_name":"Dickson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/880\/photo\/DeborahDickson.jpg","order":0}],"generic":[{"id":8649,"first_name":"Pedro","last_name":"Gomez Millan","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8650,"first_name":"Hatuey","last_name":"Viveros","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8652,"first_name":"","last_name":"ART21","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6960,"first_name":"Kate","last_name":"Taverna","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8648,"first_name":"Joel","last_name":"Pickard","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":6959,"first_name":"Ian","last_name":"Forster","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":6958,"first_name":"Eve","last_name":"Moros Ortega","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8651,"first_name":"","last_name":"ART21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27564,"first_name":"Deborah","last_name":"Dickson","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/880\/photo\/Mexico_City_art21-reyes-003.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/880\/photo\/S8-Poster-Reyes.jpg","credit":"Art in the Twenty-First Century: Mexico City","desc":"Official poster"}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":219}],"partners":null},{"id":882,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Art in the Twenty-First Century: Los Angeles","title_original":"Art in the Twenty-First Century: Los Angeles","title_fr":"","title_en":"","year":2016,"length":3360,"website":[{"id":595,"website":"http:\/\/art21.org\/season8","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":596,"website":"https:\/\/www.facebook.com\/art21","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":597,"website":"https:\/\/twitter.com\/art21","type_id":12,"type_1":"Twitter","type_2":"Twitter","description":"","embed":""},{"id":598,"website":"https:\/\/www.youtube.com\/user\/art21org","type_id":13,"type_1":"YouTube","type_2":"YouTube","description":"","embed":""},{"id":599,"website":"https:\/\/www.instagram.com\/art21\/","type_id":15,"type_1":"Instagram","type_2":"Instagram","description":"","embed":""}],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La ville de Los Angeles abrite de grands mus\u00e9es et des \u00e9coles d\u2019art de renomm\u00e9e internationale. Pourtant, les artistes qui \u00e9voluent en marge de la gigantesque industrie du divertissement vivent dans l\u2019ombre. C\u2019est ce paradoxe qui int\u00e9resse la r\u00e9alisatrice Deborah Dickson dans ce film de la s\u00e9rie documentaire Art in the Twenty-First Century<\/i>. Elle suit l\u2019artiste vid\u00e9o Diana Thater alors que celle-ci pr\u00e9pare une exposition monumentale au Los Angeles County Museum of Art; la sculpteure Liz Larner qui convoque dans des formes abstraites une grande diversit\u00e9 de mat\u00e9riaux; la peintre Tala Madani dont les \u0153uvres satiriques \u00e9voquent le choc des cultures et, finalement, Edgar Arceneaux, fouillant la r\u00e9currence de sch\u00e9mas historiques \u00e0 travers le dessin et les installations multim\u00e9dia. Ces quatre artistes t\u00e9moignent du temps, de l\u2019espace et de la libert\u00e9 dont ils disposent dans la ville tentaculaire de Los Angeles.","synopsis_en":"While sprawling Los Angeles has world-class museums and art schools, artists working in the shadow of the entertainment industry lie more under the radar, which gives them the space and time to imagine. In this episode of the documentary series Art in the Twenty-First Century<\/i>, director Deborah Dickson follows video artist Diana Thater as she prepares for a monumental exhibition at the Los Angeles County Museum of Art; sculptor Liz Larner, who constructs abstract forms from a dizzying array of materials; painter Tala Madani, whose sharply satirical works evoke clashes of culture; and Edgar Arceneaux, who investigates historical patterns through drawings, installations and multimedia events.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3369,"first_name":"Deborah","last_name":"Dickson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/882\/photo\/DeborahDickson.jpg","order":0}],"generic":[{"id":6965,"first_name":"Scott","last_name":"Anger","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8647,"first_name":"","last_name":"ART21","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6964,"first_name":"Mary Ann","last_name":"Toman","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8645,"first_name":"Joel","last_name":"Pickard","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":6963,"first_name":"Veronique","last_name":"Bernard","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":6962,"first_name":"Eve","last_name":"Moros Ortega","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8646,"first_name":"","last_name":"ART21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27565,"first_name":"Deborah","last_name":"Dickson","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/882\/photo\/Los_Angeles_art21-madani-003_-_copief.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/882\/photo\/S8-Poster-Arceneaux.jpg","credit":"Art in the Twenty-First Century: Los Angeles (Poster)","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":244}],"partners":null},{"id":884,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Art in the Twenty-First Century: Vancouver","title_original":"Art in the Twenty-First Century: Vancouver","title_fr":"","title_en":"","year":2016,"length":3360,"website":[{"id":604,"website":"http:\/\/art21.org\/season8","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":605,"website":"https:\/\/www.facebook.com\/art21","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":606,"website":"https:\/\/www.instagram.com\/art21\/","type_id":15,"type_1":"Instagram","type_2":"Instagram","description":"","embed":""},{"id":607,"website":"https:\/\/twitter.com\/art21","type_id":12,"type_1":"Twitter","type_2":"Twitter","description":"","embed":""},{"id":608,"website":"https:\/\/www.youtube.com\/user\/art21org","type_id":13,"type_1":"YouTube","type_2":"YouTube","description":"","embed":""}],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce film de la s\u00e9rie documentaire Art in the Twenty-First Century<\/i>, les artistes Liz Magor, Stan Douglas, Brian Jungen et Jeff Wall s'int\u00e9ressent aux objets, aux images et aux lieux ainsi qu\u2019\u00e0 leur repr\u00e9sentation. Les communaut\u00e9s culturelles de la ville ainsi que son histoire, son d\u00e9veloppement urbain et sa g\u00e9ographie influencent leurs \u0153uvres. Jeff Wall s\u2019applique \u00e0 magnifier les sc\u00e8nes capt\u00e9es dans la ville et \u00e0 faire appara\u00eetre les dynamiques les plus \u00e9vocatrices dans ses grands panneaux transparents photographiques. Par la recr\u00e9ation des grands moments historiques, l\u2019investissement de lieux embl\u00e9matiques et la fabrication de sculptures complexes qui trompent l\u2019\u0153il, les artistes de Vancouver r\u00e9v\u00e8lent comment les images et les objets qui nous sont familiers ne sont pas toujours ce qu\u2019ils semblent \u00eatre.","synopsis_en":"In this film from the documentary series Art in the Twenty-First Centur<\/i>y, artists Liz Magor, Stan Douglas, Brian Jungen and Jeff Wall consider objects, images and places and how they are represented. Their works are influenced by the city\u2019s cultural communities, history, urban development and geography. Jeff Wall magnifies scenes captured in the city and reveals highly evocative dynamics in his huge, transparent photographic panels. By recreating historical moments, staging photos of vernacular scenes and creating intricate sculptures that trick the eye, Vancouver\u2019s artists reveal how familiar images and objects are not always what they seem.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3375,"first_name":"Pamela","last_name":"Mason Wagner","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/884\/photo\/PamelaMason_Wagner.jpg","order":0}],"generic":[{"id":8654,"first_name":"Greg","last_name":"Bartels","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8656,"first_name":"","last_name":"ART21","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6976,"first_name":"Mary Ann","last_name":"Toman","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8653,"first_name":"Joel","last_name":"Pickard","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":6975,"first_name":"Wesley","last_name":"Miller","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":6974,"first_name":"Eve","last_name":"Moros Ortega","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8655,"first_name":"","last_name":"ART21","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27563,"first_name":"Pamela","last_name":"Mason Wagner","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/884\/photo\/Vancouver_art21-douglas-003.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/884\/photo\/S8-Poster-Douglas.jpg","credit":"Art in the Twenty-First Century: Vancouver (Poster)","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":226}],"partners":null},{"id":885,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Where Words fail, Music Speaks - Roots, Folk and World Music in Rudolstadt","title_original":"Where Words fail, Music Speaks - Roots, Folk and World Music in Rudolstadt","title_fr":"Wo Worte nicht hinreichen... Roots, Folk und Weltmusik in Rudolstadt","title_en":"","year":2016,"length":5460,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"Norv\u00e8ge","en":"Norway"},{"fr":"Pologne","en":"Poland"},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Norv\u00e9gien","en":"Norwegian"},{"fr":"Polonais","en":"Polish"},{"fr":"Anglais","en":"English"}],"synopsis_fr":"Les musiques de partout en Europe r\u00e9sonnent dans ce film que Jos\u00e9phine Links consacre aux artistes du Festival de Rudolstadt. Depuis 25 ans maintenant, les rues tranquilles de la petite ville allemande sont envahies de sons et de couleurs durant quatre longs jours d\u2019\u00e9t\u00e9. En m\u00ealant les divers horizons musicaux aux histoires des artistes et des festivalier\u00b7\u00e8re\u00b7s qui font vibrer ce festival folk, le documentaire capte l\u2019exp\u00e9rience unique de Rudolstadt. Devant la cam\u00e9ra, les musicien\u00b7ne\u00b7s et les membres de l\u2019\u00e9quipe cherchent les mots pour d\u00e9crire ce qui les anime dans ces rythmes anciens qu\u2019ils revisitent. Mais seule la musique pourra d\u00e9crire l'\u00e9nergie qui les habite. Un roadmovie \u00e0 travers les cultures musicales et paysages europ\u00e9ens.","synopsis_en":"For 25 years, the normally empty streets of the small German town of Rudolstadt have become an avalanche of sounds and colours spanning four long summer days and nights. The cultures of the world intertwine when 100,000 visitors and 1,200 artists come from around the globe to enjoy the special atmosphere of one of Europe's largest world music festivals. Before the camera, the musicians, visitors and organizers try to find the words to describe the very unique spirit that pervades the event. A musical journey full of poetic images and fabulous sounds, this film reveals the connecting power of music and the magic of being together.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3378,"first_name":"Josephine","last_name":"Links","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/885\/photo\/JosephineLinks.jpg","order":0}],"generic":[{"id":6977,"first_name":"Michel","last_name":"Links","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8594,"first_name":"","last_name":"Rudolstadt Festival","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6978,"first_name":"Anne","last_name":"J\u00fcnemann","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8593,"first_name":"Petra","last_name":"Rottschalk","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":6980,"first_name":"Paula","last_name":"Sell","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":6982,"first_name":"","last_name":"Rudolstadt Festival","post_fr":"Production","post_en":"Production","order":4,"post_order":3},{"id":27816,"first_name":"Josephine","last_name":"Links","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/885\/photo\/Stills_1_78_1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":179},{"id":249}],"partners":null},{"id":887,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Bill Viola: The Road to St Paul's","title_original":"Bill Viola: The Road to St Paul's","title_fr":"","title_en":"","year":2016,"length":5460,"website":[],"countries":[{"fr":"Royaume-Uni","en":"United Kingdom"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Film\u00e9 sur une p\u00e9riode de douze ans alors que Bill Viola et sa femme et collaboratrice, Kira Perov, travaillent \u00e0 la cr\u00e9ation de deux \u0153uvres \u00e0 grande \u00e9chelle \u00e0 la cath\u00e9drale Saint-Paul de Londres, ce documentaire propose un portrait intimiste d\u2019un grand artiste de l\u2019art vid\u00e9o. En documentant son approche du travail sur les installations vid\u00e9os Mary<\/i> et Martyrs<\/i>, Gerald Fox, r\u00e9alisateur de nombreux films sur l\u2019art, capte l\u2019essence du processus de cr\u00e9ation de Viola et traverse tout son parcours artistique ainsi que diff\u00e9rentes \u00e9tapes marquantes de sa vie. Bill Viola est l\u2019un des repr\u00e9sentants les plus importants d\u2019un courant majeur de l\u2019art vid\u00e9o en Am\u00e9rique et, depuis ses d\u00e9buts en 1973, son travail a largement contribu\u00e9 \u00e0 faire reconna\u00eetre l\u2019importance de ce m\u00e9dium dans l\u2019art contemporain.","synopsis_en":"This documentary follows American video artist Bill Viola and his wife and collaborator Kira Perov over a twelve-year period as they undertake and complete the installation of two permanent video works, Mary<\/i> and Martyrs<\/i>, in St. Paul\u2019s Cathedral in London. In documenting Viola\u2019s approach, the seasoned art-documentary director Gerald Fox captures the essence of Viola\u2019s creative process, along with the significant changes that occur in these two figures over the lengthy time period. He also looks back at the career of this seminal artist, who since the early 1970s has taken video art to a new level of acceptance in contemporary art.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3385,"first_name":"Gerald","last_name":"Fox","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/887\/photo\/image.jpg","order":0}],"generic":[{"id":8554,"first_name":"Steve","last_name":"Haskett","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8555,"first_name":"Simon","last_name":"Fanthorpe","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8559,"first_name":"","last_name":"Foxy Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8557,"first_name":"John","last_name":"Street","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":6991,"first_name":"Gerald","last_name":"Fox","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8556,"first_name":"John","last_name":"Quinn","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":27315,"first_name":"Gerald","last_name":"Fox","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/887\/photo\/IMG_3207.JPG","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":192},{"id":229}],"partners":null},{"id":889,"edition":{"id":2},"career_fr":"International Film Festival, Whistler BC, Canada (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"International Film Festival, Whistler BC, Canada (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Broken","title_original":"Broken","title_fr":"","title_en":"","year":2016,"length":4080,"website":[{"id":609,"website":"http:\/\/BrokenTheBalletDocumentary.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":610,"website":"https:\/\/www.facebook.com\/BrokenTheBalletDocumentary\/","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":611,"website":"https:\/\/www.youtube.com\/watch?v=8iR0OmiJWTo&list=PLYXlA_974fALiHsBN_ErD0PQRKWakBT_P","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans le monde du ballet classique, les artistes sont pr\u00eat\u00b7e\u00b7s \u00e0 tous les sacrifices pour conserver leur place durement acquise et endurent les pires douleurs pour continuer de tendre vers la perfection. Est-ce qu\u2019une blessure peut arr\u00eater un artiste ? Ce film nous invite \u00e0 d\u00e9couvrir l\u2019histoire de Simone Orlando, danseuse \u00e9toile de la compagnie Ballet BC de Vancouver depuis 12 ans. Alors qu\u2019elle travaille sur un nouveau ballet, un faux mouvement lui causera une blessure \u00e0 la hanche. \u00c0 partir de ce moment, elle est guid\u00e9e \u00e0 la fois par l\u2019espoir de gu\u00e9rir et la peur terrible de devoir quitter les studios de danse pour toujours. Elle fera tout pour continuer \u00e0 danser. Le premier documentaire de Lynne Spencer raconte cette histoire touchante et inspirante avec des entrevues et d\u2019extraits in\u00e9dits de r\u00e9p\u00e9titions et de performances du Ballet BC.","synopsis_en":"In the world of classical ballet, artists are willing to make any sacrifices to maintain their hard-earned status, and to endure the most excruciating pain to continue their path towards perfection. What happens to dancers whose injuries threaten their ability to pursue their life\u2019s passion? This film recounts the story of Simone Orlando, a principal dancer with Vancouver\u2019s Ballet BC for twelve years. While working on a new ballet, she suffered a severe hip injury. From that moment on, she experienced both the hope of healing and the fear of having to leave the dance studio forever. She did everything humanly possible to continue to dance. Lynne Spencer\u2019s first documentary relates this touching and inspiring story, interweaving interviews and unreleased clips from rehearsals and performances by Ballet BC.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3392,"first_name":"Lynne","last_name":"Spencer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/889\/photo\/LynneSpencer.jpg","order":0}],"generic":[{"id":6998,"first_name":"Lynne","last_name":"Spencer","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8813,"first_name":"","last_name":"Lynne Spencer Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":6999,"first_name":"Lynne","last_name":"Spencer","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":7004,"first_name":"Michael","last_name":"Bushnell","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":7005,"first_name":"Owen","last_name":"Underhill","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":7003,"first_name":"Tobin","last_name":"Stokes","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":6997,"first_name":"Lynne","last_name":"Spencer","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8814,"first_name":"Lynne","last_name":"Spencer","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8812,"first_name":"","last_name":"Lynne Spencer Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27557,"first_name":"Lynne","last_name":"Spencer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/889\/photo\/Broken_Still_Photo-3.jpg","credit":"Lynne Spencer","desc":"Conceptual portrait of Simone Orlando entitled \"Transition.\" The photo represents the confusion, isolation and pain a dancer experiences when injury takes away their most prized possession, the ability to dance."},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/889\/photo\/Broken_ONE_SHEET.jpg","credit":"Photo Credit: David Cooper, Design: Lynne Spencer","desc":"Film Poster"}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":164}],"partners":null},{"id":890,"edition":{"id":2},"career_fr":"Zurich Film Festival, Zurich, Allemagne (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"Zurich Film Festival, Zurich, Germany (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Apatride – Klaus R\u00f3zsa, photographe","title_original":"Apatride – Klaus R\u00f3zsa, photographe","title_fr":"","title_en":"Staatenlos – Klaus R\u00f3zsa, fotograf","year":2016,"length":5760,"website":[],"countries":[{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Hongrois","en":"Hungarian"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le photographe Klaus R\u00f3zsa, connu en Suisse pour son engagement politique, a v\u00e9cu pendant plusieurs d\u00e9cennies en tant qu\u2019apatride \u00e0 Zurich. Ses trois demandes de naturalisation ont \u00e9t\u00e9 tour \u00e0 tour refus\u00e9es pour motifs politiques : il aurait entrav\u00e9 le travail de la police en ayant photographi\u00e9 leurs bavures. L\u2019histoire contemporaine de la Suisse se m\u00eale \u00e0 celle de la Hongrie, o\u00f9 Klaus retourne apr\u00e8s avoir \u00e9t\u00e9 si souvent brim\u00e9, maltrait\u00e9 et tabass\u00e9 par la police suisse. Marqu\u00e9 par le destin de son p\u00e8re juif qui a surv\u00e9cu aux camps de concentration d\u2019Auschwitz et de Dachau, Klaus R\u00f3zsa a lutt\u00e9 toute sa vie contre les injustices. D\u2019apr\u00e8s la biographie de ce photographe et activiste politique, le r\u00e9alisateur Erich Schmid propose un film sur la libert\u00e9 d\u2019expression de la presse et sur la reconnaissance des droits humains.","synopsis_en":"A well-known and politically active photographer, Klaus R\u00f3zsa lived as a stateless person in Zurich for decades. His three applications for naturalization were all refused on political grounds: he disrupted police work by taking photographs of police abuse. Strongly affected by the fate of his Jewish father, who survived the concentration camps of Auschwitz and Dachau, Klaus R\u00f3zsa battled injustice within the state. He later fought for media freedom in Switzerland, where he was so often harassed and beaten by the police that in 2008 he emigrated to Budapest. This film profile by Erich Schmid delves into the notions of freedom of the press and the recognition of human rights.
","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3395,"first_name":"Erich","last_name":"Schmid","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/890\/photo\/erich_schmid.jpg","order":0}],"generic":[{"id":7016,"first_name":"Ueli","last_name":"N\u00fcesch","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8533,"first_name":"","last_name":"Ariadnefilm","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7018,"first_name":"Ruth","last_name":"Schl\u00e4pfer","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8534,"first_name":"Andr\u00e9","last_name":"Bellmont","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":7013,"first_name":"Erich","last_name":"Schmid","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":7019,"first_name":"Dieter","last_name":"Meyer","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8532,"first_name":"","last_name":"Ariadnefilm","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27567,"first_name":"Schmid","last_name":"Erich","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/890\/photo\/01_staatenl_stills_timline_2_118_1.jpg","credit":"Erich Schmid","desc":"On a arr\u00eat\u00e9 Klaus R\u00f3zsa innombrables fois parce qu\u2019il a pris des actes de violence par la police en photo"},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":157}],"partners":null},{"id":892,"edition":{"id":2},"career_fr":"Indian Film Festival, Stuttgart, Allemagne (2016)\r\nIndian Film Festival, Mumbai, Inde (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"Indian Film Festival, Stuttgart, Germany (2016)\r\nIndian Film Festival, Mumbai, India (2016)\r\n\r\nLast update in March 2017\r\n\r\n\r\n\r\n","embed":"","title_selected":"Good Thoughts, Good Words, Good Deeds - The Conductor Zubin Mehta","title_original":"Good Thoughts, Good Words, Good Deeds - The Conductor Zubin Mehta","title_fr":"","title_en":"","year":2016,"length":5340,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Anglais","en":"English"},{"fr":"Italien","en":"Italian"},{"fr":"","en":""}],"synopsis_fr":"Zubin Mehta est l\u2019un des chefs d\u2019orchestre les plus charismatiques, un vrai citoyen du monde, naviguant entre les cultures. D\u2019origine indienne, il a adopt\u00e9 Vienne comme sa patrie musicale. Chef \u00e0 vie de l\u2019Orchestre philharmonique d\u2019Isra\u00ebl et de celui du Maggio Musicale Fiorentino, chef honoraire des orchestres philharmoniques de Vienne et de Berlin, de Los Angeles et de Munich, de la Staatskapelle Berlin et du Bayerische Staatsorchester, Mehta ne cesse de commuter entre les continents. La r\u00e9alisatrice Bettina Ehrhardt a suivi le chef dans des lieux embl\u00e9matiques de sa carri\u00e8re. Elle signe le portrait intime et vif d\u2019un artiste appr\u00e9ci\u00e9 du public et de ses musiciens pour son approche humaine.","synopsis_en":"Zubin Mehta, one of the world\u2019s most charismatic conductors, is a true world citizen, navigating between cultures. Born in India, he has adopted Vienna as his \"musical home.\" As the Music Director for Life of the Israel Philharmonic Orchestra, the Chief Conductor of the Maggio Musicale Fiorentino, and honorary conductor of the Philharmonic Orchestras of Vienna and Berlin, Los Angeles and Munich, of the Berlin Staatskapelle and Bavarian State Orchestra, he ceaselessly commutes between continents. This film by Bettina Ehrhardt follows the maestro to some of the key places in his career, drawing an intimate and vivid portrait of an artist beloved by audiences and musicians alike.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3402,"first_name":"Bettina","last_name":"Ehrhardt","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/892\/photo\/bettinaehrhardt.jpg","order":0}],"generic":[{"id":7035,"first_name":"Ankur","last_name":"Kapoor","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7036,"first_name":"Hans Albrecht","last_name":"Lusznat","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":7034,"first_name":"Tobias","last_name":"M\u00f6ller","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":7030,"first_name":"","last_name":"Unitel GmbH & Co. KG","post_fr":"Distribution","post_en":"Distribution","order":8,"post_order":69},{"id":7032,"first_name":"Monika","last_name":"Abspacher","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":7033,"first_name":"Osman","last_name":"Ragheb","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":7037,"first_name":"Bettina","last_name":"Ehrhardt","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":8771,"first_name":"Piet","last_name":"Grotel\u00fcschen","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8772,"first_name":"Samant Christopher","last_name":"Lakra","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8553,"first_name":"","last_name":"Bce Films & More GmbH","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27572,"first_name":"Bettina","last_name":"Ehrhardt","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/892\/photo\/Zubin_Mehta_Indien_Chennai_AWO.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":206},{"id":222}],"partners":null},{"id":893,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"\u00c9criture(s) vivante(s)","title_original":"\u00c9criture(s) vivante(s)","title_fr":"","title_en":"","year":2017,"length":1380,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"S\u2019inspirant de l\u2019improvisation, le metteur en sc\u00e8ne montr\u00e9alais \u00c9ric Jean a d\u00e9velopp\u00e9 une d\u00e9marche singuli\u00e8re pour ses pi\u00e8ces. En 2011, il r\u00e9cidive avec le spectacle Emovere<\/i>, cr\u00e9\u00e9 en collaboration le dramaturge Pascal Chevarie et sept interpr\u00e8tes aux talents vari\u00e9s. Eric invite les com\u00e9dien\u00b7ne\u00b7s \u00e0 faire partie int\u00e9grante de l\u2019\u00e9criture de cette \u0153uvre th\u00e9\u00e2trale, en la nourrissant de leurs souvenirs et leurs v\u00e9cus. La cam\u00e9ra de Sandra Coppola suit cette d\u00e9marche de cr\u00e9ation collaborative et quotidienne entre les artistes.","synopsis_en":"Inspired by improvisation, Montreal director \u00c9ric Jean takes a unique approach to his plays. In 2011, he presented Emovere<\/i>, created in collaboration with playwright Pascal Chevarie and seven performers with a variety of talents. Jean encourages the actors to become an integral part in creating this work for theatre by contributing their memories and experiences. Sandra Coppola\u2019s camera follows the artists in this collaborative, day-to-day creative process.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3405,"first_name":"Sandra","last_name":"Coppola","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/893\/photo\/Sandra_coppola.jpg","order":0}],"generic":[{"id":7056,"first_name":"Pascal","last_name":"Chevarie","post_fr":"Auteur","post_en":"Author","order":18,"post_order":19},{"id":7040,"first_name":"Marie","last_name":"Davignon","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7041,"first_name":"Fran\u00e7ois","last_name":"Messier-Rheault","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":7039,"first_name":"\u00c9tienne","last_name":"Roussy","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8675,"first_name":"Sandra","last_name":"Coppola","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7043,"first_name":"Sophie","last_name":"Benoit Sylvestre","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":7042,"first_name":"Sandra","last_name":"Coppola","post_fr":"Montage","post_en":"Editing","order":8,"post_order":43},{"id":7048,"first_name":"Vincent","last_name":"Letellier","post_fr":"Musique","post_en":"Music","order":9,"post_order":82},{"id":7038,"first_name":"Sandra","last_name":"Coppola","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":7044,"first_name":"Cyril","last_name":"Bourseaux","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":7046,"first_name":"Guillaume","last_name":"Daoust","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":7045,"first_name":"Ian","last_name":"Ellemo","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":8674,"first_name":"Sandra","last_name":"Coppola","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27444,"first_name":"Sandra","last_name":"Coppola","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/893\/photo\/ECRITURES_VIVANTES_photo16.jpg","credit":"\u00c9tienne Roussy","desc":"Eric Jean donne des directives \u00e0 la com\u00e9dienne Klervi Thienpont en vue d'une improvisation."},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":214}],"partners":null},{"id":897,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Poup\u00e9es des t\u00e9n\u00e8bres","title_original":"Poup\u00e9es des t\u00e9n\u00e8bres","title_fr":"","title_en":"Dolls of Darkness","year":2016,"length":3780,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ce long m\u00e9trage explore les myst\u00e8res et les profondeurs des poup\u00e9es et marionnettes dans le contexte des \u00e9tranges poup\u00e9es de chiffons de l\u2019artiste contemporain Michel Nedjar. Le film se concentre sur son atelier et sur son extraordinaire collection de poup\u00e9es magiques et de masques rituels trouv\u00e9s partout dans le monde, et il interroge le r\u00f4le de l\u2019Holocauste dans le processus cr\u00e9ateur de cet artiste. Poup\u00e9es des t\u00e9n\u00e8bres<\/i> est le tout premier film d\u2019Allen S. Weiss, prolifique auteur, chercheur, professeur et dramaturge am\u00e9ricain. ","synopsis_en":"This feature-length film explores the mysteries and profundities of dolls, puppets and marionettes in the context of the grotesque rag dolls of contemporary French artist Michel Nedjar. It focuses on his studio and vast collection of magic dolls and masks from around the world, and examines the role of the Holocaust in the artist\u2019s creative process. Dolls of Darkness<\/i> marks the directorial debut of Allen S. Weiss, the prolific American author, researcher, professor and dramatist.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3418,"first_name":"Allen S.","last_name":"Weiss","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/897\/photo\/Allen_SWeiss.jpg","order":0}],"generic":[{"id":7099,"first_name":"Tom","last_name":"Rasky","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8598,"first_name":"","last_name":"Moon Illusion Productions","post_fr":"Distribution","post_en":"Distribution","order":9,"post_order":69},{"id":7097,"first_name":"Brandon","last_name":"Besharah","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":7098,"first_name":"Sasha","last_name":"Boychouk","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7096,"first_name":"Alex","last_name":"Waterman","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":7095,"first_name":"Michel","last_name":"Nedjar","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":7094,"first_name":"Tom","last_name":"Rasky","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":7093,"first_name":"Allen S.","last_name":"Weiss","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":7100,"first_name":"Tom","last_name":"Rasky","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8792,"first_name":"","last_name":"Moon Illusion Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27930,"first_name":"Allen S.","last_name":"Weiss","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/897\/photo\/0155.jpg","credit":"Moon Illusion Productions","desc":"\"Danse macabre\" dolls"},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":183}],"partners":null},{"id":904,"edition":{"id":2},"career_fr":"Survol de quelques festivals :\r\n\r\nFIFA-Festival International du Film sur l'Art, Bruxelles, Belgique (2016)\r\nPink Screens, Bruxelles, Belgique (2016)\r\nCineMigrante, Buenos Aires, Argentine (2016)\r\nFestival \u00e9chos d'ici, \u00e9chos d'ailleurs, Labastide-Rouairoux, France (2016)\r\nFIFF-Festival International du Film Francophone de Namur, Belgique (2016)\r\nCineDOC Tbilisi, G\u00e9orgie (2016)\r\n\r\nMise \u00e0 jour en Mars 2017","career_en":"","embed":"","title_selected":"Belle de nuit – Gris\u00e9lidis R\u00e9al, autoportraits","title_original":"Belle de nuit – Gris\u00e9lidis R\u00e9al, autoportraits","title_fr":"","title_en":"","year":2016,"length":4440,"website":[],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Grand Prix, FIFA 2017<\/b>

Gris\u00e9lidis R\u00e9al est un m\u00e9t\u00e9ore. Sa vie est digne d\u2019un roman. Elle s\u2019est prostitu\u00e9e dans les bordels munichois, aux bras des soldats am\u00e9ricains noirs. Elle a trafiqu\u00e9 de la marijuana, fait de la prison. Dans les ann\u00e9es 70, elle devient la \u00ab catin r\u00e9volutionnaire \u00bb. Avec ce documentaire, Marie-\u00c8ve de Grave nous transmet le myst\u00e8re et la joie de cette femme hors norme, fait r\u00e9sonner sa voix et sa pens\u00e9e. S\u2019immergeant au c\u0153ur de ses \u00e9crits lus dans le film par la r\u00e9alisatrice elle-m\u00eame, ce film retrace le parcours fulgurant de Gris\u00e9lidis R\u00e9al. Images fictionnelles inspir\u00e9es des textes, dessins, extraits, manuscrits, photographies, archives historiques, entretiens et t\u00e9moignages s\u2019entrelacent pour tisser un portrait fragment\u00e9 et pluriel d\u2019une magnifique rebelle qui d\u00e9voile une v\u00e9ritable \u00e9crivaine.","synopsis_en":"Grand Prize, FIFA 2017<\/b>

Gris\u00e9lidis R\u00e9al is a meteoric figure whose life is the stuff of novels. She worked as a prostitute in the brothels of Munich, where her clients were black American soldiers. She dealt marijuana and served time in prison. In the 1970s, she became the \u201crevolutionary hooker.\u201d In her documentary, Marie-\u00c8ve de Grave captures the mystery and the joy of this remarkable woman, bringing her voice and her thoughts to life. Immersing viewers in R\u00e9al\u2019s writings, read by the filmmaker herself, the film looks back at her dazzling life. Fictional images inspired by texts, drawings, excerpts, manuscripts, photographs, historical archives, interviews and testimonials combine to weave a fragmented and multifaceted portrait of a magnificent rebel and true artist.
","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3445,"first_name":"Marie-Eve","last_name":"De Grave","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/904\/photo\/Marie_eve_de_grave.jpg","order":0}],"generic":[{"id":7153,"first_name":"S\u00e9bastien","last_name":"Koeppel","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7154,"first_name":"Jorge","last_name":"Piquer Rodriguez","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8393,"first_name":"","last_name":"On Move Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7152,"first_name":"Simon","last_name":"Arazi","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":7155,"first_name":"Pierre","last_name":"Avia","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":8473,"first_name":"Fran\u00e7oise","last_name":"Hoste","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7151,"first_name":"Ludovic","last_name":"Van Paschterbeke","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8392,"first_name":"","last_name":"On Move Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27314,"first_name":"Marie-Eve","last_name":"De Grave","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/904\/photo\/BdN_1-300dpi.jpg","credit":"On Move Productions","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/904\/photo\/BdN_3-300dpi.jpg","credit":"On Move Productions","desc":""}],"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":178}],"partners":null},{"id":906,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Billy Wilder – Nobody's Perfect","title_original":"Billy Wilder – Nobody's Perfect","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00ab Nobody is perfect \u00bb est la derni\u00e8re r\u00e9plique de Some Like it Hot<\/i>, consid\u00e9r\u00e9 par plusieurs comme la meilleure com\u00e9die de tous les temps. Les films de Billy Wilder, hilarants, plein d\u2019ironie et d\u2019esprit, lui ont valu six Oscars en carri\u00e8re. \u00c0 partir d\u2019une entrevue magistrale accord\u00e9e par Wilder au r\u00e9alisateur Volker Schl\u00f6ndorff, on entre en contact avec ce pionnier du cin\u00e9ma am\u00e9ricain. Les images d\u2019archives, les commentaires des critiques Joseph McBride et Tony Maietta ainsi que le t\u00e9moignage de Paul Diamond, le fils du sc\u00e9nariste I. A. L. Diamond, qui a longtemps collabor\u00e9 avec Wilder, composent ce film des r\u00e9alisatrices Clara et Julia Kuperberg.","synopsis_en":"\u201cNobody is perfect\u201d is the closing line from Some Like It Hot<\/i>, which many consider to be the best comedy of all time. Billy Wilder\u2019s hilarious films, full of caustic wit and irony, earned him six Oscars. Through filmmaker Volker Schl\u00f6ndorff\u2019s wonderful interview with Wilder, viewers are introduced to this pioneer of American film. This film by Clara and Julia Kuperberg also features archival images, commentary by critics Joseph McBride and Tony Maietta, and an interview with Paul Diamond, son of screenwriter I. A. L. Diamond, a long-time Wilder associate.

","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3451,"first_name":"Clara","last_name":"Kuperberg","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/906\/photo\/Clara_Kuperberg.jpg","order":0},{"id":4334,"first_name":"Julia","last_name":"Kuperberg","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/906\/photo\/JuliaKuperberg.jpg","order":0}],"generic":[{"id":8659,"first_name":"Peter","last_name":"Krajewski","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8661,"first_name":"Yoram","last_name":"Astrakhan","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8664,"first_name":"","last_name":"Wichita Films","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8662,"first_name":"Clara & Julia","last_name":"Kuperberg","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":8657,"first_name":"Clara & Julia","last_name":"Kuperberg","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":8660,"first_name":"Martin","last_name":"Ehleben","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":7157,"first_name":"Wichita","last_name":"Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27560,"first_name":"Clara","last_name":"Kuperberg","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27561,"first_name":"Julia","last_name":"Kuperberg","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/906\/photo\/film-sept-ans-de-reflexion2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":197},{"id":238}],"partners":null},{"id":908,"edition":{"id":2},"career_fr":"Festival du Livre, Mouans-Sartoux, France (2016)\r\nFestival International du film d'aventure, La Rochelle, France (2016)\r\nFestival International du film d'Histoire, Pessac, France (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017\r\n","career_en":"Festival du Livre, Mouans-Sartoux, France (2016)\r\nFestival International du film d'aventure, La Rochelle, France (2016)\r\nFestival International du film d'Histoire, Pessac, France (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Jack London, une aventure am\u00e9ricaine","title_original":"Jack London, une aventure am\u00e9ricaine","title_fr":"","title_en":"","year":2016,"length":5760,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019auteur de L\u2019Appel de la for\u00eat<\/i>, de Croc Blanc<\/i> et de Martin Eden<\/i>, fut l\u2019\u00e9crivain am\u00e9ricain le plus c\u00e9l\u00e8bre de son temps. Puisant dans une existence tumultueuse la mati\u00e8re de ses livres, Jack London devint, au tournant du XIX\u00e8me si\u00e8cle, le symbole m\u00eame de l\u2019aventure. De la fin de la conqu\u00eate de l\u2019Ouest \u00e0 la premi\u00e8re guerre mondiale, il est \u00e0 la fois t\u00e9moin et acteur privil\u00e9gi\u00e9 des profonds bouleversements de la soci\u00e9t\u00e9 am\u00e9ricaine, et son parcours comme son \u0153uvre, uniques, indissociables, frappent encore aujourd\u2019hui par leur intensit\u00e9. Le documentaire-fiction de Michel Viotte, r\u00e9alis\u00e9 \u00e0 l\u2019occasion du centenaire de sa disparition, retrace ce destin hors du commun, \u00e0 partir d\u2019archives exceptionnelles, d\u2019interviews des plus grands sp\u00e9cialistes am\u00e9ricains, et de sc\u00e8nes de reconstitution tourn\u00e9es ultra haute d\u00e9finition dans le grand nord canadien, en Polyn\u00e9sie, et dans son ranch californien.","synopsis_en":"The author of The Call of the Wild<\/i>, White Fang <\/i>and Martin Eden <\/i>was the most famous American author of his time. Drawing his subject matter from his tumultuous life, Jack London became the very symbol of adventure at the turn of the last century. From the opening of the American West to the First World War, he both witnessed and participated in the upheavals in American society. His unique personal path is indissociable from his novels, which continue to resonate today. Marking the centenary of his death, Michel Viotte\u2019s docudrama looks back at his extraordinary life, combining interviews with some of America\u2019s foremost specialists and ultra-high definition reconstructions shot in northern Canada, Polynesia and his ranch in California.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3457,"first_name":"Michel","last_name":"Viotte","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/908\/photo\/1.jpg","order":0}],"generic":[{"id":8684,"first_name":"Michel","last_name":"Viotte","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8686,"first_name":"","last_name":"La Compagnie Des Indes","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8683,"first_name":"B\u00e9n\u00e9dicte","last_name":"Mallet","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":8681,"first_name":"Gr\u00e9co","last_name":"Casadesus","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":7168,"first_name":"St\u00e9phane","last_name":"Freiss","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":7164,"first_name":"Gildas","last_name":"Le Roux","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":8682,"first_name":"Robin","last_name":"Gobert","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":8685,"first_name":"","last_name":"La Compagnie Des Indes","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27577,"first_name":"Michel","last_name":"Viotte","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/908\/photo\/2.jpg","credit":"\u00a9 Courtesy of California State Parks, 2016","desc":"Jack London sur son ranch de la \u00ab Vall\u00e9e de la Lune \u00bb. 1906."},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/908\/photo\/JL_AFFICHE_V3.jpg","credit":"La Compagnie des Indes","desc":"Affiche du film \"Jack London, une aventure am\u00e9ricaine\" - 2016"}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":199}],"partners":null},{"id":915,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Di\u00e9go Velazquez ou le r\u00e9alisme sauvage","title_original":"Di\u00e9go Velazquez ou le r\u00e9alisme sauvage","title_fr":"","title_en":"","year":2014,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019\u0153uvre de Diego Vel\u00e1zquez, pleine d\u2019audace, marque une \u00e9tape essentielle dans l\u2019histoire de la peinture. Sans cesse \u00e0 la recherche d\u2019une v\u00e9rit\u00e9 humaine \u00e0 travers le traitement de la lumi\u00e8re et de l\u2019espace, il est un documentariste avant la lettre. Dans son film, le r\u00e9alisateur Karim A\u00efnouz part \u00e0 la d\u00e9couverte de la singularit\u00e9 de ce peintre espagnol de l'\u00e9poque baroque et permet de mesurer la r\u00e9volution artistique et esth\u00e9tique qu'a d\u00e9clench\u00e9e Vel\u00e1zquez. Depuis la V\u00e9nus \u00e0 son miroir <\/i>jusqu\u2019au Les M\u00e9nines<\/i>, ce film aux images tr\u00e8s soign\u00e9es s\u2019attache \u00e0 recr\u00e9er le lien \u00e9motionnel exceptionnel entre l\u2019\u0153uvre de Vel\u00e1zquez et le public, entre l\u2019\u0153il du peintre et celui du spectateur.","synopsis_en":"The trailblazing work of Diego Vel\u00e1zquez marks a vital period in the history of painting. Ceaselessly searching for truth through light and space, Vel\u00e1zquez was a documentary maker before his time. The film attempts to discover what makes this Spanish Baroque painter so unique, allowing us to appreciate the artistic and aesthetic revolution he triggered. From Venus at Her Mirror<\/i> to Las Meninas<\/i>, the film attempts to define the powerful emotional relationship established between Vel\u00e1zquez and his audience, between the painter\u2019s eye and that of the spectator.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3480,"first_name":"Karim","last_name":"Ainouz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/915\/photo\/KarimAinouz.jpg","order":0}],"generic":[{"id":7191,"first_name":"Yves","last_name":"Nilly","post_fr":"Auteur","post_en":"Author","order":0,"post_order":19},{"id":7192,"first_name":"Fran\u00e7ois-Joseph","last_name":"Botbol","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8552,"first_name":"","last_name":"Arte France","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7194,"first_name":"Elke","last_name":"Hartmann","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":8550,"first_name":"Sophie","last_name":"Goupil","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7193,"first_name":"Burak","last_name":"Ozdemir","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":8551,"first_name":"","last_name":"Les Poissons Volants","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27553,"first_name":"Karim","last_name":"Ainouz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/915\/photo\/Composition_du_tableau_Christ_dans_la_maison_Vel_zquez_LES_POISSONS_VOLANTS.jpg","credit":"Les poissons volants","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":174}],"partners":null},{"id":916,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Gao Bo – Dans le noir de l’Histoire","title_original":"Gao Bo – Dans le noir de l’Histoire","title_fr":"","title_en":"","year":2016,"length":5880,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00c0 l\u2019automne 2015, dans son atelier en p\u00e9riph\u00e9rie de P\u00e9kin, Gao Bo pr\u00e9pare quatre expositions multim\u00e9dias qui se succ\u00e8deront \u00e0 la Tokyo Gallery entre d\u00e9cembre 2015 et f\u00e9vrier 2016 sous le titre The Great Darkness \u2014 From GAO BO to GB<\/i>. Depuis plus de trente ans, cet artiste chinois fa\u00e7onne une \u0153uvre singuli\u00e8re aux fronti\u00e8res de la photographie, de l\u2019installation et de la performance. N\u00e9 en 1964 dans la Chine de la r\u00e9volution culturelle, il a suivi sa vocation malgr\u00e9 les obstacles. Le r\u00e9alisateur Alain Fleischer le filme dans son atelier, le lieu des \u0153uvres \u00e0 venir, celui de la gestation, et le met en sc\u00e8ne avec un grand souci esth\u00e9tique alors qu\u2019il se souvient de son enfance sous le r\u00e9gime de Mao.","synopsis_en":"In the fall of 2015, in his studio on the outskirts of Beijing, Gao Bo is preparing for a series of four multimedia exhibitions entitled The Great Darkness\u2014From GAO BO to GB<\/i>, slated for the Tokyo Gallery between December 2015 and February 2016. For over thirty years, the Chinese artist has been creating a unique body of works at the crossroads of photography, installation and performance. Born in 1964 during the Cultural Revolution, he has pursued his career despite the many obstacles. Director Alain Fleischer films him in his studio, the site of finished and unfinished works, as he recalls his childhood under Mao.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3485,"first_name":"Alain","last_name":"Fleischer","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/916\/photo\/alain_Fleischer_2016.jpg","order":0}],"generic":[{"id":7197,"first_name":"Sylvain","last_name":"Briend","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7198,"first_name":"Baptiste","last_name":"Evrard","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7201,"first_name":"Siegfried","last_name":"Canto","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7200,"first_name":"Alain","last_name":"Fleischer","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":8547,"first_name":"Weixing","last_name":"Zhong","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8546,"first_name":"Alain","last_name":"Fleischer","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":7199,"first_name":"Danielle","last_name":"Schirman","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8315,"first_name":"","last_name":"Sichuan Sino-Canada Film And Television Spreading Production C., Ltd","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":8314,"first_name":"","last_name":"Le Fresnoy \u2013 Studio National Des Arts Contemporains","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":8313,"first_name":"","last_name":"Maison Europ\u00e9enne De La Photographie","post_fr":"Production","post_en":"Production","order":10,"post_order":3},{"id":27336,"first_name":"Alain","last_name":"Fleischer","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/916\/photo\/GaoBo_performance.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":171}],"partners":null},{"id":921,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"L'h\u00e9ritier","title_original":"L'h\u00e9ritier","title_fr":"","title_en":"","year":2016,"length":3240,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 1938, Georges Jorisch a 10 ans. \u00c0 la suite l\u2019annexion de l\u2019Autriche par l\u2019Allemagne nazie, il fuit le pays avec son p\u00e8re. Au lendemain de la guerre, il \u00e9migre au Canada, o\u00f9 il fonde sa famille. C\u2019est 70 ans plus tard qu\u2019il entame des recherches afin de r\u00e9cup\u00e9rer les tableaux de Gustav Klimt et de Ferdinand Georg Waldm\u00fcller accroch\u00e9s dans la maison de son enfance. Dans L\u2019h\u00e9ritier<\/i>, que le FIFA pr\u00e9sente en version originale in\u00e9dite, la r\u00e9alisatrice montr\u00e9alaise \u00c9dith Jorisch part sur les traces de la myst\u00e9rieuse histoire de son grand-p\u00e8re alors qu\u2019il se lance dans cette qu\u00eate qui semble impossible. En racontant cette histoire qui est la sienne, dans ce film doux et soign\u00e9, elle pose la question du temps et de la filiation.","synopsis_en":"In The Heir<\/i>, director \u00c9dith Jorisch discovers the incredible hidden story of her grandfather, Georges Jorisch. Born into the Jewish intellectual community in Vienna, Georges grew up in a family of art collectors whose vast collection included works by Gustav Klimt and Ferdinand Georg Waldm\u00fcller. In 1938, when Georges was 10 years old, the paintings were stolen by German troops and the family herded into Nazi internment camps. Georges Jorisch survived the war and emigrated to Montreal. Seventy years later, seeking justice for his family and children, he sets out to recover the paintings that were taken from them.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3501,"first_name":"Edith","last_name":"Jorisch","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":null,"order":0}],"generic":[{"id":7222,"first_name":"Jos\u00e9e","last_name":"Deshaies","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8448,"first_name":"","last_name":"DATSIT","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7224,"first_name":"Mathieu","last_name":"Bouchard-Malo","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7225,"first_name":"Alexandra","last_name":"Str\u00e9liski","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":8449,"first_name":"Edith","last_name":"Jorisch","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7226,"first_name":"Cyril","last_name":"Bourseaux","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8992,"first_name":"Christian","last_name":"Rivest","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8447,"first_name":"","last_name":"DATSIT","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27369,"first_name":"Edith","last_name":"Jorisch","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/921\/photo\/13_Georges_devant_tableau.jpg","credit":"Edith Jorisch","desc":"Georges Jorisch devant le tableau Litzlberg am Attersee, Sotheby's New York, 2011"},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":145}],"partners":null},{"id":924,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Objectif femmes","title_original":"Objectif femmes","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Si certaines femmes photographes sont aujourd\u2019hui consid\u00e9r\u00e9es comme de grandes stars, la plupart restent largement inconnues du grand public. \u00c0 l\u2019heure o\u00f9 la photographie a le vent dans les voiles et o\u00f9 la th\u00e9orie du genre fait d\u00e9bat, ce documentaire met \u00e0 l\u2019honneur l\u2019\u0153uvre des grandes photographes. Dans un va-et-vient entre hier et aujourd\u2019hui, le documentaire de Manuelle Blanc et Julie Martinovic donne la parole \u00e0 quatre experts de la photographie, Marta Gili, Michel Poivert, Marie Robert et Abigail Solomon Godeau, mais aussi \u00e0 quatre photographes internationalement reconnues, Jane Evelyn Atwood, Sarah Moon, Doroth\u00e9e Smith et Christine Spengler. Des pionni\u00e8res aux contemporaines, ce film offre enfin une visibilit\u00e9 \u00e0 de nombreuses artistes injustement oubli\u00e9es par l\u2019histoire de l\u2019art, et s\u2019interroge sur l\u2019existence d\u2019une sp\u00e9cificit\u00e9 f\u00e9minine dans la d\u00e9marche artistique des \u00ab femmes photographes \u00bb.","synopsis_en":"While some female photographers are today considered big stars, most remain largely unknown to the public. With interest in photography on the upswing and the theory of the genre the subject of debate, this documentary pays tribute to important female photographers. Moving between past and present, Manuelle Blanc and Julie Martinovic\u2019s documentary features commentary by four experts in photography\u2014Marta Gili, Michel Poivert, Marie Robert and Abigail Solomon Godeau\u2014and four internationally renowned photographers\u2014Jane Evelyn Atwood, Sarah Moon, Doroth\u00e9e Smith and Christine Spengler. From pioneers to contemporary figures, the film gives long-overdue visibility to many women who have been unfairly overlooked by art historians and questions whether there is something inherently female in the artistic process of \u201cwomen photographers.\u201d","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3512,"first_name":"Manuelle","last_name":"Blanc","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/924\/photo\/ManuelleBlanc.jpg","order":0},{"id":3513,"first_name":"Julie","last_name":"Martinovic'","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/924\/photo\/JulieMartinovic.jpg","order":0}],"generic":[{"id":7251,"first_name":"Rapha\u00ebl","last_name":"O'Byrne","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8472,"first_name":"","last_name":"Arte Distribution","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7254,"first_name":"Julie","last_name":"Martinovic'","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7250,"first_name":"Christelle","last_name":"Ledroit","post_fr":"Narration","post_en":"Narration","order":3,"post_order":53},{"id":7249,"first_name":"Sylvie","last_name":"Gautier","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":8468,"first_name":"Sylvain","last_name":"Delecroix","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8469,"first_name":"Cedric","last_name":"Mariotti","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8470,"first_name":"Fran\u00e7ois","last_name":"Waledish","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8471,"first_name":"","last_name":"Camera Lucida Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27802,"first_name":"Manuelle","last_name":"Blanc","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27803,"first_name":"Julie","last_name":"Martinovic","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/924\/photo\/Frances_Benjamin_Johnston_Library_of_Congress.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":216}],"partners":null},{"id":927,"edition":{"id":2},"career_fr":"","career_en":"Internationales Leipziger Festival f\u00fcr Dokumentar\u2013 und Animationsfilm, Germany\r\n\r\nLast update in March 2017","embed":"","title_selected":"Pavlensky – Man and Might","title_original":"Pavlensky – Man and Might","title_fr":"Pawlenski – Der Mensch und die Macht","title_en":"","year":2016,"length":5940,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Russe","en":"Russian"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Prix du meilleur portrait, FIFA 2017<\/b>

Jusqu\u2019o\u00f9 s\u2019\u00e9tend notre responsabilit\u00e9 en tant que citoyen\u00b7ne\u00b7 ? C\u2019est une des questions que soul\u00e8ve habilement ce film sur le performeur russe Petr Pavlensky. La r\u00e9alisatrice Irene Langemann pose un regard empathique et clairvoyant sur les actions artistiques de ce dernier, sa famille, ses d\u00e9boires avec la justice, et nous am\u00e8ne \u00e0 saisir la profondeur de son engagement pour la libert\u00e9 individuelle. C\u2019est avec sa chair, nue, transperc\u00e9e, clou\u00e9e que cet artiste s\u2019oppose aux abus de pouvoir des autorit\u00e9s russes, qui condamnent selon lui au silence les cr\u00e9ateur\u00b7ice\u00b7s de la Russie abordant des questions politiques. En 2012, il avait obtenu l\u2019attention de la sc\u00e8ne internationale en se cousant les l\u00e8vres en signe de solidarit\u00e9 avec les membres du groupe Pussy Riot, emprisonn\u00e9es pour vandalisme et incitation \u00e0 la haine religieuse.","synopsis_en":"Award for Best Portrait, FIFA 2017<\/b>

How far does our civic responsibility go? This is one of the questions explored in this film about the Russian performance artist Petr Pavlensky. Filmmaker Irene Langemann takes an empathetic and insightful look at Pavlensky's artistic activities, his family and his run-ins with the law, and illustrates the depth of his commitment to individual freedom. Nailing and piercing his naked flesh, he opposes the abuse of power by Russian authorities, whom he believes silence Russian artists who tackle political questions. In 2012, he attracted international attention by sewing his lips together in solidarity with the members of Pussy Riot, imprisoned for vandalism and inciting religious hatred. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3524,"first_name":"Irene","last_name":"Langemann","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/927\/photo\/IreneLangemann_3.jpg","order":0}],"generic":[{"id":7277,"first_name":"Franz","last_name":"Koch","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7278,"first_name":"Maxim","last_name":"Tarasjugin","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8475,"first_name":"","last_name":"Lichtfilm GmbH","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7279,"first_name":"Lena","last_name":"Rem","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":7275,"first_name":"Wolfgang","last_name":"Bergmann","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":7281,"first_name":"Alexander","last_name":"Lemeshev","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":7280,"first_name":"Anna","last_name":"Sobova","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8474,"first_name":"","last_name":"Lichtfilm GmbH","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27374,"first_name":"Irene","last_name":"Langemann","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/927\/photo\/IMG_0531_reuters_copyklein.jpg","credit":"Thomson Reuters\/Lichtfilm","desc":"Pawlenski sewed up his mouth in solidaritywith the jailed Pussy Riot membrs"},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/927\/photo\/Pawlenski_Plakat_A4_small.jpg","credit":"Lichtfilm","desc":"poster"}],"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":140},{"id":250}],"partners":null},{"id":934,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"MU","title_original":"MU","title_fr":"","title_en":"","year":2017,"length":720,"website":[{"id":635,"website":"http:\/\/www.janicezolfproductions.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":730,"website":"https:\/\/vimeo.com\/195681027","type_id":0,"type_1":null,"type_2":null,"description":"trailer mot de passe : Janice Z","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Alors qu\u2019elles sont de passage \u00e0 Philadelphie avec le Cirque du Soleil, \u00c9lizabeth-Ann Doyle et Emmanuelle H\u00e9bert prennent conscience de l\u2019ampleur du ph\u00e9nom\u00e8ne de la peinture murale. Inspir\u00e9es par la richesse de cette forme artistique tant au niveau de la diffusion de l\u2019art que dans le d\u00e9veloppement \u00e9conomique et social de la ville, elles d\u00e9cident d\u2019implanter un projet semblable dans leur propre ville, Montr\u00e9al. Depuis maintenant dix ans, MU est le mus\u00e9e \u00e0 ciel ouvert de Montr\u00e9al. Prenant les murs de la m\u00e9tropole comme canevas, y exposant son urbanit\u00e9 et son humanit\u00e9, MU c\u00e9l\u00e8bre non seulement l\u2019histoire de la ville, mais aussi sa diversit\u00e9 culturelle. Le court m\u00e9trage de Janice Zolf capture ces vastes murales et met de l\u2019avant les r\u00e9flexions des artistes sur la rencontre entre l\u2019art et les citoyens.","synopsis_en":"While in Philadelphia with the Cirque du Soleil, \u00c9lizabeth-Ann Doyle and Emmanuelle H\u00e9bert noted the widespread popularity of mural paintings. Inspired by the richness of this artistic form in terms of both visibility and socio-economic benefits, they decided to set up a similar project in their hometown. For ten years now, MU has been an open-air museum in Montreal. Using the city's walls as its canvas, revealing its distinct nature and humanity, MU celebrates both the history of Montreal and its cultural diversity. This short film by Janice Zolf captures these giant murals, along with the artists' insights into this meeting between art and citizens. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3548,"first_name":"Janice","last_name":"Zolf","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/934\/photo\/JANICEzolf.jpg","order":0}],"generic":[{"id":7318,"first_name":"Jean-Francois","last_name":"Gratton","post_fr":"Image","post_en":"Cinematography","order":0,"post_order":64},{"id":8829,"first_name":"","last_name":"Janice Zolf Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7319,"first_name":"Miguel","last_name":"Raymond","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":7322,"first_name":"Betty","last_name":"Bonifassi","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":7317,"first_name":"Janice","last_name":"Zolf","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":7321,"first_name":"David","last_name":"Elias","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":7320,"first_name":"Melanie","last_name":"Gauthier","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":8828,"first_name":"","last_name":"Janice Zolf Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27520,"first_name":"Janice","last_name":"Zolf","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/934\/photo\/MU.png","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":190}],"partners":null},{"id":939,"edition":{"id":2},"career_fr":"Les Ecrans Documentaires d'Arcueil, France (2016)\r\nFestival International Jean Rouch, Paris, France (2016)\r\nFIFF-Festival International du Film Francophone de Namur, Belgique (2016)\r\nYerevan International Film Festival-Golden Apricot, Arm\u00e9nie (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Rhythm & Intervals","title_original":"Rhythm & Intervals","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"Allemand","en":"German"},{"fr":"Arm\u00e9nien","en":"Armenian"},{"fr":"","en":""}],"synopsis_fr":"Le violoncelliste Sevak, 23 ans, f\u00e9ru de sport de combat, pr\u00e9pare un prestigieux concours de violoncelle. Son instrument lui demande un d\u00e9vouement total, une discipline d\u2019une rigueur constante. Entre le ring de boxe, la salle de r\u00e9p\u00e9tition et sa vie quotidienne, qui est enti\u00e8rement d\u00e9di\u00e9 \u00e0 son instrument et \u00e0 la musique, on le suit dans ce processus exigeant et solitaire. Cette exp\u00e9rience marquante autant physiquement, intellectuellement qu\u2019\u00e9motivement l\u2019am\u00e8ne \u00e0 repousser ses limites en tant qu\u2019homme et en tant qu\u2019artiste. Le portrait d\u2019un musicien passionn\u00e9 et de son parcours parsem\u00e9 d\u2019\u00e9preuves.","synopsis_en":"Twenty-three-year-old cellist Sevak, a fan of combat sports, is preparing for a prestigious cello competition. His instrument calls for complete dedication and unwavering discipline. The film follows him through this difficult and solitary process, from the boxing ring to the rehearsal hall and his everyday life, which is focused on his instrument and on music. This physically, intellectually and emotionally demanding experience calls on him to push his limits, as a man and as an artist. Portrait of an impassioned musician and a career fraught with challenges. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3567,"first_name":"Comes","last_name":"Chahbazian","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/939\/photo\/Comes_Chahbazian.jpg","order":0}],"generic":[{"id":7345,"first_name":"Comes","last_name":"Chahbazian","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8842,"first_name":"","last_name":"Mati\u00e8re Premi\u00e8re","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7346,"first_name":"Julien","last_name":"Contreau","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8844,"first_name":"Julien","last_name":"Contreau","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7347,"first_name":"Jaouen","last_name":"Le Fur","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8843,"first_name":"","last_name":"Mati\u00e8re Premi\u00e8re","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27810,"first_name":"Comes","last_name":"Chahbazian","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/939\/photo\/R_I_03CORR.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":186},{"id":205}],"partners":null},{"id":944,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Une vie contre l'oubli","title_original":"Une vie contre l'oubli","title_fr":"Committed to Memory","title_en":"","year":2016,"length":3960,"website":[{"id":638,"website":"https:\/\/www.facebook.com\/viecontreoubli\/","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Pendant pr\u00e8s de 40 ans, Andr\u00e9 Dartevelle a film\u00e9 plus d\u2019une centaine de films. De son regard engag\u00e9 et \u00e9clair\u00e9, il a document\u00e9 la vie des ouvriers et toute l\u2019histoire de la Belgique, mais aussi celle du monde, en mettant en lumi\u00e8re les grands combats sociaux et politiques de son temps. \u00c0 la fin de sa vie, alors qu\u2019il est immobilis\u00e9 par la maladie, la r\u00e9alisatrice Kita Bauchet s\u2019entretient avec lui autour de son \u0153uvre. \u00c0 travers son t\u00e9moignage, celui de ses collaborateur\u00b7ice\u00b7s et compagnons de route, dont le r\u00e9alisateur Luc Dardenne et les documentaristes Hugues Le Paige et Wilbur Leguebe, il revient avec force sur les moments cl\u00e9s de l\u2019histoire contemporaine. Le d\u00e9c\u00e8s de Dartevelle survenu durant le tournage accorde au film de Bauchet le caract\u00e8re d\u2019un ultime testament de la pens\u00e9e de ce r\u00e9alisateur et journaliste m\u00e9connu.","synopsis_en":"Andr\u00e9 Dartevelle made more than 100 films in close to 40 years. With his engaged, insightful eye, he documented the lives of Belgium\u2019s workers and the country\u2019s entire history, as well as the history of the world, shedding light on the major social and political struggles of its time. Near the end of his life, when he was incapacitated by illness, he spoke with filmmaker Kita Bauchet about his work. Through his own accounts, those of his associates and his fellow filmmakers, including Luc Dardenne, Hugues Le Paige and Wilbur Leguebe, he takes a compelling look back at key moments in contemporary history. Since Dartevelle died during the making of the film, Bauchet\u2019s film is the final testament to the mind of this little-known filmmaker and journalist.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3586,"first_name":"Kita","last_name":"Bauchet","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/944\/photo\/Kita_Bauchet.jpg","order":0}],"generic":[{"id":7376,"first_name":"Didier","last_name":"Hill-Derive","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7375,"first_name":"S\u00e9bastien","last_name":"Tran","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8720,"first_name":"","last_name":"D\u00e9rives Asbl","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7380,"first_name":"Aline","last_name":"Gavroy","post_fr":"Mixage","post_en":"Sound mixing","order":6,"post_order":62},{"id":7377,"first_name":"Val\u00e8ne","last_name":"Leroy","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":7381,"first_name":"Siegfried","last_name":"Canto","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":8721,"first_name":"Julie","last_name":"Freres","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7378,"first_name":"Bruno","last_name":"Schweisguth","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8719,"first_name":"","last_name":"D\u00e9rives Asbl","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27815,"first_name":"Kita","last_name":"Bauchet","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/944\/photo\/Une_vie_contre_l_oubli.jpg","credit":"D\u00e9rives asbl","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":144},{"id":175}],"partners":null},{"id":945,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"La langue rouge","title_original":"La langue rouge","title_fr":"The Crimson Tongue","title_en":"","year":2016,"length":4140,"website":[{"id":682,"website":"http:\/\/www.lalanguerouge.com\/","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""}],"countries":[{"fr":"Belgique","en":"Belgium"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans son atelier, le peintre Walter Swennen nous pr\u00e9sente \u00e0 un va-et-vient savant et ludique entre ses associations de pens\u00e9e et ses mat\u00e9riaux de cr\u00e9ation, entre une mani\u00e8re d\u2019\u00eatre et une mani\u00e8re de peindre. De Bruxelles \u00e0 New York, avec la complicit\u00e9 de la r\u00e9alisatrice Violaine de Villers, Swennen dialogue avec ses tableaux. Dans son \u0153uvre ind\u00e9pendant et radicale, il tire la langue au langage. Et nous voil\u00e0 pris par le gai savoir du peintre philosophe, dans lequel Buster Keaton tombe sur Titien, Krazy Cat monte \u00e0 Dada, Mickey met des oreilles \u00e0 Mallarm\u00e9 et Boris Vian improvise avec Thelonious Monk. Swennen ma\u00eetrise l\u2019art de ne pas se prendre au s\u00e9rieux mais ne sait parler de peinture que s\u00e9rieusement, ce que ce film nous r\u00e9v\u00e8le avec autant d\u2019espi\u00e8glerie que de pertinence.","synopsis_en":"Belgian artist Walter Swennen invites us into his workshop for a thoughtful but playful dialogue between the movements of his mind and the matter of his works, between a way of being and a way of painting. Moving from Brussels to New York, accompanied by director Violaine de Villers and a team of curators, Swennen speaks to his paintings, and they speak back. We are drawn into this painter-philosopher\u2019s wacky world, in which Buster Keaton bumps into Titian, Krazy Cat rides a Dadaesque hobbyhorse, Mickey Mouse puts ears on Mallarm\u00e9, and Boris Vian jams with Thelonious Monk. 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A film that is like a slam, an ode to passion, a shield against darkness.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3605,"first_name":"Karen","last_name":"Pinette Fontaine","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/950\/photo\/Karen_Pinette_Fontaine.jpg","order":0}],"generic":[{"id":8850,"first_name":"","last_name":"Wapikoni Mobile","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7403,"first_name":"Genevi\u00e8ve","last_name":"Dulude-De Celles","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7402,"first_name":"C\u00e9cile","last_name":"Gari\u00e9py","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8852,"first_name":"Manon","last_name":"Barbeau","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":8851,"first_name":"","last_name":"Wapikoni Mobile","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27450,"first_name":"Karen","last_name":"Pinette Fontaine","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/950\/photo\/Batailles_300DPI_1.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":163},{"id":220}],"partners":null},{"id":951,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"My Father's Tools","title_original":"My Father's Tools","title_fr":"Les outils de mon p\u00e8re","title_en":"","year":2016,"length":392,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Stephen perp\u00e9tue le savoir-faire que lui a l\u00e9gu\u00e9 son p\u00e8re. Une ode \u00e0 une tradition artisanale, de la coupe de l\u2019arbre au tressage.","synopsis_en":"Stephen carries on the craft he learned from his father. An ode to an artisanal tradition, from tree-cutting to weaving.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3609,"first_name":"Heather","last_name":"Condo","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/951\/photo\/HEATHERCONDO.jpg","order":0}],"generic":[{"id":8849,"first_name":"","last_name":"Wapikoni Mobile","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7406,"first_name":"Emmet","last_name":"Walsh","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8848,"first_name":"","last_name":"Wapikoni Mobile","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27521,"first_name":"Heather","last_name":"Condo","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/951\/photo\/My_Father_s_Tool_300DPI.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":176}],"partners":null},{"id":953,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Symphonie pour une architecture","title_original":"Symphonie pour une architecture","title_fr":"","title_en":"","year":2016,"length":1740,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Le documentaire de Jean-Pierre Dussault retrace l\u2019extraordinaire aventure de la cr\u00e9ation de la symphonie Voir dans le vent qui hurle les \u00e9toiles rire, et rire\u2026<\/i> \u00c0 l\u2019occasion de l\u2019ouverture du pavillon Pierre Lassonde, le Mus\u00e9e national des beaux-arts du Qu\u00e9bec a command\u00e9 aux compositeurs Yannick Plamondon et Symon Henry une \u0153uvre in\u00e9dite pour orchestre \u00e0 cordes, marimba solo et dispositif \u00e9lectronique inspir\u00e9e de l\u2019architecture d\u2019exception de ce pavillon. \u00c0 travers le parcours de Plamondon, qui est arriv\u00e9 tardivement \u00e0 la musique, on d\u00e9couvre la force et la singularit\u00e9 de cette \u0153uvre : de la commande venue du mus\u00e9e, aux partitions graphiques, \u00e0 l\u2019Orchestre Symphonique de Qu\u00e9bec interpr\u00e9tant l\u2019\u0153uvre dans l\u2019escalier monumental, jusqu\u2019au public prenant part \u00e0 la musique en faisant tinter des centaines de triangles musicaux.","synopsis_en":"Director Jean-Pierre Dussault\u2019s documentary recounts the extraordinary story of the creation of the symphony Voir dans le vent qui hurle les \u00e9toiles rire, et rire\u2026<\/i> Commissioned by the Mus\u00e9e national des beaux-arts du Qu\u00e9bec to open the new Pierre Lassonde Pavilion, composers Yannick Plamondon and Symon Henry created a unique symphony for string orchestra, solo marimba and electronic devices inspired by the pavilion\u2019s exquisite architecture. Looking back at the path taken by Plamondon, who came rather late to music, we discover the force and singularity of this work: from the initial commission to the scores, from the performance by the Orchestre Symphonique de Qu\u00e9bec on the pavilion\u2019s monumental staircase to the public\u2019s involvement in the performance, striking hundreds of musical triangles.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3617,"first_name":"Jean-Pierre","last_name":"Dussault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/953\/photo\/Jean_Pierre_dussault.jpg","order":0}],"generic":[{"id":7424,"first_name":"Jean-Pierre","last_name":"Dussault","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8868,"first_name":"","last_name":"Productions Vues D'en Haut","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7422,"first_name":"Andr\u00e9","last_name":"Michaud","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":7420,"first_name":"Symon","last_name":"Henry","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":7419,"first_name":"Yannick","last_name":"Plamondon","post_fr":"Musique","post_en":"Music","order":2,"post_order":82},{"id":7423,"first_name":"Jean-Pierre","last_name":"Dussault","post_fr":"Production","post_en":"Production","order":0,"post_order":4},{"id":7421,"first_name":"Roger","last_name":"Lapalme","post_fr":"Sc\u00e9nario","post_en":"Script","order":0,"post_order":18},{"id":7425,"first_name":"Georges","last_name":"Sheehy","post_fr":"Son","post_en":"Sound","order":0,"post_order":59},{"id":8869,"first_name":"","last_name":"Productions Vues D'en Haut","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27525,"first_name":"Jean-Pierre","last_name":"Dussault","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/953\/photo\/Symphonie.jpg","credit":"Jean-Pierre Dussault","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":146}],"partners":null},{"id":958,"edition":{"id":2},"career_fr":"Festival Artecinema Naples, Italie (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Daniel Buren, L'Observatoire de la lumi\u00e8re, Fondation Louis Vuitton","title_original":"Daniel Buren, L'Observatoire de la lumi\u00e8re, Fondation Louis Vuitton","title_fr":"","title_en":"","year":2016,"length":1500,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En dialogue avec le b\u00e2timent que Frank Gehry a con\u00e7u en 2014 pour la Fondation Louis Vuitton, l\u2019\u0153uvre de l\u2019artiste visuel fran\u00e7ais Daniel Buren intitul\u00e9e L\u2019observatoire de la lumi\u00e8re<\/i> se d\u00e9ploie sur l\u2019ensemble des verri\u00e8res si embl\u00e9matiques de l\u2019\u00e9difice. La cam\u00e9ra de Gilles Coudert capte la complexit\u00e9 et la beaut\u00e9 du b\u00e2timent, en documentant l\u2019\u00e9volution de cette installation qui le transfigure compl\u00e8tement. Accompagn\u00e9 de la commissaire Suzanne Pag\u00e9 et de l\u2019ing\u00e9nieur Nicolas Paschal, qui pr\u00e9sentent tour \u00e0 tour l\u2019\u0153uvre et l\u2019artiste, Daniel Buren nous parle de son travail et de son parcours.","synopsis_en":"In a dialogue with the art centre designed by Frank Gehry in 2014 for the Fondation Louis Vuitton, French artist Daniel Buren\u2019s Observatory of Light<\/i> covers the building\u2019s emblematic glass \u201csails\u201d with an array of multicoloured filters. Gilles Coudert\u2019s camera captures the complexity and beauty of the building, while following the development of the installation that completely transforms it. Accompanied by curator Suzanne Pag\u00e9 and engineer Nicolas Paschal, who in turn introduce the installation and the artist, Daniel Buren discusses his work and artistic approach.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3636,"first_name":"Gilles","last_name":"Coudert","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/958\/photo\/GillesCoudert.jpg","order":0}],"generic":[{"id":7456,"first_name":"R\u00e9mi","last_name":"Geoffroy","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8668,"first_name":"","last_name":"A.p.r.e.s Production","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7455,"first_name":"Damien","last_name":"Faure","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7454,"first_name":"Alexandre","last_name":"Meyer","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7458,"first_name":"David","last_name":"Clougher","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8994,"first_name":"Gilles","last_name":"Coudert","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":7457,"first_name":"R\u00e9mi","last_name":"Geoffroy","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8667,"first_name":"","last_name":"A.p.r.e.s Production","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27445,"first_name":"Gilles","last_name":"Coudert","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/958\/photo\/IMG_Buren_Vuitton_3.jpg","credit":"\u00a9 a.p.r.e.s production \/ Gilles Coudert","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":149},{"id":211}],"partners":null},{"id":962,"edition":{"id":2},"career_fr":"","career_en":"International Film Festival Golden Prague, Czech Republic (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Ayham Ahmad – The Pianist of Yarmouk","title_original":"Ayham Ahmad – The Pianist of Yarmouk","title_fr":"","title_en":"","year":2016,"length":1800,"website":[{"id":642,"website":"http:\/\/accentus.com\/productions\/ayham-ahmad-the-pianist-from-yarmouk","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Arabe","en":"Arabic"},{"fr":"Anglais","en":"English"},{"fr":"Allemand","en":"German"},{"fr":"","en":""}],"synopsis_fr":"Alors qu\u2019\u00e9clate la guerre civile en Syrie en 2011, Ayham Ahmad, qui est n\u00e9 dans le camp de r\u00e9fugi\u00e9\u00b7e\u00b7s palestinien\u00b7ne\u00b7s de Yarmouk, au sud de Damas, refuse de quitter le quartier qui l\u2019a vu grandir. Au milieu des ruines, il r\u00e9siste \u00e0 sa fa\u00e7on. H\u00e9ritier de la musique de son p\u00e8re violoniste et luthier, Ahmad trimballe son piano \u00e0 travers les d\u00e9chets et les rues ravag\u00e9es de Damas. Menac\u00e9, le musicien est finalement contraint de fuir en Allemagne en 2016. Dans ce film au propos politique vibrant et criant d\u2019actualit\u00e9, \u00e0 travers la musique et l\u2019histoire du pianiste de Yarmouk, les r\u00e9alisateur\u00b7rice\u00b7s Carmen Belaschk et G\u00fcnter Attein d\u00e9peignent la situation de milliers de r\u00e9fugi\u00e9\u00b7e\u00b7s d\u00e9poss\u00e9d\u00e9\u00b7e\u00b7s de leurs espoirs et de leurs r\u00eaves, forc\u00e9\u00b7e\u00b7s de se reconstruire ailleurs.","synopsis_en":"When civil war erupts in Syria in 2011, Ayham Ahmad\u2014who was born in the Yarmouk refugee camp of Palestinians in southern Damascus\u2014refuses to leave his childhood home. Surrounded by ruins, he resists the only way he can: by singing, accompanied by an out-of-tune piano, about migration, hunger, and death. Threatened by Assad\u2019s regime and jihadists of the Islamic State, the musician is silenced and must flee\u2014to Germany. After his arrival in Munich in 2016, we follow the life of a man who sang out against the suffering in his country until his instrument was destroyed. His fate stands for that of thousands\u2014robbed of their hopes and dreams and forced to build a new existence.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3648,"first_name":"G\u00fcnter","last_name":"Atteln","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/962\/photo\/Gunter_Atteln.jpg","order":0},{"id":3649,"first_name":"Carmen Elena","last_name":"Belaschk","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/962\/photo\/CarmenElena_Belaschk.jpg","order":0}],"generic":[{"id":7476,"first_name":"Stephan","last_name":"Boerger","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7477,"first_name":"Michael","last_name":"Boomers","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8380,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Distribution","post_en":"Distribution","order":10,"post_order":69},{"id":7478,"first_name":"Dirk","last_name":"Seliger","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":7482,"first_name":"Ayham","last_name":"Ahmad","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":7483,"first_name":"Anca-Monica","last_name":"Pandelea","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":7484,"first_name":"Paul","last_name":"Smaczny","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":7480,"first_name":"Johannes","last_name":"Doberenz","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":7479,"first_name":"Christoph","last_name":"Wonneberger","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8379,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Production","post_en":"Production","order":9,"post_order":3},{"id":27451,"first_name":"G\u00fcnter","last_name":"Atteln","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27789,"first_name":"Carmen Elena","last_name":"Belaschk","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/962\/photo\/Aeham_Ahmad_Jarmuk_4_c_Rami_Al-Sayed.jpg","credit":"Rami Al-Sayed","desc":"Ayham Ahmad in Yarmouk"},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":206},{"id":222}],"partners":null},{"id":963,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Keep the Flame, Don't Pray to the Ashes – The Choreographer Martin Schl\u00e4pfer","title_original":"Keep the Flame, Don't Pray to the Ashes – The Choreographer Martin Schl\u00e4pfer","title_fr":"Feuer bewahren - nicht Asche anbeten – Der Choreograf Martin Schl\u00e4pfer","title_en":"","year":2016,"length":3180,"website":[{"id":741,"website":"http:\/\/feuerbewahren.de\/keep-the-flame.html#about","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""}],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un artiste peut-il renouveler constamment son engagement envers la libert\u00e9, la beaut\u00e9 et la nuance ? Directeur du Ballett am Rhein de D\u00fcsseldorf depuis 2009, le chor\u00e9graphe suisse Martin Schl\u00e4pfer est l\u2019une des figures \u00e9minentes de la danse en Europe. Ses cr\u00e9ations sont acclam\u00e9es sur toutes les sc\u00e8nes pour leur force et leur audace, propulsant pour de bon le ballet dans le 21e si\u00e8cle. Alors qu\u2019il travaille sur deux chor\u00e9graphies majeures \u2013 Alltag<\/i>, un ballet con\u00e7u pour lui par son complice Hans van Manen, et Deep Field<\/i>, une pi\u00e8ce sur la musique de la compositrice contemporaine Adriana H\u00f6lszky \u2013 la documentariste allemande Annette Von Wangenheim capte l\u2019essence de cet artiste guid\u00e9 par une recherche constante du mouvement et de la beaut\u00e9, autant dans son quotidien que dans son processus cr\u00e9atif.","synopsis_en":"Can an artist constantly renew his commitment to freedom, beauty and aesthetic nuance? Choreographer Martin Schl\u00e4pfer, who has directed the Ballet am Rhein D\u00fcsseldorf since 2009, is a preeminent figure in the European dance world. His creations have been acclaimed for their sheer power and boldness, launching ballet once and for all into the 21st century. As he works on two major choreographies\u2014Alltag<\/i>, a ballet conceived for him by collaborator Hans van Manen, and Deep Field<\/i>, a work set to the music of contemporary composer Adriana H\u00f6lszky\u2014director Annette Von Wangenheim captures the essence of the artist in his tireless investigations of movement and beauty\u2014as much in his daily life as his creative process. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3653,"first_name":"Annette","last_name":"Von Wangenheim","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/963\/photo\/AnnettevonWangenheim.jpg","order":0}],"generic":[{"id":7489,"first_name":"Monika","last_name":"Eise","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7490,"first_name":"Carsten","last_name":"Jost","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":7487,"first_name":"Gordon","last_name":"Kalbfleisch","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":7491,"first_name":"Gabriel","last_name":"Pielke","post_fr":"Image","post_en":"Cinematography","order":4,"post_order":64},{"id":7488,"first_name":"Dieter","last_name":"St\u00fcrmer","post_fr":"Image","post_en":"Cinematography","order":5,"post_order":64},{"id":7486,"first_name":"Philipp","last_name":"Metz","post_fr":"Image","post_en":"Cinematography","order":6,"post_order":64},{"id":8446,"first_name":"","last_name":"Real Fiction Filmverleih","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7495,"first_name":"Ansgar","last_name":"Pohle","post_fr":"Montage","post_en":"Editing","order":10,"post_order":43},{"id":7496,"first_name":"Ansgar","last_name":"Pohle","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":7493,"first_name":"Filipp","last_name":"Forberg","post_fr":"Son","post_en":"Sound","order":7,"post_order":59},{"id":7494,"first_name":"Fabian","last_name":"Moh","post_fr":"Son","post_en":"Sound","order":8,"post_order":59},{"id":7492,"first_name":"Lennart","last_name":"Speer","post_fr":"Son","post_en":"Sound","order":9,"post_order":59},{"id":8445,"first_name":"","last_name":"7T1 Media GmbH","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27579,"first_name":"Annette","last_name":"Von Wangenheim","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/963\/photo\/Martin_Schla_pfer_Ein_Deutsches_Requiem_Ensemble_c_Gert_Weigelt.jpg","credit":"Gert Weigelt","desc":"Ensemble \"Ein Deutsches Requiem\""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":163},{"id":220}],"partners":null},{"id":968,"edition":{"id":2},"career_fr":"Sheffield Doc\/Fest, Angleterre (2016)\r\nFestival du Film d'Histoire de Pessac, France (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Les jeux d'Hitler - Berlin 1936","title_original":"Les jeux d'Hitler - Berlin 1936","title_fr":"Hitler's Games - Berlin 1936","title_en":"","year":2016,"length":5220,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En regardant les images tourn\u00e9es il y a juste quatre-vingt ans lors des Jeux olympiques de 1936, on en oublierait presque qu\u2019elles ont \u00e9t\u00e9 film\u00e9es en plein c\u0153ur de l'Allemagne nazie. Le triomphe de Jesse Owens qui remporte quatre m\u00e9dailles d\u2019or semble consacrer encore aujourd\u2019hui la victoire de l'id\u00e9al olympique. Comme si le jeune athl\u00e8te noir am\u00e9ricain avait \u00e9t\u00e9 notre champion, et qu'il \u00e9tait parvenu, sportivement, \u00e0 vaincre le monstre nazi... Uniquement \u00e0 l\u2019aide d\u2019images d\u2019archives, le documentaire de J\u00e9r\u00f4me Prieur d\u00e9taille la gigantesque op\u00e9ration de propagande commenc\u00e9e d\u00e8s 1933 par Hitler. Ainsi observe-t-on la construction du stade olympique de Berlin, tout comme celle d\u2019un spectacle qui fut bien moins sportif que politique. Un film sur la force de l'image.","synopsis_en":"While watching images captured just eight decades ago at the 1936 Olympic Games, one would almost forget that they were shot in the throes of Nazi Germany. The triumph of Jesse Owens, who won four gold medals in Berlin, still seems to enshrine the victory of sport and the Olympic ideal, as if the young black American athlete had been our champion who was able to vanquish, in a sportive way, the Nazi monster. Using only archival documents and unreleased amateur films, J\u00e9r\u00f4me Prieur's film chronicles the massive propaganda operation launched by Hitler in 1933. After witnessing the preparation and orchestration of a performance that dealt more with politics than sport, we come to realize that the 1936 Olympic Games were a game of appearances.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3671,"first_name":"J\u00e9r\u00f4me","last_name":"Prieur","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/968\/photo\/JeromePrieur.jpg","order":0}],"generic":[{"id":8874,"first_name":"Renaud","last_name":"Personnaz","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8876,"first_name":"","last_name":"TERRANOA","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7513,"first_name":"Isabelle","last_name":"Poudevigne","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":7511,"first_name":"Marc-Olivier","last_name":"Dupin","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":7512,"first_name":"Denis","last_name":"Podalyd\u00e8s","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":7510,"first_name":"Dominique","last_name":"Tibi","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":8875,"first_name":"","last_name":"ROCHE PRODUCTIONS","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27605,"first_name":"J\u00e9r\u00f4me","last_name":"Prieur","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/968\/photo\/Bundesarchiv_Bild_183-G00328_-_Fotograph_O_Ang.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":185}],"partners":null},{"id":969,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Eva Hesse","title_original":"Eva Hesse","title_fr":"","title_en":"","year":2015,"length":6540,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Impr\u00e9gn\u00e9 de l\u2019effervescence intellectuelle et artistique du New York des ann\u00e9es 60, ce film nous fait d\u00e9couvrir une artiste de la sculpture contemporaine m\u00e9connue. Il s\u2019agit de l\u2019une des seules femmes reconnues aux c\u00f4t\u00e9s de cr\u00e9ateurs comme Robert Morris et Bruce Nauman, dont la vie a \u00e9t\u00e9 tragiquement \u00e9court\u00e9e par la maladie en 1970. Gr\u00e2ce \u00e0 un usage judicieux et abondant de photographies et d\u2019images d\u2019archives, on c\u00f4toie la figure et les \u0153uvres de l\u2019artiste. Sa voix r\u00e9sonne \u00e0 travers les extraits de ses journaux. Les nombreux t\u00e9moignages m\u00ealent le regard tendre et bienveillant de ses proches sur sa vie \u00e0 celui d\u2019important\u00b7e\u00b7s intervenant\u00b7e\u00b7s du milieu de l\u2019art sur son travail. Ce premier film de l\u2019Am\u00e9ricaine Marcie Begleiter est le portrait inspir\u00e9 et consciencieux d\u2019une femme dont la vie a \u00e9t\u00e9 port\u00e9e par une riche d\u00e9marche cr\u00e9ative.","synopsis_en":"Evoking the intellectual and artistic vibrancy of New York in the 1960s, this film portrays a neglected contemporary sculptress, one of the few women who stood alongside Robert Morris and Bruce Nauman, and whose life was tragically cut short in 1970. Interviews with major figures in the art world are mixed with archival footage, photographs and excerpts from Eva Hesse\u2019s voluminous journals, which give us an understanding of what she was thinking and feeling, adding a deeply personal and emotional touch to the portrait. This documentary, the first by American director Marcie Begleiter, is an inspired and conscientious account of a woman whose life was driven by a rich creative energy.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3675,"first_name":"Marcie","last_name":"Begleiter","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/969\/photo\/MarcieBegleiter.jpg","order":0}],"generic":[{"id":7519,"first_name":"Nancy","last_name":"Schreiber","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8410,"first_name":"","last_name":"Bdks Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7518,"first_name":"Azin","last_name":"Samari","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7520,"first_name":"Andreas","last_name":"Sch\u00e4fer","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7521,"first_name":"Raffael","last_name":"Seyfried","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":7524,"first_name":"Bob","last_name":"Balaban","post_fr":"Narration","post_en":"Narration","order":6,"post_order":53},{"id":7523,"first_name":"Selma","last_name":"Blair","post_fr":"Narration","post_en":"Narration","order":7,"post_order":53},{"id":7525,"first_name":"Patrick","last_name":"Kennedy","post_fr":"Narration","post_en":"Narration","order":8,"post_order":53},{"id":7517,"first_name":"Michael P.","last_name":"Aust","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":7515,"first_name":"Marcie","last_name":"Begleiter","post_fr":"Production","post_en":"Production","order":10,"post_order":4},{"id":7516,"first_name":"Karen S.","last_name":"Shapiro","post_fr":"Production","post_en":"Production","order":11,"post_order":4},{"id":7526,"first_name":"Stephan","last_name":"Wilke","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8409,"first_name":"","last_name":"Bdks Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27334,"first_name":"Marcie","last_name":"Begleiter","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/969\/photo\/HesseWithAlberstif.jpg","credit":"unknown","desc":"Eva Hesse with Joseph Albers at Yale circa 1958"},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/969\/photo\/Eva_Hesse.jpg","credit":"","desc":""}],"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":182}],"partners":null},{"id":973,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Silenced – Composers in Revolutionary Russia","title_original":"Silenced – Composers in Revolutionary Russia","title_fr":"","title_en":"","year":2016,"length":3300,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Russe","en":"Russian"},{"fr":"Allemand","en":"German"},{"fr":"Anglais","en":"English"},{"fr":"","en":""}],"synopsis_fr":"La s\u00e9rie documentaire Music in Times of War and Revolution<\/i> explore les liens qui existent entre musique et politique. Dans ce deuxi\u00e8me volet, Anne-Kathrin Peitz parcourt les destins et les \u0153uvres d\u2019une g\u00e9n\u00e9ration m\u00e9connue de compositeurs russes tels qu\u2019Arthur Louri\u00e9, Nikolai Roslavets, Alexander Mosolov, Sergei Prokofiev, Leon Theremin et Arseny Avraamov. Aventureuse, flirtant avec le futurisme et d\u00e9construisant les codes musicaux conventionnels, cette avant-garde qui a connu la Premi\u00e8re Guerre mondiale, la r\u00e9volution d\u2019octobre et les tout d\u00e9buts de l\u2019Union sovi\u00e9tique sous Staline a \u00e9t\u00e9 bannie, oubli\u00e9e ou effac\u00e9e du paysage musical. On la red\u00e9couvre dans une habile mise en sc\u00e8ne qui convoque \u00e0 la fois la Russie d\u2019hier et celle d\u2019aujourd\u2019hui, la musique et la vie, les contextes culturels et politiques et les destin\u00e9es individuelles.","synopsis_en":"The documentary series Music in Times of War and Revolution<\/i> explores the connections between music and politics. In this second segment, Anne-Kathrin Peitz explores the lives and the work of a lesser-known generation of Russian composers that includes Arthur Louri\u00e9, Nikolai Roslavets, Alexander Mosolov, Sergei Prokofiev, Leon Theremin and Arseny Avraamov. Adventurous, flirting with futurism and deconstructing conventional musical codes, this avant-garde group, which lived through the First World War, the October Revolution and the birth of the Soviet Union under Stalin, was banned, forgotten or erased from the musical map. They are rediscovered here in a skillfully crafted film that looks at Russia past and present, music and life, cultural and political contexts and individual destinies. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3692,"first_name":"Anne-Kathrin","last_name":"Peitz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/973\/photo\/Anne-KathrinPeitz.jpg","order":0}],"generic":[{"id":7543,"first_name":"Thomas","last_name":"Frischhut","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8631,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7555,"first_name":"Vladimir","last_name":"Stoupel","post_fr":"Interpr\u00e8tes","post_en":"Cast","order":6,"post_order":49},{"id":7544,"first_name":"Steffen","last_name":"Herrmann","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":8632,"first_name":"Paul","last_name":"Smaczny","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7547,"first_name":"Eduard","last_name":"Jan","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":7549,"first_name":"Christopher","last_name":"Tarnow","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":7546,"first_name":"Christoph","last_name":"Wonneberger","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8630,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27377,"first_name":"Anne-Kathrin","last_name":"Peitz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/973\/photo\/Verstummte_KlN_nge_6_Julia_Sophie_Wagner_Accentus_Music.jpg","credit":"Accentus Music","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":184},{"id":235}],"partners":null},{"id":974,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les aventuriers de l'Art moderne - \u00c9pisode 1 : Boh\u00e8me 1900-1906","title_original":"Les aventuriers de l'Art moderne - \u00c9pisode 1 : Boh\u00e8me 1900-1906","title_fr":"","title_en":"","year":2015,"length":3128,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Adapt\u00e9e de l\u2019\u0153uvre de Dan Franck Le temps des boh\u00e8mes<\/i>, cette s\u00e9rie de six \u00e9pisodes nous plonge dans la vie artistique et litt\u00e9raire de Paris, du d\u00e9but du XXe si\u00e8cle \u00e0 la fin de la Seconde Guerre mondiale. En utilisant les codes de la fiction, et \u00e0 travers des documents d\u2019archives et des s\u00e9quences anim\u00e9es originales, la s\u00e9rie retrace les vies de ceux\u00b7celles qui ont marqu\u00e9 cette incroyable p\u00e9riode de l\u2019art moderne.

Montmartre, d\u00e9but du si\u00e8cle. Le jeune po\u00e8te Max Jacob \u00e9lit domicile \u00e0 Paris, au milieu des artistes sans le sou. Subjugu\u00e9 par les toiles d\u2019un certain Pablo Picasso, il devient tr\u00e8s vite l\u2019ami du peintre. En 1904, le duo fait la connaissance de l\u2019\u00e9rudit et h\u00e9doniste po\u00e8te Guillaume Apollinaire. La bande, compl\u00e9t\u00e9e par les peintres Maurice de Vlaminck et Andr\u00e9 Derain, a besoin d\u2019un lieu o\u00f9 vivre et travailler. Picasso le trouve \u00e0 Montmartre : une ancienne manufacture de pianos que Jacob baptise le Bateau-Lavoir. Parmi les visiteur\u00b7ice\u00b7s du Bateau-Lavoir, deux collectionneur\u00b7euse\u00b7s am\u00e9ricain\u00b7e\u00b7s font leur entr\u00e9e : Gertrude et L\u00e9o Stein. Chaque samedi, il\u00b7elle\u00b7s re\u00e7oivent artistes et auteur\u00b7ice\u00b7s dans leur appartement. L\u00e0, la po\u00e9tesse Gertrude Stein observe Matisse et Picasso : l\u2019un est aussi aust\u00e8re que l\u2019autre est bon vivant. Mais Matisse sait \u00e9galement choquer. Au Salon d\u2019Automne de 1905, ses \u0153uvres aux couleurs vives provoquent rires et col\u00e8re. Le Fauvisme est n\u00e9.","synopsis_en":"Adapted from Dan Franck\u2019s Le temps des boh\u00e8mes<\/i>, this six-part series immerses viewers in the artistic and literary life of Paris from the early 20th century to the end of World War Two. Using the codes of fiction and through archival documents and original animated sequences, the series looks at the lives of those who left their mark on this incredible period in modern art.

Montmartre at the beginning of the century. The young poet Max Jacob moves to Paris and lives among penniless artists. Captivated by the paintings of one Pablo Picasso, he quickly forges a friendship with the painter. In 1904, the two meet the erudite, hedonistic poet Guillaume Apollinaire. Their circle, which also includes painters Maurice de Vlaminck and Andr\u00e9 Derain, needs a place to live and work, and Picasso finds it in Montmartre: a former piano factory, which Jacob nicknames the Bateau-Lavoir. Visitors to the Bateau-Lavoir include two American collectors, Gertrude and Leo Stein. Every Saturday, they host artists and writers at their apartment, where poet Gertrude Stein observes Matisse and Picasso: one ascetic, the other a bon vivant. But Matisse\u2019s work also has shock value. At the 1905 Salon d\u2019Automne, his boldly coloured canvases elicit laughter and derision\u2014and thus Fauvism is born.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3696,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/974\/photo\/PaulineGaillard.jpg","order":0},{"id":3697,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/974\/photo\/ValerieLoiseleux.jpg","order":0},{"id":3698,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/974\/photo\/AmeliHarrault.jpg","order":0}],"generic":[{"id":7566,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":0,"post_order":70},{"id":7565,"first_name":"Pauline","last_name":"Gaillard","post_fr":"Montage","post_en":"Editing","order":0,"post_order":43},{"id":7563,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":0,"post_order":82},{"id":7562,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":0,"post_order":53},{"id":7567,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":0,"post_order":18},{"id":7560,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":7561,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":7559,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":3,"post_order":3},{"id":27587,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27588,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27589,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/974\/photo\/Episode_1_Fernande_Olivier_par_Ame_lie_Harrault_SILEX_FILMS_ARTE_France_FINANCIERE_PINAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":191}],"partners":null},{"id":975,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Luc Cousineau : Homme des grands chemins","title_original":"Luc Cousineau : Homme des grands chemins","title_fr":"","title_en":"","year":2016,"length":2895,"website":[{"id":643,"website":"https:\/\/vimeo.com\/186477981","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Sans le savoir, les Qu\u00e9b\u00e9cois\u00b7e\u00b7s fredonnent pendant des ann\u00e9es les m\u00e9lodies de Luc Cousineau. Cousineau est n\u00e9 dans la musique, entour\u00e9 de deux fr\u00e8res : l\u2019un deux compositeur, et l\u2019autre fondateur de l\u2019\u00c9cole des Petits Violons. On le conna\u00eet pour ses arrangements et ses ritournelles accrocheuses, mais aussi comme chanteur et compositeur dans les duos Les Alexandrins et plus tard, Luc et Lise, qu\u2019il forme avec sa conjointe Lise Vachon. Il a \u00e9galement cr\u00e9\u00e9 plusieurs albums tr\u00e8s personnels, sans \u00e9gard pour les modes passag\u00e8res. \u00c0 travers la voix de sa fille, Karine Cousineau, celle de ses collaborateur\u00b7ice\u00b7s et son propre t\u00e9moignage, on d\u00e9couvre le travail de ce musicien passionn\u00e9 qui a fait son chemin dans le monde de la musique avec d\u00e9termination et audace. ","synopsis_en":"Without knowing it, Quebeckers have been humming Luc Cousineau\u2019s jingles for years. Cousineau grew up in a musical family, surrounded by his two brothers: one a composer, the other the founder of the \u00c9cole des Petits Violons. While he is known for his arrangements and his catchy tunes, he was also a singer songwriter with the duo Les Alexandrins and later, Luc et Lise, with his wife, Lise Vachon. He also made several highly personal albums, without regard for passing trends. With commentary by his daughter, Karine Cousineau and his associates, along with his own accounts, the film presents the work of this passionate musician who forged a career in music with bold determination.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3701,"first_name":"Nathalie","last_name":"Pelletier","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/975\/photo\/nathaliePelletier.jpg","order":0}],"generic":[{"id":7573,"first_name":"Fran\u00e7ois","last_name":"Blanchette","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8847,"first_name":"","last_name":"Groupe PVP Inc.","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7570,"first_name":"N\u00e9lie","last_name":"Pelletier","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7572,"first_name":"Vincent","last_name":"Leroux","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":7571,"first_name":"Vic","last_name":"Pelletier","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":8845,"first_name":"Guy","last_name":"Kaye","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8846,"first_name":"","last_name":"Groupe PVP Inc.","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27795,"first_name":"Nathalie","last_name":"Pelletier","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/975\/photo\/Cousineau3.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - 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courts-m\u00e9trages"}],"programs":[{"id":145}],"partners":null},{"id":979,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Chris Cran: Sincerely Yours","title_original":"Chris Cran: Sincerely Yours","title_fr":"","title_en":"","year":2016,"length":1080,"website":[{"id":673,"website":"https:\/\/vimeo.com\/188883981","type_id":14,"type_1":"Bande-annonce","type_2":"Trailer","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ce film s\u2019inscrit \u00e0 la suite d\u2019une importante exposition du Mus\u00e9e des beaux-arts du Canada consacr\u00e9e \u00e0 l\u2019artiste albertain Chris Cran. Les autoportraits humoristiques de Cran ainsi que sa capacit\u00e9 \u00e0 se jouer des perceptions et des perspectives en m\u00e9langeant pop art, r\u00e9alisme photographique, abstraction et art optique sont c\u00e9l\u00e8bres. Dans une entrevue avec le peintre men\u00e9e par Bruce McCulloch du groupe humoristique canadien Kids in the Hall, l\u2019artiste expose son processus cr\u00e9atif et ses pr\u00e9occupations face au monde de l\u2019art. Le documentaire de Gary Burns articule une r\u00e9flexion sur le caract\u00e8re \u00e9ph\u00e9m\u00e8re des expositions et leur place dans le parcours des artistes en opposant le pragmatisme des gestes du d\u00e9montage d\u2019une exposition et les questions philosophiques et intellectuelles qui sous-tendent le travail de Cran.","synopsis_en":"This film comes on the heels of Alberta artist Chris Cran\u2019s solo exhibition at the National Gallery of Canada. Cran is renowned for his humorous self-portraits and his talent for playing with perceptions and perspectives by combining pop art, photorealism, abstraction and pop art. In an interview between Cran and Bruce McCulloch of Kids in the Hall<\/i> fame, the artist talks about his creative process and his concerns about the art world. This documentary by Gary Burns muses on the temporary nature of exhibitions and how they act as a placeholder in an artist\u2019s career by juxtaposing the pragmatism of the teardown of an exhibition with the philosophical and intellectual questions that underpin Cran\u2019s work. 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Au milieu du capharna\u00fcm, Bill Anhang travaille \u00e0 sa derni\u00e8re cr\u00e9ation. Guid\u00e9 par les paroles de proph\u00e8tes qui lui apparaissent dans des visions, Bill Anhang cr\u00e9\u00e9 pour \u00ab apporter une nouvelle lumi\u00e8re \u00e0 l\u2019humanit\u00e9 \u00bb. \u00c0 85 ans, il pr\u00e9sente ses \u0153uvres pour la premi\u00e8re fois. Il est invit\u00e9 \u00e0 New York, o\u00f9 le prestigieux American Folk Art Museum \u00e0 Manhattan lui consacre une exposition. En plus de nous faire d\u00e9couvrir cet artiste unique de Montr\u00e9al, avec ce documentaire, la r\u00e9alisatrice Maisie Jacobson aborde des enjeux li\u00e9s \u00e0 la cr\u00e9ation, au succ\u00e8s et aux relations humaines.","synopsis_en":"In a Montreal apartment, tiny lights flicker, casting light on bizarre portraits and fantastic machines. Amid the chaos, Bill Anhang is working on his latest creation. 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A reflection, in the form of an essay, on the meaning of the word \u201ccoincidence\u201d.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3765,"first_name":"Tha\u00efs","last_name":"Odermatt","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/994\/photo\/Thais_Odermatt.jpg","order":0}],"generic":[{"id":7654,"first_name":"Diverse","last_name":"Diverse","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8878,"first_name":"","last_name":"Tha\u00efs Odermatt Film","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7653,"first_name":"Tha\u00efs","last_name":"Odermatt","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":8879,"first_name":"Tha\u00efs","last_name":"Odermatt","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7656,"first_name":"Carlos","last_name":"Isabel","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8877,"first_name":"","last_name":"Tha\u00efs Odermatt Film","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27447,"first_name":"Tha\u00efs","last_name":"Odermatt","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/994\/photo\/01_Still.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":185}],"partners":null},{"id":995,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Live Art: Take Me (I'm Yours)","title_original":"Live Art: Take Me (I'm Yours)","title_fr":"","title_en":"","year":2016,"length":1547,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Qui a dit de ne jamais toucher aux \u0153uvres d'art ? Au fur et \u00e0 mesure de l'exposition Take Me (I'm Yours)<\/i> (re)pr\u00e9sent\u00e9e \u00e0 La Monnaie de Paris en 2015, les salles du mus\u00e9e se vident. Car les \u0153uvres expos\u00e9es ne sont pas destin\u00e9es \u00e0 la vente, mais offertes \u00e0 un public qui se sert avec enthousiasme, manipulant et emportant dans de grands sacs de toile, distribu\u00e9s \u00e0 l'entr\u00e9e du mus\u00e9e, tout ce qui leur tombe sous la main. Plus de 20 ans apr\u00e8s la l\u00e9gendaire exposition parisienne \u00e9ponyme con\u00e7ue en 1994 par Christian Boltanski et Hans Ulrich Obrist, le projet est repris et s\u2019av\u00e8re toujours aussi actuel. Dans son film, Heinz Pierre Schwerfel entrem\u00eale les discours et les \u0153uvres de plus d\u2019une vingtaine d\u2019artistes qui composent cette exposition, articulant une pertinente r\u00e9flexion sur l\u2019art contemporain.","synopsis_en":"Who said you should never touch works of art? During the presentation of the exhibition Take Me (I'm Yours)<\/i> at Monnaie de Paris in 2015, the museum\u2019s galleries were emptied. The works on display were not for sale but offered for free to visitors who, toting large canvas bags handed out at the entrance, enthusiastically handled and carted away everything they could get their hands on. More than 20 years after the legendary Paris exhibition of the same name, conceived in 1994 by Christian Boltanski and Hans Ulrich Obrist, the project has been revisited and proves to be as topical as ever. In his film, Heinz Pierre Schwerfel combines commentary and works by the more than 20 artists featured in this exhibition, creating a timely conversation around contemporary art. 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Romain Delahaye, dit Mol\u00e9cule, fait le pari de s\u2019embarquer sur un chalutier pour un voyage de cinq semaines en haute mer. En qu\u00eate de nouvelles inspirations, il installe un mini studio dans sa cabine et explore tous les recoins du bateau pour enregistrer ses bruits. Le capitaine du Joseph Roty II<\/i> et son \u00e9quipage s\u2019inqui\u00e8tent quant \u00e0 eux de ne pas trouver de poisson dans les eaux glac\u00e9es de la mer d\u2019Irlande. Alors que les cales se remplissent de merlan bleu et qu\u2019un album se dessine, le capitaine et le compositeur relatent le fil des jours dans leur journal. Dans L\u2019oc\u00e9an \u00e9lectro <\/i>Philippe Orreindy laisse ces deux regards sur l\u2019oc\u00e9an s\u2019entrem\u00ealer.","synopsis_en":"Romain Delahaye, a.k.a. Molecule, is a composer of electronic music who has come up with a madcap plan: to spend five weeks aboard a fishing trawler to write a new album. He hopes that a few storms will help unleash his creativity. Searching for sources of inspiration, he sets up a mini-studio in his cabin and explores the ship\u2019s nooks and crannies, recording the various sounds. The skipper of the Joseph Roty II<\/i> and its crew, on the other hand, are preoccupied with catching fish in the icy waters of the Irish Sea. As the holds begin to fill with blue whiting and an album takes shape, the captain and composer Romain fill out their daily logs. Their different views on the ocean intertwine, creating an unexpected meeting of music and fishing.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3771,"first_name":"Philippe","last_name":"Orreindy","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/996\/photo\/PhilippeOrreindy.jpg","order":0}],"generic":[{"id":8619,"first_name":"Fabrice","last_name":"Richard","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8626,"first_name":"","last_name":"Real Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8622,"first_name":"Pascale","last_name":"Berson-L\u00e9cuyer","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":8623,"first_name":"","last_name":"Mol\u00e9cule","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":8625,"first_name":"Bruno","last_name":"Florentin","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":8620,"first_name":"Dominique","last_name":"Dallemagne","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8621,"first_name":"Henri","last_name":"Puzillout","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":8624,"first_name":"","last_name":"REAL PRODUCTIONS","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27370,"first_name":"Philippe","last_name":"Orreindy","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/996\/photo\/BATEAU_EXT_NUIT.jpg","credit":"Real Productions","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":150},{"id":231}],"partners":null},{"id":999,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Une maison, un artiste – Victor Hugo, une \u00eele pour exil","title_original":"Une maison, un artiste – Victor Hugo, une \u00eele pour exil","title_fr":"","title_en":"","year":2016,"length":1560,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Contraint de fuir Paris en mai 1856, Hugo ach\u00e8te une maison \u00e0 Guernesey, une \u00eele anglo-normande de la Manche. Il \u00e9crit \u00e0 l\u2019un de ses amis : \u00ab N\u2019ayant plus de patrie, je veux avoir un toit ! \u00bb. Pour la premi\u00e8re fois de sa vie, l\u2019\u00e9crivain devient propri\u00e9taire. Il transforme cette maison, la d\u00e9core enti\u00e8rement, projetant dans son espace son univers de po\u00e8te-artiste. Cette maison et sa mise en sc\u00e8ne devient finalement une de ses plus belles \u0153uvres. Et c\u2019est au dernier \u00e9tage de ce refuge qu\u2019il \u00e9crira ses plus grands romans. ","synopsis_en":"Forced to flee Paris in May 1856, Hugo bought a house in Guernsey, one of the Channel Islands. He wrote to one of his friends: \u201cSince I no longer have a homeland, I want to have a home.\u201d For the first time in his life, the writer became a homeowner. He transformed the house, decorating it and bringing his poetic and artistic world into the space. This house and its staging would become one of his finest achievements. And it was on the top floor of this sanctuary that he wrote his greatest novels. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3782,"first_name":"Fran\u00e7ois","last_name":"Chay\u00e9","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/999\/photo\/Photo_realisateur.jpg","order":0}],"generic":[{"id":8522,"first_name":"Fran\u00e7ois","last_name":"Chay\u00e9","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7672,"first_name":"","last_name":"France T\u00e9l\u00e9visions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8523,"first_name":"Audrey","last_name":"Le Narvor","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":7675,"first_name":"Charlotte","last_name":"Gu\u00e9nin","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":7676,"first_name":"","last_name":"Leonard","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":7674,"first_name":"","last_name":"A Prime Group","post_fr":"Production","post_en":"Production","order":3,"post_order":3},{"id":27526,"first_name":"Fran\u00e7ois","last_name":"Chay\u00e9","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/999\/photo\/image001.jpg","credit":"\u00a9 Fran\u00e7ois Chay\u00e9","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":181}],"partners":null},{"id":1000,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Pedro Almod\u00f3var, tout sur ses femmes","title_original":"Pedro Almod\u00f3var, tout sur ses femmes","title_fr":"","title_en":"","year":2016,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"Espagne","en":"Spain"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"Espagnol","en":"Spanish"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En observant la filmographie de Pedro Almodovar, une \u00e9vidence s'impose : les femmes sont partout, ce sont elles qui portent l\u2019\u0153uvre. Pour dresser le portrait d\u2019Almodovar, \u00e9voquer la puissance \u00e9motionnelle qui \u00e9mane de ses films, le r\u00e9alisateur Sergio Mondelo est parti \u00e0 la rencontre de ces divas espagnoles. Chacune nous raconte le cin\u00e9aste \u00e0 sa mani\u00e8re. Leurs t\u00e9moignages portent sur la trajectoire de l'homme autant que sur son \u0153uvre, \u00e9clairant la personnalit\u00e9 du r\u00e9alisateur, qui a grandi dans une Espagne franquiste et dont les visions artistiques s\u2019\u00e9panouirent dans l'Espagne moderne et d\u00e9mocratique de la Movida. Ces femmes furent les parfaites t\u00e9moins d'un parcours cin\u00e9matographique qui, de la Mancha \u00e0 Hollywood, a chang\u00e9 l'image de l'Espagne dans le monde.","synopsis_en":"When looking at Pedro Almod\u00f3var\u2019s filmography, it becomes evident that women are everywhere. Indeed, his work revolves around them. To compile a portrait of Almod\u00f3var and evoke the emotional power of his films, filmmaker Sergio Mondelo spoke with these Spanish divas. Each talks about the director in her own way, about the man as much as about his films, shedding light on his personality. Almod\u00f3var grew up in Franco\u2019s Spain, and his artistic vision developed in modern, democratic Spain at the time of La Movida. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3785,"first_name":"Sergio","last_name":"Mondelo","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1000\/photo\/sergioMondelo.jpg","order":0}],"generic":[{"id":7681,"first_name":"Jean Louis","last_name":"Lafor\u00eat","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8833,"first_name":"","last_name":"PROGRAM33","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7679,"first_name":"Louis","last_name":"Goldschmidt","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7680,"first_name":"Thomas","last_name":"Thery","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":8832,"first_name":"Jos\u00e9 Ignacio","last_name":"Rodriguez Arenas","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8834,"first_name":"","last_name":"PROGRAM33","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27804,"first_name":"Sergio","last_name":"Mondelo","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1000\/photo\/1_ALMODOVAR_GROUPUSCULE.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":162}],"partners":null},{"id":1004,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Le film de Bazin","title_original":"Le film de Bazin","title_fr":"","title_en":"","year":2017,"length":4200,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"En 1958, au cours des mois pr\u00e9c\u00e9dant son d\u00e9c\u00e8s, le c\u00e9l\u00e8bre critique de cin\u00e9ma Andr\u00e9 Bazin d\u00e9bute un court m\u00e9trage sur les \u00e9glises romanes de la Saintonge qui n'a jamais vu le jour. Il reste des notes, des photos de rep\u00e9rage et un sc\u00e9nario dans lequel il affirme que \u00ab l\u2019axe d\u2019int\u00e9r\u00eat du film, son centre de gravit\u00e9 et d\u2019\u00e9quilibre, doit se situer dans l\u2019actualit\u00e9 \u00bb, qu\u2019il s\u2019agirait \u00ab d\u2019expliquer le charme incomparable de ces \u00e9glises dans la vie quotidienne saintongeaise moderne \u00bb. Dans ce film d\u00e9di\u00e9 au projet de Bazin, Pierre H\u00e9bert s\u2019empare de cette prescription, tout en tenant compte des changements qui ont eu lieu depuis, tant dans le destin de plusieurs de ces \u00e9glises, devenues attractions touristiques, que dans le cours de la vie rurale saintongeaise. Il entrem\u00eale images r\u00e9elles, photographies, dessins et interventions anim\u00e9es dans une m\u00e9ditation sur le temps qui passe, sur un film jamais r\u00e9alis\u00e9, sur la mort de Bazin, et sur les th\u00e8mes de la restauration et du devenir des ruines, de la vie quotidienne moderne qui se poursuit en r\u00e9sonance avec les vieilles pierres.","synopsis_en":"In 1958, in the months before his death, the acclaimed film critic Andr\u00e9 Bazin began working on a short film about the Romanesque churches of the Saintonge, a film he would never finish. What remained were notes, scouting photographs and a script, in which he said, \u201cthe focus of the film, its centre of gravity and balance must be current,\u201d and that it was about \u201cexplaining the incomparable charm of these churches in the daily life of the Saintonge today.\u201d In this film dedicated to Bazin\u2019s project, Pierre H\u00e9bert heeds these instructions, at the same time taking into account the changes that have occurred in the meantime: the fate of several of these churches, which have become tourist attractions, and life in the Saintonge. He combines real images and photos with drawings and lively conversations in a meditation on the passing of time, on a film that was never completed, on Bazin\u2019s death, on restoration and the future of ruins and on modern-day life that continues in resonance with the old stones. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3798,"first_name":"Pierre","last_name":"H\u00e9bert","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1004\/photo\/PierreHerbert.jpg","order":0}],"generic":[{"id":7712,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8454,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"Distribution","post_en":"Distribution","order":7,"post_order":69},{"id":7711,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7713,"first_name":"Robert Marcel","last_name":"Lepage","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":7714,"first_name":"Michael","last_name":"Lonsdale","post_fr":"Narration","post_en":"Narration","order":4,"post_order":53},{"id":8452,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":8453,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":27583,"first_name":"Pierre","last_name":"H\u00e9bert","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1004\/photo\/Le_film_de_Bazin_-_2.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":188}],"partners":null},{"id":1006,"edition":{"id":2},"career_fr":"ITF Golden Prague, R\u00e9publique Tch\u00e8que (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"ITF Golden Prague, Czech Republic (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Zhu Xiao-Mei: How Bach Defeated Mao","title_original":"Zhu Xiao-Mei: How Bach Defeated Mao","title_fr":"","title_en":"","year":2016,"length":3480,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Chinois","en":"Chinese"},{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La musique de Bach a permis \u00e0 Zhu Xiao-Mei de faire face aux plus grands d\u00e9fis de son existence. Apr\u00e8s avoir v\u00e9cu de pr\u00e8s les cons\u00e9quences du r\u00e9gime de Mao Zedong et celles de sa r\u00e9volution culturelle, la pianiste \u00e9migre \u00e0 Paris en 1980. Elle est profond\u00e9ment marqu\u00e9e par la grande noirceur culturelle de son pays sous Mao, o\u00f9 elle \u00e9t\u00e9 victime d\u2019humiliation publique, a vu ses professeur\u00b7e\u00b7s intimid\u00e9s et les partitions, br\u00fbl\u00e9es. Ce documentaire est un film personnel et touchant sur l\u2019immense pouvoir de la musique. Paul Smaczny y raconte l\u2019histoire de Zhu Xiao-Mei alors qu\u2019elle accepte pour la premi\u00e8re fois de retourner en Chine et de d\u00e9couvre un pays compl\u00e8tement transform\u00e9.","synopsis_en":"The music of Bach enabled pianist Zhu Xiao-Mei to cope with the worst challenges of her life. After experiencing all of the consequences of the Mao regime and the Cultural Revolution, she emigrated to Paris in 1980. She was deeply marked by the great cultural darkness that came over her country under Mao. She was publicly humiliated, her teachers were intimidated and her musical scores were burned. In this personal and touching documentary about the immense power of music, Paul Smaczny tells Zhu Xiao-Mei\u2019s story as she agrees to return to China for the first time and discovers a country transformed.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3804,"first_name":"Paul","last_name":"Smaczny","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1006\/photo\/Paul_Smaczny.jpg","order":0}],"generic":[{"id":7727,"first_name":"Michael","last_name":"Boomers","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7726,"first_name":"Nyika","last_name":"Jancs\u00f3","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8513,"first_name":"","last_name":"Accentus Music","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7723,"first_name":"Karl","last_name":"Atteln","post_fr":"Mixage","post_en":"Sound mixing","order":10,"post_order":62},{"id":7724,"first_name":"Markus","last_name":"Krohn","post_fr":"Mixage","post_en":"Sound mixing","order":11,"post_order":62},{"id":7718,"first_name":"Dirk","last_name":"Seliger","post_fr":"Montage","post_en":"Editing","order":7,"post_order":43},{"id":7728,"first_name":"Anca-Monica","last_name":"Pandelea","post_fr":"Production","post_en":"Production","order":8,"post_order":4},{"id":7719,"first_name":"Paul","last_name":"Smaczny","post_fr":"Production","post_en":"Production","order":9,"post_order":4},{"id":7725,"first_name":"Sebastian","last_name":"Braun","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":7720,"first_name":"Toine","last_name":"Mertens","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":7722,"first_name":"Robert","last_name":"Sandow","post_fr":"Son","post_en":"Sound","order":5,"post_order":59},{"id":7721,"first_name":"Christoph","last_name":"Wonneberger","post_fr":"Son","post_en":"Sound","order":6,"post_order":59},{"id":8512,"first_name":"","last_name":"Accentus Music","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27381,"first_name":"Paul","last_name":"Smaczny","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1006\/photo\/Zhu_Xiao-Mei_Shanghai_Nov20142_c_Accentus_Music.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":21,"title":"Comp\u00e9tition - longs-m\u00e9trages"}],"programs":[{"id":160},{"id":237}],"partners":null},{"id":1008,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Maestras - The Long Journey of Women to the Podium","title_original":"Maestras - The Long Journey of Women to the Podium","title_fr":"","title_en":"","year":2016,"length":3180,"website":[],"countries":[{"fr":"Allemagne","en":"Germany"},{"fr":"Suisse","en":"Switzerland"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Allemand","en":"German"},{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00catre une chef d\u2019orchestre, c\u2019est \u00eatre une exception, encore aujourd\u2019hui. Alors que les femmes chefs d\u2019orchestre sont de plus en plus nombreuses, il est toujours la norme d\u2019accorder un caract\u00e8re sensationnel \u00e0 cette position. Pourquoi y a-t-il si peu de femmes qui dirigent de grands orchestres sur la sc\u00e8ne internationale ? Quelle est la nature du mythe qui entoure cette profession pourtant relativement r\u00e9cent e? Quel est le r\u00f4le du pouvoir, ici ? Celui de la masculinit\u00e9? Et un changement est-il en train de s\u2019op\u00e9rer? Ce documentaire pose un regard \u00e0 la fois historique, concret et musical sur ces questions en sondant des experts de tous horizons et en faisant entendre la voix et le travail des plus grandes chefs d\u2019orchestre d\u2019hier et d\u2019aujourd\u2019hui.","synopsis_en":"Being a female conductor means being an exception. Even today. When a woman stands on the podium she is, in most cases, \u201cthe first\u201d: the first to lead a world-class orchestra, the first to conduct a certain work, the first to win such and such a prize. For decades, this sensationalized character has been the norm. Why are there so few women at the helm of world-class orchestras? How did this relatively new profession develop such a notorious mythos? What roles do power and masculinity play? Are things beginning to change? This documentary takes a closer look at the situation, interweaving historical footage, interviews with experts from various disciplines, and the words of some of the greatest women conductors of yesterday and today. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3810,"first_name":"G\u00fcnter","last_name":"Atteln","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1008\/photo\/Gunter_Atteln.jpg","order":0},{"id":3811,"first_name":"Maria","last_name":"Stodtmeier","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1008\/photo\/maria_Stodmeier.jpg","order":0}],"generic":[{"id":7731,"first_name":"Stephan","last_name":"Boerger","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7732,"first_name":"Michael","last_name":"Boomers","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":7733,"first_name":"Aurelio","last_name":"Galfetti","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8457,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Distribution","post_en":"Distribution","order":7,"post_order":69},{"id":7734,"first_name":"Dirk","last_name":"Seliger","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":7735,"first_name":"Markus","last_name":"Wicker","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":7736,"first_name":"Christoph","last_name":"Wonneberger","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8456,"first_name":"","last_name":"Accentus Music GmbH","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27797,"first_name":"G\u00fcnter","last_name":"Atteln","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27798,"first_name":"Maria","last_name":"Stodtmeier","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1008\/photo\/Sylvia_Caduff_and_Leonard_Bernstein_c_accentus_music.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":160},{"id":237}],"partners":null},{"id":1021,"edition":{"id":2},"career_fr":"","career_en":"Toronto International Film Festival, Canada (2016)\r\nVancouver International Film Festival, Canada (2016)\r\nimagineNATIVE, Toronto, Canada (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Four Faces of the Moon","title_original":"Four Faces of the Moon","title_fr":"","title_en":"","year":2016,"length":776,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce court m\u00e9trage d\u2019animation en quatre chapitres, l\u2019histoire des peuples m\u00e9tis, cri et anishnaabe et celle de la r\u00e9alisatrice s\u2019entrelacent. Amanda Strong y explore l\u2019affirmation d\u2019une culture par la r\u00e9appropriation de la langue et de l\u2019identit\u00e9 en revisitant l\u2019histoire coloniale du Canada. Alors que la lune, symbole de changement dans les cultures cri et anishnaabe, marque le passage du temps, Strong nous invite \u00e0 r\u00e9fl\u00e9chir sur l\u2019importance de la m\u00e9moire et de la r\u00e9sistance culturelle.","synopsis_en":"In this animated short film in four chapters, the history of the M\u00e9tis, Cree and Anishnaabe is intertwined with that of the director, Amanda Strong. She explores the notions of cultural affirmation and language revival, revisiting Canada\u2019s colonial history. Given that the moon is a symbol of change in Cree and Anishnaabe culture, marking the passage of time, Strong invites us to reflect upon the importance of memory and cultural resistance. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3859,"first_name":"Amanda","last_name":"Strong","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1021\/photo\/AmandaStrong.jpg","order":0}],"generic":[{"id":7834,"first_name":"Amanda","last_name":"Strong","post_fr":"Animation","post_en":"Animation","order":6,"post_order":70},{"id":7835,"first_name":"Lynn Dana","last_name":"Wilton","post_fr":"Animation","post_en":"Animation","order":7,"post_order":70},{"id":7837,"first_name":"Terrance","last_name":"Azzuolo","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8803,"first_name":"","last_name":"Winnipeg Film Group","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7836,"first_name":"Bracken","last_name":"Hanuse Corlett","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8801,"first_name":"Keith","last_name":"Morgan","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":7833,"first_name":"Bracken","last_name":"Hanuse Corlett","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":7830,"first_name":"Amanda","last_name":"Strong","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":7831,"first_name":"Bracken","last_name":"Hanuse Corlett","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8802,"first_name":"","last_name":"Spotted Fawn Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27335,"first_name":"Amanda","last_name":"Strong","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1021\/photo\/FourFacesoftheMoon_moon.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":147},{"id":168}],"partners":null},{"id":1022,"edition":{"id":2},"career_fr":"","career_en":"Sophia Contemporary Gallery, London, United Kingdom (2016)\r\nRetrospective, The State Russian Museum, Saint Petersburg, Russia (2016)\r\nRetrospective, Kunstsammlungen Chemnitz, Germany (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Reza Derakshani, The Breeze at Dawn","title_original":"Reza Derakshani, The Breeze at Dawn","title_fr":"","title_en":"","year":2016,"length":480,"website":[],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce court m\u00e9trage port\u00e9 par la beaut\u00e9 du travail artistique, l\u2019artiste multidisciplinaire iranien Reza Derakshani nous invite dans son atelier \u00e0 Austin, au Texas, o\u00f9 il habite depuis 2003. Une incursion dans l\u2019univers, la musique, la peinture, les mots et les multiples influences de celui dont la pratique s\u2019est fa\u00e7onn\u00e9e entre les \u00c9tats-Unis, l\u2019Iran et l\u2019Italie. Alors qu\u2019il pr\u00e9pare une r\u00e9trospective au State Russian Museum de Saint Petersburg, il revient sur sa vision artistique qui envisage la cr\u00e9ation comme un des derniers espaces de libert\u00e9 d\u2019esprit et d\u2019expression dans la soci\u00e9t\u00e9.","synopsis_en":"The multi-talented painter, poet, musician and performance artist Reza Derakshani invites us into his house and studio in Austin, Texas, where he talks about his world, his music, poetry, painting and myriad influences. The many places he has lived and worked, including Iran, United States and Italy, have played a major role in shaping his work. As the artist prepares for a retrospective exhibition at the State Russian Museum in Saint Petersburg, he outlines his artistic vision, stressing the importance of freedom of expression in both art and society.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3862,"first_name":"Macha","last_name":"Tsarenkov","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1022\/photo\/image_of_myself.jpg","order":0}],"generic":[{"id":7839,"first_name":"Sam","last_name":"Ghanbar","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7843,"first_name":"Sam","last_name":"Mason","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":7840,"first_name":"Scott","last_name":"Snyder","post_fr":"Image","post_en":"Cinematography","order":3,"post_order":64},{"id":8518,"first_name":"","last_name":"Sophie Productions","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7841,"first_name":"Janis","last_name":"Vogel","post_fr":"Montage","post_en":"Editing","order":5,"post_order":43},{"id":7842,"first_name":"Reza","last_name":"Derakshani","post_fr":"Musique","post_en":"Music","order":6,"post_order":82},{"id":7838,"first_name":"Macha","last_name":"Tsarenkov","post_fr":"Production","post_en":"Production","order":7,"post_order":4},{"id":8516,"first_name":"Scott","last_name":"Snyder","post_fr":"Son","post_en":"Sound","order":4,"post_order":59},{"id":8517,"first_name":"","last_name":"Sophie Productions","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27524,"first_name":"Macha","last_name":"Tsarenkov","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1022\/photo\/Screen_Shot_2016-10-25_at_6_08_59_PM.jpg","credit":"Sam Mason","desc":"Reza Derakshani in his studio"},"images_poster":null,"images":null,"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":194},{"id":213}],"partners":null},{"id":1023,"edition":{"id":2},"career_fr":"Survol de quelques festivals :\r\n\r\nChina New Media Shorts International Film Festival, Chine (2015)\r\nEthnographic and Documentary Filmfest, Autriche (2015)\r\nAntropofest, International Documentary Film Festival, R\u00e9publique Tch\u00e8que (2015)\r\nFemcine, Santiago de Chile, Chili (2014)\r\nZimbawe Women Film Festival, Zimbawe (2014)\r\nMostra Internacional de Films de Dones, Espagne (2014)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"","embed":"","title_selected":"Le cimeti\u00e8re des marionnettes","title_original":"Le cimeti\u00e8re des marionnettes","title_fr":"The Puppets Cemetery","title_en":"","year":2014,"length":890,"website":[],"countries":[{"fr":"Espagne","en":"Spain"},{"fr":"Burkina Faso","en":"Burkina Faso"},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"\u00c0 Ouagadougou au Burkina Faso, les marionnettes de D\u00e9sir\u00e9 reposent dans un cimeti\u00e8re apr\u00e8s qu\u2019il a d\u00fb les abandonner. Ils les fait revivre aux c\u00f4t\u00e9s de son amie Fabe, qui pr\u00e9pare un spectacle de marionnettes pour sensibiliser les enfants \u00e0 l'importance de l'\u00e9cole. Une histoire de l\u2019amiti\u00e9 et de la r\u00e9silience, qui positionne l\u2019art comme forme d\u2019\u00e9change et de renouveau.","synopsis_en":"In Ouagadougou, Burkina Faso, D\u00e9sir\u00e9\u2019s puppets lie in a cemetery after he had to abandon them. He brings them back to life with his friend Fabe, who is putting together a puppet show to make children aware of the importance of school. A story of friendship and resilience that presents art as a form of exchange and regeneration.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Anglais","en":"English"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3865,"first_name":"Elena","last_name":"Molina","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1023\/photo\/ElenaMolina.jpg","order":0}],"generic":[{"id":7847,"first_name":"Elena","last_name":"Molina","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8572,"first_name":"","last_name":"Cicely Films Et Marionetes Nomades","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7844,"first_name":"Elena","last_name":"Molina","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":8570,"first_name":"","last_name":"Wanakanda","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":7849,"first_name":"Pere","last_name":"Bigas","post_fr":"Production","post_en":"Production","order":2,"post_order":4},{"id":7845,"first_name":"Elena","last_name":"Molina","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":8568,"first_name":"Raquel","last_name":"Batet","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":8569,"first_name":"Bego\u00f1a","last_name":"Ruiz","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8571,"first_name":"","last_name":"Cicely Films Et Marionetes Nomades","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27518,"first_name":"Elena","last_name":"Molina","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1023\/photo\/ElCementeroMarionetes_frame2.jpg","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1023\/photo\/elcementeriodelasmarionetas_cartel_documental.jpg","credit":"Affiche","desc":""}],"sections":[{"id":77,"title":"S\u00e9lection officielle - courts-m\u00e9trages"}],"programs":[{"id":169}],"partners":null},{"id":1027,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Agatha Christie contre Hercule Poirot : Qui a tu\u00e9 Roger Ackroyd ?","title_original":"Agatha Christie contre Hercule Poirot : Qui a tu\u00e9 Roger Ackroyd ?","title_fr":"Agatha Christie contre Hercule Poirot : Qui a tu\u00e9 Roger Ackroyd ?","title_en":"","year":2016,"length":3420,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"The Murder of Roger Ackroyd <\/i>(1926) est l\u2019un des plus c\u00e9l\u00e8bres romans d\u2019Agatha Christie. Son dispositif original lui vaut sa notori\u00e9t\u00e9 : l\u2019assassin est dissimul\u00e9 sous le masque du narrateur lui-m\u00eame. Les critiques de l\u2019\u00e9poque se sont insurg\u00e9\u00b7e\u00b7ss contre ce proc\u00e9d\u00e9 qu\u2019il\u00b7elle\u00b7s jugeaient malhonn\u00eate, portant atteinte aux canons du roman policier. Quatre-vingts ans plus tard, Pierre Bayard, professeur de litt\u00e9rature et psychanalyste, revient sur ce roman pour en proposer une d\u00e9construction. L\u2019analyse du texte l\u2019am\u00e8ne \u00e0 se pencher sur le contexte de la publication et sur la vie priv\u00e9e de la grande et myst\u00e9rieuse romanci\u00e8re. Bayard parvient finalement \u00e0 une conclusion stup\u00e9fiante.","synopsis_en":"The Murder of Roger Ackroyd <\/i>(1926) is one of Agatha Christie\u2019s most celebrated novels. Its renown stems from a plot twist that was highly original for its time: the killer is hidden behind the mask of the narrator himself. This earned Christie the wrath of some critics, who considered the artifice dishonest, a violation of the conventions of the genre. Eighty years later, Pierre Bayard, a professor of literature and psychoanalyst, revisits the book in order to deconstruct it. His textual analysis leads to an exploration of the context of the work\u2019s publication and the private life of the mysterious novelist. Bayard finally arrives at a stunning conclusion.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3879,"first_name":"Jean-Christophe","last_name":"Klotz","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1027\/photo\/Jean_Christophe_Klotz.jpg","order":0}],"generic":[{"id":7862,"first_name":"Alberto","last_name":"Marquardt","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8328,"first_name":"","last_name":"Arte Distribution","post_fr":"Distribution","post_en":"Distribution","order":7,"post_order":69},{"id":7863,"first_name":"Pascal","last_name":"Ariel","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7861,"first_name":"Jean-Christophe","last_name":"Klotz","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7865,"first_name":"Estelle","last_name":"Fialon","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":7867,"first_name":"Marc","last_name":"Soupa","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":8327,"first_name":"","last_name":"Les Films Du Poisson","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":27568,"first_name":"Jean-Christophe","last_name":"Klotz","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1027\/photo\/Ackroyd_2.png","credit":"","desc":""},"images_poster":null,"images":[{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1027\/photo\/Ackroyd_1.png","credit":"","desc":""}],"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":181}],"partners":null},{"id":1030,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Des lois des dialogues","title_original":"Des lois des dialogues","title_fr":"","title_en":"","year":2016,"length":2520,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans ce film de Mario C\u00f4t\u00e9, deux hommes et une femme, dans une chaleur estivale, empruntent divers chemins \u00e0 la recherche d\u2019un lieu pour se r\u00e9unir. Lors de leurs d\u00e9ambulations, il\u00b7elle\u00b7s se livrent \u00e0 une r\u00e9flexion sur la soci\u00e9t\u00e9. Leurs propos s\u2019apparentent librement au dernier texte de Platon, Les Lois<\/i>, dans lequel il traite de la constitution fictive d\u2019une cit\u00e9 mod\u00e8le. Les dialogues \u00e9crits par le philosophe sont transpos\u00e9s dans notre monde contemporain par l\u2019\u00e9crivaine Marie-Line Laplante. Les cin\u00e9astes Micheline Lanct\u00f4t, Alain Fleischer et Andr\u00e9 S. Labarthe interpr\u00e8tent d\u00e9sormais les personnages. L\u2019artiste-peintre et vid\u00e9aste montr\u00e9alais articule ainsi une fiction philosophique rencontrant un r\u00e9el anachronique et inqui\u00e9tant.","synopsis_en":"In this film by Mario C\u00f4t\u00e9, two men and a woman are looking for a place to meet, in the heat of summer. As they walk, they reflect on society, drawing freely on Plato\u2019s final treatise, The Laws<\/i>, in which he writes about the fictional construction of a model city. Plato\u2019s dialogues are transposed to the modern world by writer Marie-Line Laplante. Filmmakers Micheline Lanct\u00f4t, Alain Fleischer and Andr\u00e9 S. Labarthe play the three characters. The Montreal painter and video artist constructs a philosophical fiction of an anachronistic and disturbing reality.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3889,"first_name":"Mario","last_name":"C\u00f4t\u00e9","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1030\/photo\/MarioCOTE.jpg","order":0}],"generic":[{"id":7882,"first_name":"Marie-Line","last_name":"Laplante","post_fr":"Auteur","post_en":"Author","order":11,"post_order":19},{"id":8725,"first_name":"","last_name":"Studio National Des Arts Contemporains Le Fresnoy","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7887,"first_name":"Mario","last_name":"C\u00f4t\u00e9","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7886,"first_name":"Michael","last_name":"Oesterle","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8724,"first_name":"Mario","last_name":"C\u00f4t\u00e9","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7889,"first_name":"Geoffrey","last_name":"Durcak","post_fr":"Son","post_en":"Sound","order":1,"post_order":59},{"id":7890,"first_name":"S\u00e9bastien","last_name":"Eug\u00e8ne","post_fr":"Son","post_en":"Sound","order":2,"post_order":59},{"id":7892,"first_name":"Studio National Des Arts Contemporains","last_name":"Le Fresnoy","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":27552,"first_name":"Mario","last_name":"C\u00f4t\u00e9","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1030\/photo\/LOIS_MCOTE_06tif.jpg","credit":"Sylvain Briand","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":165}],"partners":null},{"id":1037,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"\u00c9corces, r\u00e9cit-photo de Georges Didi-Huberman","title_original":"\u00c9corces, r\u00e9cit-photo de Georges Didi-Huberman","title_fr":"","title_en":"","year":2016,"length":4696,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Lecture int\u00e9grale du livre \u00c9corces<\/i> (2011) par son auteur, l\u2019historien et philosophe de l\u2019art Georges Didi-Huberman. Construit comme un r\u00e9cit photo, le film fait de la lecture le t\u00e9moin d\u2019une pens\u00e9e en action sur la question de l\u2019image. Dans son texte, Didi-Huberman interroge, entre autres, le statut de sa propre documentation photographique prise sur le site d\u2019Auschwitz-Birkenau. Il revient aussi sur la pol\u00e9mique qui avait accompagn\u00e9 la parution du livre Images malgr\u00e9 tout<\/i> (2004), l\u2019opposant \u00e0 Claude Lanzmann. Confront\u00e9s \u00e0 cet ensemble de r\u00e9flexions, nous sommes absorb\u00e9s par l\u2019\u00e9coute et la fascination des images photographiques devenues mouvement.","synopsis_en":"A full reading of \u00c9corces<\/i> (2011) by its author, French philosopher and art historian Georges Didi-Huberman. In the manner of a photo story, the film illustrates thought in action on the subject of the image. In his text Didi-Huberman questions, among other issues, the status of his own photographic documentation of Auschwitz-Birkenau. He also refers to the controversy surrounding the publication of his book Images malgr\u00e9 tout<\/i> (2004), and the opposition from Claude Lanzmann. We are riveted by these spoken reflections, by the fascinating photographic images that turn into movement.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3914,"first_name":"Mario","last_name":"C\u00f4t\u00e9","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1037\/photo\/MarioCOTE.jpg","order":0}],"generic":[{"id":7931,"first_name":"Georges","last_name":"Didi-Huberman","post_fr":"Auteur","post_en":"Author","order":9,"post_order":19},{"id":7932,"first_name":"Steeve","last_name":"Desrosiers","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":7936,"first_name":"Jos\u00e9e","last_name":"Bergeron-Proulx","post_fr":"Image","post_en":"Cinematography","order":2,"post_order":64},{"id":8891,"first_name":"","last_name":"MCOTE","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7933,"first_name":"Mario","last_name":"C\u00f4t\u00e9","post_fr":"Montage","post_en":"Editing","order":4,"post_order":43},{"id":7930,"first_name":"Michel","last_name":"Gonneville","post_fr":"Musique","post_en":"Music","order":5,"post_order":82},{"id":7938,"first_name":"Bertrand","last_name":"Scalabre","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":7935,"first_name":"Geoffrey","last_name":"Durcak","post_fr":"Son","post_en":"Sound","order":3,"post_order":59},{"id":7937,"first_name":"Studio National D'arts Contemporains","last_name":"Le Fresnoy","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27942,"first_name":"Mario","last_name":"C\u00f4t\u00e9","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1037\/photo\/O5_G_D-H.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":155}],"partners":null},{"id":1040,"edition":{"id":2},"career_fr":"Survol de quelques festivals:\r\n\r\nSeoul International Architecture Film Festival (SIAFF),Seoul, Cor\u00e9e du Sud (2016)\r\nX. Istanbul International Architecture and Urban Films Festival, Istanbul, Turquie (2016)\r\nMilano Design Film Festival, Milan, Italie (2016)\r\nDen Architektury, Prague, Republique Tch\u00e8que (2016)\r\nArchFilmLund, Lund, Su\u00e8de (2016)\r\nArquiteturas Film Festival, Lisbonne, Portugual (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017\r\n","career_en":"Overview of some festivals:\r\n\r\nSeoul International Architecture Film Festival (SIAFF),Seoul, South Korea (2016)\r\nX. Istanbul International Architecture and Urban Films Festival, Istanbul, Turkey (2016)\r\nMilano Design Film Festival,Milan, Italy (2016)\r\nDen Architektury, Prague, Czech Republic (2016)\r\nArchFilmLund, Lund, Sweden (2016)\r\nArquiteturas Film Festival, Lisbon, Portugual (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Frei Otto: Spanning the Future","title_original":"Frei Otto: Spanning the Future","title_fr":"Frei Otto : Tourn\u00e9 vers l'avenir","title_en":"","year":2016,"length":3600,"website":[{"id":685,"website":"http:\/\/freiottofilm.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":686,"website":"http:\/\/facebook.com\/freiottofilm","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""},{"id":687,"website":"http:\/\/www.youtube.com\/channel\/UCHZYEHBs7vz4llywAk5JKlA","type_id":13,"type_1":"YouTube","type_2":"YouTube","description":"","embed":""},{"id":688,"website":"https:\/\/drive.google.com\/drive\/folders\/0B5nMC5q1uOK6OU5EenFyTXNySnc?usp=sharing","type_id":5,"type_1":"Dossier de presse","type_2":"Press kit","description":"","embed":""}],"countries":[{"fr":"\u00c9tats-Unis","en":"United States"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Dans une des derni\u00e8res entrevues qu\u2019il accorde avant son d\u00e9c\u00e8s, l\u2019architecte allemand Frei Otto revient sur ses influences et les r\u00e9flexions formelles et philosophiques qui ont guid\u00e9 son travail. Ce cr\u00e9ateur du c\u00e9l\u00e8bre stade olympique de Munich est reconnu pour ses structures de toiles, ces membranes a\u00e9riennes et embl\u00e9matiques mettant en lumi\u00e8re le lien entre l\u2019architecture et les forces de la nature. Parmi ses premi\u00e8res r\u00e9alisations marquantes : le pavillon allemand d\u2019Expo 67 \u00e0 Montr\u00e9al, qui le propulse comme figure visionnaire de l\u2019architecture moderne aux c\u00f4t\u00e9s de Buckminster Fuller, de Walter Gropius, de Frank Lloyd Wright et de Richard Neutra. Le film de Joshua V. Hassel raconte une histoire de l\u2019architecture qui a inspir\u00e9 le monde d\u2019aujourd\u2019hui.","synopsis_en":"In one of the last interviews given before his death, German architect Frei Otto talks about his influences, and the formal and philosophical principles that guided his work. The designer of Munich\u2019s celebrated Olympic Stadium is renowned for his canvas structures, the ethereal and emblematic membranes that emphasize the link between architecture and the forces of nature. Among his major creations: the German Pavilion at Montreal\u2019s Expo 67, which vaulted him into the pantheon of visionary modern architects, alongside Buckminster Fuller, Walter Gropius, Frank Lloyd Wright and Richard Neutra. This film by Joshua V. Hassel takes viewers on an historical journey, shedding light on an architect who inspired the world of tomorrow. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":[{"fr":"Fran\u00e7ais","en":"French"}],"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3923,"first_name":"Joshua","last_name":"Hassel","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1040\/photo\/Joshua_Hassel.jpg","order":0}],"generic":[{"id":8419,"first_name":"","last_name":"Tensile Evolution North America, Inc.","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":7960,"first_name":"Wyatt","last_name":"Daily","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":7959,"first_name":"Heather","last_name":"Dalton","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":7961,"first_name":"Szymon","last_name":"Kubica","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":7946,"first_name":"Karam","last_name":"Salem","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":7948,"first_name":"Michael","last_name":"Paglia","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":7945,"first_name":"Simon K","last_name":"Chiu","post_fr":"Production","post_en":"Production","order":6,"post_order":4},{"id":7949,"first_name":"Michael","last_name":"Paglia","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":7962,"first_name":"","last_name":"Tensile Evolution North America, Inc.","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":27571,"first_name":"Joshua","last_name":"Hassel","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1040\/photo\/147_Montreal_Night_67.jpg","credit":"Tensile Evolution North America","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":159},{"id":223}],"partners":null},{"id":1041,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"The Waves in E flat and F","title_original":"The Waves in E flat and F","title_fr":"Les Vagues en mi b\u00e9mol et fa","title_en":"","year":2017,"length":180,"website":[{"id":689,"website":"https:\/\/vimeo.com\/user22537463","type_id":11,"type_1":"Vimeo","type_2":"Vimeo","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Un dessin sur la plage est transform\u00e9 par la mar\u00e9e montante. Un clin d\u2019\u0153il \u00e0 un texte puissant de l\u2019\u00e9crivaine Virginia Woolf qui habite l\u2019artiste Karen Trask depuis des ann\u00e9es. ","synopsis_en":"A drawing on the beach is transformed by the rising tide. Artist Karen Trask was inspired by a powerful text by Virginia Woolf, which she sought to render for years. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3925,"first_name":"Karen","last_name":"Trask","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1041\/photo\/KarenTrask.jpg","order":0}],"generic":[{"id":7993,"first_name":"Paul","last_name":"Litherland","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8800,"first_name":"Karen","last_name":"Trask","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8799,"first_name":"Karen","last_name":"Trask","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":27920,"first_name":"Karen","last_name":"Trask","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1041\/photo\/The_Waves_1.JPG","credit":"Karen Trask","desc":"Still"},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":228}],"partners":null},{"id":1044,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"brouillard #19","title_original":"brouillard #19","title_fr":"","title_en":"","year":2016,"length":598,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Accumulation en tourn\u00e9-mont\u00e9 de trajectoires r\u00e9alis\u00e9es en surimpressions au travers d\u2019un sentier menant \u00e0 un lac. Alexandre Larose poursuit son exploration des processus d\u2019inscription de la lumi\u00e8re sur la pellicule 35mm en temps r\u00e9el et des transformations qui s\u2019op\u00e8rent alors dans l\u2019image et le mouvement ainsi film\u00e9s. ","synopsis_en":"An accumulation of in-camera edits of a double-exposed path leading to a lake. Alexandre Larose is thus pursuing his exploration of the process of recording light on 35 mm film in real time and the transformations that result in the images and movement filmed.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3936,"first_name":"Alexandre","last_name":"Larose","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1044\/photo\/AlexandreLarose.jpg","order":0}],"generic":[{"id":8779,"first_name":"Alexandre","last_name":"Larose","post_fr":"Distribution","post_en":"Distribution","order":1,"post_order":69},{"id":8760,"first_name":"Alexandre","last_name":"Larose","post_fr":"Production","post_en":"Production","order":1,"post_order":4},{"id":27947,"first_name":"Alexandre","last_name":"Larose","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1044\/photo\/LAROSE_B19_Af.jpg","credit":"Alexandre Larose","desc":""},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":142}],"partners":null},{"id":1045,"edition":{"id":2},"career_fr":"Underdox - Festival f\u00fcr Dokument und Experiment, Munich, Allemagne (2016)\r\n\r\nDerni\u00e8re mise \u00e0 jour en mars 2017","career_en":"Underdox - Festival f\u00fcr Dokument und Experiment, Munich, Germany (2016)\r\n\r\nLast update in March 2017","embed":"","title_selected":"Blanc","title_original":"Blanc","title_fr":"","title_en":"","year":2016,"length":560,"website":[{"id":690,"website":"https:\/\/nellyeverajotte.com\/","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":691,"website":"https:\/\/vimeo.com\/nellyeverajotte","type_id":11,"type_1":"Vimeo","type_2":"Vimeo","description":"","embed":""},{"id":692,"website":"https:\/\/twitter.com\/nellyeverajotte","type_id":12,"type_1":"Twitter","type_2":"Twitter","description":"","embed":""},{"id":693,"website":"https:\/\/www.facebook.com\/nellyeve","type_id":6,"type_1":"Facebook","type_2":"Facebook","description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Ouverture sur un cin\u00e9parc enneig\u00e9 : un \u00e9cran de cin\u00e9ma blanc au centre du paysage invite le\u00b7la spectateur\u00b7ice \u00e0 s\u2019y perdre. S\u2019encha\u00eene une suite de d\u00e9placements robotiques a\u00e9riens. Le sublime du paysage nordique canadien est survol\u00e9 par un \u0153il-machine, associ\u00e9 au point de vue du\u00b7de la spectateur\u00b7ice.","synopsis_en":"The work opens onto a snow-covered drive-in: a white movie screen in the middle of the landscape, inviting viewers to lose themselves within its frame. What follows are a series of robotic aerial manoeuvres: an eye-machine hovers over the sublime Nordic countryside, in line with the viewer\u2019s perspective. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":3938,"first_name":"Nelly-\u00c8ve","last_name":"Rajotte","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1045\/photo\/Nelly_Eve_rajotte.jpg","order":0}],"generic":[{"id":8759,"first_name":"Nelly-Eve","last_name":"Rajotte","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":27442,"first_name":"Nelly-Eve","last_name":"Rajotte","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1045\/photo\/blanc_3tif.jpg","credit":"Nelly-eve Rajotte","desc":""},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":228}],"partners":null},{"id":1046,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"R\u00e9cits plastiques","title_original":"R\u00e9cits plastiques","title_fr":"","title_en":"","year":2016,"length":376,"website":[],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Sans dialogue","en":"Without dialogue"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Quand la double subjectivit\u00e9 frappe\u00a0: cela provoque une tension entre mati\u00e8re et forme, sensibilit\u00e9 et intellect. 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Au fil des ann\u00e9es, celui qui est aujourd\u2019hui mondialement reconnu pour sa collection, a acquis des \u0153uvres des artistes chinois\u00b7e\u00b7s actuel\u00b7le\u00b7s les plus important\u00b7e\u00b7s. En Chine, l\u2019entrepreneur et ambassadeur suisse est l\u2019une des personnalit\u00e9s les plus reconnues du milieu de l\u2019art, gr\u00e2ce \u00e0 son engagement depuis plusieurs d\u00e9cennies envers toutes les formes d\u2019expression artistique. Son imposante collection d\u2019art contemporain chinois est n\u00e9e avant tout d\u2019un manque. Celui d\u2019un v\u00e9ritable int\u00e9r\u00eat de la communaut\u00e9 internationale, et m\u00eame des Chinois\u00b7e\u00b7s, pour la cr\u00e9ation contemporaine en Chine. Alors qu\u2019il a fait don de la plus grande partie des \u0153uvres qu\u2019il poss\u00e9dait au Museum Plus (M+) de Hong Kong qui ouvrira ses portes en 2019, le film de Michael Schindhelm retrace le parcours de Sigg et le suit jusqu\u2019en Chine o\u00f9 il rencontre des artistes marquants, Ai Wei Wei ou Lijun Fang, qu\u2019il soutient depuis de longues ann\u00e9es.","synopsis_en":"Uli Sigg\u2019s collection sheds light both on China\u2019s art and its contemporary society. Over the years, the now world-renowned collector acquired works by China\u2019s leading living artists. In China, the Swiss entrepreneur and ambassador is one of the best known figures in the art world, for his commitment to all forms of artistic expression spanning several decades. His impressive collection of contemporary Chinese was assembled primarily in response to a lack of genuine interest in the international community, and even in China, for the country\u2019s contemporary artistic output. As he prepares to donate most of the works in his collection to Hong Kong\u2019s Museum Plus (M+), opening in 2019, filmmaker Michael Schindhelm looks back over Sigg\u2019s career and follows him to China, where he meets with influential artists such as Ai Weiwei and Lijun Fang, whose work he has supported for many years. 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En utilisant les codes de la fiction, et \u00e0 travers des documents d\u2019archives et des s\u00e9quences anim\u00e9es originales, la s\u00e9rie retrace les vies de ceux qui ont marqu\u00e9 cette incroyable p\u00e9riode de l\u2019art moderne.

Picasso r\u00e9pond \u00e0 l\u2019\u0153uvre monumentale de Matisse, Le bonheur de vivre<\/i>, avec Les demoiselles d\u2019Avignon<\/i>. La toile, annonciatrice du cubisme, fait scandale. En 1911, Apollinaire et Picasso seront m\u00eal\u00e9s \u00e0 un immense scandale autour de La Joconde<\/i>. L\u2019affaire se conclut par un non-lieu, mais leur amiti\u00e9 en souffre. Bient\u00f4t survient le temps des ruptures. Picasso, enrichi par des ventes record, s\u2019en va. Apollinaire s\u2019installe au c\u0153ur du faubourg Saint-Germain. Le po\u00e8te Max Jacob, le plus pauvre d\u2019entre tous, est l\u2019un des seuls \u00e0 stagner dans la mis\u00e8re montmartroise. Lorsque la Premi\u00e8re Guerre mondiale \u00e9clate, les amis d\u2019hier se s\u00e9parent \u00e0 tout jamais. Braque, Derain et Vlaminck partent au front. Picasso reste \u00e0 Paris. En premi\u00e8re ligne, Apollinaire est bless\u00e9 en 1916.","synopsis_en":"Adapted from Dan Franck\u2019s Le temps des boh\u00e8mes<\/i>, this six-part series immerses viewers in the artistic and literary life of Paris from the early 20th century to the end of World War Two. Using the codes of fiction and through archival documents and original animated sequences, the series looks at the lives of those who left their mark on this incredible period in modern art.

Picasso\u2019s response to Matisse\u2019s monumental Le bonheur de vivre<\/i> was Les demoiselles d\u2019Avignon<\/i>. A harbinger of cubism, the painting sparked an uproar. In 1911, Apollinaire and Picasso got mixed up in a scandal involving the Mona Lisa. The case was dismissed but their friendship suffered. Soon break-ups began to occur. Enriched by record sales, Picasso left the group. Apollinaire moved into the heart of the Faubourg Saint-Germain. The poet Max Jacob, the poorest of them all, was one of the only ones to languish in poverty in Montmartre. When war erupted, the friends separated forever. Braque, Derain and Vlaminck went to the front. Picasso remained in Paris. On the front lines, Apollinaire was wounded in 1916.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4192,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1087\/photo\/PaulineGaillard.jpg","order":0},{"id":4193,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1087\/photo\/AmeliHarrault.jpg","order":0},{"id":4194,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1087\/photo\/ValerieLoiseleux.jpg","order":0}],"generic":[{"id":8339,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":8,"post_order":70},{"id":8332,"first_name":"Pauline","last_name":"Gaillard","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8334,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8335,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":8331,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8336,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":8337,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":8338,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":9,"post_order":3},{"id":27590,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27591,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27592,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1087\/photo\/Episode_2_-_Famille_de_saltimbanques_de_Pablo_Picasso_a_la_vente_de_la_Peau_de_l_Ours_SILEX_FILMS_ARTE_France_FINANCIERE_PINAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":191}],"partners":null},{"id":1088,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les aventuriers de l'Art moderne - \u00c9pisode 3 : Paris capitale du monde 1916-1920","title_original":"Les aventuriers de l'Art moderne - \u00c9pisode 3 : Paris capitale du monde 1916-1920","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Adapt\u00e9e de l\u2019\u0153uvre de Dan Franck Le temps des boh\u00e8mes<\/i>, cette s\u00e9rie de six \u00e9pisodes nous plonge dans la vie artistique et litt\u00e9raire de Paris, du d\u00e9but du XXe si\u00e8cle \u00e0 la fin de la Seconde Guerre mondiale. En utilisant les codes de la fiction, et \u00e0 travers des documents d\u2019archives et des s\u00e9quences anim\u00e9es originales, la s\u00e9rie retrace les vies de ceux\u00b7celles qui ont marqu\u00e9 cette incroyable p\u00e9riode de l\u2019art moderne.

\u00c0 sa sortie de l\u2019h\u00f4pital, Apollinaire d\u00e9couvre Paris pendant la guerre. \u00c0 Montparnasse, les artistes \u00e9tranger\u00b7\u00e8re\u00b7s meurent de faim. Juifs pour la plupart, ils ont fui l\u2019antis\u00e9mitisme de l\u2019Est. Il\u00b7elle\u00b7s vivent \u00e0 La Ruche, une cit\u00e9 d\u2019artistes. Ils formeront l\u2019\u00c9cole de Paris. Le plus pauvre des Russes, Soutine, se lie d\u2019amiti\u00e9 avec le plus beau des Italiens : Modigliani. En 1917, Apollinaire monte au th\u00e9\u00e2tre sa pi\u00e8ce Les mamelles de Tir\u00e9sias<\/i> sous-titr\u00e9e drame surr\u00e9aliste<\/i>. Le mot est n\u00e9. Il fera le tour du monde. Un an plus tard, Apollinaire succombe \u00e0 la grippe espagnole. Modigliani s\u2019\u00e9teint le 24 janvier 1920. Son enterrement, auquel assistent tous\u00b7tes les artistes de Montparnasse, cl\u00f4t d\u00e9finitivement l\u2019\u00e9poque de la boh\u00e8me.","synopsis_en":"Adapted from Dan Franck\u2019s Le temps des boh\u00e8mes<\/i>, this six-part series immerses viewers in the artistic and literary life of Paris from the early 20th century to the end of World War Two. Using the codes of fiction and through archival documents and original animated sequences, the series looks at the lives of those who left their mark on this incredible period in modern art.

After his release from hospital, Apollinaire discovered wartime Paris. In Montparnasse, foreign artists were dying of starvation. Most of them were Jews fleeing antisemitism in the East, who lived in an artists\u2019 residence called La Ruche. Soutine, the most destitute of the Russians, struck up a friendship with Modigliani, the most notable of the Italians. In 1917, Apollinaire staged his play Les mamelles de Tir\u00e9sias<\/i>, which he subtitled Drame surr\u00e9aliste,<\/i> coining the word that would be adopted around the world. One year later, Apollinaire succumbed to the Spanish flu. Modigliani died on January 24, 1920. His funeral, attended by all the Montparnasse artists, brought the Bohemian era to a definitive end.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4199,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1088\/photo\/PaulineGaillard.jpg","order":0},{"id":4200,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1088\/photo\/AmeliHarrault.jpg","order":0},{"id":4201,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1088\/photo\/ValerieLoiseleux.jpg","order":0}],"generic":[{"id":8348,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":1,"post_order":70},{"id":8341,"first_name":"Pauline","last_name":"Gaillard","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8343,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8344,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":8340,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8345,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":8347,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":8346,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27593,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27594,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27595,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1088\/photo\/Episode_3_-_Amis_et_proches_avec_Modigliani_pour_son_dernier_voyage-Ame_lie_Harrault_SILEX_FILMS.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":208}],"partners":null},{"id":1089,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les aventuriers de l'Art moderne - \u00c9pisode 4 : Les enchanteurs de Montparnasse 1920-1930","title_original":"Les aventuriers de l'Art moderne - \u00c9pisode 4 : Les enchanteurs de Montparnasse 1920-1930","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Adapt\u00e9e de l\u2019\u0153uvre de Dan Franck Le temps des boh\u00e8mes<\/i>, cette s\u00e9rie de six \u00e9pisodes nous plonge dans la vie artistique et litt\u00e9raire de Paris, du d\u00e9but du XXe si\u00e8cle \u00e0 la fin de la Seconde Guerre mondiale. En utilisant les codes de la fiction, et \u00e0 travers des documents d\u2019archives et des s\u00e9quences anim\u00e9es originales, la s\u00e9rie retrace les vies de ceux qui ont marqu\u00e9 cette incroyable p\u00e9riode de l\u2019art moderne.

La guerre est finie. Les f\u00eates explosent. Montparnasse vit au rythme du jazz, des caf\u00e9s anim\u00e9s. Paris est une f\u00eate. En r\u00e9ponse \u00e0 l\u2019absurdit\u00e9 de la guerre, la r\u00e9volution dada\u00efste, puis surr\u00e9aliste, est en marche. \u00c0 sa t\u00eate, les \u00ab trois mousquetaires \u00bb : Andr\u00e9 Breton, Louis Aragon et Philippe Soupault, entour\u00e9s de Man Ray, de Robert Desnos, de Tristan Tzara et de beaucoup d\u2019autres. En 1919 para\u00eet une des \u0153uvres majeures du mouvement surr\u00e9aliste : Les champs magn\u00e9tiques<\/i>. Kiki, mod\u00e8le c\u00e9l\u00e9br\u00e9 par tous les peintres, en passe de devenir la reine de Montparnasse, vit une passion tumultueuse avec Man Ray avant que celui-ci ne s\u2019envole avec Lee Miller. Aragon rencontre Elsa Triolet, Picasso vit entre deux femmes et Salvador Dali fait irruption chez les surr\u00e9alistes.","synopsis_en":"Adapted from Dan Franck\u2019s Le temps des boh\u00e8mes<\/i>, this six-part series immerses viewers in the artistic and literary life of Paris from the early 20th century to the end of World War Two. Using the codes of fiction and through archival documents and original animated sequences, the series looks at the lives of those who left their mark on this incredible period in modern art.

The war is over. The celebrations begin. Montparnasse pulsates to the rhythms of jazz and animated caf\u00e9s. Paris is a monumental party. In response to the absurdity of war, the Dadaist and Surrealist revolutions are launched. Leading them are the \u201cthree musketeers\u201d: Andr\u00e9 Breton, Louis Aragon and Philippe Soupault, backed by Man Ray, Robert Desnos, Tristan Tzara and many others. In 1919, the first literary work of the Surrealist movement appears: Les champs magn\u00e9tiques<\/i>. Kiki, the model beloved of painters known as the Queen of Montparnasse, has a tumultuous affair with Man Ray before he leaves her for Lee Miller. Aragon meets Elsa Triolet, Picasso divides his time between two women and Salvador Dali makes his grand appearance among the Surrealists.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4205,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1089\/photo\/PaulineGaillard.jpg","order":0},{"id":4206,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1089\/photo\/AmeliHarrault.jpg","order":0},{"id":4207,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1089\/photo\/ValerieLoiseleux.jpg","order":0}],"generic":[{"id":8357,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":1,"post_order":70},{"id":8351,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8352,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":1,"post_order":82},{"id":8353,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":8349,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8354,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":8355,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":8356,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":3,"post_order":3},{"id":27596,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27597,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27598,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1089\/photo\/Episode_4_-_Louis_Aragon_Jacques_Pre_vert_Elsa_Triolet_Mai_akovski_SILEX_FILMS_ARTE_France_FINANCIERE_PINAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":208}],"partners":null},{"id":1090,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les aventuriers de l'Art moderne - \u00c9pisode 5 : Libertad! 1930-1939","title_original":"Les aventuriers de l'Art moderne - \u00c9pisode 5 : Libertad! 1930-1939","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"L\u2019entre-deux-guerres est marqu\u00e9 par les enthousiasmes et les illusions, un d\u00e9sir de r\u00e9volution sociale, morale, artistique, politique\u2026 Au d\u00e9but des ann\u00e9es 30, la mont\u00e9e du fascisme conduit les artistes \u00e0 s\u2019engager. Entre fascisme et communisme, l\u2019Europe se d\u00e9chire. En 1936, la guerre d\u2019Espagne \u00e9clate. Malraux et Hemingway couvrent la lutte des r\u00e9publicain\u00b7e\u00b7s, les photos de Capa et Gerda Taro publi\u00e9es dans la presse internationales r\u00e9veillent les consciences. En avril 1937, le massacre de Guernica inspire \u00e0 Picasso une toile monumentale, Guernica<\/i>, symbole de la violence franquiste et fasciste en g\u00e9n\u00e9ral. La R\u00e9publique espagnole est perdue, et la guerre d\u2019Espagne s\u2019ach\u00e8ve sur la victoire de Franco.","synopsis_en":"The inter-war period brims with enthusiasm and illusions, a desire for social, moral, artistic and political revolution. In the early 1930s, the rise of fascism compels artists to become politically engaged. Between fascism and communism, Europe is being torn apart. In 1936 the Spanish Civil War erupts. Malraux and Hemingway write about it, while Capa and Gerda Taro take photographs that raise public awareness worldwide. In April 1937, the bombing of Guernica inspires Picasso\u2019s mural-sized Guernica<\/i>, a symbol of Franco\u2019s savage militarism and fascism in general. The Spanish Republic is lost, and Spanish Civil War ends with Franco\u2019s victory. ","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4211,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1090\/photo\/PaulineGaillard.jpg","order":0},{"id":4212,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1090\/photo\/AmeliHarrault.jpg","order":0},{"id":4213,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1090\/photo\/ValerieLoiseleux.jpg","order":0}],"generic":[{"id":8363,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":1,"post_order":70},{"id":8360,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8361,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":3,"post_order":82},{"id":8362,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":1,"post_order":53},{"id":8358,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8365,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":1,"post_order":3},{"id":8366,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":2,"post_order":3},{"id":8367,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":3,"post_order":3},{"id":27599,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27600,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27601,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1090\/photo\/Episode_5_-_Andre_Malraux_par_Ame_lie_Harrault_SILEX_FILMS_ARTE_France_FINANCIERE_PINAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":204},{"id":251}],"partners":null},{"id":1091,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Les aventuriers de l'Art moderne - \u00c9pisode 6 : Minuit \u00e0 Paris 1939-1945","title_original":"Les aventuriers de l'Art moderne - \u00c9pisode 6 : Minuit \u00e0 Paris 1939-1945","title_fr":"","title_en":"","year":2015,"length":3120,"website":[],"countries":[{"fr":"France","en":"France"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Fran\u00e7ais","en":"French"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"La Seconde Guerre mondiale \u00e9clate et la France mobilise. Apr\u00e8s la d\u00e9b\u00e2cle de juin 1940 et l\u2019occupation par l\u2019Allemagne nazie, beaucoup d\u2019artistes et d\u2019intellectuel\u00b7le\u00b7s tentent de fuir l\u2019Europe en miettes. Parmi ceux\u00b7celles qui restent, les ami\u00b7e\u00b7s d\u2019hier se d\u00e9chirent. Les un\u00b7e\u00b7s collaborent, les autres r\u00e9sistent, beaucoup s\u2019accommodent, alors que d\u2019autres paient leur engagement de leur vie. La guerre termin\u00e9e, Paris rena\u00eet et d\u00e9couvre \u00e9merveill\u00e9 Les Enfants du paradis<\/i>, cet hymne \u00e0 la libert\u00e9 de Jacques Pr\u00e9vert, r\u00e9alis\u00e9 par Marcel Carn\u00e9.","synopsis_en":"The Second World War breaks out and France mobilizes its troops. After the debacle of June 1940 and the occupation by Nazi Germany, many artists and intellectuals attempt to flee Europe. Those who remain, formerly friends, tear each other apart after choosing sides: some resist; other collaborate. Many adapt to the situation, while others pay for their actions with their lives. After the war ends, Paris is reborn and discovers the marvellous Les Enfants du paradis<\/i>, Jacques Pr\u00e9vert\u2019s hymn to freedom directed by Marcel Carn\u00e9.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4217,"first_name":"Pauline","last_name":"Gaillard","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1091\/photo\/PaulineGaillard.jpg","order":0},{"id":4218,"first_name":"Am\u00e9lie","last_name":"Harrault","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1091\/photo\/AmeliHarrault.jpg","order":0},{"id":4219,"first_name":"Val\u00e9rie","last_name":"Loiseleux","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1091\/photo\/ValerieLoiseleux.jpg","order":0}],"generic":[{"id":8376,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"Animation","post_en":"Animation","order":9,"post_order":70},{"id":8370,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"Montage","post_en":"Editing","order":3,"post_order":43},{"id":8371,"first_name":"Pierre","last_name":"Adenot","post_fr":"Musique","post_en":"Music","order":4,"post_order":82},{"id":8372,"first_name":"Amira","last_name":"Casar","post_fr":"Narration","post_en":"Narration","order":5,"post_order":53},{"id":8368,"first_name":"Dan","last_name":"Franck","post_fr":"Sc\u00e9nario","post_en":"Script","order":1,"post_order":18},{"id":8373,"first_name":"","last_name":"Silex Films","post_fr":"Production","post_en":"Production","order":6,"post_order":3},{"id":8374,"first_name":"","last_name":"Arte France","post_fr":"Production","post_en":"Production","order":7,"post_order":3},{"id":8375,"first_name":"","last_name":"Financi\u00e8re Pinault","post_fr":"Production","post_en":"Production","order":8,"post_order":3},{"id":27602,"first_name":"Pauline","last_name":"Gaillard","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":1},{"id":27603,"first_name":"Am\u00e9lie","last_name":"Harrault","post_fr":"R\u00e9alisation","post_en":"Director","order":2,"post_order":1},{"id":27604,"first_name":"Val\u00e9rie","last_name":"Loiseleux","post_fr":"R\u00e9alisation","post_en":"Director","order":3,"post_order":1}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1091\/photo\/Episode_6_-_Simone_de_Beauvoir_et_Jean-Paul_Sartre_par_Ame_lie_Harrault_SILEX_FILMS_ARTE_France_FINANCIERE_PINAULT.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":23,"title":"S\u00e9lection officielle - longs-m\u00e9trages"}],"programs":[{"id":204},{"id":251}],"partners":null},{"id":1094,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"The Walking Philosopher","title_original":"The Walking Philosopher","title_fr":"","title_en":"","year":2001,"length":210,"website":[{"id":760,"website":"http:\/\/www.andrewjamespaterson.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":761,"website":"http:\/\/www.vtape.org\/artist?ai=118","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""},{"id":762,"website":"https:\/\/derwatt.bandcamp.com\/releases","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"The Walking Philosopher<\/i> r\u00e9pondait \u00e0 une invitation de produire un court m\u00e9trage Super 8 <\/i>pour le festival Splice This! en 1999. Il comprend une s\u00e9rie de travellings dans divers sites caract\u00e9ristiques et institutions de Toronto. Le monologue refl\u00e8te les pr\u00e9occupations constantes de l\u2019esprit en tant qu\u2019interm\u00e9diaire du corps, la conviction que la connaissance s\u2019acquiert par des interactions dynamiques plut\u00f4t que par une absorption statique, et le sentiment que les intellectuels sont en fait tr\u00e8s sexy.","synopsis_en":"The Walking Philosopher<\/i> was made in response to an invitation to produce a short Super-8 film for the 1999 Splice This! festival. It is composed of a series of location tracking shots throughout various Toronto landmarks and institutions. The monologue reflects ongoing concerns with the mind as an agent of the body, the belief that knowledge is acquired by means of fluid interplay rather than static absorption, and the feeling that intellectuals are in fact very sexy.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4092,"first_name":"Andrew James","last_name":"Paterson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1094\/photo\/Andrewpatterson.jpg","order":0}],"generic":[{"id":8609,"first_name":"","last_name":"VTape","post_fr":"Distribution","post_en":"Distribution","order":5,"post_order":69},{"id":8165,"first_name":"Milada","last_name":"Kovacova","post_fr":"Montage","post_en":"Editing","order":1,"post_order":43},{"id":8159,"first_name":"Andrew James","last_name":"Paterson","post_fr":"Production","post_en":"Production","order":3,"post_order":4},{"id":8163,"first_name":"James","last_name":"MacSwain","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":27921,"first_name":"Andrew James","last_name":"Paterson","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1094\/photo\/Andrewpatterson.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":172}],"partners":null},{"id":1095,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Snowjob","title_original":"Snowjob","title_fr":"","title_en":"","year":2001,"length":169,"website":[{"id":763,"website":"http:\/\/www.andrewjamespaterson.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":764,"website":"http:\/\/www.vtape.org\/artist?ai=118","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""},{"id":765,"website":"https:\/\/derwatt.bandcamp.com\/releases","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Snowjob<\/i> a \u00e9t\u00e9 con\u00e7u comme un essai brut, mais cependant m\u00e9ditatif, sur l\u2019assujettissement du langage verbal \u00e0 la domination visuelle et sonore si caract\u00e9ristique des vid\u00e9os t\u00e9moins depuis la fin du XXe si\u00e8cle. Elle critique la s\u00e9paration mensong\u00e8re entre les corps, les technologies, les images et les sons, tout en f\u00e9tichisant l\u2019\u00e9cran de veille qu\u2019on l\u2019on d\u00e9crit par le mot snow<\/i>. <\/i>","synopsis_en":"Snowjob<\/i> was conceived as a visceral yet meditative essay on the subjugation of verbal language to visual and sonic domination so characteristic of the videotapes witnessed toward the end of the 20th century. It critiques false separations between bodies, technologies, words, images and sounds, while itself fetishizing that great video standby described by the word \u2018snow\u2019.","premiere":{"id":0,"fr":"","en":""},"cta_en_ligne":{"fr":null,"en":null},"disciplines":null,"subtitles":null,"tags":null,"video":null,"artsfilm":null,"directors":[{"id":4094,"first_name":"Andrew James","last_name":"Paterson","artist_name":"","company":"","function":"","biography_fr":"","biography_en":"","filmography_fr":"","filmography_en":"","image":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1095\/photo\/Andrewpatterson.jpg","order":0}],"generic":[{"id":8168,"first_name":"Michael","last_name":"Balser","post_fr":"Image","post_en":"Cinematography","order":1,"post_order":64},{"id":8610,"first_name":"","last_name":"VTape","post_fr":"Distribution","post_en":"Distribution","order":6,"post_order":69},{"id":8173,"first_name":"Michael","last_name":"Balser","post_fr":"Montage","post_en":"Editing","order":2,"post_order":43},{"id":8167,"first_name":"Andrew James","last_name":"Paterson","post_fr":"Production","post_en":"Production","order":4,"post_order":4},{"id":8171,"first_name":"Michael","last_name":"Balser","post_fr":"Production","post_en":"Production","order":5,"post_order":4},{"id":27926,"first_name":"Andrew James","last_name":"Paterson","post_fr":"R\u00e9alisation","post_en":"Director","order":1,"post_order":2}],"image_principal":{"url":"https:\/\/zonefestival.com\/document\/fifa\/2\/film\/1095\/photo\/Andrewpatterson.jpg","credit":"","desc":""},"images_poster":null,"images":null,"sections":[{"id":22,"title":"FIFA Exp\u00e9rimental"}],"programs":[{"id":172}],"partners":null},{"id":1096,"edition":{"id":2},"career_fr":"","career_en":"","embed":"","title_selected":"Eating Regular","title_original":"Eating Regular","title_fr":"","title_en":"","year":2004,"length":480,"website":[{"id":766,"website":"http:\/\/www.andrewjamespaterson.com","type_id":1,"type_1":"Site officiel","type_2":"Official website","description":"","embed":""},{"id":767,"website":"http:\/\/www.vtape.org\/artist?ai=118","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""},{"id":768,"website":"https:\/\/derwatt.bandcamp.com\/releases","type_id":0,"type_1":null,"type_2":null,"description":"","embed":""}],"countries":[{"fr":"Canada","en":"Canada"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"languages":[{"fr":"Anglais","en":"English"},{"fr":"","en":""},{"fr":"","en":""},{"fr":"","en":""}],"synopsis_fr":"Eating Regular<\/i>, vid\u00e9o command\u00e9e par Trinity Square Video en collaboration avec EAT en r\u00e9sidence, porte sur l\u2019alimentation en tant que rituel, geste et habitude. Elle pr\u00e9sente des mangeur\u00b7euse\u00b7s normaux\u00b7ales ou \u00ab ordinaires \u00bb, et leur fa\u00e7on de s\u2019adapter ou non aux traditions et aux pressions sociales. Eating Regular<\/i> fait allusion au modernisme par son d\u00e9ploiement de dessins Photoshop assez pr\u00e9cis, sa bande sonore originale et son portrait de l\u2019artiste en homme solitaire.","synopsis_en":"Eating Regular<\/i>, commissioned by Trinity Square Video in conjunction with the EAT residency, is about eating as ritual, performance, and habit. It essays 'regular' or plain eaters, and how they may or may not adapt to social mores and expectations. 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Elle comprend un texte clignotant et des repr\u00e9sentations graphiques in\u00e9dites, le tout accompagn\u00e9 de deux s\u00e9quences tir\u00e9es de la vid\u00e9o Snowjob <\/i>(2001). L\u2019artiste remercie feu Michael Balser pour l\u2019image \u00e9chantillonn\u00e9e du globe tournoyant, encercl\u00e9 du mot AIDS<\/i> \u00e0 r\u00e9p\u00e9tition.","synopsis_en":"Aids Has Not Left The Building<\/i> was originally made in response to a call for submissions for brief, projected media works to be shown during Gay Pride Week and on Pride Day. It comprises flashing text and original graphic images, along with two sampled sequences from the 2001 videotape Snowjob<\/i>. 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S.A.P. est une nouvelle galerie d\u2019art \u00e9nigmatique, que deux jeunes hommes, G & H, visitent. G & H, tout comme leurs amis F & J et un aimable ma\u00eetre d\u2019h\u00f4tel, sont audibles, mais invisibles. Ce qui appara\u00eet, ce sont les \u00ab tableaux \u00bb expos\u00e9s (les graphismes et les dessins Photoshop personnels de l\u2019artiste).","synopsis_en":"The Enigma of S.A.P.<\/i> is an almost ten-minute non-camera videotape set in a visual arts milieu. S.A.P. is a mysterious new art gallery, and two gentlemen (G & H) are checking it out. G & H, as well as their friends F & J, and also a very genial maitre\u2019d, are heard but not seen. 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Entre les s\u00e9quences de g\u00e9n\u00e9riques du d\u00e9but et de la fin, elle compte 12 sections qui contiennent toutes le nombre 26. L\u2019ensemble de la vid\u00e9o comprend sept po\u00e8mes de 26 mots qui parcourent tout l\u2019alphabet, le premier commen\u00e7ant par un A<\/i> et le dernier, par un Z<\/i>. Il y a aussi cinq s\u00e9quences de 26 trames de 26 images, une allusion au traditionnel montage image par image.","synopsis_en":"12 x 26<\/i> is a structuralist videotape. Between the front and rear title sequences, it consists of twelve sections, all involving the number twenty-six. In the body of this videotape, there are seven twenty-six word poems beginning with an \u2018a\u2019 word and then running through the alphabet and concluding with a Z<\/i> word. 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Au d\u00e9part en noir et blanc, le film a \u00e9t\u00e9 transf\u00e9r\u00e9 sur un mini DV et soumis \u00e0 une transformation d\u2019image. Un performeur avance vers une statue \u00e9rig\u00e9e dans un parc du centre-ville de Toronto, m\u00e9taphorisant \u00e0 la fois l\u2019ambition et l\u2019orgasme. Le troph\u00e9e, convoit\u00e9 et embrass\u00e9 avidement par l\u2019interpr\u00e8te, est certes phallique, mais il a aussi des ailes. Trophy Life<\/i> joue la pr\u00e9sence physique contre l\u2019attirance d\u2019un monteur pour l\u2019abstraction.","synopsis_en":"Originally shot in black and white as a commission for Toronto\u2019s annual 8fest in 2009, Trophy Life was transferred to Mini-DV and subjected to image processing. The performer advances toward a statue resting in a downtown park. Trophy Life literalizes both ambition and orgasm. The trophy, breathlessly coveted and embraced by the performer, is certainly phallic but it also has wings. 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Cette vid\u00e9o documente un \u00e9tat d\u2019esprit particulier, propre \u00e0 l\u2019automne 2012. Elle est constitu\u00e9e de trois monologues. Il n\u2019y a pas de musique, l\u2019artiste pr\u00e9f\u00e9rant, \u00e0 cette occasion, \u00e9viter le m\u00e9lodrame.","synopsis_en":"Passing<\/i> was made in reaction to both the sudden passing of a close friend and to the absurdity of the looming end of the world according to the Mayan Calendar. This video documents a particular zeitgeist peculiar to the fall of 2012. Passing<\/i> consists of three monologues. 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Constitu\u00e9e d\u2019images fixes compos\u00e9es dans Windows Movie Maker, elle reproduit \u00e0 r\u00e9p\u00e9tition le mot ET<\/i> contre des arri\u00e8re-plans monochromes. Le texte et les arri\u00e8re-plans changent de couleurs, introduits au moyen de fondus pix\u00e9lis\u00e9s qui, \u00e0 leur tour, introduisent des couleurs secondaires (et autres), l\u2019ensemble cr\u00e9ant davantage d\u2019abstraction.","synopsis_en":"NARRATIVE<\/i> is an experimental video reflecting interests in colour-field abstract painting and language. It consists of still images, composed in Windows Movie Maker, involving the recurring word \u2018and\u2019 set against monochromatic backgrounds. 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